Haydn - The String Quartets "Kaiser" Part 1 (Century's recording : Wiener Konzerthausquartett)

[@classicalmusicreference]

Franz Joseph Haydn (1732-1809) - The String Quartets Collection Part 1 🎧 Qobuz bit.ly/3fXav62 Apple Music apple.co/2LT0M43 🎧 Amazon Music amzn.to/42uirS6 Tidal bit.ly/2KMjzxj 🎧 Deezer bit.ly/2NW2PF5 Spotify spoti.fi/2YlBZb9 🎧 KZbin Music bit.ly/3n6iy60 SoundCloud -- 🔊 Download high-fidelity classical music: classicalmusicreference.com/ Click to activate the English subtitles for the *presentation* (00:00-04:42) String Quartet in C Major, Op.1, No.6 I.Presto assai (00:00) II.Menuetto (02:11) III.Adagio (05:59) IV.Menuetto (09:29) V.Finale - Presto (13:25) String Quartet in B flat Major, Op.2, No.6 I.Adagio - Andante (15:32) II.Menuetto (21:44) III.Presto (24:57) IV.Menuetto (26:58) V.Presto (29:44) String Quartet in C Major, Op.76, No.3 ‘’Kaiserquartett / Emperor’’ I.Allegro (32:05) II.Poco adagio, cantabile (37:07) III.Menuetto - Allegro (44:40) IV.Finale - Presto (50:04) String Quartet in E Major, Op. posth. I.Allegro (54:27) II.Menuetto (56:51) III.Adagio (1:00:08) IV.Finale - Presto (1:07:38) String Quartet in E flat Major, Op.2, No.3 I.Allegro molto (1:09:02) II.Menuetto (1:12:02) III.Adagio (1:15:06) IV.Menuetto (1:21:30) V.Finale - Allegro (1:28:33) String Quartet in E Major, Op.3, No.1 I.Allegro molto (1:30:56) II.Menuetto (1:33:46) III.Andantino grazioso (1:36:46) IV.Presto (1:39:17) String Quartet in G minor, Op.20, No.3 I.Allegro con spirito (1:40:47) II.Menuetto. Allegretto (1:46:20) III.Poco Adagio (1:51:19) IV.Finale - Allegro molto (1:58:37) String Quartet in G major, Op.77, No.1 I.Allegro moderato (2:02:45) II.Adagio (2:O9:09) III.Menuetto - Presto (2:16:35) IV.Finale - Presto (2:20:15) String Quartet in D Major, Op.2, No.5 I.Presto (2:26:09) II.Menuetto (2:28:52) III.Largo cantabile, alla breve (2:31:54) IV.Menuetto (2:35:39) V.Finale - Presto (2:37:49) String Quartet in G Major, Op.9, No.3 I.Allegro moderato (2:38:56) II.Menuetto - Allegro (2:44:59) III.Largo (2:48:16) IV.Finale - Presto (2:54:40) String Quartet in D minor, Op.9, No.4 I.Allegro moderato (2:58:18) II.Menuetto (3:05:16) III.Adagio cantabile (3:10:26) IV.Presto (3:15:33) String Quartet in B flat Major, Op.9, No.5 I.Poco Adagio (3:19:58) II.Menuetto - Allegretto (3:26:23) III.Largo cantabile (3:29:50) IV.Presto (3:39:00) String Quartet In B flat Major, Op.3, No.4 I.Allegro moderato (3:42:35) II.Adagio - Presto (3:47:49) String Quartet in C Major, Op.9, No.1 I.Moderato (3:51:13) II.Menuetto - Poco Allegretto (3:58:57) III.Adagio (4:01:50) IV.Finale - Presto (4:09:31) String Quartet in E flat Major, Op.17, No.3 I.Andante grazioso (4:13:23) II.Menuetto - Poco Allegretto (4:21:37) III.Adagio (4:25:27) IV.Finale - Presto (4:32:06) String Quartet in D Major, Op.20, No.4 I.Allegro di molto (4:36:09) II.Un poco Adagio affectuoso (4:44:07) III.Menuetto - Allegretto alla zingaresca (4:50:44) IV.Presto Scherzando (4:52:41) String Quartet in F Major, Op.2, No.4 I.Presto (4:57:12) II.Menuetto (5:00:53) III.Adagio non troppo (5:05:28) IV.Menuetto (5:11:21) V.Allegro (5:14:02) String Quartet in G Major, Op;17, No.5 I.Moderato (5:16:34) II.Menuetto (5:21:04) III.Adagio (5:25:03) IV.Presto (5:31:47) String Quartet in E flat Major, Op.20, No.1 I.Allegro moderato (5:31:34) II.Menuetto - Allegretto (5:42:10) III.Affectuoso e sostenuto (5:46:13) IV.Finale - Presto (5:51:23) String Quartet in A Major, Op.20, No.6 I.Allegro di molto e Scherzando (5:55:11) II.Adagio - Cantabile (6:01:22) III.Menuetto - Allegretto (6:06:32) IV.Fuga a 3 Soggetti - Adagio (6:08:33) String Quartet in A Major, Op.3, No.6 I.Presto (6:11:58) II.Adagio (6:15:48) III.Menuetto (6:21:59) IV.Scherzando (6:25:12) String Quartet in F Major, Op.17, No.2 I.Moderato (6:27:28) II.Menuetto - Allegretto (6:32:08) III.Adagio (6:35:58) IV.Allegro di molto (6:42:23) String Quartet in F minor, Op.20, No.5 I.Allegro moderato (6:46:19) II.Menuetto (6:53:15) III.Adagio (6:59:46) IV.Finale - Fuga a due Soggetti (7:06:08) String Quartet in E flat Major, Op.50, No.3 I.Allegro con brio (7:09:42) II.Andante più tosto Allegretto (7:14:28) III.Menuetto - Allegretto (7:20:54) IV.Finale - Presto (7:24:39) Wiener Konzerthausquartett 1st Viollin : Anton Kamper / 2nd Violin : Karl Maria Titze Viola : Erich Weis / Cello : Franz Kvarda