Message to beginner players! As an Advanced player I can tell you 100pct. Stick with this channel! You don't want to get to an advanced level of playing,but still be missing some Very important stuff.Follow this Great teacher, and you'll be Happy you did.I'm glad I found your channel today.Excellent stuff. Grazi!
@fabiorodrigues35314 жыл бұрын
Diminished 7 chords work like a portal to wherever you wanna go.
@julietgarcia61014 жыл бұрын
Wanna go to another dimension
@eboone3 жыл бұрын
that’s why I call them portal chords
@danielpianovoice4 жыл бұрын
Even if I'm a pianist, this lesson clarified many unknown theory to me. Really many thanks
@afxmnstr4 жыл бұрын
He apologized for it not sounding jazz yet. He is a treasure
@roccoharris4 жыл бұрын
hahaha!!
@Arenow4 жыл бұрын
Damn, you made me understand something I've been perceiving but not entirely grasping for so many years. This is gold. You sir are a great teacher.
@christopherecatalano Жыл бұрын
This channel opens up so many possibilities, and allows players to pick and choose musical concepts they can integrate with rather than stolidly try to shoehorn into the musical path they may already be on. It’s a truly creative (but musically sound) approach to adding new colours to the harmonic pallet. Thank you.
@fivetimesyo4 жыл бұрын
Tommaso, there are not enough hours in the day to apply everything that I have learned from you. Thank you!
@TedBoyRomarino4 жыл бұрын
Agreed. He's as talented as a teacher as he is as a musician. Seems to be a super nice guy as well
@themellowpea4 жыл бұрын
Good thing learning lasts a lifetime!
@commentfreely54434 жыл бұрын
C D- E- F G A- Bdim C A B C D E [b7] secondary doms C- Ddim Eb F- G- Ab Bb C parallel minor [borrow b3 b6 b7] simples
@PhilAlexander4 жыл бұрын
I love how instrumentally transferable the information this guy provides is
@billgrabbe99924 жыл бұрын
One very small quibble - this presentation offers the mechanical "how", without the theoretical "why". Bdim resolves to C BECAUSE Bdim is the same notes (minus the root note G) as G7flat9. G7flat9 functions as a dominant chord G7, which naturally resolves to a C chord. This lesson presents a slight variation of an "authentic" cadence (V - I), perhaps the most common progression in Western music.
@SpiralFlip4 жыл бұрын
That's very good to know, thanks for sharing
@cokecl4 жыл бұрын
Great insight!
@davidmoody32404 жыл бұрын
@@SpiralFlip 9has g
@BatDroppings4 жыл бұрын
That explanation kinda leaves more question... Saying G7 naturally resolves to C is like saying what he said that the dim wants to resolve to the note half step above it. Isn't the dim represent pretty much the 7th degree of major so it want to resolve to root or it's relative minor? Or is it that flat 5 that is pulling your ear to that major/minor sound? I'm not dissing your explanation, I'm seeking more clarification to understand it better. Is there a formula for its proper use or is it just a straight forward knowing which chord it resolves?
@jerryengelbach4 жыл бұрын
@Bill Grabbe: Exactly right, as every jazz musician knows. A dim 7 chord is the 7 b9 extension of a dominant chord whose root is 1/2-step below.
@groovinhooves3 жыл бұрын
That C°7 can also transform to B7, D7 (third inversion), F7 (second inversion), or A-flat7 (first inversion). One will see that the moving tone does so downward by semitone, forming the root of the arrival dominant. Viz. Chopin op.28/4 for ad nauseam display of this "Conversion Dominant" in action.
@mwdanny4 жыл бұрын
I’ve been playing for 35+ years and I can identify music when I hear it. Diminished, Harmonic Minor etc. I don’t read, I only play by ear and have done a lot with a little. This lesson here, this has explained a whole lot and unlocked things I knew to be true from listening to Wes Montgomery, Charlie Christian etc....but could never quite get under my fingers. Thank you. This was the best, most easily explained lesson I’ve ever had and I feel weird that I didn’t pay you.
@bordonbert4 жыл бұрын
This is great practical teaching. I don't mean the content though that is very interesting and really helpful, I mean just one simple point. I would guess from that lovely rolling accent that English isn't your first language? Like so many good foreign English speakers you have spent time bothering to get your grammar to a level better than most native English speakers. That's the forgotten purpose of grammar, it isn't there as a random "rule", it makes what you say crystal clear and unambiguous. I also noted that all of the spelling in what you needed to write was spot on too. I take my hat off to you. Your lesson was more easily and comfortably followed and taken on board because of that simple thing. No "DOODS!". No "FAR OUT MAN". And every single sentence did NOT start with "So" and contain at least three "like"s. Count me in for more of this.
