Emma Bunton - Maybe (Official Video) [HD]

[@newtonduck1]

IMO...best solo Spice moment!

[@JiaPia3]

Agreed 100%. This is truly timeless somehow, even though it’s got a 60s kick to it. I adore this song, and I don’t understand why it wasn’t one of the biggest hits. This pretty much slapped me directly in the face. Well sung, well arranged, just awesome! ❤

[@christianotobar2745]

Indeed

[@mq827]

Yes

[@gilpfdasilva7144]

Emma. Linda e talentosa.

[@kotence]

not only the song is great, but the video is perfect!

[@todayyesterday]

this is crazy clear quality I love this Emma era . Thanks again

[@divinekeza9885]

The music video for "Maybe" was directed by Harvey & Carolyn. The video is strongly inspired by the "Rich Man's Frug" scene from 1969 film Sweet Charity.[5][better source needed] Bunton began conceptualising the music video while she was in the process of writing; her inspiration was the "very sexy" stage musical Chicago. She chose to incorporate Bob Fosse's style of dancing (used in that musical) to create a "slick" and "different" work.[6] The video starts with Bunton entering a hall, which is a big theatre, all painted in white. She is wearing a white hooded trench coat, which she then removes to reveal a black dress with a pink collar and cuffs (the same as the one on the cover of the single). Throughout the video there is a lot of dancing scenes behind white, green and pink backdrops.[7]

[@danikaos]

thanks for sharing this info, love this video aesthetic, always wondered its original influence, thanks

[@paolobelocchi2539]

All is perfect! The song, the dancers, the scenograpgy, the mood and overall the GREAT EMMA BUNTON

[@tamharhar]

Gosh, emma baby Spice Bunton officially nudged Ginger spice from the number one spot as my top favorite Spice Girl. This Maybe video is just pure-ass art😂❤

[@JacobW567]

Great song, great video, belongs to an even greater Album! Great Era for Emma!

[@pinavinada]

why this isn't in the Spotify? 😮‍💨

[@alexcosta1880]

I was struggling to find it there too, for months. But you can find it as “Maybe (originally performed by Emma Bunton)” by Paris Music.

[@DavidKen878]

⁠@@alexcosta1880i hate when that happens. The day I found out Apple Music lets users add their own music to their libraries, I went to heaven. It's great for songs that were never on streaming services to begin with.

[@plomezz]

I know it sucks! She only has a couple songs on Spotify

[@hawknet9933]

It is now!

[@mickeyweister]

It’s out now

[@thiagoalencar9050]

A cara da minha adolescência! Atemporal! 👏🏽👏🏽

[@MyNicolinho]

Happy Birthday Emma Bunton (Emma Lee Bunton)🥳🥳🥳🥳🎇🎇🎇🎇🎆🎆🎆🎆🎈🎈🎈🎈🎁🎁🎁🎁🎉🎉🎉🎉🎊🎊🎊🎊🎼🎼🎼🎼🎵🎵🎵🎵🎶🎶🎶🎶

[@СтаниславМаркевич-у8з]

Красивая❤

[@williamgrossi876]

Bossa Nova's and 70's vibes

[@bollox21]

So underated

[@divinekeza9885]

The music video, directed by Jesse Dylan, features Lenny Kravitz and his band performing the song. Different kinds of background lighting colors were featured in the video.

[@dante-cipriani]

This song and this fabulous video was unfortunately quite ahead of its time.. yet I reckon it should be re-released with a brand new musical arrangement coz I personally think it truly reflects the times we live in right now..

[@roundtheloopandback]

ahead of its time hmm, more a homage to the past. It was well done though

[@sweco92]

Thank you for uploading it👏🏻👏🏻👏🏻👏🏻👏🏻

[@JiaPia3]

How did this song do? This is a great pop song. Excellent. Way better than a lot of more popular songs during its day and today as well. I was surprised by this.

[@TlanImass]

Not too well, unfortunately. There's a wiki of the song so you can view the charting status as well as commercial reception. :) I love the song though.

