How Christopher Nolan Made Oppenheimer - Oppenheimer Behind the Scenes

Oppenheimer Behind the Scenes - How Christopher Nolan and his team crafted one of the most visually stunning biopics, including a breakdown of the cinematography, practical effects, and non-linear structure.
Oppenheimer Practical Effects Explained ►► bit.ly/ht-op
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Chapters:
00:00 - Introduction to Oppenheimer
01:05 - Nolan's unique approach to Oppenheimer
03:19 - Chapter 1: IMAX Cinematography
09:52 - Chapter 2: Practical Effects
13:52 - Chapter 3: Non-Linear Structure
17:05 - Takeaways
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THE MAKING OF OPPENHEIMER
Christopher Nolan’s Oppenheimer currently stands as the highest-earning biopic in history. Having the birth of the atomic bomb as subject matter certainly doesn’t hurt, but it was arguably Nolan’s filmmaking craft that pushed this film to such heights. In this video, we’re breaking down the making of Oppenheimer, including the cinematography, practical effects, and non-linear structure, to see if we can’t understand the mechanics of its success.
OPPENHEIMER CINEMATOGRAPHY
Working again with DP Hoyte van Hoytema, Nolan shot Oppenheimer on large-format film. This included 5-perf 65mm and 70mm film, IMAX (15-perf 70mm) in color and B&W. There was also a priority to shoot everything practically, with the only computer assistance being the compositing together of practical elements. The result is a film with the highest resolution possible of a rather intimate and subjective character study.
VISUAL EFFECTS IN OPPENHEIMER
Nolan and his team went out of their way to shoot everything in-camera. This included the vibrating backgrounds during Oppenheimer’s anxiety-ridden speech - achieved by projecting the background onto itself to create the effect. Oppenheimer’s visions were done with a combination of cloud tanks, practical lights, macro lenses, and varying frame rates. The nuclear explosion was an achievement in itself - perhaps the closest to an actual atomic blast without resorting to the real thing.
THE STRUCTURE OF OPPENHEIMER
If you’ve seen the film, you know it jumps back and forth between two main narrative threads - one following Oppenheimer and the other tracking Strauss. This non-linear structure was always the intent as Nolan wrote the script following this basic format, but editor Jennifer Lame also came with fresh eyes. She was able to hone the structure into a cohesive whole to make a 3-hour film of mostly people talking feel as tense as a train heading for a cliff.
With these filmmaking tools and artisans at his disposal, Christopher Nolan orchestrated one of the most visually stunning, gripping, and morally compelling films of recent memory.
#FilmTheory #VideoEssay #Filmmaking
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♬ SONGS USED:
“Fusion” - Ludwig Goransson
“American Prometheus” - Ludwig Goransson
“Gravity Swallows Light” - Ludwig Goransson
“Destroyer of Worlds” - Ludwig Goransson
“Los Alamos” - Ludwig Goransson
“Groves” - Ludwig Goransson
“Atmospheric Ignition” - Ludwig Goransson
“Meeting Kitty” - Ludwig Goransson
“Colonel Pash” - Ludwig Goransson
“Oppenheimer” - Ludwig Goransson
“Kitty Comes To Testify” - Ludwig Goransson
“What We Have Done” - Ludwig Goransson
“Trinity” - Ludwig Goransson
“Theorists” - Ludwig Goransson
“The Trial” - Ludwig Goransson
“Something More Important” - Ludwig Goransson
“Quantum Mechanics” - Ludwig Goransson
“Power Stays In The Shadows” - Ludwig Goransson
“Manhattan project” - Ludwig Goransson
“Ground Zero” - Ludwig Goransson
“Dr. Hill” - Ludwig Goransson
“Motel Room” - David Julyan
“Mauretania” - Sam Barsh
“We’ll Meet Again” - Very Lynn
Music by Artlist ► utm.io/umJx
Music by Artgrid ► utm.io/umJy
Music by Soundstripe ► bit.ly/2IXwomF
Music by MusicBed ► bit.ly/2Fnz9Zq
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Chapters: 00:00 - Introduction to Oppenheimer 01:05 - Nolan's unique approach to Oppenheimer 03:19 - Chapter 1: IMAX Cinematography 09:52 - Chapter 2: Practical Effects 13:52 - Chapter 3: Non-Linear Structure 17:05 - Takeaways

[@SS-ph9su]

@StudioBinder, pls never stop doing these informative videos at any cost, and also never change into those brands which starts a subscription plan and starts to charge money for their videos...cuz you guys are the most important treasure for a lot of aspiring filmmakers like me Please do continue your great work Love you ❤

[@StudioBinder]

No plans to!

