Gordon Matta Clark - Splitting, 1974

[@Iratcliff1]

“To show YOU the power of Flex Tape...”

[@address940]

great ad for sawzall

[@julieshrive3198]

I am beginning to see the light re sculpture/installation sculpture & sensational & subconscious via Rachel l Whiteread ’s House ,Thomas Hirschhorn on pinintrest [Venice Biennale] Mike Nelsons Extinction Rebellion [ Hayward now] & Christou & Jean Claude wrapping the Reinstag .OhYoko - Trafalgar Square s lion .! Imagine ?!

[@oldschoolcollodion]

Cool

[@youknowlucas]

I have something to say about this

[@micromicro9143]

what is it? That you have to say? about this?

[@fraserkeatings599]

@@micromicro9143 Lucas is scared to share

[@awizard9835]

lucas we are dying to know

[@user-yk1cw8im4h]

who cares

[@youknowlucas]

I think that all houses look better when we let the world see them from the outside looking in. How hard is it to break open a house, even one thats been abandoned and set to be demolished? We can see it on the artists face in real time with every crank required to tilt the house back even the slightest imperciptible degree. It is an American drawing in the truest sense. Here we see these structures for what they truly are, by breaking apart the foundation and splitting the boundary between suburbia and the natural world, the sun can shine once more in a condemned and soon to be torn apart house. Splitting is life made from death because for a minute that single bedroom home, the hollowed out and casket of memories, means something once again to us even 50 years later.