@enriquesanchez20014 жыл бұрын
Albert: I am so gratified to hear someone mention the ubiquitous and supremely annoying use of "SO" at the start of every sentence; as if it were some kind of crutch speakers must seize upon to make them grab your attention. Thank you from the bottom of my diaphragm!
@paulengland54744 жыл бұрын
Don’t forget the use of ‘Look....’ when authority figures are being questioned.
@timsmith1903 жыл бұрын
@@paulengland5474 I love the "Look". It signals they have run out of standard bullshit and may be forced to stop talking soon. Look, Like and So; good grief....
@georged91943 жыл бұрын
So has so become the new like like?
@bohnulus3 жыл бұрын
Hi albert!!!!!!!, I couldn't agree more.... his clarity of vernacular, diction and vocabulary put a picture in my head like a rocket going the crystal clear conceptual moon!!!!!!!!! his rhetoric is genius!!!!!!!!!! more please!!!!!!!
@supaslo88404 жыл бұрын
nothing better than finding a new video on youtube thats super helpful. thanks man!
@intervalkid4 жыл бұрын
The fact that ANY chord from a modulation can have secondary function (as converse to primary function - Ddom7 being of the primary function of ii in C while in secondary function with temporary tonic of Gmaj it is the V) for this integrity and extrapolationally as I have said to leave room for the hd7 built on the 5th of the temporary tonic coming from the definitive minor as secondary, we should call these "leading diminished chords". Oh and thanks! I never thought about using them in arpeggios for lead.
@Maxodex4 жыл бұрын
i'm amazed at how _all_ the diminished chords you placed in between the base chords in the progression sound good and cohesive, i was completely expecting the new progression to sound all convoluted. great video!!
@MusicTheoryForGuitar4 жыл бұрын
It's the magic of voice leading :-)
@DangKhoaGuitarist4 жыл бұрын
Thank God, I found your channel, superb bros
@jacquesguitars4 жыл бұрын
Bravo! Music theory is usually incomprehensible (because the teachers are unable to imagine what their pupils know and do not know). This looks very well done.
@dr_tomK4 жыл бұрын
Tommaso. This is by far and away, the BEST explanation of diminished chords and their uses that I have ever come across. I'm definitely going to check out your course. Thanks for this video!
@talibont14 жыл бұрын
Althought I am a keyboarder I am stunned of your very good explanation of this harmonical sruff. Many thanx 🙏
@juncarlocarao34394 жыл бұрын
me too..
@keykrazy4 жыл бұрын
me three.. Moreover, it's nice how when a *guitarist* discusses a bit of theory framed in such a way as to be accessible to musicians in general (i.e., to *keyboardists* too); what then comes through is the real technique, the true practicality of that little gem of knowledge.
@hassaanbangash42944 жыл бұрын
@@keykrazy well said, I agree
@eamonnw4 жыл бұрын
me too, im a longboarder and im gonna try and apply this next time im on a wave
@jessemontano63994 жыл бұрын
Quickly becoming one of my favorite teachers... Thanks duder
@vj4984 жыл бұрын
He's taking what I already know and adding to it in such a clear, well-explained way. Very nice.
@mononoaware19604 жыл бұрын
I can’t stress enough how grateful I am I found this channel. This is what the internet was made for, thank you for your work. Always immediately applicable to the guitar.
@brosandimusic4 жыл бұрын
broooooooo this just opened so many doors for me, i listen to a lot of classical and i have always heard progressions like this but never really understood the relation. so thank you for this! subscribed instantly!
@rva113 жыл бұрын
I waiting a long time for such a straightforward and useful example. You are an extremely knowledgeable and gifted teacher. Thank you
@thegermantomoeser4 жыл бұрын
A few days ago I discovered the diminished ones - better: discovered them for me. They expand the possibilities quite nicely and what I play finally sounds interesting again - for me. Keep making these nice lessons!
@GinoGenero4 жыл бұрын
Perfect clarity, perfect pace. You are an outstanding teacher.