[@oshana6204]

I recommend the interesting channel of two creative filmmakers: felipeandmichelle

[@kalmanta1824]

It’s gonna own the Oscars next year.

[@joaquinhernandez6940]

I believe that Barbie will be in a great competition with Oppenheimer i.e. Barbenheimer.

[@jonfee5081]

It will be pretty f up if they doesn’t get nominated because of the diversity quotas

[@parthibbiswas3730]

​@@joaquinhernandez6940Barbie doesn't stand a chance. It might get nominated, but winning? Nope. It's a commercial film in its spirit.

[@yzyus]

Doubt it, the movie was fantastic but the Oscar’s are biased

[@linkaran512]

​@jonfee5081 The quota has different tiers. There's tier for actors, producers and filming crew. The film needs to meet diversity quota in only one of the tiers to qualify for the Oscars. Oppenhiemer should qualify because of it. Unless they went out of their way to hire an undiverse film crew. John Campea has video on it and explains it pretty well.

[@wyattwyatt4126]

YES released 1h ago finally ! 🎉 Thank you StudioBinder I've been waiting for this video and you have the best quality cinema content there is 🙏🤩 Oppenheimer truly is an experience especially in IMAX. Even more different than Nolan's other films which are thought-provoking and stunning, this made me discover a whole new set of reactions and thoughts ( everybody can relate how you feel at the end and then for like 10 days ) it's crazy. Thank you for doing this about this masterpiece 👑🙏

[@StudioBinder]

Glad you liked it!

[@flyflybaby2723]

Magnificent Explanation! *Best Director!* *Best Picture!* *Best Actor!* *Best Supporting Actor!* *Best Cinematography!* *Best Score!* *Best Editing!*

[@HARSHMATHUR.]

You people don't know, how eagerly I was waiting for this video. I am so happy right now!

[@StudioBinder]

Enjoy!

[@rayancedrichaddad1197]

It's Spectacular the way Christopher Nolan made Oppenheimer. Thousand Thanks StudioBinder for this Inspiring video.

[@StudioBinder]

Cheers!

[@amiiae]

15 mins ago! I love your vids. As a teenager who dreams to become a director or an actor someday in the near future, nothing is more helpful than your videos. I learnt the basics from your videos, how movie making works, the camera angles, positions, how to write a movie and so much more! Thank you so much for your videos. This one was so helpful too as I love Chris's films including this one, which I watched countless times. Thank you again ❤️

[@StudioBinder]

Happy filming!

[@oshana6204]

I recommend the creative channel of two filmmakers: FelipeandMichelle

[@Tamer22249]

I Respect What you Guys Doing All this Details you Give as I thought I Was Watching Movie not video on KZbin you Doing Great Job 🙏

[@itako09able]

Studio binder, I must say that your videos are always on high level, well edited, understandable, and most importantly fun to watch! thank you very much

[@SomeoneSomewhereMusic]

I've watch the film, I believe 4 times now. It's like a drug, can't get enough of it. There's something about it, and your points shown regarding the editing, I think that's it. Nolan's script and direction is flawless, but the editing is truly what makes this film feel such a wild ride of emotions. Every scene has weight, every scene has meaning, every scene and moment has reasons to happen, the editing just makes it all the better.

[@StudioBinder]

Nolan put out all the stops

[@stephenwilliams3807]

Nice oblique reference to Dr Strangelove at the end.

[@StudioBinder]

😁

[@TheStorytellingDad]

This is the best BTS video I’ve ever watched. Great, great work StudioBinder. This was a pleasure to watch!

[@StudioBinder]

Glad you liked it!

[@bskrmts5994]

From the side of all Nolan fans.... Thanks for making this video ❤

[@StudioBinder]

💖💖

[@helllohi2098]

Thanks alot Studiobinder, you guys are amazing

[@StudioBinder]

Enjoy!

[@MajorNoob]

I love StudioBinder's effort into these kind of videos so much.

