Hands on with the new BMCC6K Full Frame | SUNSET and LOW LIGHT FOOTAGE | Blackmagic Cinema Camera 6K

WATCH THE FULL CAMERA TEST HERE: • BMCC6K Full Frame CAME...
Here is part 2 of my hands on with the new Blackmagic Cinema Camera 6K FULL FRAME! Some shots were stabilized using the gyro data and I have to say, gyro works much better than any IBIS I tested!
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[@matteobertoli]

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[@markthedp]

The fact that this image is available for $2600 is NUTS to me....I really don't get how some people aren't able to see how insane the value this camera is! I LITERALLY CAN'T WAIT TO GET 1!

[@matteobertoli]

Because they didn’t grow up with a 5D Mark II my friend. They are spoiled 😂

[@RubenStuveling]

@@matteobertoli haha very true

[@ycal520w9]

exactly

[@SoulJazzDance]

Amen ! To a lot of these people nothing means enough. This is unbelievable Blackmagic Design they are saints in the camera industry amazing equipment for a more than reasonable price we gotta get to work.

[@MrMittens1974]

We'll it's more like 5000 something with the lenses but your point is still salient.

[@floatleafmusic]

When it comes to texture, colour and depth bm is untouchable for the price. Can clearly see you’ve mastered getting the best out of this cam. Thank you for this

[@kyleharrison2389]

Thanks for all the work you do for the community.

[@Meatyowlleg]

Great low light performance, good job. Could we see a 6k vs 6k FF dynamic range comparison in the future? Even it's just 13 vs 13.5 on paper, I definitely noticed the improvement in many shoots, thanks!

[@carlos_pimentel]

There’s only one problem with this camera. Is that it’s not yet available to purchase😅 besides that, perfect 👌🏼

[@ozzmanzz]

So many people moaning about this camera, no ND, not boxy, no AF... people get a %@&# life! We can all see that the image is simply incredible especially when you compare the difference between the BTS camera used here and the 6k. I’m sold!

[@mmlewis1030]

First, I really appreciate the time and effort you put into this. The low-light capabilities are what I've been waiting to see, and it did not disappoint in the slightest. Incredibly clean at 1250, and it is clear you can easily film night scenes with minimal light. Love it

[@matteobertoli]

Yes it's good, but I still need to test it against the BMPCC6K. I think they might be very close to be honest, but the full frame is noticeable more clean with less chroma noise from the very first tests I am doing at home. It's all a working progress so will keep you guys updated!

[@sirevegames6662]

@@matteobertoli When can we expect the comparison? I would be interested in that, especially low light! Thank you

[@pikasalsachu]

At first, I was disappointed with this update from Blackmagic, but the image and the price are excellent. The FF sensor is actually doing some "black magic".

[@georgedoyle8795]

This series of videos are a brilliant resource for the community, thank you for putting in the effort and sharing!

[@musiolikart]

thanks, this is an good sensor, will order mine soon

[@bernardomassaccesi1861]

I would like to see a comparison between the s35 mode and the old pocket 6k to understand if this new camera can completely replace the old one and serve as a perfect lenses tester tool. I love the idea of utilising the all image circle of classic photography lenses and still be able to crop for classic cine lens without worrying about image quality or performance loss

[@nathancasey7712]

Good point

[@KubaKokot9]

This looks mindblowing. Thanks for sharing your thoughts and helping us with cinematography in every film!

[@PopoRamos]

I wished they moved the dual gain ISO further apart. I find the S5 clean 4000 iso a bit more useful. I would like this feature not to turn night to day, but to able to use smaller apertures (making cheaper lenses usable at night) and to also be able to use lower power LED lights (that are cheaper, more power efficient making the battery last longer, etc)

[@captainradio5894]

I thought they moved it to 3200

[@PopoRamos]

The native ISO is 400 and 3200, however the second Kicks in at 1250 (clean) by the time you get to 3200 there is noise that you need to clean up in software. Panasonic second native kicks in at 4000 so its clean at this ISO.@@captainradio5894​

[@aquilacavalierifrota]

Any thoughts on the banding issue in low light? Thinking of buying the 6K Full Frame, but after hearing many people mention the banding issue, I'm a little hesitant.

