Frédéric Chopin's "Nocturne Op. 9, No. 2" performed by Marcin Kuźniar on a 2021 Stefan Nitschke

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Guitar: 2021 Stefan Nitschke "Hauser" SP/CSAR - www.guitarsalo...
Here's Marcin Kuźniar performing Francisco Tarrega's arrangement of "Nocturne Op. 9, No. 2" by Frédéric Chopin. Marcin recorded this piece on a 2021 Stefan Nitschke "Hauser" classical guitar made with spruce top and CSA rosewood back and sides. Recorded at the Guitar Salon International showroom in Santa Monica, CA.
Note: Guitar Salon International (GSI) prioritizes authenticity in every aspect. We pride ourselves on producing KZbin videos free from the addition of artificial reverb, compression and EQ manipulation. Our commitment to transparency means that the sound quality of our showcased guitars is exclusively achieved through the natural acoustics of our showroom and high-quality microphones as well as their placement in the room. We believe it is our responsibility to document the sound of these unique and rare guitars as accurately as we can to allow you, the listener, to experience the true essence of each instrument.
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[@JoeThibodeau]

That was church. Take a gorgeous tune and play it like you are proposing to the one you love. Thanks for gifting us this performance.

[@marcosilicani5775]

Interpretazione tesa e densa di passione, romantica e pura. Di grande spessore e rilevanza l'approccio tecnico. Ho apprezzato l'esecuzione! 👏👏👏

[@huytrong936]

Romantic classic guitar music. Thank you very much , Frédéric Chopin Musician, Marcin Kuźniar classical guitarist and Guitar Salon International. 🌹💖🌹💖🌹💖🌹💖🌹💖

[@StealthGuitarist]

Amazing ... gorgeous work. Thank you for sharing your art with us. This was truly the best performance I have ever watched/listened on this beautiful tune. Thank you Marcin, you made my day.

[@aclarief]

Impressive!! The emotions were delivered so well

[@martinsilvey9551]

♥ Love this more than anything I have ever heard. Thank You!

[@patrick-y2d9e]

Unbelievably beautiful...

[@jasongeovanni]

the best version of this song on guitar

[@robertmay6556]

Beautifully played.

[@EduardoRohdeEras]

So awesome 👏🏻

[@judithsabatuk4097]

Good job❤❤❤❤

[@Cognosapien]

Brilliant!

[@fesingh2774]

Beautiful!

[@marcweber4599]

Impressive and quite lovely. Bravo!

[@patrick-y2d9e]

Perfect...

[@monicalim3438]

So beautiful ❤️

[@CesarAllGuitar]

Absolutely Amazing.

[@palkyaw8756]

Sound beauty great player like bro

[@grubsky1129]

Bravo!

[@soda7703]

just incredible

[@CaiusV.]

Thank you ❤

[@ogarridoa]

Brilliant

[@DRO294]

😊VERY GOOD, I HAD A STROKE AND CAN NOT;TRYING TO GET A FEW FINGERS TO WORK LIKE DJANGO, I’D BE SO HAPPY🎉❤

[@lifemasterkris1865]

Why do Chopin’s nocturnes convey a sense that there’s a sub-text? Something that I’ve pondered from time to time.

[@paulotagliani6874]

Além da execução perfeita o violão tem um timbre maravilhoso

[@marvinchan5812]

Magnifico!

[@riduribo]

Hermoso ❤🎉

[@ClassicalGuitarMusings]

Excellent

[@massimo6844]

Grazie

[@paulotagliani6874]

Perfeito!

[@supanutsookkho2749]

Wow! Fantastic! What is the technique he uses between 4:25 and 4:40? How does he make a guitar sound by just pressing the tab in the left hand and not strumming the strings in the right hand?

[@TheCitybike]

Bellissimo. Who made the transcription?

[@matrixmannn]

Przepiękne wykonanie. Gitara ma wspaniałe pełne brzmienie ale to tylko wideo, chętnie bym posłuchał instrumentu na żywo.

[@ВикторДрондин]

Каденция конечно хороша!

[@Misterbebecito]

This is the most mexican nocturne ive ever heard in my life

[@Coffee993]

He needs a sombrero

[@Misterbebecito]

@@Coffee993he needs some cowboy boots, a cowboy hat, a deep cowboy voice, a white plaid button up, some baggy cowboy blue jeans and a handlebar moustache

[@zaidnauj4977]

Brillante selección... Yo incluiría a Xuefei Yang, Drew Henderson...y más...

[@Virginia-bm6ww]

There is a popular song written to this. Something about don't live in the past

[@foxvideo2233]

Merci !

[@daniele.82]

Very nice rendition, better on the guitar for the tonality.

[@bestguitartabs]

I like K. Minami's arrangement soooo much more than Tarrega's.

[@abdellhak8026]

Eléonore Bertha. Le thé

[@palkyaw8756]

What is work i am told ?i am no player all doing show i am like me my mine like bro

[@bestguitartabs]

1:47-1:51. why?

[@leandromartin8735]

Tienen mucho efecto de cámara; no se aprecia bien el sonido de esa guitarra.

[@miralupa8841]

not sure why tarrega felt that he needed to add some noodling sections to this piece, or why performers think they should play them…. still, really beautifully played overall here

[@airamdeveraramos8236]

Tárrega's arrangements were usually an exploration of guitar technique on his part. I believe his intention, rather than trying to be faithful to the piano version, was to demonstrate or seek expressive resources, as the guitar was not a very popular instrument in his time. On the other hand, it was not uncommon for performers, especially in the early 20th century, to add musical material or modify the pieces they played 😊

[@blahblah49000]

AFAIK the classic composers like Chopin didn't play pieces identically every time. The canonization of pieces and how they are to be played is a much more modern development.

[@miralupa8841]

@@airamdeveraramos8236@blahblah49000 i appreciate these replies. my point is less against the practice than it is against tarrega’s particular choices here. to my ears these additions aren’t suited at all to this piece, and tend to ruin that steady pulse so important to it! by the end of the last addition, i’ve almost forgotten what piece i’m listening to ! perhaps it is just me

[@petertaylor233]

@@miralupa8841agree some of Tarregas additions are unnecessary. The music is ornate enough as is.

[@pazeros6424]

Tarrega was too simple. It is nice to see that new generations start to colour his pieces. He should be greatful

[@eduardobenassi3072]

Not a fan of the extra nonsense. Well played, though.

[@prelven]

Bad