Reharmonization & Chord Substitution - Start Here

[@fretjamguitar]

A special thank you to everyone who has supported me on Patreon over the years: bit.ly/3WPvNqY. 15% off annual membership and I'll continue to grow the membership benefits without changing the pricing. Your generous support is a big help and very much appreciated, even if it's a small donation. Thank you and let's keep learning! ❤

[@beachforestmountain4269]

Thanks for explaining this in a way that is easy to understand.

[@adriffstudio3088]

Please explaint the first example in the beginning of this clip (Bm-G#m7b5-Gm7-Am11-C#m9) Thank you.

[@davebowman6497]

I've picked up tons of YT videos on guitar playing, music theory, etc. Five minutes in, I am impressed by the no-nonsence style (No yadda-yadda 3 minute introduction, no "stay to the end for a surprise" etc). Talking tempo is great (but I'm over 60 and grew up with media where you could actually take in what is said and showed). No over-enthusiastic, half screaming voice - just calm and controlled so that viewer concentration can be on actual content. BRAVO!

[@fretjamguitar]

Really appreciate your acknowledgement of that!

[@Andygee1991]

I'm 33, so I'm incapable of understanding what he's saying due to his slow speech.

[@HardcoreOreider]

Finally a new Video from the best teacher on YT

[@alexloda7660]

This is gold when I get my first hit record because of this channel.I'll give you the one point four percent hello

[@fretjamguitar]

I'll hold you to that 😁

[@rigelloar7474]

I wish more musicians would take advantage of their harmonic freedom, but so many are unaware that they could enhance their music with such beautiful colors, and varied moods. I hope that your video will help them to realize the incredible expressive potential that reharmonizations make possible. Well done !

[@fretjamguitar]

That pretty much sums up what I'm aiming at (though we're still in early stages with this video). Thank you.

[@rigelloar7474]

@@fretjamguitar To my ear, the grand master of reharmonization was piano maestro Bill Evans. I recommend his work to anyone interested in harmony. His impressionistic sounds are simultaneously beautiful, mysterious, and paradoxical, like life itself . . .

[@fretjamguitar]

@@rigelloar7474 Absolutely love Bill Evans. Never fails to move me. It's other-worldly. His brother Harry also did some beautiful performances (some are still on KZbin) and you can hear the similarity in the unique way they both approached harmony. Great recommendation!

[@rigelloar7474]

@@fretjamguitar BbMaj7#11 !!!

[@TheObsessionHour]

Very thorough as ever! it is a lot to take in in 20 odd minutes but there are no better lessons on YT - thanks!

[@ItalianSkate]

So happy the best teacher on youtube is back!! Thank you fretjam much love

[@Vospi]

3 minutes in, and, as a music teacher, I can definitely tell you've put your heart into it. Lovely work. Gonna follow along and see how you present the harder stuff. So far, it's very concise yet effective. Good luck in the future!

[@TauiTV]

He’s been doing this for yearsssss. Check out the website!!

[@riffster4264]

The greatest 🎸 teacher on YT. Period

[@riffmondo9733]

I have used this idea by what my ears heard but having it mapped out and explained was very helpful. Thanks.

[@waynejansen1221]

Are you as lazy as me? I’m too busy with my practicing execution instead of pencil and paper practicing. I stumbled across the 1/2 page “Chapter” in Ted Greene’s book called “ Chord Chemistry” about 30 years ago. It’s titled “Fundamental Harmony “. It’s 1/2 page long in a book with at least 75 pages of small chord diagrams showing countless ways to play most chords you’d never imagine existed or might use until… A year ago a YT video of him improvising by himself played the most “Virtuoso” (Joe Pass album) style playing I’ve noticed. Ted plays 40-60 minutes on a Tele(?) instead of the extremely modded Gibson on the cover of his first book. If you enjoy beautiful guitar you owe it to yourself to watch it. You haven’t seen anything close to his playing.!!!!! I don’t have time to link it here.

[@santomalladi9]

Best Teacher Award Goes to this Teacher 🎉 ❤

[@aslazaimi5824]

you never disappoint and you never will

[@drpena]

Fretjam is an amazing resource of guitar

[@kerseysguitarukulele1097]

Have been waiting for a thorough video on this topic, so glad its from Fretjam!

[@jeremiahlyleseditor437]

Excellent Tutorial. I'm saving the page so I can watch it again next week as a refresher. Thanks

[@duythinh252]

Man I love this video!. Straight to the point, without losing time in explaining some basic concept like other videos, it is just right for a guy that already have some basic music theory knowledge. Bravo!