[@matteobertoli]

I don’t have that issue

[@STEFANvDIEST]

Good stuff Matteo! Colors are amazing (look a bit like Ursa 12K) and probably the reason why I'll switch from the pocket 4K, together with the L-mount and very interesting resolution options. The framerate options are kind of strange though and no prores, although not horrible, is also a bummer (but you get proxies in return so... thats nice). In terms of "low light", ISO 2500 is already a bit rough I can tell, needs denoising which isnt the worst but still. 3200 looks to be almost "unusable" (I spot some pattern noise as well) and almost seems worse than on the pocket 4K (I dont have FPN on 3200 I mean... and maybe slightly less noise) ? Hard to tell on KZbin. Very curious for the comparison with the 6K. I wonder what that will reveal in terms of the DR etc.

[@weierm89]

The Footage looks amazing @matteobertoli one question: When you choose 4K DCI there is a crop to APS-C right ?

[@matteobertoli]

Correct, a bit less actually. Around 1.45x

[@Fedorevsky]

Cool! Super 35 instead of APS-C

[@0Aidan0Lynch0]

Really beautiful! :O I cant wait to get my fingers on a BMCC6k! :D

[@filmbyakiljoefield]

Yep this is the only upgrade that makes sense to me now! Full Frame 6k open gate, excellent lowlight performance, I'm sold!

[@AllThingsFilm1]

Looks amazing. Great imagery. What is interesting is that some people want box shaped cameras. But, with DSLR shaped cameras - like the BMCC6K - is that it's form factor draws less attention to you. If you had a Red camera, people will most likely feel more self conscious around you because they will know its a filmmaker's camera.

[@matteobertoli]

Correct. Plus they are not ok with this form factor, but somehow the FX3 is ok. Never understood why. At least I can pull focus and check false colors on the 5” monitor

[@AllThingsFilm1]

@@matteobertoli Yep. That 5" inch bright monitor is hard to beat.

[@alesko5]

Impressed with your ability to get such good, steady shots handheld without IBIS. It's hard to convey how difficult that is, especially with a long focal length!

[@matteobertoli]

There is no ibis in professional filmmaking. It’s one of that skill you need to have in order to do this job professionally :)

[@alesko5]

@@matteobertoli I get it. But there are stabilizers in professional filmmaking. ;-). I was just complimenting you.

[@TimeForGamers]

Hey Matteo, one question, how did you mount Leica to BMCC, not sure if they are converted to EF and then you converted EF to L, or did you convert the Leica R directly to L mount. I have m645 set of mamiya lenses cine modded converted to EF, and want to buy BMCC, but not sure if I can just convert EF to L and would it be good, thanks hope it's not too confusing.

[@matteobertoli]

Just a 20$ ef to L adapter

[@TimeForGamers]

Perfect, thanks! @@matteobertoli

[@PALALALALALALA]

That 35 looks enven more sexier ! I'm on the Leica R train too, the Lack of ND is a thing, the huge one is PRORESS as this camera gonna be a hard sell to client. But FF, clean blacks... gyro data... 2500$ ? I'm gonna get one ! Curious about the timecode synch as I have a 6KPRO and URSA G2 as well, and would love to have them locked on without rigging tentacle. Thanks Matteo !

[@sentralent1850]

Would you guys recommend the Lumix f1.8 primes?

[@barrywallisable]

Matteo, why on earth didn’t you use Resolves A.I. Voice isolation tool? take seconds and would have cleared that wind noise perfectly. I have removed road traffic and road works from a voice before, it works SOOO well. Great video by the way. Barry UK

[@matteobertoli]

I don’t even know what it is. But I’ll give it a try. I am buried with work and I am pushing out content as fast as I can. Will try it out next time! Cheers

[@andyz_w3584]

Haha❤❤❤

[@mousbleu]

I like the fact that you don't talk bullshit, and you make nice shots. Later down the road, everyone would see a comparaison with an S5IIX BRAW.

