How Pro Colorists Grade in Half the Time | DaVinci Resolve 19 Tutorial

[@Matein13]

Fantastic video...this is what really is gonna separate you from the pack. There are tons of colorists out there...but if you can do this fast and CONSISTENTLY, the sky is the limit. Thanks for the great content!

[@theqazman]

💯 happy to help. Much love bro.

[@CIRENGAHS_51]

Can't hold my self to repeat this video. GOD keep you alive you can update us love from RWANDA 👌👍🙏

[@goetzvideo-filmmaker]

Learned a lot in this video. Thanks so much!!!

[@theqazman]

Happy to hear that.

[@mishukx]

It was great... as usual... Take my bow

[@theqazman]

Let's go!

[@girish_colorist]

Qazi sir You upload such amazing videos on color grading, and there's so much to learn from them, thank you soo much ❤

[@theqazman]

Happy to help bro.

[@topchannel1279]

Saya senang channel anda sekarang sudah dubbling audio ke indonesia, berharap channel anda berkembang dengan cepat, saya selalu belajar di channel anda, terima kasih atas didikan yang berharga ini. Dari indonesia 🇲🇨

[@theqazman]

That's so cool. I'm glad they added that feature. Appreciate the love bro.

[@TerrestrialVibes]

Thanks for another wonderful video! I always learn to be a little more with a little less.

[@theqazman]

Happy to help bro.

[@1dera254]

Great man.really struggling with grades

[@theqazman]

Happy to help

[@Jeff_Lathrop]

Anotehr great video man! Loving the content as always. Any chance you could do a deep dive on luminance mapping? Luminance mapping on the output CST from DWG to REC 709 seems to rob a lot of color and detail from the image. Working in both braw and clog3. I transform into DWG/D intermediate to make all my adjustments, then output CST to Rec 709 gamma 2.4. Luminance mapping controls the highlight exposure great, but robs so much color and detail that I can't seem to get back easily or cleanly.

[@samiachh4077]

you are a master!!! thank you so much

[@Karats_Alexander]

Much love brother!

[@theqazman]

My man. 👊🏽

[@channelname-h4z]

Grouped clips will be a lifesaver

[@theqazman]

💯

[@filmdon2475]

Can't wait for your white balancing video!!

[@theqazman]

It will be next. 💪🏽

[@spielberg152]

que legal agora em portugues Brasil!!!!

[@Marbforest]

Love that video. Thank you so much for the footage. Would love to see more QT videos. Your next video could be: How to grade long clips where the environment changes often. Like in the movie 1917.

[@theqazman]

I have done vids on that topic. Look it up.

[@tomimaulana7543]

SUBSCRIBED 🔥this channel is lit

[@Graded_by_Oscar]

Hey Qazi, any tips on how to find initial work as a colourist? I would love to know how you started out! Huge huge fan btw and your content has been indescribably helpful 😎😎

[@Matein13]

IMHO...just work. Probably for free. I just rang up filmmaker friends and said "Hey you know that short doc you made that I edited. I'm learning to color grade...can I grade it for free?" I did that 3-4 times with friends...and then from that I built up a color reel which is on my website and in the last 3 months I've gotten 3 paid color jobs. They're not HUGE...but you're not gonna get giant corporate clients right off the bat. You're going to have to start small and build. I've been doing it for maybe 6 months now...and I'm not at an expert level but I'm miles past where I was in the summer when I was learning what nodes are and how curves work and what power windows are. Also buy a color panel...that's gamechanging. The new Blackmagic panel is on sale right now...if you can grab that, it's going to be critical in stepping up your workflow.

[@Graded_by_Oscar]

@@Matein13 Hey man thanks for the advice, I was thinking working for free for a while is the best way to get in the game. Really appreciate the time you took to respond! Wish you all the best on your journey as well :))

[@katyg3873]

@@Matein13finally someone that realises you need to work for free to start with. The amount of people that expect to get paid when they’re just starting out is ridiculous. It doesn’t work like that.

[@Cinedon]

Something I don't really get when creating the groups. If you have Slog3 footage for example - and you want to work in a Davinci Wide timeline color space. Do you CST from Slog3 to DWG & then in the post from DWG to REC709? Will it then properly convert your Slog3 to Rec709 whilst taking your changes in between properly?

[@PTFWWDB]

I can never keep track of Post and Pre Group I always end up just manually fixing individual clips

[@noobhacker6741]

Hello what's is your timeline seting like what Gamma n colour space u set before starting grading

[@joraphpictures]

... Thanks very much. Waiting for the node template tutorial

[@theqazman]

You're welcome. Will do.

[@theowlfromduolingo7982]

I believe there’s also a setting in the preference tab where you can set luma mix to zero by default for each project

[@mart_rt]

What does setting luma mix to zero do? I missed it

[@sergioarango682]

Gracias!

[@amirulbimo289]

Qazi, your qt look dna temp and tint balance, is it work or behaving like linear gain?

[@theqazman]

Yes it does.

[@PTFWWDB]

so, Don't use Input LUT for BMCP6k footage?

[@theqazman]

CST over input LUT.

[@satishwesterntelugu397]

Boss thank you

[@theqazman]

You got it

[@ShotByToweh]

a video for the ones who still havent bought qazi's tool kit lol they dont even know how much they are missing out

[@theqazman]

Hahaha. #iykyk ✊🏼

[@technologyroom1900]

oh God I'm late I'm 474 smash Like🤔but respect again from Here

[@CIRENGAHS_51]

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