[@uderh]

It was at number 6 in the top, in my opinion it's a great position for a top 100, the song and the clip are remembered by many people, it's like a solo hit for Emma

[@joshuamattiaccio3756]

Still on the playlist

[@felsantt]

MEU DEUS EU NÃO SABIA MAIS O QUE FAZER PRA ACHAR ESSA MÚSICA, Comecei a cantar pro Google e ele entendeu kakkakakaka to desde os anos 2010 buscando essa música mdssss

[@ERTMedias]

21 years later, and I still don't get why own Emma available this epic video on her channel. And also why isn't available on Spotify, Deezer etc. This video is epic

[@janoliveira-quazar8552]

this song is great, Emma Bunton and the dancers so perfects...remenber me Austin Powers Movies

[@Y2H]

Those legs!! ❤❤

[@BrunoSantos-x8z]

Thats's your best music, i love you

[@regisalexandregay]

Why dont have offical video channel?

[@Glaztonbury]

❤

[@dallasgeorge4760]

Not on Apple Music…fantastic song and dancing

[@DARKOHERMIBEBEKARLIE]

Joder K BUENA ESTÁ

[@christianotobar2745]

Its SO fuckin Perfect

[@maxym8444]

Why this song is not on spotify?

[@T0nN9th]

Never hear this song before....

[@kukicrew4264]

who is the dancer with glasses and black suit with pink tie?

[@RikkiTikkiTavi]

Brad Pitt

[@wouldyoukindly144]

I too would like to know!

[@martincastillo8783]

Me too

[@divinekeza9885]

The music video for "Desire" was directed by Andy Morahan and edited by Claudia Wass.[1] The video opens with Halliwell waking up at 7:10 a.m. to the sound of the alarm clock. After hopping out of bed, she walks to the refrigerator and grabs a bottle of milk, which she drinks suggestively, before leaving for work. On her way to work, a dog that is being walked by a woman suddenly starts to bark at Halliwell. Upon arriving at work, she stares flirtatiously at her boss (played by actor Leon Ockenden),[2] who is in his office. She stops by to hand him the folders he had previously asked her to take care of, and then proceeds to behave provocatively around him. Right after leaving his office, Halliwell finds herself fantasising about him, which involves her crawling across his desk and drinking milk from a saucer. She then performs a choreography with other four women dressed as secretaries, intercut with scenes of her making out with her boss in his office. After waking up from her daydream, she notices her boss is leaving and decides to follow him home, where she turns into a black cat after entering through his window. The boss takes the cat in and pets it in his bed. The video ends with Halliwell stopping her alarm clock at 7:11 a.m. and holding her pillow tight with a pleased look on her face, indicating that she had been dreaming the entire time.

[@divinekeza9885]

