Bela Bartok - Contrasts for Violin, Clarinet and Piano, Sz. 111, BB 116 (1938) [Score-Video]

[@이정섭-v4q]

1악장 A : 1~9마디 0:05 ~ 0:29. 16~25마디 0:43 ~ 1:12 B : 30~37마디 1:26 ~ 1:54 45~50마디 2:13 ~ 2:31 A’ : 57~73마디 2:51 ~ 3:43. 85~ 끝 4:20 ~ 5:40 2악장 A : 1~5마디 5:43 ~ 6:06. 17~28마디 7:01 ~ 7:55 C, CODA : 36~38마디 8:51 ~ 9:19 39~41마디 9:22 ~ 9:42 47~끝 47~51마디 10:11 ~ 10:32 3악장 A : 1~43마디 10:55 ~ 11:29 59~93마디 11:45 ~ 12:12 B, A’, CODA : 130~135마디 12:45 ~ 12:57 149~153마디 13:46 ~ 13:59 165~175마디 14:50 ~ 15:15 187~205마디 15:23 ~ 15:37 바이올린 카덴차 15:42 ~ 16:18 297~끝 마디 17:43 ~ 18:01

[@remomazzetti8757]

Pure genius from first note to last. The first recording with Bartok, Goodman, and Szigeti is extraordinary.

[@andrewpenny4984]

Is it the one on “Bartók At the Piano 1” or “Bartok plays Bartok”? Or maybe it is the same recording…

[@yoavserfaty7869]

I. Verbunkos (Recruiting Dance) - 0:04 II. Pihenő (Relaxation) - 5:41 III. Sebes (Fast Dance) - 10:54

[@WilfriedBerk]

@George N. Gianopoulos The Ensemble Incanto was founded in 1988 during the Messiaen Festival in Hannover. Michaela Paetsch Neftel plays the Violin; she was born in 1961 in Colorado Springs. Ralph Manno plays the Clarinet; he was born in Bruhl, Germany, in 1964. Liese Klahn plays the Piano; she was born in 1955 in Höxter. In this album they cover Pieces from Darius Milhaud, Béla Bartók, Igor Stravinsky, and Aram Khachaturian.

[@fstover5208]

I've performed this several times. One of my favorite trios.

[@adigozelov-enjoyer]

Bartók's later works are so beautiful....

[@roytee3127]

My father's a retired clarnetist. I remember him practicing this piece when it was contemporary and I was young enough to absorb it like a sponge. Being a young tyke, I was especially taken with 15:32

[@cobrastriesand7693]

My mother choreographed a dance to it, before I was around, but she would play the record, and I would and still do imagine her dancing to it when I hear it. We are so fortunate to be able to know our parents in part through their artistic pursuits.

[@premanadi]

This was one of the first classical pieces I heard as a child, on the car radio. I was hooked from the very first bars.

[@dacoconutnut9503]

10:54 danse macabre by Saint S... no wait

[@didierschein8515]

Yes, but there are some typical transylvanian chords.

[@slateflash]

I love that clarinet run at 2:09

[@ruslan.denshaev]

Magnificent work. Especially this serene timbre effect in the second movement (9:28)

[@georgioskaragkounis8476]

Amazing recording!

[@ZapDal]

Amo a Bartok.

[@hannamisurak5427]

Fantastic piece, very well played!

[@temoindubal]

9:32 I love the musical blend in the 6/4

[@Tom_239]

I like the (sic!) notation for the clarinet at 4:04.

[@Sujkhgfrwqqnvf]

What means that? MAybe that clarinet cannot play the low note?

[@Tom_239]

@@Sujkhgfrwqqnvf It's within the range of the clarinet. I think it's marked with sic because its dissonance may seem out of place in a dolce phrase. The violin plays G and C while the clarinet plays a semitone lower (F# and B). This is a clarinet in A that sounds a minor third lower than the written notes.

[@johndcispotify4499]

Amazing

[@Animatronicity]

A comment (maybe on a previous upload of this video) said that the performers were Ensemble Incanto. The group do have a recording of this piece, but I have not been able to listen to it to determine whether they were the performers.

[@paulpomme2502]

Ensemble Incanto ; I checked. I don't know why my comments are deleted !!?

[@정유찬-d8z]

0:40 1:01 1:08 10:54 11:07 11:18 14:50 15:08 15:20 15:34 16:53 17:02 17:12 17:21 17:35

[@barucharbel2612]

Performers (from Shazam): Ensemble Incanto

[@efun1234]

Some bartok sounds like ligeti, the ither like dohnanyi.

[@williamrappaport9203]

Piheno means rest, like the kind of rest from traveling.

[@paulpomme2502]

Ensemble Incanto ; I checked. I don't know why my comments are deleted !!?

[@doartoradea]

12:45 🤯

[@TempodiPiano]

Les passages les plus jolis font penser à Poulenc.

[@paulpomme2502]

ils sont contemporains, mais bon, sur l'île déserte j’emmène plutôt Bartok lol.

[@dottorechi9356]

11:36

[@emilianoturazzi]

performers?

[@shivani-peachypictures]

Bruh Naice.

[@gerardbegni2806]

For sure, this work is not at the same level than the sytring quartets, but its objective is not the same. It aims at rendering some authentically hungarian traditional songs and dances, through the media of a violin, a clariinet which is put at the fotefront as a tribute to Benny Goodman, and piano. It is noticaeble that we can hear like an echoe of the transcription of Stravinsky"s "soldier"s tale" for the same instrumental formation, plus the folkloric accent, Straviski's scole being more "universal" while Bartok's is typically folrkloric and national. . All in all, this is not surptsing at all.

[@sneddypie]

this isnt a string quartet

[@beatriceroy753]

@@sneddypie For sure it is not a SQ !! But you can consider that there are seeral styles in Bortaok's music: the most abstract one, with the SQ and for intantce the "Musiic for strings, percussion and celesta"; a less abstarct music with few relatationships with the Hugran flolklore (The Miraculous Mandarin, Piano sonata and violin/piano sonatas, Bleuebard"s castle, all concertos inclluding orchestra concerto) and thoses which are more or less related to Hungarian folklore( Cantata Profana, Divertimento, Contrasts). Thi is an answer by Gérard BEGNI; I'm using my GF's laptop.

[@Qazwdx111]

@@beatriceroy753 GF's account too ig

[@unicorniocom-yy5ic]

12:45