New Mastering in 2018 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Franz Joseph Haydn : Le ‘’ Kaiser ‘’. Lorsqu'en 1932 Walter Legge a fondé la Haydn String Quartet Society for His Master's Voice, il a choisi Cecil Gray pour écrire les notes de programme. Dans le livret de la première parution (avril 1932), Gray attirait l'attention sur le fait que, alors que l'orchestre a énormément changé depuis l'époque de Haydn, rendant ses symphonies quelque peu désuètes sur le plan sonore, le quatuor à cordes était précisément le même véhicule pour les compositeurs modernes qu'il l'était lorsque Haydn a commencé à écrire pour ce médium. De nos jours, les symphonies de Haydn ne sont plus considérées comme archaïques, mais il est probablement vrai que la quintessence de Haydn peut être trouvée dans le domaine plus intime de la musique de chambre, et particulièrement le quatuor à cordes, qui l'a occupé pendant environ quarante-six ans : ses premières œuvres dans la forme sont censées avoir été composées vers 1757, et sa dernière, l'inachevé Opus 103, à partir de 1803. On dit que Haydn a inventé le quatuor. De nos jours, nous savons qu'il existait diverses formes de musique avant Haydn pour deux violons, l'alto et la contrebasse ou le violoncelle ; mais la question de savoir si l'une de ces formes pré-Haydn peut être considérée légitimement comme un précurseur du quatuor tel que nous le connaissons fait toujours l'objet de discussions entre les spécialistes. Haydn lui-même a raconté comment, vers 1757, il est tombé par hasard sur cette forme. Il avait écrit des trios à cordes (deux violons et un violoncelle), et son ami et mécène, Carl Joseph, Edler von Fürnberg, qui avait invité Haydn au château de Fürnberg à Weinzierl en Basse-Autriche, suggéra au jeune compositeur d'ajouter un alto au groupe. Haydn accepta et le résultat fut dix quatuors (connus plus tard sous les noms d'Opera 1 et 2) dans la forme de divertimento alors en vigueur de cinq mouvements (Allegro - Menuet/Trio - Mouvement lent - Menuet/Trio - Presto). Les premiers quatuors de Haydn ont connu un énorme succès. Leur charme gai et léger a gagné les cœurs partout. Les Allemands les trouvent frivoles, mais ils ne parviennent pas à endiguer la popularité croissante de Haydn, même en Allemagne. Entre-temps, Luigi Boccherini était arrivé à Vienne avec son père pour jouer dans l'orchestre de l’opéra du Kärntnerthortheater, et en 1761, Luigi commença à écrire des quatuors d'une manière tout à fait différente et plus sophistiquée, avec trois mouvements au lieu de cinq. Haydn a dû réfléchir profondément au problème de l'écriture en quatuor, car il n'en a écrit aucun pendant plus de dix ans, recommençant vers 1768-9 avec l’opus 9. Suivirent ensuite l'opus 17 (1771) et l'opus 20 (1772) dans lequel Haydn réintroduisit des fugues à grande échelle dans la forme, approfondit considérablement son contenu, enrichit sa texture et posa un défi intellectuel tout à fait nouveau et surprenant. Puis il y a un autre silence, de près de dix ans, jusqu'en 1781, lorsque l'opus 33, plein d'esprit et sophistiqué, apparaît, créant une nouvelle manière d'écrire en quatuor qui allie le style populaire à une grande sophistication technique. À partir de ce moment et jusqu'en 1803, Haydn a composé des quatuors par séries de quelques années, créant un standard de beauté, de perfection formelle et d'originalité qui a inspiré des générations de compositeurs, dont Mozart et Beethoven. La toute dernière œuvre que Haydn a commencée alors qu'il était vieux était un quatuor à cordes (opus 103, 1803). Il ne put le terminer et l'envoya au monde entier avec une citation tirée de sa propre carte de visite : « His ist alle mine Kraft, Alt und schwach bin ich ; » (Fui est toute ma force, vieux et faible je suis), que le monde musical admiratif considérait avec tristesse lorsque sa civilisation éclatait lors des guerres napoléoniennes. Haydn: The String Quartets Collection Pt. 2 ‘’Die Sieben Worte des Erlösers’’ 🎧 Qobuz bit.ly/3s2IEnf Apple Music apple.co/2L9ELNO 🎧 Amazon Music amzn.to/3n2tJfY Tidal bit.ly/3pDGZnL 🎧 Deezer bit.ly/3oGQuB3 Spotify spoti.fi/3owYGny 🎧 KZbin Music bit.ly/3lqhwRM SoundCloud -- 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Franz Joseph Haydn PLAYLIST (reference recordings): kzbin.info/www/bejne/b3y3mHRnnpVprrc