Dirty Dancing: Havana Nights (also known as Dirty Dancing 2 or Dirty Dancing 2: Havana Nights) is a 2004 American dance musical romantic drama film directed by Guy Ferland and starring Diego Luna, Romola Garai, Sela Ward, John Slattery, Jonathan Jackson, January Jones, and Mika Boorem. The film is an unrelated prequel/"re-imagining" of the 1987 blockbuster Dirty Dancing, reusing the same basic plot, but transplanting it from upstate New York to Cuba on the cusp of the Cuban Revolution. Patrick Swayze, star of the original Dirty Dancing, makes a cameo appearance as a dance instructor. It was mostly filmed in Old San Juan, Puerto Rico. Plot In 1958, Katey Miller (Romola Garai), her parents (Sela Ward and John Slattery), and her younger sister Susie (Mika Boorem) arrive in Cuba during the Cuban revolution. A self-described bookworm, Katey is not very happy about having to move to a different country during her senior year of high school, as she had been planning to attend Radcliffe College, although the rest of her family seem extremely pleased to be in Cuba. Meeting several other rich American teenagers down by the pool - including James Phelps (Jonathan Jackson), the son of her father's boss - Katey becomes disgusted when one of the teenagers insults a local waiter when he drops their drinks because Katey accidentally bumped into him. Katey attempts to talk to the waiter-Javier (Diego Luna), who works at the hotel to support his family-because she feels awful about what had occurred, but he is not interested. Katey watches a film of her mother and father dancing and wishes she could dance as well as they did. She and her father dance a bit. The next day in class, Katey is asked to read aloud from the Odyssey - a passage about love and passion. After class, James invites her to a party at the country club the next day and she accepts. While walking home from school, she sees Javier dancing to street music, and he offers to walk her home. They stop to listen to a street band and police show up, stopping Javier while Katey runs away. The next day, Katey tries some of the dance moves she saw. Javier sees her and asks her to come see the real dancers Saturday night, but she says she is already going to the country club. Javier gets upset and leaves. Katey wears one of her maid's dresses to the country club party and impresses James. Katey convinces him to take her to the Cuban nightclub La Rosa Negra (The Black Rose) where Javier is dancing with the ladies. Javier dances with Katey while James sits at the bar. Soon he is accosted by Javier's brother, Carlos, who tells him that they will eventually kick the Americans out of Cuba. Javier comes over and argues with his brother. James takes Katey back to the car and assaults her after she refuses to kiss him. She slaps him and runs into the club, and Javier agrees to walk her home. The next day, Katey walks by a dance class. The teacher (Patrick Swayze) asks if anyone wants to enter the big dance contest and then dances with Katey for a bit. She grabs a flyer for the competition. While walking to the pool, James apologizes to Katey and then tells her that Susie saw Javier with her and got him fired. Katey argues with Susie and goes to find Javier. He is now working at a chop shop with Carlos. She asks him to enter the dance contest with her, but he refuses. Meanwhile, it is becoming apparent that Carlos is helping the revolutionaries. The next day, Javier shows up at Katey's school and agrees to enter the dance contest with her. They start teaching each other dance moves and Javier convinces her to "feel the music." They practice all the time, and Katey dances some more with the dance teacher, until it is the night of the dance. Katey and Javier dance with the other couples on the floor and are chosen to go on to the next round. Katey's parents disapprove of her relationship with Javier, but Katey reconciles with them. On the night of the contest's final round, while Katey and Javier are on the dance floor, Javier sees his brother and some revolutionaries disguised as waiters, and the police soon try to arrest them. The contest stops as everyone flees the club, and Javier has to save Carlos from the police. Javier and Carlos talk about how they miss their dad, then they hear that Batista has fled the country and join the celebration. Later, Javier comes to the hotel and finds Katey. He takes her to the beach and they have sex. The next day, Katey's parents tell her they are leaving Cuba and she has one last night with Javier. They go to the Cuban club where they first danced, and the floor is theirs as they are dubbed King and Queen. Katey's family is there to see her, and Katey narrates that she doesn't know when she will see Javier again, but this will not be their last time to dance together. Cast Romola Garai as Katey Miller Diego Luna as Javier Suarez Sela Ward as Jeannie Miller John Slattery as Bert Miller Mika Boorem as Susie Miller Jonathan Jackson as James Phelps Rene Lavan as Carlos Suarez Patrick Swayze as Dance Class Instructor January Jones as Eve Mýa Harrison as Lola Martinez Angélica Aragón as Mrs. Suarez Natalie Portman was offered for the role of Katey Miller but she turned it down.