[@StudioBinder]

Thanks for watching ❤

[@theShadeslayer]

The production quality on this video is so good

[@StudioBinder]

Glad you liked it :)

[@soyitiel]

that bit about non-linear time line bein more efficient for story telling reminded me of the first season of westworld, where the revelation of the non-linear story made the finale so much more impactful, at leat IMO. which the fans kind of expected it bit still, and if I'm not mistaken, it all was btw directed and or written by Chris's brother

[@StudioBinder]

It's definitely both brothers' favorite technique

[@cree8vision]

Such an amazing movie and Cillian Murphy's performance is top notch.

[@StudioBinder]

Oscar worthy!

[@andresabadr]

god... i was waiting for so long (merely months by the time the movie came out) to watch and enjoy this detailled essay about this masterpiece practical effects.

[@StudioBinder]

Hope it was worth the wait!

[@bargrau20]

Studiobinder, THANK YOU. I truly love you 🫶😅

[@StudioBinder]

Love our viewers!

[@bluegamerz5415]

Love from india

[@StudioBinder]

Thanks for watching!

[@BFG-hv2ml]

I hoped this video would come out eventually. Thank you!!!

[@StudioBinder]

Glad you liked it!

[@wncryz]

Thank you guys for the amazing work you do. Y'all taught me a lot

[@StudioBinder]

More on the way!

[@jesustovar2549]

My mother and I saw this film twice, 2nd time on the biggest screen we could find to do justice to the film, since there's no IMAX in my country, I could see clarity of the details, like the explosion or Cillian's face at least to me. Nolan it's been one of my favorite directors, and Cillian Murphy one of my favorite actors, since Inception and The Dark Knihg Trilogy, Oppenheimer is probably Nolan's most mature film, a technical masterpiece that will stand the test of time, and also a revolutionary one in the way of how to shot film, which I think people dosen't give credit enough, thank you for covering these details. Also great acting in this film, my mother always loved Robert Downey Jr, but here, she didn't saw Robert Downey, but Louis Strauss, great performance, he knocked it out of the park.

[@StudioBinder]

Definitely worth a second watch!

[@Amirreza_Karimi]

Studiobinder is love ❤ can’t wait to see this type of video for killers of the flower moon

[@StudioBinder]

👍

[@blurryface616]

Great video. I didn't know how they shot the subatomic scenes. But now it makes complete sense. Such a great film.

[@StudioBinder]

Thanks for watching!

[@ahmadomedvisuals8205]

I don't think I have thanked you guys enough, add this one to the list too, thank you very very much❤

[@StudioBinder]

Cheers!

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I'm learning all thanks to StudioBinder 😊

[@StudioBinder]

We hope so!

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[@StudioBinder]

Glad you liked it!

[@medasupreme1234]

Great lil Dr. Strangelove Easter egg at the end!

[@StudioBinder]

👍👍

[@MsAston007]

Great explanation of the movie making process.

[@rhikmajumder6229]

I would like to know about sitcoms. How sitcoms are created, what's the X-factor and what is the most effective way to write a joke for a sitcom?

[@StudioBinder]

Thanks for the suggestion!

[@kingz6841]

Should be winning the Oscars …like doing a sweep

[@StudioBinder]

We'll find out soon!

[@kristita_888]

“We’ll Meet Again” at the end of the video…nice homage!

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I adore this channel. Great work all of you.

[@Tobywojuola]

Been waiting for this

[@StudioBinder]

Hope it was worth the wait!

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wow, this is a very well put together documentary.

[@StudioBinder]

Glad you liked it!

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Love you channel. Thank you for creating and sharing such a great videos

[@StudioBinder]

Enjoy!

[@sritam_mirdha]

So much to learn

[@EddieLensweiger]

Thanks so much for this very valuable information, this an everlasting filmmaking education

[@markameh4990]

The soothing narration ❤😂

[@TarunBhatt]

Thanks for guiding us. Love from India🇮🇳

[@StudioBinder]

Cheers!

[@young_luda416]

thank you studiobinder

[@StudioBinder]

Thanks for watching!

[@Bobywan75]

I never realized before this video the concept of "non linear narrative" was in most of Nolan's movies: memento were the story is told backward because of the hero disability, Inception and the dreams that lasts longer the deeper they are in dreams into dreams, Interstellar and its self fulfilling destiny, Tenet and its ability to live time in reverse. I am really looking forward for Nolan's next Sci-Fi movie now.

[@StudioBinder]

Always looking forward to his next project!

