How To Build An In Ear Monitoring System!

Lets go over how I built an in ear audio system!
Everything I used:
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[@HosaTechnology]

For those wondering about the types of cables and number needed: (1) XLR-803 SNAKE XLR3F - XLR3M 3M (2) HSX-003 PRO CABLE 1/4" TRS - XLR3M 3FT (8) HXX-001.5 PRO CABLE XLR3F - XLR3M 1.5FT (1) PDR-369 PATCHBAY XLR3F - XLR3M (1) XVM-115M CABLE XLR3M - 3.5MM TRS RA 15FT (5) PWX-103 POWER EXT NEMA 5-15R - NEMA 5-15P 3FT (2) WTI-294 WIRE TIES PLASTIC BK 8IN 10PC (8) CMK-030AU EDGE MIC CABLE 30FT (8) CMK-003AU EDGE MIC CABLE 3FT

[@PrimaIsMe]

Wow thanks!

[@Mikeyprs21]

Damn, that is ALOT of cables... xD

[@Shadow0fd3ath24]

36 cables for 5 racks, 5 inputs, and a mixer is nothing! AC/DC has over 120 cables in their rig just for monitoring

[@dneuens]

This is true, but it's also a decent amount for a person who's not playing stadiums & arenas, or has a road crew, or who has a gargantuan budget for such things.

[@TempoDrift1480]

Hosa gon take this opportunity.

[@imdartson3679]

I think we should take a moment and appreciate the fact that musicians spend years learning their instruments and vast amounts of money on the necessary equipment to carry out their goals only to sell the music for pennies, which people wont pay for and just pirate.

[@perpetualgrimace]

Yep, only us musicians are stupid enough do dump so much money and effort into something for so little reward.

[@imdartson3679]

Wanting to make music and not doing so would ultimately be even more stupid, though. I guess it depends on how you define "reward".

[@perpetualgrimace]

Well, it's ultra rare for it to be financially rewarding and it often isn't socially rewarding either. Haha. I think our society which values money above all else is horribly broken. And yet, knowing all this, I still pursue music because writing and playing music is its own reward. ¯\_(ツ)_/¯

[@imdartson3679]

Exactly. My motivation is being an old man regretting not making music because there's no money in it. It's also frustrating when you tell non musicians you want to do music they assume you mean platinum selling artist on the radio winning grammy's. Doing it and it simply being out there is reward enough. It just sucks how the modern world has stripped us of our ability to make a living on it. Now everyone is making gear demos on youtube to compensate.

[@perpetualgrimace]

100% agree. The one upside of our time is that practically anyone can record their own music, given a bit of money to spend on gear and the time and willingness to learn. There are so many learning resources available, and entry level gear is ridiculously cheap. The flip side, which you mentioned, is that recordings have been devalued. Now listeners would rather pay for the convenience of a Spotify account than financially support the artists making the music they love.

[@jimmiedabug]

I'm an FOH Egineee and I travel out with a few bands. One of the bands I work with have an IEM that I designed. These guys wanted it to be very cost effective so I suggested the behringer x-air 16 with a Seismic audio 24 channel split. The only thing that goes to the X-air is kick, snare, bass, 2 guitars, 3 vocals, tracks, click, and an extra AUX send if time doesn't permit for the guys to run their entire split . The x-air 16 has four AUX outs which I run for lead vocals, bass, and two guitars while the main out I run is for drums so he can have a stereo mix. They all run galaxy audio IEM's because they are inexpensive but I highly recommend replacing the earbuds with something like the Shure se215's if your budget is super tight. That IEM rig costs about $1000 US and works very well, the band has complete control over their own mixes with their phones

[@nickmalagisi5690]

jimmiedabug is there any way I can email you to get more information on this build? Would be a huge help.

[@Mikeyprs21]

that sounds pretty sweet!

[@willescott88]

My band run a similar system but with X18 (also acting as our main mixer) 3xLD Systems IEM (drummer isn't wireless) in a 4U Gator shallow rack case with mixer sat on top. It's not as high end as Fluff's rig but for a function band who don't want to take floor monitors to save space and everyone having control over their own mix onstage it's great and I think cost us about £1000.00.

[@eudorasfall867]

Is there any way we could contact you to get more information on how this works? Sounds like a great alternative to start out!

[@eudorasfall867]

willescott88 Can we talk more about this? We are running a headphone amp with wired system just so we can hear ourselves and the click but want to set up a wireless IEM System.