[2] Ricky Martin was considered for the role of Javier Suarez.[3] Production Havana Nights is based on an original screenplay by playwright and NPR host Peter Sagal, based on the real life experience of producer JoAnn Jansen, who lived in Cuba as a 15-year-old in 1958-59. Sagal wrote the screenplay, which he titled Cuba Mine, about a young American woman who witnessed the Cuban revolution and had a romance with a young Cuban revolutionary. The screenplay was to be a serious political romance story, documenting, among other stories, how the Cuban revolution transformed from idealism to terror. It was commissioned in 1992 by Lawrence Bender, who was rising to fame with his production of Quentin Tarantino's Reservoir Dogs and Pulp Fiction. The screenplay was bought by a film studio, which requested several rewrites before deciding not to produce the film. A decade later, Bender decided to make a Dirty Dancing sequel, and the film was very loosely adapted from Sagal's script. Not a single line from Sagal's original screenplay appears in the final film and Sagal says that the only remnants of the political theme that existed in his script is a scene wherein some people are executed.[4] The film was British actress Romola Garai's first Hollywood film and she repeatedly has cited the filming of the movie as being an extremely negative experience which caused her to re-evaluate working in Hollywood. In a 2004 interview with The Telegraph she explained that the filmmakers "were obsessed with having someone skinny. I just thought, why didn't they get someone like Kate Bosworth, if that's what they wanted?"[5] In October 2017, in the midst of producer Harvey Weinstein's sexual abuse allegations in Hollywood, Garai later revealed that Weinstein, whose company Miramax was co-producing the film, had required her to meet him alone in a hotel room while he was wearing only a bathrobe to obtain the part: "I had to go to his hotel room in the Savoy, and he answered the door in his bathrobe. I was only 18. I felt violated by it, it has stayed very clearly in my memory."[6] Reception Review aggregator Rotten Tomatoes gives the film a 23% rating based on 108 reviews from critics, with an average rating of 4.2/10. The website provides a brief critical consensus: "Cheesy, unnecessary remake."[7] On Metacritic, the film has a weighted average score of 39 out of 100, based on 32 critics, indicating "generally unfavorable reviews".[8] Robert Denerstein of the Rocky Mountain News gave it a D+, saying: "Tries to add Cuban flavor to a familiar plot but comes up with nothing more than a bubbling stew of cliches." Peter Howell of the Toronto Star thought it to be "Charmless, clumsy and culturally offensive all at the same time" and merited it 1 out of 5 stars. Wesley Morris of The Boston Globe awarded it 2 out of 4 stars, saying: "As you might expect, the movie is as square as a sock hop." Philip Martin of the Arkansas Democrat-Gazette, who rated it B−, because "aside from the triteness of the dialogue, the mathematical predictability of the script and the muddling of numbskulled politics, DD: HN is a fairly enjoyable experience." According to Louis Hobson of Jam! Magazine, who thought the movie was worth 3.5 out of 5 stars, the main redeeming factor was the choreography: "You may have problems with the obvious, clichéd story, but the dancing is incredible." Philip Wuntch of The Dallas Morning News gave the film a C, stating that "both the dance numbers and the personal drama are largely listless."[9] Soundtrack Dirty Dancing: Havana Nights Soundtrack album by Various Artists Released February 17, 2004 Genre Pop / R&B Label J Records "Dance Like This" - Wyclef Jean featuring Claudette Ortiz "Dirty Dancing" - The Black Eyed Peas "Guajira (I Love U 2 Much)" - Yerba Buena "Can I Walk By" - Phalon Alexander featuring Monica Arnold "Satellite (From "Havana Nights")" - Santana featuring Jorge Moreno "El Beso Del Final" - Christina Aguilera "Represent, Cuba" - Orishas featuring Heather Headley "Do You Only Wanna Dance" - Mýa Harrison "You Send Me" - Shawn Kane "El Estuche" - Aterciopelados "Do You Only Wanna Dance" - Julio Daivel Big Band (conducted by Cucco Peña) "Satellite (Spanish Version) Nave Espacial (From "Havana Nights")" - Santana featuring Jorge Moreno