[@elmarwiesmann7547]

Op. 20 No. 1 starts at 5:35:34 ...

[@onceltom]

GREEK TO ME

[@lana-xr9hh]

Merci pour tous ces renseignements 👍🏽🙂

[@docteursade2]

Great thanks for your elaborated efforts for everyone here.

[@fernandocruzcamara7170]

☺

[@tishmusso3949]

If only the world would sit down and listen to Haydn...we'd be in a far happier place.

[@annamariakovacic894]

I just discovered these recordings and I am very delighted about the "simplicity" of the interpretation, without any vanity and annoying ambitions. I can just listen in peace and enjoy this heavenly music of Joseph Haydn. Thank you very much for joining! Anna Maria Kovacic

[@kittikhunsodprasert5841]

There are a lot more in this recording. By the simplicity of thier interpretation had something so unique and delicated. Thanks for sharing this wonderful recording for us. 💖💖💖

[@victorboda9358]

9😅😅g 13:21 😮13:2😮1 😮😮 13:21 k

[@michaeldavidrubin8823]

For these past weeks, every time I come to the end of these 7+ hours of Haydn's quartets, I just go to the beginning & listen again. Granted, sometimes while working, but often taking focused time to listen with no distraction. Totally rewarding, sublime music, superbly played, fine audio quality. Thanks again.

[@valterronchetti7797]

Il vecchio maestro indimenticabile.La sua musica è pace e serenità .

[@michaeldavidrubin8823]

One of the things to love about Haydn is the simplicity of many of his musical thoughts - which, through his instrumentation & development, are never banal; rather, they become immediately affecting, & therefore emotionally stirring, even sublime, without any need for exaggerated drama. These performances, to my ear, bring out this quality superbly. Thanks to CM/RR & to these great players.