@Donkeypuncherello88 Жыл бұрын
Finally someone explains secondary diminished chords in a way that I can understand! Thankyou
@guitarmemoir4 жыл бұрын
What an excellent lesson. Concept lessons like this save me so much time. You have saved me a ton of time over the last couple of years. If I am ever in Edmonton again, lunch is on me. Maybe two lunches. I already owe you one for the note memorization lesson. Thanks man.
@harrisonbrand89854 жыл бұрын
the dim 7 a step below the V chord will always be one of my favorite sounds :)
@johnmiller74664 жыл бұрын
I have been on the brink of realising this concept for a while. You crystallised my understanding so much. Thank you.
@andszer30974 жыл бұрын
Super clear steps, thanks! Classical pianist / teacher here. Gonna use this for my non-classical students who explore chords and improvising.
@imfobk4 жыл бұрын
This is awesome. Been studying songwriting for years. So anything to help me get the sounds in my head onto a track or paper faster is amazing. Thank you.
@Kittys-Music4 жыл бұрын
I’m a sax player and I really enjoyed the tutorial. Thanks! 👏
@geronimodiaz23104 жыл бұрын
This concept is so deep and simple at the same time, only a Profesor can tell You something like this, brings balance to the color / resolution/rest/ notes, thank you Prof. This is the very key!
@alfiesolomon35314 жыл бұрын
Finally someone explained this in a very approachable way, i finally know what to do with this arpeggio. Thank you Tomasso
@conciliator64404 жыл бұрын
Thanks for this, not a guitarist but I'm OBSESSED with diminished chords and how to use them and this gave me lots of inspiration, especially the idea about dim7 chords resolving to any chord who's root note is a HS above any of the notes in the diminished chord...got a sub from me
@jackarouu82844 жыл бұрын
The best explanation of dim7 chords Ive seen. I play a lot of II-V-I jazz chords around the neck. Your technique (or trick) is a different approach for the same effect.. Thanks.
@deanrussell59014 жыл бұрын
Diminished chords was always a mystery to me you just explained it very well. Thank You!
@bhills4 жыл бұрын
I'm learning piano (specifically jazz and gospel) and this has helped me tremendously!
@picksalot14 жыл бұрын
This may be the best video I've seen on how to use Diminished Chords - Easy to understand and use right away. Excellent lesson! I'll definitely be watching more of your videos. Thanks
@Ksrwilhelm4 жыл бұрын
Diminished chords can also be used to lead into a dominant chord like this: Lets say you are in the key E minor and end up on a F#° (F#-A-C-Eb). From there you could drop the C down one H.S to B, giving you the chord B7 in second inversion (F#-A-B-D#, note that the diminished 7th Eb is effectively the same note as D#), which can then lead back to Em (or E if you so wish). This is basically a good ol' 2-5-1. But because the original F#° is a "symmetrical" chord, you could view any note therein as being the base note - it is effectively the same chord as C° in second inversion (Gb-Bbb-C-Eb). Let's perform the same operation here as before, except this time moving the F#/Gb down one H.S to F, which yields a F7 (F-A-C-Eb), which gives a 2-5-1 to Bb, major or minor. Modulating from E minor to Bb minor is pretty spicy though, so idk how useful it is :^P tl;dr: Moving any note in a diminished chord down a H.S produces a 7th chord, which could be used as a dominant. To be fair, this accomplishes the same thing as was demonstrated in the video, just with more steps ;^) (and more oriented towards modulation). Also, sorry for using double flats.
@MusicTheoryForGuitar4 жыл бұрын
Agreed, and I believe this is similar to what I explained in this video: kzbin.info/www/bejne/Y6q8Xnh8ipecoZY Thanks!
@thomas.j.s4 жыл бұрын
hey, you used double flats correctly, & that’s what counts
@charllamprecht73254 жыл бұрын
Thank you! Nicely explained - dropping any note in the dim7 chord a semitone creates a dominant 7th, just like that!
@blankfrancine3 жыл бұрын
I don't even play guitar, but I have learned so much from this series! Excellent teacher!
@rodrossguitarlessons46932 жыл бұрын
Thanks for a brilliantly explained video! After watching it , I discovered that these diminished 7th chords can sometimes also connect to chords 1/2 step below as in the song Private Investigations by Dire Straits ie E diminished 7th to A minor chord.
