Haydn Sonata in F Major, Hob XVI 23 - Jean-Efflam Bavouzet

Jean-Efflam Bavouzet, piano. Franz Joseph Haydn - Piano Sonata in F Major, Hob XVI:23 (No. 38), with score. Recorded in 2012. Best viewed in 1080p.
Composed before 1773.
00:00 Title
00:07 (Moderato)
07:18 Adagio
14:19 Finale. Presto
Жан-Эффлам Бавузе

[@zhannagumenyuk9076]

00:07 (Moderato); 07:18 Adagio; 14:19 Finale. Presto

[@OlgaTikhomirova]

Jean-Efflam Bavouzet is great Haydn musical performer

[@yuk_notkim7658]

One of my favorite Haydn sonatas to listen to

[@photonomist6345]

My mind is blown by this piece and by this unbelievable performance. Totally made my day!

[@VassilikiKravari]

Toute la sonate est très belle, mais le deuxième mouvement est génial. Haydn nous parle, nous console, nous aime...

[@cvd36]

❤

[@pablobear4241]

Why does he add so many changes?

[@zhannagumenyuk9076]

Because it is unexpected and surprising and Haydn is all about surprises. It makes the music more interesting. It is also a common practice of the time. Bavouzet is a master of this when it comes to Haydn.

[@pablobear4241]

​@@zhannagumenyuk9076 Puchelt an Horowitz play this much better IMO. Also even Sokolov if you want an idiosyncratic version.

[@luzical8926]

@@pablobear4241 Adding extra ornamentation is standard of galant music. It adds a lot of charm to the piece, which is certainly one of the defining features of Haydn's music! Mozart was known to have done this as well, adding occasional trills and appoggiaturas. This performance is excellent! I agree with Zhannagumenyuk and Bavouzet's excellent interpretation of Haydn in this piece. Each performer has their unique benefit, and I think Bavouzet does do a wonderful job.

[@OlgaTikhomirova]

Потому что это в музыкальных законах жанра - никогда репризная часть не играется один в один в повторении первой части, исполнитель волен добавлять украшения и играть по-другому Чистый повтор слушать неинтересно