[@dominiquelarueenchantez-vous]

Happy to read somone who understands and love Haydn 's music. Cheers from France

[@michaeldavidrubin8823]

@@dominiquelarueenchantez-vous You are most kind.

[@joellepodwysocki9558]

@@dominiquelarueenchantez-vous Faut-il comprendre la musique pour l'aimé ?? Bien Cordialement,

[@dominiquelarueenchantez-vous]

@@joellepodwysocki9558 Bonjour Joëlle, sacré sujet de dissertation votre question...Si je vous réponds par la thèse antithèse, synthèse, je dirai en passant par un raccourci : oui, non, oui et non. Entre élan du cœur et éducation, mes oreilles oscillent de l'un à l'autre...Sujet à débattre en terrasse à l'heure du thé ou en soirée... Belle journée, Bien cordialement,

[@rupertswyer8794]

@@dominiquelarueenchantez-vous Eh bien, après avoir lu "Musique et verbe" de Furtwängler, je m'étais persuadé que non seulement je n'étais pas digne de faire de la musique, mais que je n'étais même pas capable de l'écouter. Heureusement, je me suis guéri depuis longtemps, et la musique de Haydn y a contribué.

[@perfectblue8443]

I could live an entire life and only listen to Haydn's quartets (or symphonies for that matter). It would be a healthy, optimistic life, full of gratitude for the simple joys that every day brings.

[@patrascurafael4519]

I FFEL YOU! I THINK HAYDN IS THE BALANCE BETWIN MOZART AND BEETHOVEN, NOT SO ANGER NOT SO PEACEFULL, NOT SO EMOTIONAL NOT SO MECHANICAL

[@patrascurafael4519]

ALSO SCHUBERT IS GOOD FOR THIS FEELING BUT I FEEL HIM A LITLE ANXIOUS

[@ginaabadi1292]

Cómo se llama este maravilloso quartor que interpreta tan maravillosamente ese cuarteto del gran Haydn ,creo el creador de los mismos

[@guillermomiranda9703]

@@patrascurafael4519 I like this comparison to both Mozart and Beethoven, but also one could see Haydn's SQ as the seed that would yield two different and complementary products in the emotional dimension of human soul...a perfect triad rooted in the sephirotic triad composed by Jesed Guevurah and Daat, the equilibrating one, incarnated by Haydn, ..archetypal energy -forces, underlying our evolving existence towards a state of higher consciousness. Thanks for uploading this marvelous musical gift!!

[@salzadancing1]

So thankful! I enjoy lisrening to Haydn..So beautiful relaxing music! PRAISE BE TO GOD!

[@russellzanca8959]

Opus 76 can bring a grown man to his knees: few pieces of music fill me with so much joy and sadness simultaneously.

[@elaineblackhurst1509]

Russell Zanca Haydn’s Opus 76 is one of the greatest sets of quartets ever written.

[@russellzanca1871]

@@danielandforok ??

[@richardcleveland8549]

The quartets are wonderful; I love Haydn's work - he never, never disappoints! Many thanks for posting these (and the sound quality is amazing!).

[@michaeldavidrubin8823]

Merci beaucoup d'avoir présenté ces superbes représentations des chefs-d'œuvre de Haydn. La nouvelle qualité d'enregistrement est particulièrement appréciée.

[@dominiquelarueenchantez-vous]

Contente de lire un commentaire d'un mélomane français! salutations lyonnaises.

[@michaeldavidrubin8823]

@@dominiquelarueenchantez-vous Une pensée aimable - merci !

[@jorgeurzuaurzua4011]

Thanks Classical Music for this very valuable integral of Haydn Kaiser quartets. These are 23 quartets of the more than 60 quartets that Haydn wrote, excluding spurious (source Wikipedia).The quality of sound is impressive for a relatively old recording, thanks undoubtedly to remastering. The quality and variety fo the music is impressive indeed. Some of the quartets achieve a splendid maturity and complexity. The productivity of Haydn is nothing less than miraculous. The Wiener KonzertHaus Quartet was no doubt a splendid quartet, mature and highly musical. One should not expect less from Vienna, the center of the classical musical world at the time.

