Giuseppe Verdi: Nabucco

Giuseppe Verdi: Nabucco
opera in 4 acts on a libretto by Temistocle Solera
premiered on March 9, 1842 at La Scala in Milan.
George Gagnidze (Nabucco)
Rubens Pelizzari (Ismaile)
Rafal Siwek (Zaccaria)
Susanna Branchini (Abigaille)
Nino Surguladze (Fenena)
Elena Borin (Anna)
Paolo Antognetti (Abdallo)
Nicolò Ceriani (Gran Sacerdote di Belo)
Musical direction: Daniel Oren
Choir direction: Vito Lombardi
Verona Arena Orchestra
Staging & Costumes: Arnaud Bernard
Verona Arena Choir
Decoration: Alessandro Camera
Lighting: Paolo Mazzon

[@lrinconrubio]

Meraviglioso e bellissimo!!!!!!

[@ondrejmejsnar9284]

0:45 - arrival of conductor 1:30 - sinfonia 8:04 - coro d'introduzione 13:00 - cavatina di Zaccario 17:14 - Ismael comes on scene (Allegro - 11) 17:59 - Zaccario "Come notte" (Allegro - 13) 19:47 - Recitativo e terzettino (Abigaille, Fenena ed Ismaele) 21:38 - příchod Abigail a vojáků2 27:06 - Coro 28:39 - Finale 30:38 - Nabucco v chrámu 32:34 - začátek ansámblu + sbor 35:13 - (Allegro - 45) Nabucco 35:54 - Ismael zachraňuje Fenenu 38:57 - DRUHÉ JEDNÁNÍ 42:40 - árie Abigail ("Anch'io dischiuso un giorno" / "I já jsem kdysi otevřela své srdce štěstí") 46:16 - příchod Baalova velekněze 47:42 - árie Abigail ("Salgo già del trono aurato" / "Už nastupuji na zlatý trůn") 49:33 - druhý obraz, Zachariáš 54:55 - Coro di Leviti 55:50 - sbor Il maledetto - téma z předehry 57:37 - příchod Anny, Feneny a Zachariáše 1:02:37 - Nabucco se prohlašuje bohem 1:04:29 - "blesk" - trest pro Nabucca 1:05:12 - zešílení Nabucca 1:08:30 - TŘETÍ JEDNÁNÍ 1:14:00 - příchod Baalova velekněze (recitativ) 1:16:55 - duet Abigail a Nabucca 1:19:20 - Nabucco oznamuje Abigail její totožnost otrokyně 1:20:15 - Andante (15) árie Nabucca '("Oh di qual onta aggravasi questo mio crin canuto" / "Ach, jakou hanbou musí trpět má stará hlava") 1:29:28 - Va, pensiero 1:35:44 - ČTVRTÉ JEDNÁNÍ 1:41:22 - proroctví Zachariášovo 1:45:09 - správný začátek 4. jednání

[@1968KWT]

Thank you! 🙏

[@MrHenriquehenrique]

SUPERB

[@camilomarks5616]

I have never been in the Arena di Verona and probably will not be able to go to that glorious place for the rest of my life. However I congratulate the artists, conductors, filmakers who make posible to watch these gorgeous productions at home.

[@starman7243]

Bellísimo, un gran espectáculo.

[@georgesimonovici1067]

O mare bucurie! O mare sensibilitate, un medicament pentru suflet!

[@lightspeed174]

This is a wonderful production. A real treat. The singing is outstanding and so is the staging. I just hate when an opera is modernized. No mater how good the singing is, that just messes up the whole opera. This is how it is meant to be. You can all be very proud. I know Verdi would be. Doesn't get any better than this. Than you so much for uploading this for all to enjoy.

[@jackhamm1745]

"I just hate when an opera is modernized." Really? "This is how it is meant to be." Is that so? Nabucco is set in ancient Babylon. This staging sets it in the mid 19th Century. I'd call that quiet a substantial modernization.

[@mianom]

How can you "hate" modern staging and like this? Verdi intended the staging and costumes to be from 587 BC.

[@joshuamclean4588]

@@mianom It isn’t bad, but I would have liked to see it how it was intended also.

[@myyord7963]

​@jackhamm1745 Actually, it's not "mild" if it is thousands of years apart... He is right - the events belong to their own time, and substitutes don't add value to the performance.

[@myyord7963]

That's 100% correct.

[@AB-rx6no]

Grazie Italia

[@maysunmaysun]

I love it🎉 thx a lot for sharing❤

[@gianlucamattei264]

Condivido perfettamente la visione registica scenografica del regista arnault Bernard Chi ha deciso di porre l'accento registico del Nabucco in ambito e in epoca risorgimentale condivido perfettamente la sua visione al 100% un Nabucco ottocentesco più risorgimentale e meno biblico condivido perfettamente la sua visione risorgimentale una regia capolavoro❤❤❤❤❤❤sublime kollossall 110 e lode complimenti al regista

[@malsainz2036]

Great

[@ufukgoksu9851]

beautiful

[@albertlee1255]

WONDERFUL Thanks GOD BLESS.

[@israelbenari5814]

Magnificent!🙏

[@BravoMike14]

Merci pour cette belle interprétation.

[@yaelpalombo4093]

👏👏❣️

[@Freddy1428]

that was NABUCCO of the 95th opera festival of 2017 right? I was there and saw it. ;-) Greetings from Austria - the country of the bad boys in this version. ;-)

[@joaquimlechat4124]

J'ai vu la version de 1971, c'était Nabucco. Là, c'est de bons chanteurs dans un spectacle abominable

[@AB-rx6no]

N'importe quoi. Votre commentaire est abominable.

[@myyord7963]

This opera deserves time accurate costumes! ​​No excuse for those "domestic improvers" discarding genius' intent. It's like painting over the Mona Lisa ...to modernize it (if you let them they'll do it).

[@wotan10950]

Wait a minute - I attended a performance of Nabucco in July 2022 at the Arena di Verona. Is this a film of that performance? That would be amazing!

[@mianom]

Why make this production look like Verdi's time instead of 587 BC?

[@myyord7963]

Beautifully done, very colorful and grand. But oh boy - this time segment, modernization and costume mismatch is a buzz killer.

[@wawa-p5d8s]

8:39 11:30 15:18 27:50 32:36 37:44

[@pedrodebreix3834]

What the hell is this World War I-style characterization? This opera is about ancient Hebrew civilization!

[@Dylonely_9274]

1:29:29

[@talalali5990]

انه تشويه للاوبرا الاصلية... كيف يأخذون اسم اوبرا نابوكو ويضعونه لموضوع آخر... .. لان القصة الاصلية تتحدث عن الملك نبوخذنصر

[@marcostacca5435]

La regia fa acqua in più di un momento…

[@Danielsousa-zp5kq]

49:34 cello solo

[@PABLOGARCIA-gb5ih]

1:08:10 ??

[@Dylonely_9274]

42:39

[@thefarsideofforty4012]

Portraying the Hebrews as Catholic????? Whaaaaaaaaaaaaaaat?

[@Gabryella2010]

this doesnt look like babylon

[@ApoloCalistenes]

Pésimo servicio...

[@josepacifico-mc9pr]

TERRIBILE!!!!!!... POVERO VERDI!!!!... MENO MALE CHE NON C'E IN QUESTO MONDO...POVERO VERDI

[@Dylonely_9274]

1:49:58