[@MizuRino]

I've been with you for the past 10 years, and I'll stay more. Thanks!

[@jason7590]

This is a topic I have been playing around with for a while, and as a composer it's the most fun you can have, options are endless.

[@delrosariocouple3074]

Finally I found the Brst Teacher on YT !Thank you so much’ I am learning ! Chhers from 🇯🇵

[@stevesatterwhite5141]

thanks so much for this great lesson. I am an old guy who wasn’t trained at a school, and this fills in lots of gaps.

[@MrSonicAlchemy]

Awesome video as usual! Such a thorough yet concise explanation of basic chord substitutions.

[@JohnMarcell]

Omg your back holy shit man perfect timing! Ive been goong thru a musical rough patch the last 3/4 months.

[@fretjamguitar]

Thanks mate. Sorry for the long break! Already working on the next video...

[@tdesq.2463]

Could have been worse. Could have been 6/8.

[@hammingus]

GREAT! Looking forward for more episodes on this. Thanks!

[@forex922]

Great video, I appreciate the time and effort it takes to create content. Thank You

[@tdesq.2463]

Interestingly, I was just toying with "A Time for Us" on Guitar about an hour ago. I'm pretty sure Google activates my phone's mic whenever I start making noise.

[@CandidCins]

FretJam!!!! Been following you on and off with my playing for years. Best resource for guitar orientated theory thanks for all you do G

[@fretjamguitar]

Really appreciate your time over the years my friend.

[@elephantricity]

best guitar teacher on youtube!!

[@blackcitadel37]

worth every second of yours and our time 💗🔥🎼

[@Mario-lj5xe]

I am very pleased to see your new video. You are very good at explaining and the content is always very interesting and informative. THANK YOU

[@fretjamguitar]

So glad it helped!

[@cmberrian]

Awesome, you're back!!! Great topic too, thank you!

[@tatsuga1]

Best video is have seen regarding this topic. Thank you thank you

[@guitargod6997]

Excellent analysis.

[@blmzndr]

Excelent music class! Was looking for something like this a long time ago 💜

[@poison_corpse3140]

Thank you so much, we really appreciate your insights ❤

[@alexloda7660]

I know I already posted already this this is gold

[@Wick3DSteely]

Thank god you're back

[@ver-sauces]

there you go, i been waiting your vid man

[@tdesq.2463]

Cool! Phenomenal technique for not only modulation, but for the development of new parts and movements for Classical Comp ... not to mention its value as an exercise (an Etude) for learning the inter-relatedness of chords and identifying forks in the road, if you will.

[@Sheepcakezzz]

Daddy Fretjam

[@louistech112]

Oh yes he is 😩

[@meleecritical]

Did you find my DL? lol

Thanks!

[@fretjamguitar]

Thank you for your generosity!

[@edwardv4546]

Thank you so much. You made this make a lot more sense.

[@robmanzanares]

Thank you.

[@sauravligal5809]

Thanks a lot fretjam 🍻

[@kpuliatch]

well done much gratitude

[@syd502]

Great to see you back!

[@tomazkadis5456]

Thank you 100 X.

[@taniavoisin5922]

Hello to you, thank you very much for your work. Tania

[@fretjamguitar]

Hello! I appreciate your time.

[@josei.encinas1821]

Great video! Thanks!

[@northernmonkey8652]

Very useful cheers. Good to see a new one from you

[@el0blaino]

Excellent!

[@emmanuelsolom7574]

Invaluable content simply explained yet deep in the theory. Thanks a lot, first video and made me subscribe

[@fretjamguitar]

Welcome my friend!

[@adamkhalil5524]

We have to stop trying to fit everything neatly in a box, the IIIm chord does not have tonic function because the tonic doesn't sit above the leading tone very well (though can if the voice leading is good, a la Moonlight Sonata first movement where over a Em/B chord we have a C melody note right on top and it's beautiful). IIIm also does not have dominant function. It has a leading tone, but it's the tritone relation of the 7 with the 4 that really supplies that, and the 4 doesn't work well over IIIm. It can be very useful in preceding the V chord. Depending on ones style V can substitute for iim, if you were Barry Harris for example where when they see a ii V progression they treat it as simply a V chord. Anyway the IIIm chord is kind of two things but really it's own thing. Diatonic reharm really works best when looking at the melody note and it's function, and finding the chords that support it, and doesn't rely on knowing what the original changes were. I say that because if you don't know the original changes let's say we had an original of C maj, but were unknowingly looking at a reharm that uses Am. And now we go to reharm in trying to make it F, then someone sees that and says oh, Dm should work. That and transcriptions usually get melody's correct, but can have faults in harmony, which means reharmonization can become problematic, but all can be avoided by working off of melodic notes.