[@hgsgknnnmmlolb]

Those b/w shots are 🔥❤️

[@hellogoditsmesara3569]

Those glowing bead things they spun that Cillian loves so much

[@Black_Jesus3005]

Christopher Nolan is master. One of the greats for sure.

[@StudioBinder]

Lucky to see him work!

[@garrisondinsmore5808]

welcome back narrator! love this guy

[@MaitreyaKavthekarFilms]

Thank you sm I was living in several question marks ! You are literally the best teacher for us ✨

[@StudioBinder]

Thanks for watching!

[@bluelegacy8199]

No doubt. One of the best ones from Nolan

[@princeabrahamofficial]

Bro didnt talk about the excellent background score which aligns with the soul of the movie perfectly.

[@StudioBinder]

Music was great, this episode focused on the visuals!

[@meven-louismichea824]

In terms of making off or behind the scenes, you could also do it for the battle scene of gladiator. Or an explanation of the animation technique behind across the spider verse

[@StudioBinder]

We'll definitely be using those films in the future :)

[@idanlewenhoff2295]

good suggestions

[@cinesheikh]

Great video, I did hope more was spoken about the music and sound design however

[@alfonta]

Christopher Nolan really deserve a spacial in StudioBinder

[@StudioBinder]

He does! Our director's chair on him kzbin.info/www/bejne/sIutmpJtbb2IjMk

[@Siavashkb]

Thank you so much for this series, I would like to see videos about All Quiet On the Western Front and Terrence Malicks A Hidden Life ❤️🙏

[@bagnome]

One thing I noticed that I found interesting was the use of checkered tape on some magazines. Looks like it was used for the black and white scenes. Since the movie is shot on color and black and white, they need to have that additional tape to denote that. Much like color coding daylight and tungsten balanced color films. Just a small thing I noticed but found it interesting anyway.

[@StudioBinder]

All in the details!

[@SuperHeroPeanut1]

Hoyte or his first AC have been doing that for a long time, I've seen it on Tenet behind the scenes pictures. Essentially it's just tape for the film magazine, taping off where the magazine doors are to prevent lightleaks and secure it to the body.

[@davidzauner21]

12:55 - never thought I‘d see Neewer lights on a Nolan set lol

[@StudioBinder]

haha good catch!

[@rippleplayz1002]

It would be cool to see a how they shot it session for movies like pather panchali and other christopher nolan films like interstellar

[@StudioBinder]

Appreciate the feedback!

[@vamshijjoseph6643]

Thank you for showing us the extensive research that you had done for this movie. It was a great video. I was also curious about this scene where Robert j. Oppenheimer gives the speech after bumping in Hiroshima and Nagasaki and then he speaks. The background is getting distorted and there's a close up shot.. It would have been nice to know how they did it... Of its cgi or is it practically done

[@DHIRAL2908]

They did it by shaking a projector which was displaying a picture of the same wall on the wall itself!

[@krishnansrinivasan830]

Awesome & Thanks :)

[@StudioBinder]

Cheers!

[@aninjaguardian]

Amazing video StudioBinder! Insane amount of research done here. I'm glad you guys are putting in the work to analyze Nolan's filmmaking so thar average people know the complexity and genius that goes into his films

[@StudioBinder]

It was a fun deep dive!

[@tykjenffs]

Excellent video! I'll prolly take flak for this but I really cant stand the constant aspect ratio switching in the later Nolan movies. So I made my own fan-edits of the movies where I panned and sized the Panavision scenes to fit the screen like the IMAX scenes. What a relief to watch with no black borders. If only Nolan could get his hands on the camera Kubrick used.

[@StudioBinder]

The only drawback to scaling out the borders is the full image can't be seen

[@HaroldWright_09]

Awesome! I absolutely Love you're work. Could you do a Directing Style Explained video on Ari Aster. Thanks.

[@StudioBinder]

Thanks for the suggestion!

[@Argelius1]

Such a great video here. Intelligently crafted and written (and seemingly narrated by a real human...unless the AI voices have gotten this good).

[@StudioBinder]

All human

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This KZbin channel is like a gift to everyone. Keep it up @StudioBinder

[@micknanoo]

Instant subscription.

[@StudioBinder]

Welcome to the club!

[@souravaj1167]

Can you please make a video of the music in this film. It's haunting ❤

[@harshckuk]

Nolan is an institution in himself

[@StudioBinder]

His name certainly carries that weight

[@LycanVisuals]

Dune being delayed really helped this movie in what is already a very interesting Oscar race. Nolan movies do really well in the technical categories for the Academy.

