Haydn: String Quartet Op.77 No.1, Quartetto Eos

Haydn: String Quartet Op.77 No.1
1° Allegro moderato
2° Adagio
3° Minuetto. Presto
4° Finale. Presto
Quartetto Eos:
Elia Chiesa - Violin
Giacomo Del Papa - Violin
Alessandro Acqui - Viola
Silvia Ancarani - Cello
Recorded in the Academic Hall of "Conservatorio Santa Cecilia" in Roma by EC Records.

[@Maurolive100]

1 0:00 2 6:58 3 12:22 4 16:45

[@urshandschin5108]

Outstanding rendition of a magnificent work by the incomparable master Haydn!

[@mysticmouse7261]

I 💘 Haydn. So underappreciated.

[@shin-i-chikozima]

Haydn‘s music is imbued with the sorrows and joys of the human world

[@tonyhunt9980]

Really enjoyed that ! Greetings from the UK

[@lawrence18uk]

I see that the 1st violin does not play as close to the bridge as the other 3 players - I think this means that his sound is not as articulate or penetrating as the others, and his sound is less audible, comparatively. Might be worth experimenting as a quartet. But wonderful rhythmic subtleties and excellent coordination thru all of that. The harmonic invention is great, too. Truly a great final offering from the composer.

[@francescamarini4778]

Intensi ed espressivi

[@aurelianojosemonteiro1398]

Valeu gente e um abraço a todos! Gratidão pelos belíssimos trabalhos!

[@alexrichardson9125]

Beautifully and carefully played. Thank you.

[@manlioerta7221]

Haydn è un grande musicista in ogni opera, anche se nei Quartetti eccelle nell'Op. 33 ; l'Op. 77 n 1 è un bellissimo quartetto, eseguito in modo eccellente dai quattro giovani strumentisti. Elia Chiesa è un eccellente primo violino ,Giacomo del Papa un eccellente secondo violino ( naturalmente vado in ordine, non sapendo , dai nomi , chi è il primo o il secondo violino); Alessandro Aqui , ottima viola , anche se leggermente sacrificata fra il primo violino e il Cello eccellente di Silvia Ancarani , che mi pare anche dirigere o, comunque, dare il tempo al quartetto . Il primo violino e il violoncello sono dotati di una potenza ( se non dipende dall'acustica) che rende meno evidenti gli interventi del secondo violino e soprattutto della viola che , peraltro, ha una voce dolce e melodiosa. Può dipendere anche dallo spartito di Haydn, che è solito attribuire molta importanza al primo violino. Eccellente esecuzione i miei complimenti al Quartetto Eos.

[@katherineparadis-chateaune8004]

I really appreciate this way of commenting, putting lights on talented musicians. ❤

[@nonnogion4527]

Piuttosto puliti, ampiamente dinamici, passionati. 2 mic. Grazie

[@fransmeersman2334]

I enjoyed very much this magnificent performance of one of Haydn's wonderful quartets. Thank you Quartetto Eos.

[@Twentythousandlps]

One camera? Was this made for the Vitaphone Company?

[@extanegautham8950]

lovely lovely lovely....its Richter who taught me to love Hayden, and then i discovered an old LP at my Uncle's country cottage that he had found in the shelter island , ny , garbage dump, of Guarneri playing all the Qrts, and pure magic....now at 68 i am playing a little Sonatina of H's , and i love it....its so amazing to compare his quality to WAM's....no wonder he was called Papa Hayden..

[@elaineblackhurst1509]

The composer’s name is Joseph Haydn, not ‘Papa Hayden’.

[@jeanselou9623]

J'aime le côté bucolique et champêtre, merci Quartetto Eos

[@GiuseppeFochesato]

Un bel modo di eseguire il 18° sec. (a riguardo segnalo che ho edito per mio conto molti quartetti inediti di autori italiani dimenticati di fine 1700...)

[@선반영-i4b]

Wow that cello is really dark 🕶️🕶️

[@cesarezendri1370]

Interpreti di alto livello che accrescono il contenuto gioioso di questo quartetto

[@alessandrorossi9355]

Veramente bravi: ritmo vivace e carica appassionata di suoni.

[@f.b.5855]

Vi amo!!

[@yakeen4510]

技術は達者だと思うけど、私の耳には平均律にしか聞こえない。耳がおかしいのかな……。

[@PushkaryovVsevolod]

Кошерно!

[@martian0303]

클래식 포에버

[@neimanmario]

The cellist should be wearing black socks and black shoes just like the other three members. She does not get a pass just because she is a woman. Want to be equal? Then BE equal.

[@longlivetheking2230]

Uhm… beeing equal doesn’t mean to dress like a man. Chamber music groups don’t need a uniform… “She does not get a pass just because she is a women” - wow my dude. Let’s continue this talk when women and men have equal rights. Or wait it’s that easy: “Want to be equal? Then BE equal” smh

[@neimanmario]

@@longlivetheking2230 It's a matter of respect towards the other member who, indeed, are wearing a uniform. The only valid equality is "Equal rights under the Law" which women, in most of the world, already have. The rest is BS. Women and men are NOT equal, the are complementary. Millions of years of evolution assigned each one a different role and anyone trying to subvert his/her role in life is a fool. And yes, she should apologize to his colleagues for wearing the red shoes and never do it again. BTW, she is quite a good cello player.

[@ErGiuPUNTO]

@@neimanmario take a hike bro

[@urshandschin5108]

If we've already started the clothing discussion: In general, I don't like the black clothes that musicians unfortunately wear at all and I always enjoy it when musicians (male or female) wear something colored! The only reason that speaks for black clothing is a practical and financial one: with black every musician can blend in optically with every formation. But I still find the black clothes disgusting!

[@salvatoremartella5397]

Siete semplicemente FANTASTICI nella Vostra interpretazione!!!!, veramente!