[@fretjamguitar]

I think you're already several steps ahead of what this lesson intended to be a mere introduction to. I agree, Em is not necessarily a functional substitute for G resolving to C (or V-I) - I think I made a point in the video of dominant to tonic vs dominant in other situations. But with the progression C / G / Am / F, for example... Em can be a nice and simple diversion from G and still support the melody in a functional way. So there is at least a reliable opening there that can be replicated in diatonic situations. Most people watching this video, if they are looking for a back to basics process, won't yet be thinking in terms of working off of melodic notes. That is further down the line and I hope we'll come to that. When working purely off the melodic notes, things really open up (as you know). We're no longer in diatonic territory (I refer to the opening example). But I don't think that is something to try and break down in part 1 (of at least 5) in terms of the subject of reharmonization. On the final point, about reharmonizing the already reharmonized (e.g. C becomes Am, then Am becomes F, then F becomes Dm etc.) while it could work, that is not the convoluted process I suggested. When you're starting out with reharmonization, it's one chord at a time and it's easier to compartmentalize that way. Then we can maybe start to think about the shared notes of another possible substitution. It is a process and it does seem needlessly restrictive at first to those who may be more versed in it. But I want to make it a gradual process that at least offers some opening of options while not prematurely overwhelming anyone with "you could do this, and this, and this etc." Really appreciate your comment and honestly, it does help me to reassess how to approach relatively complex topics such as this one!

[@sixmillionaccountssilenced6721]

@@fretjamguitar How about Em7 as a sub for G13?

[@boristigrin]

Wooow amazing love it

[@curtrod]

great instruction!

[@loadding3160]

Woohooo!!! Thank you so much for this.

[@williammartin4416]

You are the best

[@user-vt5kw3iq1n]

Great !

[@ulusot]

I love Fretjam!

[@fretjamguitar]

I love you too

[@0volume]

Amazing 🎉

[@davidb5659]

Excellent lesson. Thank you. You explain things well and I understand what you’re doing - but I have a question. At 9:37 you substitute an FM7 for Dm7, although the first note of the melody is a D - the 6th of F and rather discordant. As a result, we hear the C D E F notes all played on top of one another for the entire first and relatively long beat of the phrase. A certain amount of discord is not only virtually inevitable but also a desirable part of harmonization. That said, it seems that a composer or arranger should use discord like a strong spice in the stew of a composition - sprinkled both judiciously and sparingly throughout a piece. I’d appreciate fretjam’s thoughts. Or from anyone with a good foundation in theory…

[@alagna]

really really excellent explication well done

[@TheFY-cb6eb]

Thank you

[@intiyupanqui6091]

excelent!

[@rohu1000]

Thanks a lot 🎉🎉🎉🎉❤❤❤

[@arcidiavolo]

very interesting

[@uffevonlauterbach]

You know KZbin is reading my mind when I was thinking about this earlier, and I was given a reharmonization video. Thanks for sharing this! I didn't know what this was called. Any possibility of non-diatonic reharmonization in the future?

[@fretjamguitar]

Absolutely. I use polls on Patreon to ultimately determine the next video but I definitely want to venture into non-diatonic substitution beyond parallel chord quality. I'll probably learn a lot myself along the way.

[@DEDSREIS]

the GOAT!!

[@massimoperrotti6115]

great job mate

[@chrisharrison809]

Solid dude

[@realkizuna]

amazing video

[@mindjob]

Forcing a major chord against a minor pentatonic scale with the same root is why rock is different than jazz

[@rogierasselt4972]

Please correct me if I am wrong, but in the example at 0.15 shouldnt dm7 be d major 7?? I am not hearing that minor in the first en last chord.

[@fretjamguitar]

Capital M for Major.

[@rogierasselt4972]

@@fretjamguitar Ah I understand, now I notice you ve used capital and small letters to indicate the chords. Thanks so much for the effort and uploading this lesson, I appreciate!

[@fretjamguitar]

I appreciate your time. Ah I probably should have mentioned the M vs m thing in the video!

[@jacquescolmenero7760]

great..what else can I say.