@hizaleus4 жыл бұрын
Great lesson. I knew how to use diminished seventh chords in a few progressions (like IM7, I#dim, IIm7) but did not know that simple rule of how diminished chords resolve. The excellence of this video has prompted me to consider your courses, when I have the money and time to devote to them.
@spokeskeys6238 Жыл бұрын
You just opened a whole new area of the left hand of my 120 bass accordion and I haven't even thought about it in like a month. After a little while I can now construct nice chord progressions using the 7th diminished chord. Thanks so much!
@MusicTheoryForGuitar Жыл бұрын
Never I would have thought about the accordion left hand... but I'm glad this helped!
@AJPMUSIC_OFFICIAL Жыл бұрын
Love this idea, great for transitioning across the fretboard during leads, and has that lovely classical sound.
@SgtPowell4 жыл бұрын
Thank you! Your ability to break down complex musical concepts clearly and practically is truly a gift.And your accent is delightful. Thank you for making the internet a better place.
@MusicTheoryForGuitar4 жыл бұрын
Thank you! 😃
@doretteroach35762 жыл бұрын
I listen to many people explaining the diminished 7th chords I got discouraged because I couldn't understand them. But you did such a great job I can explained it to any one now thank you . keep. up the good work. God blessed you.
@warnerbroken89734 жыл бұрын
You are an excellent teacher. The way you present everything is so effective. Can't thank you enough.
@thedonabides22184 жыл бұрын
That was awesome video production work you did on this lesson. I love how you visually tie what we're hearing to what you wrote out on the board. The speeding up the writing is a brilliant tactic and helps to keep the focus on grasping the concept and not waiting for long hand writing out. Subscribed
@skashalvarez37704 жыл бұрын
Following your lessons really helped me to differentiate m7(b5) and diminished chords. Also, where and how to use the diminished chords. I wish you did an example of this above the basic and simple examples! Like the next 2 levels type stuff!!
@wolfsdenmusic9404 Жыл бұрын
I can't tell you how much I appreciate your teaching method. You get right to the heart of things with clear explanations, but also still pleasant to watch/listen to. Thank you!
@sunaii_off Жыл бұрын
Man this is exactly what I was looking for! Thank you 🙏🏼
@danmonaco77184 жыл бұрын
Thanks for sharing. Very cool simple way to add a lot of color. One of the things I like about diminished chords is the revoicing is automatically inverted just by sliding up every 3 frets. So you don't have to think about it. Same with augmented every 4 frets.
@rva114 жыл бұрын
This is both the clearest explanation and the most easy to apply that I have found after much looking. My search is done. Thank you!! Liked, subscribed, and instant fan.
@timsmith1903 жыл бұрын
Writing these ideas on the board is very helpful. You can pause the video then read and think over the concept making sure you understand it before moving on. No wonder this video has almost 500k views.
@friendofbeaver66364 жыл бұрын
+1, Tommaso! Rag-time: C7 F7 C7 A7 D7 G7 C etc., with variations. Slide in a diminished chord or run anywhere you damn please! But, don't overdo it. Just because you can doesn't mean you should.
@cke11164 жыл бұрын
Nice explanation. I'm a keyboard player and this really opens up a new way of thinking (and hopefully sounding) for me. Good stuff.
@hearpalhere4 жыл бұрын
This is extremely useful, you have an instant subscription! Looking forward to watching more of your content. I've been struggling to understand the usage of diminished chords for quite some time and this is the first time I've ever seen it presented so practically that I can make use of it right away.
@nickcluess67484 жыл бұрын
I've been self taught for 55yrs since the age of about 10 & took a lesson here or there but mostly learned by writing my own pieces & working with well schooled musicians & its served me well if not swiftly...but just peeking in on this diminished chord & melody trick I think I've found a true teacher...I'll be back but many thanks in the meantime because now I'm going to play around with this trick!!! thanks nick
@genatzvalee4 жыл бұрын
My first encounter with dim7 chord was when I learned to play Paul McCartney solo ballad "I'm Carrying". It's simple - D, Fdim7, Em7, A7sus4, but this dim chord made it so bright, refined and angelic. It brought a classical touch to it. When I first played it I couldn't believe my ears - sounded so unusual and gorgeous. I think that dim7 is really a nice trick to add a retro, classical, cozy, jazzy flavor, depending on a context. You explained it all in a very consice way, thank you!
@EclecticEssentric4 жыл бұрын
I think this was clearer and more comprehensive then Jens taught it. Thank you very much, again! I think this explains some of the jams from Esther, by Phish (a musically worthy, whimsically lyrical song).