[@momustafa321]

Wow i will buy this camera i don't care about Sony low light absolutely magnificent full frame quality Like The Movies keep the good work brother you amaze me all the time

[@matteobertoli]

To be honest sony low light is not even that good. What’s the point of shooting at 12800 iso and going around with a ND at night? Plus color retention is not even close to Blackmagic.

[@leosylver7]

Praise be to your wife, ma man. Giving her time for the content!

[@Indieblackmagic]

Hey Matteo! I just ordered this camera but I’m curious, how is the super 35 mode? Does it still have the same benefits of open gate with great low light, less noise, and better depth of field? Or does it regress back to a 6k pro?

[@rickpostdp]

Great video, I’m definitely buying one! Also, the 90mm handheld looks so good!

[@thatasianguitarguy]

First in! Dang, I'm really considering getting this camera and moving back to BM from Sony.. also your handheld is insanely stable. Did you do any stabilization with the gyro in post?

[@matteobertoli]

I did for some shots and holy crap! First time trying it and I was shocked. Works much better than any IBIS I tried!

[@joellouisfire]

​@matteobertoli did you adjust your camera settings for the gyro (like people do with the pockets) or did you shoot at 180° shutter?

[@OdAmNit]

​@@matteobertoliDid you change your shutter speed or leave it at 180°? I thought I'd seen reviews of the gyro where they said it had to be set at 90° for it to be optimal. Otherwise, I love your work. Signed, a French subscriber 🤟

[@benweichlermedia9096]

@@matteobertoliI downloaded some of your footage from Blackmagics website and even though there wasn’t too much moving, when I put the gyro on the footage, it was super smooth, and didn’t have any warping. I was surprised, coming from the BMPCC4k, it wasn’t that great. Do you know if there’s something updated with the gyro in this camera?

[@TLFILMS]

@@joaocorreiamedia same always 180d

[@inspyremusicnl5826]

hi matteo just got my Sigma mc21 adapter for my blackamgic ff. I GET DARK edges around the corners if i go below about 28mm. is this normal or am i doing something wrong?

[@thomascaminada7808]

Looking great, would you say it handles shadows and it looks cleaner than the original 6K pro ?

[@matteobertoli]

100%

[@csound55]

Great video! Dynamic range and colour science is pretty amazing for a camera that costs less than 3K.

[@onemotionfilmproduction]

regarding the wind noise, maybe try davinci noise isolation, it's pretty incredible

[@adamdrakestudio]

How does/did it handle the NPF batteries? How long do you think they last on this camera?

[@moviemachcinema]

First, congratulate you on your work and thank you for sharing it. Regarding the night shots, they seem to me to have a great richness of colors, and that the camera sees the tones of the blacks very well without paste them and for me the appearance is very filmic, I have seen other night shots with A7s'/FX3 and I don't think that the color and black reproduction has that quality, even though they produce less noise and you can use higher ISOs that produce unreal and synthetic images compared to human vision. What do you think about it or how would you compare them?

[@matteobertoli]

I own a ZV-E1 (same FX3 and A7s III sensor) and I tested out the A7s III at night against the Pocket before (there is a video on my channel). First of all I find it completely crazy that if I wanna get "clean" low light footage I have to switch to 12800 ISO. Found myself having to use a ND at night in the streets of Lisbon, which is quite stupid to be honest. Second, I think Sony it does an incredible poor job at managing mixed color temperatures and street lights. The fall off is super harsh and you get a lot of green/yellow cast on the skin tones. And as you said the blacks are not true blacks, they are a bit washed out. I don't know why everyone is praising that camera for low light stuff. I think the FX30 is much better, at least second ISO is at 3200 and it looks pretty decent. I also still wondering if that is a true second ISO (which I doubt) or it's a big badass denoiser just kicking in.

