Govinda Mero Hai feat. Sri Keshava & Vijay Krsna (KIRTANIYAS)

Latest collaboration with Vijay Krsna (KIRTANIYAS) on our Psy-Trance dance track "Govinda Mero Hai" 🥳 Please take a listen, leave a comment 🙏 Let's dance in the glow of Divine Love! 💚
Genre: Mantra Psy-Trance
Music Tempo: 145BPM
Artists:
‪@GlobalPartyPeople‬
‪@SriKeshava‬ 👑
‪@vijaykrsna‬ 🎤
‪@JoakinEskasan‬ 🥁
Photo Credits:
Vijay Krsna by ‪@WariOmYogaPhotography108‬
Sri Keshava by Laksmi Greenberg Eye of Laksmi Photography www.eyeoflaksmi.com
You can also STREAM this song on your favourite platforms:
❤️ Spotify: open.spotify.c...
❤️ iTunes: / govinda-mero-hai-single
❤️ Apple Music: music.apple.co...
DOWNLOAD high quality audio WAV, AAC and MP3 combo here:
🚀 www.globalpart...
THANK YOU! 🙏
2025 Krishna Holi Auckland - Dance Choreography
1:26 - Priyaan can start to enter with choreo around here, not before (as we are mixing in from the previous song. He can wait a few seconds and use "Mero" as his cue at 1:31 to start choreo. OR he can even wait until a bit later until the verse really starts at 1:58 (but he must start dancing no later than 1:58)
1:58 - Priyaan is dancing athletically until 2:35
2:35 - make a dramatic stop to fit the stopping of the music, doing something slow motion or story telling until 2:45
2:47 - theatrically 'shout out' to the audience "Govinda Mero Hai, Gopala Mero Hai, Banke Bihari Nanda Lala Mero Hai" (along with the song lyrics)
2:54 - starts dancing again athletically until 3:14
3:14 - full of joy celebrating the maha mantra (whatever that means to you). That could mean dancing joyfully or it could mean singing the lyrics enthusiastically to the crowd. If singing the lyrics, make eye contact with and interact with the audience, inspiring them to sing along. Singing or not singing utilise the large width size of the stage (more than 8metres wide) going from one side to the other.
3:23 - this is when the girls voice comes in and Sri will be singing on stage. Priyaan is dancing at this time.
3:33 - Priyaan can go back to 'singing' with the audience (he is mimicking/playing the part of the male voice in the song).
3:43 - Priyaan and Sri go back and forth inspiring the crowd with "Radhe Radhe Radhe" and responses. Total of 8 sets of calls and responses. Raising arms to enthuse the crowd to raise their arms and sing.
3:57 - the song drops into a breakdown (beatless section). At this time Priyaan can show the story of Banke Bihari, holding the pose of raising Goverdhana Hill. Be theatrical. It can be as simple as holding the Banke Bihari pose with his left pinky finger raised to show that Krishna can hold the whole hill even with his left pinky.
5:03 - we do a colour throw countdown here counting 10, 9, 8.... 3,2,1 Holi and a big colour throw.
5:04 - 3 sets of triplet beats here should be used for choreo
5:09 - Priyaan should do a bit jump at this moment for "Krishna!" and continue dancing with enthusiasm, joy and athleticism.
5:30 - Priyaan can reduce athleticism to catch his breath to then again lead the audience enthusiastically in the maha mantra
5:37 - Priyaan leads the audience enthusiastically in the maha mantra (again taking the role of the male singer on the record)
5:47 - Priyaan dances while the female section of vocals sings
6:03 - Priyaan and Sri do a maha mantra mash up back and forth vocally, both inspiring the audience to sing.
6:30 - Priyaan to use the remainder of the time to dance enthusiastically
7:00 - Priyaan can leave the stage even as the song has not ended (we use this time to mix in the next song).
#govindamerohai
#vijaykrsna
#kirtaniyas
#govindmerohai
#psytrance
#psytrancepeople
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