@toneseeker49684 жыл бұрын
I just now found your channel here on youtube. You are amazing! I know only basic music theory, but I actually followed you and understood you every step of the way, and never got lost throughout this great lesson. You explained it so simply, which is a rare thing, unfortunately. Thank you! And, of course, I liked and subscribed, as well...
@christopherheckman53924 жыл бұрын
One of the progressions I discovered on my own is to play the diminished 7 chord on the top 4 strings (mute the other two), then slide up 3 frets, then another 3 frets, then eventually one fret at a time. The first two movements give you a different inversion of the chord, with the effect that the chord sounds the same, but it also sounds like you have moved up in pitch; i.e., you're going somewhere and going nowhere. I usually finish the progression with a dominant 7th chord, which is almost a resolution, then the tonic. Another way to use the symmetry of the diminished 7 was used by John Lennon in "Because" ... The first time, a certain dim7 resolves to one chord, and the second time it resolves to another chord. Modulation by ambiguity!
@floydsmithjr79993 жыл бұрын
This is outstanding stuff. It’s not half as complicated as Ive been led to believe. You just opened up a whole new world for me. Thanks
@michaeldematteis99443 жыл бұрын
Yeah me too.i finally get the concept,there just staked minor thirds
@earlecraft76824 жыл бұрын
Thank you so much for so simple explanation for diminished chords. Thank you !
@ruanof74 жыл бұрын
I am a piano player, you explain theory so simple ! you are a great teacher. Thank you.
@benmalone61393 жыл бұрын
I was looking for a new approach to chord substitution and found your video. Great great work my friend and such good content. I've subscribed
@pedrosabia60694 жыл бұрын
you teach me so much! there's really no way to thank you for all you gave me! you're an awesome human being!
@trossbossmusic4 жыл бұрын
Subscribed half-way through the video. Very well done. I appreciate that it's detailed without sounding either repetitive or overwhelming, a common issue I find on KZbin videos. I look forward to more viewings.
@skmusichouse20243 жыл бұрын
The thing is that the which u teached it directly went into my brain😂😂lots of love for u may God bless you more
@thomasbennett7104 жыл бұрын
Best explanation of diminished phrasing I've heard on you tube VERY HIP thank you
@kaorisax2 жыл бұрын
This is something I've looking for years! What a genius trick, this will help me a lot in my composition
@bohnulus3 жыл бұрын
absolutely the best !!!!!!! This simple yet beautiful piece of musical engineering has fuelled my inspiration!!!!! I absolutely adore your musical mind..... I'm shredding on this for a while....!!!!!!!!
@prod.bycbrown66734 жыл бұрын
As a producer, your videos on chords and different ways to use them are so useful. I will definitely be signing up for your chord mastery course.
@greenphil8884 жыл бұрын
I've been sensing that something is missing in my chord jazz progressions. Now, I discovered something new to add more color to my compositions. Thank you.
@franaddeo65394 жыл бұрын
This video showed up on my feed and I clicked on it before realizing it was for guitar players. I play keyboards. But I watched it anyway. The concepts of theory are the same and I and was able to apply what you said to playing keyboard. Amazing! Thank you. Now I need to check out your other videos. Awesome!
@maxin70363 жыл бұрын
Idk how to appreciate you but if you are reading this message know that you teached my what i exactly want you are a legend❤
@clyderichardson64754 жыл бұрын
This was an excellent presentation of helpful music theory. I look forward to digesting several permutations. My playing will never be the same!
@snehashisnag24114 жыл бұрын
Love your videos. Thank you. One of the absolute best music channels on KZbin
@MusicTheoryForGuitar4 жыл бұрын
Thank you!
@erzloh4 жыл бұрын
Thank you so much it helped a lot! Very clear!
@metubetomuch4 жыл бұрын
I don't play guitar, but your lessons I believe could help with keys too. Really good information.
@PedroSilvaMusic4 жыл бұрын
Fantastic content. Thank you
@Gabriel-xc9bl4 жыл бұрын
This sounds a lot like Barry Harris' bebop theory! He talks a bunch about the three diminished chords and how they all function together. For example each diminished chord can be played over a bass note one note under any of the notes in the chord making it a dominant b9 chord. (e.g. c diminished with a B in the bass is a B7b9) and this resolves to either E, G, Bb or Db as you said. Each diminished chord has 4 possible bass notes to make them dominant b9 chords, he calls these brothers and sisters. You can use them interchangeably and stuff it's pretty cool.