[@ScribblebytesWorldwide]

The Rich Man's Frug comes to mind. I'm an artist, darling.

[@gigi4266]

this reminds me of austin powers.

[@matthewollivier6416]

[@divinekeza9885]

Shall We Dance? is a 2004 American romantic comedy-drama film directed by Peter Chelsom and starring Richard Gere, Jennifer Lopez, and Susan Sarandon. It is a remake of the 1996 Japanese film of the same name.[1] Plot John Clark is a lawyer with a charming wife, Beverly, and a loving family, who nevertheless feels that something is missing as he makes his way every day through the city. Each evening on his commute home through Chicago, John sees a beautiful woman staring with a lost expression through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train one night, and signs up for ballroom dancing lessons, hoping to meet her. At first, it seems like a mistake. His teacher turns out not to be the woman in the window, Paulina, but the studio's older namesake, Miss Mitzi, and John proves to be just as clumsy as his equally clueless classmates Chic and Vern on the dance-floor. Even worse, when he does meet Paulina, she icily tells John she hopes he has come to the studio to seriously study dance and not to look for a date. But, as his lessons continue, John falls in love with dancing. Keeping his new obsession from his family and co-workers, John feverishly trains for Chicago's biggest dance competition. His friendship with Paulina blossoms, as his enthusiasm rekindles her own lost passion for dance. But the more time John spends away from home, the more his wife Beverly becomes suspicious. She hires a private investigator to find out what John is doing, but when she finds out the truth, she chooses to discontinue the investigation and not invade her husband's privacy. John is partnered with Bobbie for the competition, although his friend Link steps in to do the Latin dances. Link and Bobbie do well in the Latin dances, and while John and Bobbie's waltz goes well, John sees his wife and daughter in the crowd during the quickstep, and is distracted by trying to find them. He and Bobbie fall and are disqualified, and John and Beverly argue in the parking garage. John quits dancing, to everyone's dismay. Paulina, having been inspired by John to take up competing again, is leaving to go to Europe, and is having a going-away party at the dance studio. She sends John an invitation, but he is not convinced to go until his wife leaves out a pair of dancing shoes that she bought him. He goes and meets Beverly at work, convinces her that while he loves dancing, he still loves her just as much, and he teaches her to dance. They go to the party, and John and Paulina have one last dance before she leaves. The end scene shows everyone afterwards: Link and Bobbie are now together; Chic, who was actually gay, dances at a club with his partner; Miss Mitzi finds a new partner, and they are happy together; John and Beverly are happier than before and dance in the kitchen; Vern, newly married to his fiancée, dances with her at their wedding; the private investigator that Beverly hired, Devine, starts up dance lessons; and Paulina, with a new partner, competes at the Blackpool Dance Festival, the competition that she had lost the year before. Cast Richard Gere as John Clark Jennifer Lopez as Paulina Susan Sarandon as Beverly Clark Lisa Ann Walter as Bobbie Stanley Tucci as Link Peterson Anita Gillette as Miss Mitzi Bobby Cannavale as Chic Omar Miller as Vern Tamara Hope as Jenna Clark Stark Sands as Evan Clark Richard Jenkins as Devine Nick Cannon as Scott Karina Smirnoff as Link's Pouty Dance Partner Mýa Harrison as Vern's Fiancée Ja Rule as Hip-Hop Bar Performer Tony Dovolani as Slick Willy Cesar Corrales as Dancer Slavik Kryklyvyy as Paulina's Pro Ballroom (finale) Soundtrack "Sway" - The Pussycat Dolls "Santa Maria" (Del Buen Ayre) - Gotan Project "Happy Feet" - John Altman "España cañí" - John Altman "I Wanna (Shall We Dance)" - Gizelle D'Cole "Perfidia" - John Altman "Under The Bridges Of Paris" - John Altman "Moon River" - John Altman "Andalucia" - John Altman "The Book Of Love" - Peter Gabriel "The L Train" - Gabriel Yared "I Could Have Danced All Night" - Jamie Cullum "Wonderland" - Rachel Fuller "Shall We Dance?" - Gotan Project "Let's Dance" - Mýa Release Box office The film debuted on October 15, 2004, grossing $11,783,467 in the opening weekend, placing fourth at the North American box office. Despite its 27% decline in gross earnings, rose to the third spot the following week. The film ran for 133 days, grossing $57,890,460 in the United States and $112,238,000 in internationally, for a worldwide total of $170,128,460.[2] Reception Shall We Dance? received a 47% approval rating from Rotten Tomatoes based on reviews from 158 critics. The consensus states: "The cast is warmly appealing, but with the loss of cultural context and addition of big-name celebrities, this American version loses the nuances of the original."[3] Roger Ebert gave the film 3 out of 4 stars, stating "I enjoyed the Japanese version so much I invited it to my Overlooked Film Festival a few years ago, but this remake offers pleasures of its own."[4] Title The original Japanese film had a question mark in its title, and the publicity poster for this film also includes it. However, the actual film titles on the US film appear as simply "Shall We Dance", leading to some online sources, including IMDb, referring to it without showing the question mark. The inclusion of the question mark serves to distinguish these two films from the 1937 Fred Astaire and Ginger Rogers film Shall We Dance.

[@divinekeza9885]

The music video for "Naughty Girl" was directed by Jake Nava,[53] who directed Beyoncé's videos, "Crazy in Love" and "Baby Boy".[54] The video is inspired by the dancing of Cyd Charisse and Fred Astaire in the 1953 musical comedy film, The Band Wagon and has a Studio 54 style.[9][53] Paired with Usher, Beyoncé dances seductively and flirts with him to portray a naughty girl.[9][53] She felt that they were a "perfect match" for the dancing scenes in the video.[53] According to Usher, the video is a homage to classic "ultimate entertainers"; including dancers, singers and actors.[9] He further talked about the collaboration on the video, saying, "Beyoncé and me have been talking about doing a record together. She reached out to me and said she had an idea and really wanted me to be the lead in her video... I was like, 'Well let me hear the idea.' It sounded like something totally different than what had been on TV."[55] The video begins with Beyoncé performing a simple dance routine surrounded by a wall of mirrors and then undressing until she is naked behind a white curtain, revealing only her silhouette. Beyoncé enters the club with a different outfit and hairstyle and some friends. Male patrons seated at the tables look on. She and Usher notice each other. They meet on the dance floor and dance intimately. Beyoncé performs an elaborate dance scene with female backing dancers. She swirls around in a champagne glass filled with bubbles.[56] In the final scene, Beyoncé sits atop a piano and after being lifted down by a gentleman, she dances and poses as confetti falls everywhere.[55]

[@Gudskiy]

simply perfect.... or maybe I'm in love