[@astridvitols4712]

Peace Harmony Calm Quietness... A Soooooooo beautiful choice here !!!!! Perfect at home to work, read, relax !!! Thanksfully !!!❤️❤️❤️❤️ Astrid (France)

[@lavieestunsonge4541]

Merci beaucoup pour partager ça ! C'est un immense plaisir d'écouter ! Sublime ! Superbe ! Simplement parfait !

[@Treborstuben]

The absolute epitome of what a string quartet should sound like

[@justme-yr2xf]

#KaiseSoSayCanSeeTheLite ẞ #birdhousesforyoursoul ẞ @alightofgodenterprise *ask for janice or Paul e* *that's in ßrooklyn, 718-849-4931* ẞ

[@justme-yr2xf]

#twosdaystauntfest ẞ #KaiserSoSayCanUSee ẞ *c**what,c, ßenore ß* ẞ #thedawnsearlylight ẞ

[@guillermocueto2055]

Un bálsamo para mis oídos!! Impecable interpretación de Haydn!!

[@nivagnoswal]

these quartets are really wonderful...thank you for the upload...thank god for the artists both past and present...

[@fransmeersman2334]

I have recently discovered your marvellous channel. I love string quartets and certainly these of Joseph Haydn. I love especially the "soft" sound of your records. Really a great gift, thank you

[@classicalmusicreference]

You're welcome. Thanks and Enjoy :-)

[@oscarugarteche8674]

Thank you Anna Maria. It is balm for the soul

[@4980cbs]

What a finding! One’s always searching, how many disappointments! No matter how big the names, most of the time something is not quite right. This is one of the very few cases there are not doubts whatsoever just from the beginning. THANKS!!!

[@bellpraise]

I can't download this piece without saying thank you. THANK YOU!!!!!

[@classicalmusicreference]

:-)

[@camilobaquero486]

Maravillosa interpretación ... prístina y contundente!!! Gracias por compartir esta joya. Saludo desde Bogotá, Colombia!!!

[@mauricioduron3193]

Am only now beginning to know this collection. Love the Haydn string quartets - my expectations know no limits. Thank you.

[@classicalmusicreference]

:-)

[@brendoncasarez6777]

Same here!

[@johnentwhistlesurelysamsun1840]

Thankyou for uploading this as im a serial haydn blogger, this is just so beautiful, his string quartet

[@classicalmusicreference]

you welcome :-)

[@edithgonzales2695]

Just a little correction: The first movement of the String Quartet in E flat Major, Op.20, No.1 , Allegro moderato, begins at 5:35:34... not at 5:31:34. The collection is really impressive, thanks a lot for sharing!

[@GuyDanielsMusicEtc]

Haydn! No Beet or Moz without the master of the Classical period. And thanks for the 'song list' below!

[@chucksaduck]

2:54:40 and 2:48:16 quintessential quartet music, it’s an education

[@giacomocaceresgonzalez2351]

Extraordinarios cuartetos, Haydn y su mente prodigiosa, impecable interpretación de los cuatro solistas.

[@nancysikes]

Some of the greatest music ever written

[@elaineblackhurst1509]

The 68 string quartets of Joseph Haydn are one of the absolute pinnacles of western classical music.

[@apucci]

omg the end of the second movement of Op.76, No.3 is just beautiful, I was almost breathless here

[@ronoswald1070]

Amazingly pleasant to listen to. Truly beyond words!

[@TheRossleo]

Great technical skill with most beautiful results by both composer and musicians. Thank you.

[@classicalmusicreference]

You're welcome

[@BruceWedderburnMusic]

absolutely

[@MsLeenite]

Thank you for uploading this graceful, lovely music.

[@classicalmusicreference]

You're welcome :-)

[@brucewilliams8864]

A marvelous upload... Thank you very much!

[@i9s3m8]

La musique de Haydn est très belle et ce quatuor est merveilleux.

[@KesslerWatsonMusic]

What is it about string quartets which moves the heart so immensely. Perhaps it's the simplicity, which lends itself to complexities of a different nature than concertos or symphonies. This is lovely music.

[@hermitconsctraveler]

This music and the way it is interpreted transports me to other times, when life was simpler, more intimate, closer to our own essence as human beings, where the Spirit was not just a word, but an experience. The beauty embodied in these masterfully interpreted chords immortalizes not only their author but also their players.

