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What a point in time. Tell us how it affected you in the comments below!
In 1966, Australia’s Nat Young famously landed in San Diego with his revolutionary 9’4” affectionately dubbed “Magic Sam” in tow. Winning the World Championships, depending on what part of the world you come from and how you view surf history, this was the first shot fired in the Shortboard Revolution as Nat’s performance on the board cracked open a whole new realm of ideas. (Others contend the Shortboard Revolution actually kicked off on Maui with Dick Brewer and his LSD Surfboards…Lahaina Surf Designs…but that’s a story for another day.) Surf history gets a bit fuzzy at times, the point is, Magic Sam was a game changer. Endowed with a George Greenough foiled fin, Young contends that none of this happens without the genius of Greenough:
"George Greenough is the only genius we’ve ever had in the evolution of surfing. We’ve had a lot of really talented, smart people that have contributed a lot, but for me, George was the genius. There’s so many aspects to what George is thinking. From cameras, to boards, to fish, he’s out there.
I would say that from a design point of view, George has contributed more than anyone else in the world. And I would also say, that Bob [McTavish] played with the concepts that George was introducing him to. We had to deal with the fact that we weren’t on kneeboards, so our center of gravity wasn’t low. We were standing up. That was the biggest reality for me.
"George showed me the difference in the type of foils, whether it could be a flat foil or it could be a curved foil, that made a huge difference to the performance of the board."
I had to come to terms with the fact that it was a ridiculous idea that I could surf like George Greenough standing up-not on a kneeboard anyway.
I had copied the outline of the Greenough fin from my time up the coast, but I really didn’t understand how to sand fins properly. I thought I was going in the right direction, but when George showed me the difference in the type of foils, whether it could be a flat foil or it could be a curved foil, that made a huge difference to the performance of the board.
George was fooling around with McTavish up at Alexander Headlands. He wasn’t working for him, he’d been a commercial fisherman out of Santa Barbara for quite awhile at that stage, so when he came to Australia, which I believe was ’64, I think, from memory. He made a real impact on us because we could see that you could store energy in the fin, which was energy in the board, which could drive you forward.
I made Magic Sam at Gordon Woods Surfboards in Sydney and took it up the coast and rode it many places. Then I brought it over to California and a guy called Ted Wilson and John Witzig and I were invited up to George’s family home in Montecito. Then we got to surf the Ranch, Rincon, all those places. That was kind of the testing ground to prove that the board was surfing really well. But as I say, it wouldn’t have been surfing well if it hadn’t been for George grabbing the thing and making a new fin for it.
I knew that I was surfing really different because I wasn’t noseriding. I mean, I was, but our theory about noseriding was that when the curl presented itself you’d either go down and get under the curl or you’d noseride away from it. I could noseride just fine, but I couldn’t do anything about the time on the tip like David Nuuuhiwa. I was super impressed by David’s surfing and his ability to ride the nose. For me, it was just the circumstances, I guess. Because my surfing was a bit different, I won [the 1966 World Championships] on that basis, I suppose." Jake Howard /Surfer Magazine
Sources:
Austraila surfing museum
The Blum brothers
The Witzig brothers
Tim Burstall
Patagonia
The Community Library
Nat Young
Byron Surf Festival
Surfing World Australia
Peter Green
Music:
The Colletctors
Plum Nelly
Accolade