[@IntoTheForest]

So for my band we have a super ghetto super cheap IEM system. We have everything going direct to my audio interface into a laptop, and we have a 4 channel headphone amp with headphone extension chords to run to our earbuds. The entire show is run on our laptop and we don't need front of house at all. Then the main mix goes to our pa which is actually a big home stereo system, but hey, for a small high school band, it works!

[@ilham7345]

Into The Forest i think u should need a transmitter set for more flex and better iem with "hifi" grade. I use iluv, they sounds good, the tip fits good and cheap

[@Bamibakker]

Hi, I would love to know more about that setup. Can you maybe send me some more info on what equipment you use so I can see if I can get something like that build for my band? Much Appreciated

[@officialWWM]

Hifi speakers won't last long with full range sound going through em!

[@mjrausch]

I applaud your ingenuity and problem solving! Those skills will take you FAR! Forget about the doubters here.

[@michaelriddles6726]

Genius

[@willesposito9165]

I can't believe that guy cut your monitors. What a jerk. So petty and passive aggressive.

[@Joe-xe6ev]

been there... toured with a band that played there many years ago. I was the band's touring sound engineer and all I got was major attitude from the sound douche there. I think he was all tuned up... sniffle sniffle. Pretty small stage and not very high up off the floor... maybe 2 feet. Even if those nasty beatup old ass monitors would have taken a digger it probably would have shaken loose some of the dust and dried up beer in the horns. What dick that guy was. LA sux... it has since the late 80's when I started playing there. Venues think their doing you a favor by allowing you to play their shit hole club on nite with 5 other bands, playing 40min sets, and your playing the 7pm slot, in front of 6 people and the bartender for FREEeeeee... Reminds me of Nashville !

[@PARAMONARIOS]

Fuck that guy! For real

[@LukeSebStaniland]

passive agressive not powered agressive hahah

[@philpants44]

also doe nothing to stop him putting his feet on it again

[@neilsnow7644]

My band would have gave him a reason to cry to mommy. Lol

[@Freyr77]

I have never clicked a notification so quick I love the videos fluff, keep up the great work

[@NotABand]

Literally working on our rack today so great timing! We've been building one of these for our band, motivated especially after our first tour and the huge variance of sounds guys and house monitors at different venues which affected our performance at some stops. That and we sound a million times better when we can all hear each other and the click :) The rack is almost complete but as of now we only have wired connections to our in ears (I can imagine that would be a mess live) so we've been looking at different wireless options (budget buster!), was not aware of Galaxy so thanks for that info we will look into them. Great video, you've helped us move one step closer to getting this thing a reality. Hopefully in time for the next show...

[@Ron315guy]

hi

[@bremsnix]

Rig like VoV? :D

[@jackattack8044]

Good to see you guys making gains, love the channel.

[@cristianandrade9987]

How to write like Fluff

[@lukelinder7315]

DO HTWL REST REPOSE PLEASE

[@lucasvillaquiroz]

Came after watching a whole lot of SMG videos, and now this feels uncomfortably friendly. Lol

[@dylanlbdb]

Glenn is a bit of a jerk imo

[@cah88]

SMG is a fucking jackass

[@patthesoundguy]

On behalf of professional FOH engineers, I apologize for that tech who shutoff your monitors. I would fire someone for that kind of behavior. That being said I love the video, I always love seeing X32 consoles being used. I have an X32 rack as well and it is a godsend. That is a nice clean rack build.

[@phippsly]

patthesoundguy but also, don’t use my wedges as your rock block. Stepping/standing on someone’s gear should be an obvious no no

[@PatrickDuncombe1]

Jared Phipps Yep, and it also might be helpful to give all the “incompetent” and “idiot” sound guys the benefit of the doubt as people just doing their best under difficult conditions.

[@benbrunskill5618]

I personally couldn't care less if someone stands on my monitors . . . If I'm being paid to do sound and supply my gear, I expect some wear and tear

[@ashleystirland]

Should respect other peoples gear

[@KaoswareMetal]

I need to build one as well, thanks for all the tips Fluff !

[@jamjunkies3639]

First time I've seen anybody do a video on these. This is really helpful! :)

[@JoelDucote]

Thank you for the info! My band is currently in the process of building our own IEM system, and this video answered a lot of questions.

[@AndyBassist]

fluff video has helped massively with working on a in ears rig for my bands, yeh im setting up one rig for two. ive gone down the less pricey route of using the xr18 rather than the x32 but being that they are both 3 rack spaces i can switch them out if i come into some funds, also your drawing let me realise that i can use the main outs to supply another stereo mix! which was a great help! love the channel and rest repose!