[@StudioBinder]

He and Villeneuve set the standard!

[@GeneralZod1991]

I love Dune, but if Dune came out this year and not postponed to next year ,,I would still choose Oppenheimer as the Oscar winner...dune and killers of the flower moon is a masterpiece artwork,, but movie like Oppenheimer comes out once a decade..it's not just a film, but an experience... easy winning for Nolan ..

[@NCTStudio]

If y’all want a sequel, watch Thirteen Days. It showcases the Cuban Missile Crisis and a different ending than from what Oppenheimer envisioned

[@StudioBinder]

👍👍

[@reneklassen]

Can you make a Video about Contrast (Value, Movement, Color, Size, Direction, harsh and low contrast, contrast in Screensizes, frames per Second etc)?

[@StudioBinder]

That sounds like most of filmmaking 😅

[@mr.nobody7914]

Great video....

[@StudioBinder]

Glad you liked it!

[@jonweinraub]

I think this 20 minute video made me want to see this film more than the trailer did. I wish they routinely showed BTS stuff in advertisements, especially it seems with less DVDs/Blurays are purchased with streaming. I miss those director cuts and features those discs provided.

[@tomhardy8834]

@8:55 Nolan broke his rule of Not sitting 😂😂

[@bollywoodfightactionreacti9189]

Superb

[@StudioBinder]

🙏🙏

[@faizanch9823]

Can you please make a video on how action sequences are shot?

[@StudioBinder]

we might!

[@tech_aashish]

Aaaaand the Oscar for the Best Direction Goes To....

[@StudioBinder]

We'll see!

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Amazingggg guysass!!! 🚀🚀🚀

[@StudioBinder]

🔥🔥

[@r4y0serralde]

Simplemente hermoso!

[@StudioBinder]

Thanks for watching!

[@TinLeadHammer]

You got back the VO artist, nice.

[@creatives_y_kthefilmmaker5425]

Hey l love studio binder l learn alot about filmaking could you show us how they shot killers of the flower moon

[@StudioBinder]

we might!

[@DeRussellMasina]

Phenomenal film ❤

[@amadeusmalonje6948]

You guys should totally make one on The Creator

[@StudioBinder]

Not a bad idea!

[@chaitanyabommisetty1592]

Hello SB Did I missed your narration on Bond movies? The plot , the structure, the theme & the brand for it?

[@StudioBinder]

We haven't done a video on the Bond franchise!

[@KASIOFILMS]

superb

[@StudioBinder]

💖💖

[@mishukx]

Awesome

[@StudioBinder]

Thanks for watching!

[@sz8526]

@studiobinder can you make a video on how they shot Birdman?

[@StudioBinder]

Probably not on the movie on its own, but we have broken down the use of long takes and making a movie feel like one shot! kzbin.info/www/bejne/babam4ZtmZmhqqM

[@tylerbailey4279]

I’d like to see a video on James Gunn. Also I would like to know how to properly pitch a script

[@StudioBinder]

Thanks for the suggestions!

[@NucleusMediaMalayalam]

Sir please add the subtitles

[@StudioBinder]

Subtitles are up!

[@Beastopher]

In which editing software Oppenheimer is edited ?

[@StudioBinder]

Avid

[@artarealmblazer8452]

Christopher Nolan doesn’t make movies with zero CGI. He just limits it to CG enhancement using real objects as reference, but he does use it. There’s a difference between “not using noticeable CG” and “not using CG at all”. 😮

[@rijuthk]