[@signoreluca3757]

Well said ! I agree

[@richardfechter3989]

THANKS FOR THIS WONDERFUL UPLOAD; THE MUSIC SPEAKS FOR ITSELF, AND YOUR NOTES BRING IT TO A MORE PERSONAL PERSPECTIVE.

[@walterbarcelos9094]

O GOOGLE E A INTERNET são os grandes responsáveis pela motivação de milhões e milhões de criaturas, de todos os povos da humanidade, que não tinham acesso e nem gostavam da MÚSICA ERUDITA, agora podem ouvir, apreciar, deleitar, amar, sonhar e se especializar na música celestial, manuseando e navegando no FABULOSO ARQUIVO MUSICAL DO KZbin. Walter Barcelos - BRASIL

[@tepmich]

UNGEWÖHNLICH MELODISCH !!! Tepper Michael.

[@fe12rrps]

All so beautiful. But Op 20, incredible!

[@DarianBTaylor]

Beautiful. Thank you for posting!

[@alvarogarciabarbosa3199]

Cello and viola have a very different roll than they have in Beethoven SQ. Easily can be determined the wide wide difference between pure classic and Romantic !

[@cristinacoutoelias7620]

Linda harmonia!!! Acalma o coração!!!

[@tepmich]

WUNDERBAR UND ZAUBERHAFT !!! Tepper Michael.

[@svabhavasunya]

Giant! Reference! Blessed!

[@officespace8583]

So beautiful and kickass!

[@viniciusoliveiradvdd6970]

Obrigado pela playlist maravilhosa.

[@patrickwells4014]

As I tell my students who are in colleges or universities, and want to know orchestration, they must go to the source first, and that is the study or instrumentation. And the composers to study - Haydn, Mozart, and Beethoven. And before embarking on their first instrumental attempt, study the strings first, study them in detail - Violin Viola, Violoncello, and Double Bass. Taking classes in musical instrumentation with individual study will benefit as well. While studying these instruments, listen to the string quartets of these composers. Learn how they treat each instrument, individually and together. Follow the scores meticulously, note these details, copy down these works by hand or by computer. Sing each individual part while listening. Absorb and internalize these treasured works as much as possible. Make your first attempts at writing a string quartet. Make sure your knowledge of theory and musical form is solid before the attempt is made. When finished or in progress, show it to your teacher or professor for his/her guidance and opinion. Your knowledge of this art will greatly benefit you in your future attempts at arranging for string ensemble and orchestration as well.

[@classicalmusicreference]

Thank you for your so truthful comment that reminds me of my teacher's teaching:-)

[@patrickwells4014]

@@classicalmusicreference Thank you. Your comment is greatly appreciated. Please have a good day.

[@onceltom]

DOUBLE BASS?

[@patrickwells4014]

@@onceltom Might as well learn all the string instruments

[@-cloudsaboveuscrying-6805]

thanks you so much for your advise sir! i'll try to follow it! :)

[@constantinepapadakis2864]

Beautiful with soft Melancholy

[@lzl901030]

it is so so so so classic! love it.

[@eduardo1447]

Excelente y bella música!!

[@Renate.R.2974]

BEAUCOUP TROP D'INTERRUPTIOS - TOUTES LES 5 MINUTES - PAR LA PUBLICITE ; PRIERE DE LAISSER ECOUTER TRANQUILLEMENT HAYDN !!!!!!

[@musicaantigua869]

Muchas gracias classical tunes

[@reeshmac]

우리는 다른 언어를 말할 수 있지만 음악은 우리 모두가 이해하는 언어입니다

[@dejanstevanic5408]

I can't stop coming back for more. Grand, for me the best interpretation of this divine quartets. Thank you again CM/RR.

[@classicalmusicreference]

Thank you for your messages. You will like tomorrow's publication :)

[@dejanstevanic5408]

@@classicalmusicreference Oh, thanks in advance :-)

[@dominiquelarueenchantez-vous]

I oftne come back for more too. So beautiful! cheers from France

[@hermitconsctraveler]

Esta música y la forma como es interpretada me transporta a otros tiempos, en que la vida era más simple, más íntima, más cercana a nuestra propia escencia como seres humanos, dónde el Espíritu no era sólo una palabra, sino una vivencia. La belleza que encarnan estos acordes magistralmente interpretados inmortaliza no solo a su autor sino a sus interpretes.