[@Fedorevsky]

Yeah it's nuts I've seen videos if people using nd filters for shooting at night with that sensor, also the images look very processed on that super high second native iso, on the fx6 where you can turn off the noise reduction the 12800 iso is much noisier so it seems like it's noise reduction used to make this supposed second native iso

[@moviemachcinema]

Mateo, I do not have the BMPCC-6KFF, but I really like the results, the image is closer to the analog, I really like the treatment of colors and blacks, the night looks night and it seems enough to work with minimal lighting without needing large lights. On the other hand, the camera allows you to work in full frame with the lenses you want using the appropriate adapter (it is a dream for any filmmaker to be able to choose the lens you like the most). Yes, the body is plastic, and the shape is ....well......., but the image it gives you is spectacular, and also raw. Many criticisms of only 13 stops, but with 13 stops great films have been shot like jumper, 2012 ice age, etc... and in super 35, and the BMPCC 6kFF is also FF. I think in the right hands you can do whatever you want with this camera.@@matteobertoli

[@ledheavy26]

​@@matteobertoli One of my biggest pet peeves with "modern" camera footage of the past handful of years is that people won't let dark black areas actually be dark black areas, they're always lifted to the point of washing out the image. Your low light footage with this camera looks fantastic.

[@13StopsPocketFilms]

Good stuff Matteo 👊🏿 And yes gotta get Corina that 🥩 and 🍷. She’s a trooper.

[@matteobertoli]

😂 😂 I did!

[@kilenmurphy]

Insane!! Cannot wait to get this camera

[@colinthomas2525]

Amazing camera, and skilled operator make for stunning footage. Thanks.

[@A388Flyer]

That bridge sounds more like Flight of the Bumblebee than vehicle traffic.

[@Deksvilm]

thanx for the content! Will you share some of these night braw footage so we can play around with high iso settings?))) don't see it at the link you shared.

[@IgnatGorazd]

Nice! Maybe you can upload few photos from that camera. What kind of file have been recorded when you press that photo button. Cheers!

[@ValentinaTheCreator]

was just planning in getting the 6k pro, but I have decided to get this new 6k full frame. It's the full frame that got me. ND filters, eh, I'll just buy them for the camera, takes a minute to change when lighting conditions change, but hey, beauty is pain and the overall results is where it's at. I'm just worried if Blackmagic later next year announces the 6k pro full frame with the ND filters just for cash grab. that'll piss me off. lol

[@OlegShtyk]

I need 50fps to slow down to 25fps. also need 75fps

[@matteobertoli]

I guess you need an Ursa. You can shoot 6K dci at 48p btw

[@OlegShtyk]

@@matteobertoli Will slowing down to 25 fps be good or bad? I need exactly 25fps

[@jonconvisuals]

Thanks Matteo for the effort you put into making this. Is the 1250/1600/3200 ISO footage gained up from the 400 ISO base, or gained down from the 3200 ISO base? thank you

[@matteobertoli]

Thanks Jon! Not sure what you mean but it’s dual iso. Till 1000 and then at 1250 switches to 2nd iso. Base is 400-3200, but I think 1250 you get the cleanest footage

[@jonconvisuals]

@@matteobertoli Good to know it auto-switches the base ISO, I assumed you had to manually select it. 1600 ISO looks very clean for a Lisbon night sky which is ink black. Agree with you on how it handles mixed lighting, v impressive. It would be great to see a sunset dynamic range comparison against the 6K Pro or the G2!

[@TrenchfootSalvador]

Hey, what camera was used to film you talking?

[@matteobertoli]

Lumix s5

[@Star-Trekking]

Another question? Battery Life? And Total Wright of the camera with battery?

[@thegospelcallTGC]

Thank you for an informative video, and God bless you. Love the accent.

[@OusaKhun]

Yep. 6k, BRAW, Prores, CFexpress, =$2600 bucks. When I was in college, A 1080 Sony Cinealta cost $250,000 dollars. I have really no complaints about this camera. Compose, light and tell a good story and you'll be fine.