[@kappy4750]

melody at 1:12 sounded like thousand years

[@tonys518]

fab

[@StratsRUs]

Sometimes it's difficult to tell wrong from right when reaching higher complexity.

[@Vospi]

I myself almost never think or explain it in a way of "substitutions". Instead I always keep track of my scale: how many changes did I make and where do they go (up or down), both when I apply then AND when I cancel them. And so to your question: in general, the less things you move, the less "contrasted" or even "jarring" it may sound. Say you move from A natural minor to A dorian. This "unlocks" the F# note and locks the F note. You can now use some extra chords (like D), and the general feel of the tune moves slightly upwards (cause you moved one note a semitone up). If you keep track this way (instead of just replacing chords blindly from a roaster of options), you can build surprisingly complex moves with a "safety net" built in even as a beginner. And iterate on them as well.

[@fretjamguitar]

Very useful info, thank you!

[@banyarhongsar98]

🙏

[@Elias_mariutti]

0:14, 0:37 melhor parte .

[@visakonakhro1688]

Long time❤

[@hanstilstam7858]

abs brill

[@whydoesfishsaucesmellslike9982]

12:30 song idea

[@michelecavatorta1557]

If guitar was a religion Fretjam would be the highest priest

[@pd177]

You are showing guitar chord diagrams but I'm hearing a piano. Is there a keyboard version of this video?

[@sauravligal5809]

Music theory can apply in piano also. I can play now piano on my phone.👍

[@juap]

Thanks, i love it. But there is a major issue..13:34 calling this "avoid" note is what completly ruin my creative process through the years, i have learn that dissonance is bad while i have been searching though the years dissonance, for example the 14:00 example is absolutly beatiful, is a perfect example of a melancolic melody that can be used to express not reachign to a goal, a not love one, when do you not want to express much yet, or if you take out the Third, you can play on not resolving, perfect for example on annoying, or protest lyric, or even disconfort. Exampleas are: Nine inch nails , the frail and so on. Or something like Doom theme, etc.This kind of reharmonizationprocess is not good when you want to do music like Queen of Stonedge, Spinetta, NIN, Moviecore, doom metal, etc. even though i learn a lot to identify what dont work, thanks a lot!

[@fretjamguitar]

Thank you for the thoughtful comment. Sorry if the "avoid/passing note" thing came across as too dogmatic. I don't intend to tell anyone what they should or shouldn't play. It was more about a broader "in most diatonic situations" flag, i.e. if the melody happens to fall on that tone when (re)harmonizing, in most situations (and to most ears), as a prolonged or emphasized tone landing on a chord change, it tends to create a more awkward dissonance. I agree though that there are certain situations where it could create something more appropriate for the sound you're going for (e.g. if the chord is drawn out or we're playing through a more atmospheric harmony and we want to disturb it a little). As I said in the video, your ears should always be the final judge of what works and what doesn't. I would like to explore dissonance as a topic in a future lesson (thanks for the reminder!) because I am open minded about it and I think we all ultimately should be. With genres such as those you mentioned, the use of dissonance is certainly freer. So we're thinking about context and, in this lesson at least, as it was approached in terms of diatonic comfort, I mostly wanted to flag up this idea of really listening to how resting melodic tones can determine the substitutions we make, while balancing it with something we can improvise with in most situations. I think finding that balance between accessibility and opening up new options is a challenge when teaching this stuff. But we will surely unravel more!

[@NorthCot.mus.dept.9]

These are straight up SORCERY for me.😅

[@donlessnau3983]

Anyone know where Mike Beatham is from and where he's located? I'd consider joining his Patreon site but I'd like to know a bit more info, first. What is his music background?

[@EcoGuitar-Ecopark]

Which AI application do you use?

[@fretjamguitar]

No AI. I do use a backing track generator that has AI capability but don't personally use that feature.

[@REMUSE777]

Do not start with a merry little christmas ever again

[@fretjamguitar]

Have Yourself a Merry Little Christmas (in the same key) would be... D F♯ A D A G F♯ E D E Unless you mean the 1 6 2 5 progression, which is just a common progression.

[@donaldpatrick2505]

For the benefit of us musicians who don't happen to be guitarists, why can't you show notes on a staff?

[@fretjamguitar]

I'm more interested in ear training and spatial awareness on guitar - the instrument this channel is focused on. I have nothing against standard notation. I just never considered it a priority for understanding music, which I think is more of an internalised process.

[@coastercook]

Great lesson. Thanks

[@williammartin4416]

Thanks!

[@fretjamguitar]

Much appreciated, thank you.