[@風呂幸]

What a pretty maiden! That's right. I often make music anthropomorphic.

[@marcollano5917]

Thank you for sharing!

[@relaxingnaturesoundshd6253]

Hi! Como siempre tus videos son bellísimos en imagen y sonido, una belleza, gracias!

[@BaroqueMusicRecords]

My favourite Vivaldi compilation always listen to this ❤️😋

[@80AD]

Absolutely loving this for study music! Thanks for sharing.

[@sehatbahagiaclub4807]

Thanks for your beautiful works... GREAT

[@classicalmusicreference]

You're welcome :-)

[@ironmaz1]

i love string quartets! especially old recordings! especially good quality! therefore, i love this channel :)

[@classicalmusicreference]

Thanks, enjoy :-)

[@laurencegoldman4639]

Such understated, clean, precise intelligent playing. It is so rare today, 2021, where emotive exaggeration, and dramatization makes the players more important than this great music. Play what’s written dammit. It’s such a breath of relief to hear these guys. The whole body relaxes.

[@michaelfabian3036]

Hear hearrrrr!!! SOOO true! :-)))))

[@benuncle7466]

Brillant. Reference Work. Thanks

[@rosanagontijo1392]

Lindo e chik adoro e maravilhoso

[@rosannarutigliano9753]

per me una scoperta mirabile. Grande interpretazione

[@aaronjohns3997]

very very beautiful recordings! I also have the set by Kodaly Quartet which are good as reference ...

[@sneddley]

I also have the Kodaly set which I do feel are also very fine interpretations but, the sound I find neither warm nor detailed like this of the Wiener Konzerthausquartett which I am hearing and enjoying for the first time (Many thanks to this channel for posting). The lightness and humor at 24:56 (and more so at 25:57) is one spot which has this great charm, as it is played here which is supported by the way it was recorded. It's just my opinion and I feel, as so many times in other Naxos recordings, that the Kodalys are over reverberant and not very pleasant to listen to. I wish I didn't feel this way about them...

[@WJKPhD]

Fab background for research and writing -- thanks!

[@marinamorari3423]

La minutul 37.40 - suna renumita miscare cu tema imnului Rusiei Tariste. O dezvoltarea sub forma de variatiuni buna pentru elevii studiosi...

[@zaharrmanevi105]

So beautifully Viennese..

[@tarikmounih3559]

The Classical period is as gd as The Barowue one I feel...The Romantic caries some wages of love n freedom too! 🙂

[@JSJS-wc2cw]

Be too good to hear Thank you^^

[@musicanovas6]

"Heavenly Father I pray You keep the person reading this alive, safe, healthy & financially blessed them Lord .Amen🙏🏽💕🙏💗💕

[@CanGrande19]

Más de 7 horas de felicidad...!!!

[@carlsonmatthewt]

String Quartet in G major, Op.77, No.1 I.Allegro moderato (2:02:45) II.Adagio (2:O9:09) III.Menuetto - Presto (2:16:35) IV.Finale - Presto (2:20:15)

[@matheusfay6082]

String Quartet in G major, Op.77, No.1

[@rphuntarchive1]

Thanks for this.

[@bruceweaver1518]

Now I know why Mozart called Joseph Haydn, “Poppa Haydn.”❤️♥️

[@ElAprendizEterno76]

Thanks.

[@fredericchopin7538]

Wonderful!

[@cristiangonzalezsafstrand6442]

Un maestro verdadero

[@류순열-h6i]

아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎻🌿🍀☘🌹🌹☘🍀🌿❤❤

[@shirleyrombough8173]

Wasn't one of these quartets based on an Anglican hymn? Just outstanding performance. These musicians show joy and virtuosity.

[@shirleyrombough8173]

The hymn is "Glorious Things of Thee Are Spoken." I wonder which came first- the hymn or the string quartet, not that it matters really. Just interesting.