[@phrasalsyntax]

no Prores on the BMCC 6K Full Frame (not a big deal though)

[@Cinematographer_brenton]

I really like this image! It makes me want it in a heavier camera like an Alexa or a Venice style body, to have a proper rig with all the IO like 12G sdi and multiple video outs. I also like the weight to get rid of micro jitters. If Blackmagic used this sensor and gave it a faster processor to do 6kFF @ 120 FPS, I think they would have a hard time keeping them in stock. I would pay 10K$ for an image like this in a larger body :)

[@Movilavideo]

Hi Matteo, thank you for your constant contribution. I wanted to ask you if you would have the opportunity to do some experiments in anamorphic, I think that is one of the main focuses of this camera. I also didn't understand if it has a desqueeze option in the menu and if so what factors. Thanks again

[@matteobertoli]

All I see in this firmware is 1.33x. I don’t have any anamorphic lenses unfortunately

[@Movilavideo]

thank you 🙏@@matteobertoli

[@acedia4453]

The FX3 might have impressive low light capabilities but it turns colors to mush in the dark.

[@matteobertoli]

Yes it’s terrible with mixed color temp lights, especially at night

I have always liked Blackmagic performance. But for a test footage we need to see cheaper lenses results.

[@matteobertoli]

I would never put a terrible cheap lens in front of that sensor.

[@jan-christophglaser1763]

- need to keep in mind that on 36fps you are using a way shorter shutter time - helps handheld. But also needs more light….

[@matteobertoli]

Of course, nothing new here

[@carloscubillo7898]

Hi Matteo, congrats for your work. If you dont mind i would like to make you (or anyone reading this) a question. Im going to buy this camera and im not sure witch lens should i buy the first. If you want to buy just one all-around zoom lens for this camera, witch one would be????? Shoud it has Image stabilizer in it? Obrigado!

[@jonpaultucker]

Amazing shots as always, looking forward to upgrading to this camera from the P4K. Are all of the shots here stabilised in post or just the 90mm shots? I know your handheld skills are dialled but this is insanely stable for such a light setup. I struggle without weight in the rig. Cheers,

[@wrenboy2726]

What do you suggest (camera wise) if I’m looking for low-light performance, but also good autofocus?

[@LWJCarroll]

Thanks this is really interesting and compliments to the young lady for sitting on the parapet, on top of that building. I couldn’t do that, too much vertigo. Laurie. NZ. 😊

[@angryrabbitproductions1690]

Looks fantastic. Thanks for getting out there and taking this footage.

[@matteobertoli]

🙏

[@damiendehorn6350]

Incredible clean shots at 1250, I'm really impressed that BM managed to pull of a great full frame cinema camera at under $2600, now all the need to do is port that sensor to the Ursa at less the $7000 and they'll kill it. Imagine a FF Ursa as an A cam and This as the B cam.

[@matteobertoli]

I believe it’s coming for sure! (Just speculating 😂)

[@kureki147]

I hope they will port an inhouse sensor or Fairchild rather than this old Sony sensor.

[@jasp2003]

Love that Leica look! I'm so lucky I picked up the 19mm v2 before it became expensive!

[@PBarry]

Please Blackmagic, if you read this -- the form factor on this thing is killing us out here. We WANT to use it but the lack of modularity (to mount V-mount batteries, on-camera monitor, audio, etc.) it's just not workable anymore. It hurts. For those of us who love BMD's color but can't show up to set looking like we just got our first DSLR out of film school. PLEASE create a box camera which we can customize and it'll crush the Komodo!

[@matteobertoli]

Get an Ursa. A true production camera.

[@castielvargastv7931]

Image is too yellow. All bm cameras have this odd greenish orange image i cant stand it.

[@matteobertoli]

Turn off night mode ;)

[@rezaVfx]

Amazing shots! Thx for sharing 🎉 so you think this new 6k is worth upgrading from p6kpro?

[@MrMysterybox]

I'm excited to try this camera out with the Panasonic 24-105 f4. That In lens stabe is going to make that combo a real powerhouse.

[@Fedorevsky]

Yeah, me too!

[@matteobertoli]

I recommend getting a WAY faster lens and utilizing the gyro to stabilize the footage later on ;)

[@Fedorevsky]

Yeah the 24-105 f/4 I use for daytime shooting, I have a T1.05 lens that I often use for later in the evening@@matteobertoliIt's going to be fun to test out the gyro

[@MrMysterybox]

@@matteobertoli I'm also very much looking forward to trying the gyro stabe on my Panasonic 1.8's. The image quality is amaizing and I can't wait to see what the Black Magic Sensor can do with this glass.