But they claim they don't use it , and doesn't give credit to many vfx artists . Nowadays, the Studios are forcing directors to say they used zero CGI . Uncredited VFX Artists Paul Arion ... global head of layout: DNEG (uncredited) Kevin Campbell ... pipeline supervisor (uncredited) Mike Chambers ... visual effects producer (uncredited) Stanley A. Dellimore ... global head of cg: DNEG (uncredited) Sijo Joseph ... visual effects artist manager: DNEG (uncredited) Christopher Kowal ... global head of production operations: DNEG (uncredited) Rika Kulsavat ... visual effects production (uncredited) Jenny Lee ... visual effects lighting department manager: DNEG (uncredited) Stephen Parsey ... visual effects production manager (uncredited) Kila Price ... visual effects supporting role: DNEG (uncredited) Brinna Rammage ... visual effects production assistant (uncredited) Kathleen Squire ... visual effects shoot supervisor: DNEG (uncredited) Vanessa Velasquez ... technology: DNEG (uncredited) Credited Marco Baratto ... digital artist: DNEG Judy Barr ... digital artist: DNEG Randy Brown ... digital artist: DNEG Joan Chen ... visual effect line producer: DNEG Alex Creasey ... visual effects editor: DNEG Bhardwaj Divyanshu ... visual effects Ivelina Dobreva ... compositing supervisor: DNEG Mike Duffy ... visual effects producer: DNEG Jannah Farooq ... visual effects editor: DNEG Antonella Ferrari ... visual effects executive producer: DNEG Bensam G. ... digital artist: DNEG Souvik Haldar ... visual effects texture artist Pete Howlett ... digital artist: DNEG Andrew Jackson ... visual effects supervisor Jill Jivrajani ... visual effects coordinator Dan Kunz ... visual effects onset supervisor: DNEG Ed W. Marsh ... visual effects editor Giacomo Mineo ... visual effects supervisor: DNEG Alice Mitchell ... digital artist: DNEG Ashley Mohabir ... digital artist: DNEG Jay Murray ... digital artist: DNEG Jose Alberto Pino ... visual effects supporting role: DNEG (as Jose Pino) Aditya Ponguri ... compositor Simon Pynn ... digital artist: DNEG Akul Ratra ... visual effects camera tracking td Christian Ganea Reitmeier ... visual effects colorist: DNEG Sergio Rincon ... digital artist: DNEG Manuel Rivoir ... senior compositing artist: DNEG Sanjith Shetty ... digital compositor Tyler Simmons ... visual effects show production: DNEG Vinay Tiwari ... visual effects environment generalist Isabel Wallace ... visual effects line producer: DNEG (as Bel Wallace)

[@denizzagra6423]

He does not actually use it. VFX and CGI are not the same thing, and even the number of VFX shots are limited to a handful.

[@rogerkincaid931]

You were misinformed, he never claimed to averted the use of CGIs on all his films, just _Oppenheimer_ alone.

[@davidemiozzi8589]

@@rijuthk If I'm not mistaken, there's many more from India that should have ended up in credits

[@rijuthk]

​@@denizzagra6423 Oppenheimer Has CGI , just look at the uncredited VFX artists . Many shots will have CGI , it will be used for set extension and stuff . But they clam that they used zero CGI , That is not a good thing for all the VFX artists that worked very hard on the film

[@haydarbarazi4698]

You guys are awesome 🥇🥇🥇🥇🥇NOLAN🥇🥇🥇🥇🥇

[@idlogan3554]

Your all video bub in hindi also This information is very important to film making journey

[@ALEXANTHONYPLEVAK]

Another great video! Would really love it if you guys did something like this on any Stanley Kubrick movie…

[@StudioBinder]

we did something similar for the opening of 2001! kzbin.info/www/bejne/qHnSdX2Xjc5qf8U

[@YourAverageNiche]

Now you cannot possibly tell me that the missile shot at the end was not CGI. Everybody keeps talking about famous scenes except that one which is clearly CGI.

[@StudioBinder]

They did shoot it. According to Andrew Jackson: We filmed real missiles and little miniature ones for the trails coming through the clouds and slowed them down and scaled them so they felt bigger. The clouds catching fire was just another one of the elements that we shot.

[@cashoyboy]

Over 150 vfx artists worked on the film.

[@StudioBinder]

Yes VFX was used, not CGI specifically

[@thodajyadahogaya6016]

@@StudioBinder CGI was also used, they just lied about it

[@RetroGamerVX]

When I saw the movie, I honestly thought they were telling some part of the story I didn't know, some sort of missfire, as the explosion does not look like the trinity blast at all.

[@zensamurai6582]

This movie is a masterpiece, can't believe how much goes behind the scenes, more people need to know what it took to film it! Thank you for providing details on how it was made. It's hilarious that no one cares how Barbie was made. The Golden Globes showed as that people still value quality cinema. I hope politics don't get's involved in the Oscars and strip Oppenheimer from the deserved awards just to give it to Barbie.

[@CogniJourney]

Nuje fission, exploration. I feel it when I watched movie on my laptop. When high quality scene was shown my laptop fans spin like crazy and I could feel the vibrations on my lap and on my bed.. the experience which is missed by people sho watched it on imax.