@darkgreenambulance4 жыл бұрын
That is the sort of info that opens windows for those that maybe haven`t experimented enough!
@Gabriel-xc9bl2 жыл бұрын
@broken glass Yes but this is a good place to start for people who hve never done it before because there’s some theory behind it- that’s what theory is for! It’s basically a paved path you can follow but you can also go and make your own paths ya feel? It’s just nice to have some paths to start with
@samlambros26094 жыл бұрын
Great way to simplify and demonstrate diminished chords and leads. Excellent lesson.
@dkainer4 жыл бұрын
You are amazing sir. I play a little bit of guitar but mainly piano/ keyboard. I paused your vid at 7:00 and am about to try this method of resolution. In fact, I don't know any other way to resolve! Thank you for making this keyboard player happy! :)
@tracylewis27654 жыл бұрын
Your tutorials are so helpful. I go back to them time after time. You break things down in an understandable manner, and make them interesting at the same time. I really can’t thank you enough.
@MusicFed4 жыл бұрын
Hi Tommaso. Apart from those 8 possible chord resolutions, a diminished chord can resolve to any major/minor chord using any of its 4 notes as tonic. I think it’s called a parallel chord change. So for instance B dim7 resolving to B minor or for instance G dim7 resolving to G major (for an example of the latter listen to Absolute Beginners by D. Bowie). It’s quite common in popular music.
@jambajoby32 Жыл бұрын
I use this inversely! Like start on the root (say G) and move upwards (G° to A-7)
@tonyleach56144 жыл бұрын
Just stumbled Onto your video today and I have to say this is the coolest video I’ve ever seen! You are an incredible teacher breaking down things to make it so easy to understand. Thank you so much and I will be checking out more videos
@douglasfelsenthal35444 жыл бұрын
This was great - I play the accordion and I'm always looking for interesting chord progressions. In general under the stradella system this would be difficult. But it got me thinking, if I'm playing the chord progression in the and putting the diminished 7 in the right hand. It could be very interesting. What a great idea.
@davecooper3604 жыл бұрын
I can play over changes fairly well but I'm limited in my use of diminished flavors. I know a few patterns but that's it. This is extremely helpful for me!!! Thank you!!!
@phutureproof4 жыл бұрын
My brother from another mother! This is fantastic thank you very much! I rate you up there with Rick Beato to be honest, you're definitely one of my go to resources for new ideas and concepts I can add to my musical pantry! (new ideas to me) Cheers man, all the best. Have a really well deserved sub!
@planetbluefire4 жыл бұрын
Great Video. I am impressed how you are explaining advanced music theory in such an easy way!! You are actually a great teacher. A gift !!!
@shannondelima30284 жыл бұрын
These are surprisingly easy to understand. Very well explained videos. Love the teaching style.
@chanhtran10112 жыл бұрын
Helpful lesson. Great music teacher. Thank You.
@bluejack004 жыл бұрын
Excellent presentation, thank you! I learned this as anticipating a chord by placing its V7b9 in front of it. The term for this is tonicization. 7b9 chords and Diminished chords are defined by their function and how they resolve. Diminished chords resolve to the same root. Ie CDim7 goes to C, or Cm.
@MusicTheoryForGuitar4 жыл бұрын
Thanks! Actually a functional diminished chord resolves one half-step up: a Cdim7 chord resolves to Db or Dbm.
@bluejack004 жыл бұрын
MusicTheoryForGuitar I agree when you use the term “functional” which implies a V7,I resolution. Im thinking IV, #iv dim7, I. Is better thought of as IV, i dim7, I.
@tronlady13 жыл бұрын
One of the best music theory videos on KZbin 🤩. It finally demystified diminished chords for me!!!
@drsteviejasengnsangma87394 жыл бұрын
It's like opening up of the new guitar concepts altogether... superb & awesome!!! God bless you...
@jonschwenneker95844 жыл бұрын
thank you for a wonderful explanation on using diminished chords and possibilities with arpeggios.
@Allthewrongkeys8214 жыл бұрын
Your content is terrific. I like that you have lessons for all levels of students. Ive been viewing a great deal of your content since I found your channel. Some is review for me from university theory classes years ago and some is completely new to me and gives me guidance for improving my playing. Thanks!