[@azoique]

I thought we had reached the pinnacle of IQ in "prosumer" cameras. But the image out of this camera looks incredible.

[@hoodaffairstv]

that 1250👀

[@matteobertoli]

Mind blowing

[@WasionKey]

what do you use for the bts?

[@curtdp]

Hi Matteo. Great looking footage from the new BMCC. How do you think is it would be great in HDR workflows? The 12-bit BRAW codec for 10-bit delivery is great obviously. And how do you think the image would stretch to HDR? Thank you. I'm aiming on shooting in studio, but with wide color and brightness in specular highlights and light sources in frame. I have great experience in SDR with BMPCC4k With your gorgeous Buttery LUT. Actually I have downloaded some source files from blackmagic site. And I Like what I see in HDR... Just interesting what you think of it. Thank you very much.

[@matteobertoli]

Seems weird, but I am not interested in HDR at all. It’s already a mess with iPhone footage and it looks terrible when you upload it on KZbin. To be honest there is already so many information in both shadows and highlights that I don’t really feel the need to watch it in HDR and go through that terrible workflow. It’s fantastic already

[@beyondourarena2207]

thanks Matteo. What about OLPF filter please? Many shot are great, super clean, but somes shots look less sharp than bmpcc6k, what do you think, please, about OLPF effect ?

[@matteobertoli]

I didn’t even post a side by side yet 😂

[@cinematrailers-ci4to]

can u make Comparision between 6kpro vs 6k full frame?

[@MohClassic]

Did you stabilized the handheld shots in post ? Thanks for this amazing job !

[@sigelsegal2297]

You just undersold the hell out of this camera lol. I love how the reference is full of noise and then it cuts to that beautiful image. Cheers brother !

[@DenityTV]

Great review, Adobe Podcast AI will clean that audio right up for you and it’s free.

[@matteobertoli]

Actually there is a tool in DaVinci which works great. Just didn’t know it existed 😂

[@aybee5908]

Impressive footage in low light and night. Of course in this price range, the Panasonic s5 ii is placed, too.

[@JaimeAndresMedia]

So many questions… total MP count? What’s the base ISO? Dual? I know it uses the L mount, will there be an EF option? Any Autofocus? Based on your comments, I assume it has no in-body nor digital IS… I’m a canon/Sony shooter but I use Resolve for editing and I’ve been very curious to try a blackmagic camera for the raw files.

[@matteobertoli]

If you need ibis or autofocus stick to sony. This is a cinema camera :)

[@JaimeAndresMedia]

@@matteobertoli yeah, the fact that’s a cinema camera doesn’t really negate the opportunity to have autofocus, many canon and Sony cinema cameras now have autofocus and digital IS, and have had it for years. Seems like a missed opportunity considering today’s market, and for the love of God, please get a decent microphone with a deadcat, the audio on this video is jarring

[@kevinl20082008]

When I first got my hands on Canon 5DMII ages ago it blew my mind. Now seeing this WOW!

[@SoulJazzDance]

Thank you this is great footage. Very impressive. I am not a camera complainer I am absolutely excited when the technology is pushed and the price is reasonable, I say to filmmakers get to work part time you push this camera through a project a new camera will be arriving with a little better features back in the day. We did so many things to get a good digital image. This is before DSLR‘s and all the stuff this stuff at this price is absolutely amazing. Get to work make movies.

[@subbbass]

great video, but with the noise reduction in Resolve you could improve the audio a lot.

[@DeanHarringtonimages]

Thanks, Matteo... love the low-light capabilities of this camera!

[@lifeofahfei1996]

Hi Matteo, Does this camera got auto focus? All the shots you get is using manual focus or? like the walking scene you have, is it your hand pulling the focus by manual or you use the auto focus?

[@matteobertoli]

Please check out my auto focus video on this channel. I am a professional camera operator and DP. Autofocus doesn’t exist in this industry.