[@elaineblackhurst1509]

@@shirleyrombough8173 Haydn heard God save the King many times whilst on his two long visits to England between 1791 and 1795. On his return to Vienna: i) he wrote the national song for Austria - Gott erhalte Franz den Kaiser; ii) this melody was shortly later re-used as the theme for a set of variations in the string quartet Opus 76 No 3; iii) in the 19th century, it was turned into a hymn tune as you say; iv) and later still, appropriated by Germany as their national anthem which it remains to this day. In short, the Austrian national song came first, the hymn adaptation much later.

[@henrylopez9292]

LA MUSICA CLASICA ES MELODIA UNIVERSAL , ARMONIZA, TRANQUILIZA, ORGANIZA.

[@dominiquelarueenchantez-vous]

Well said! Cheers from France:)

[@johnentwhistlesurelysamsun1840]

Some of the early recordings of haydn string quartets are the finest, there are also fine recordings by the pro arte quartet originally made for 78's , they embarked on a project to record all of haydns quartets but unfortunately the war put an end to this mamoth project.

[@ricardolemus5937]

I am very grateful for the upload of such superb and unbelievable 1932 recording. Sounds as if it was recorded recently. Who are the musicians?

[@classicalmusicreference]

1st Violin : Anton Kamper / 2nd Violin : Karl Maria Titze Viola : Erich Weis / Cello : Franz Kvarda

[@JoePalau]

Thank You for an introduction to this quartet. The recording and string playing are excellent - superior. I look forward to hearing more recording by them.

[@sneddley]

I looked it up: the group was formed in 1934 and the record company, Westminster, was founded in 1949. The sound of these marvelous performances is terrific, I do agree, but these recordings are from the early LP period.

[@4980cbs]

1932 ? I think you mean 1952 maybe.

[@carlsonmatthewt]

III.Poco Adagio (1:51:19), SQ Gm, op 20

[@kuroshazarbaijani9605]

Haydn pours His heart Out

[@armandogonella2770]

U N G E N I O !

[@BruceWedderburnMusic]

Great recording. I am Just doing history. Where does "Hunt" begin?

[@miguelangelgonzalez7922]

Yo elegirìa tres pelìculas para establecer un parangòn entre el sèptimo arte y la mùsica de Haydn;ellas son Lo que el viento se llevò, Ben Hur y la Ciudadela de los Robinson; todas de una grandiosidad que le asignamos a las obras maestras, originales, ùnicas, icònicas, deslumbrantes. Escucho con veneraciòn esta mùsica embelesadora y quiero màs, mucho màs. Dos violines, una viola y un cello unidos en una secuencia musical impactante y de una sublime belleza.

[@carlosgarciasaltillo3765]

Estoy muy de acuerdo contigo, te felicito por tus apreciaciones musicales y por la manera de decirlas.

[@miguelangelgonzalez7922]

Carlos Garcia, Saltillo Gracias.💟Sinceramente aprecio tus palabras. Tienes el nombre de un gran director de orquesta argentino.

[@miguelangelgonzalez7922]

Agradezco sinceramente tus palabras, se nota que nacen de un corazòn bien intencionado. Tenès el mismo nombre y apellido de un gran director de orquesta argentino.

[@carlosgarciasaltillo3765]

Te descubrí, eres Argentino, admiro tu gran país. Yo soy un hermano Mexicano.

[@miguelangelgonzalez7922]

Carlos Garcia, Saltillo Si te place mándame una solicitud de amistad en Facebook y te la acepto.

[@090doug]

It looks like a young Michael Rappaport on the Cello(far right).

[@kranthi2899]

Great treasure !!

[@doogboy]

WOW!

[@ronoswald1070]

Preserve Western Culture and Civilization!!!

[@michaelfabian3036]

This is RESPLENDENT!!!! :-)))..... @ around 41:00, I realized I was listening to both the official German and Austrian state anthems, yes?!!... Listening to this, while working~or anytime, "MAKES MY DAY" & THANKKK YOU so much for sharing it all here ~ Haydn is one of my very favorites!!!

[@joseverginio4601]

*Thank you*

[@Bring_the_book]

I don't understand the numbering of these quartets. There are twenty four that I counted here, but maybe double up. For example, there are six quartets listed as No. 3. How does that work?