[@ahmedouardani2370]

Thanks a lot would be cool a test on the second ISO in low light. the Difference in lux between the bridge and the deck light won't allow togo beyond Iso challenging the dynamic range

[@zumasa9991]

I really can’t appreciate this on my phone. Gotta wait till I get home to watch it on my pc

[@Artfulscience1]

Great video. Have you ever messed with the sigma fp much?

[@Akastaten]

Are you using a viewing LUT? Buttery?

[@trigger007]

The camera is very underrated, it looks great!! Thanks for making this!

[@diamondlabelfilms]

I'm wondering if all the footage we see from this camera look so great because the Creator's so far are using really good lenses. I would love to see a sigma art or a Canon zoom.

[@matteobertoli]

I mean, those are bad lenses. Maybe a Canon FD or a Nikkor? I would never shoot on a Sigma or Canon modern glasses again

[@diamondlabelfilms]

@@matteobertoli yes I get it but that's what many of us got and can afford

[@horyzonpictures]

@diamondlabelfilms if you can afford modern cannon glass you can afford quality vintage Nikkor glass or FD.

[@Fedorevsky]

It's also very easy to adapt vintage lenses to this lens mount, I have a bunch and many adapters for l-mount

[@ndavies8]

Stunning images! I guess full frame does matter after all. Have you played with any other lenses?

[@luismartino321]

Adobe Speech Enhancer, my friend.

[@cldroom]

This is so dope I hope to see some more narrative-focused sample shots from people in the near future I really want to see how this cam looks with lit scenes and Dolly movements

[@IsThatYouSimon]

"gyro works much better than any IBIS I tested!" you can't compare. if you use Gyro you will have to stab in post so it will crop. IBIS you have full sensor (or 90% minimum when it is boosted like on my gfx100S, and my stab is rad on this cam). IBIS avoid you to get strange/weird effects sometimes in post when you stab the gyro.

[@matteobertoli]

lol. Have you ever used IBIS? It's terrible and you get weird wobbling effects all the time. Tested on the Fuji and Sony and it looks bad. Even with a little movement it gets messy. With gyro I had zero problems and it works much better than any IBIS I used.

[@filipmichalsaffray441]

Hi Mateo is the Gyro stabilisation better than in the 6K org? Great video like always and thx for you talk with me yesterday about S5

[@jacopoabbruscato9271]

It's a great camera for sure, but the loss of internal NDs for a larger sensor is a pretty bad trade-off for me. Image quality was always BM's strong suit and it stays that way with this new BMCC, but the less-than-ideal form factor went pretty much unaddressed and that was the main downside users found

[@matteobertoli]

Form factor for me and other thousands of people is simply fantastic. As I already said, if you want a cube just move on and get a Komodo, Zcam, Kinefinity. This camera was thought for being both run and gun with built in monitor, but also a full production camera when you rig it up. It’s not that hard to understand how useful a 5” built in monitor really is if you don’t want to rig it

[@MPAflix]

I think more DR would make the image much more natural, such as the shot of ship, now it seems crushing the shadow area, not natural to me. and BTY why do you put a green tape to cover up the BMD logo?

[@matteobertoli]

It’s night and it was pitch black. Shadows are gonna be shadows. Dynamic range is insane on this camera. Tape was to cover the logo

[@AndreasMake]

Another lovely video from Matteo. I’m absolutely amazed by the combo of 12bit and this full frame refined Blackmagic camera body. ❤ considering to pick one up.

[@kurtnelle]

I could really use this level of subject separation when shooting products at trade shows. Having to edit children's faces out because they are in the background is so time consuming. EDIT: What was the other camera that was capturing the B roll?

[@matteobertoli]

Lumix S5

[@8KHDRVideoBySittipong]

Hope to get hand on with this beast soon.

[@vladbobe26]

Does this one come with the gyro stabilization in post like the 6k? Thank you for the clip, awesome presentation!

[@matteobertoli]

Yep

[@TheContentShak]

Appreciate the testing footage looks fantastic. 😮

[@MyRackley]

7:30 How about trying it with a Canon EF 85mm 1.4L IS lens?

[@matteobertoli]

I don’t use those lenses