[@fabiogatto6373]

You should do more video like this: an uncommon subject, actual footage of you building it up, a sprinkle of nerdy gear talk and even a diagram. Loved it from start to finish, and I'm not even a touring musician. Big up and cheers from Italy!

[@herrlyb]

One of the best monitor videos I've seen yet, Thank you!!!

[@KyleOnBass]

Buying cheap gear rather than saving up for the right gear almost always ends up costing you more in the long run.

[@johnanderson2320]

Kyle Onbass cept when it gets stolen or blown up hahahah i agree although there are some things you can cut corners on especially if your on the road.

[@RichardChappell1]

Yes and no. Sometimes lower price gear is useful to help you learn what you are doing and what you really need.

[@WhiteStriker99]

This is really great and informative! It solved a lot of questions I had about monitor systems and now I know what I need to do and save up.

[@RexOverdrive]

Pumping out the videos! I love it

[@dumbohill42]

Pretty awesome video, thanks Fluff (yet again) !! :D

[@_patrikjay_]

That's a sweet, precise looking flight case set-up....Great work!

[@dvdfnny]

So happy to see you did one of these. Many thanks.

[@pprovost]

Very interesting. Thanks for this, Fluff!

[@dbecker33]

YES. FINALLY SOMEONE SHOWING THIS IN THE SIMPLEST TERMS! Thanks Ryan!!!!

[@connorbuckinghamstudios6227]

Thank you so much for that diagram when you were going through your setup! I love that!

[@gityosgabi]

I've already imagined a setup like that, it's great to see it together!:)

[@CameronFleury]

Great video Fluff!

[@Jaxisagod5]

Such a good video for working bands! Thank you

[@AyaNori]

this was so helpful and straightforward. thank you!

[@FabioPoianMusic]

Amazing vid brotha, thanks for the great info!!

[@mexicanforce3]

I would also like to see a blog where the band uses at practice where we can see it being used with the click and everything

[@charlesriche4589]

Great video, great setup thank you. I have just one question: is the limiter included in the X32 enough to protect the ears of the band from unwanted spikes (mic drops etc)? If not, what else would be recommended?

[@Cigarsnguitars]

Great overview. Thanks for sharing the info.

[@mc2mc277]

Nice job on the rack & this video!

[@Brandon-mn5wi]

Thanks for the video. Helpful

[@ladyjulia4038]

Awesome video thanks so much fluff

[@ChrisMusickx]

Very interesting, thanks fluff!

[@firstofficialhm2cult]

Really informative video, thanks!

[@ChadBillAnderson]

Thanks for this Fluff! Very helpful, even though it will be a while before I can afford to build one

[@bebettoninja]

Dude, this was really appreciated! My band use the X32, but it just doesnt talk the way it should with my iPhone 6s. Things always go wrong! Plus, lets make a video together! Would love to add some killer drums on some of your riffs!

[@AGV133]

I just got off tour and we had an IEM for the first time. It was the best thing ever. We have the SoundCraft UI16. I definitely recommend that mixer because it has its own built in wifi hotspot and you just log into the website once connected and you can each adjust your own mix from your phone or computer. Super convenient!!

[@mattiapavanello6885]

Great video, very useful!

[@LegionDe75]

GREAT video...Very informative and minus any bs filler. Thank you Ryan. Subscribed.

[@GregoryHillSr]

Thanks!! You posted this a year ago and it's still revelant sending this to my Church director and sound tech.

[@shigrathFX]

Super interesting to see what a huge ton of work something like that is. I appreciate.

[@MrVoyde]

I enjoyed two videos by this author. I've just discovered in ear monitors from earplugs and headphones. Waiting on pair new phones recommended by sound engineer friend and iem's. Researching deeper into the rabbit hole now. Thank you!

[@sirTimithiusReviewsProducts]

Bro, THANK YOU FOR THIS VIDEO!!!

[@tragicthegarnering3619]

This is something i wanted to learn about for a while now, so thanks.

[@danwalters4467]

Nice job!!

[@Bigdannyable]

thx for the awsome video, question is are you still using this setup and if so have you made any upgrades to any of the equipment? can you share

[@riffism]

Having my own system was the best decision I ever made. Pretty east too. A digital console (I have an X32), a splitter, and personal mixers (PM-16) and you're set.

[@M_E_T_R_O__9]

Excellent video, yeah i'd love something like this for my own wedding band.. but sadly everybody has gone out and bought their own personal solutions over the years as opposed to us all collectively agreeing on one system and then making the investment. The main issue is that the band guys play in multiple other bands so they kinda need a system they can just take away with them for other gigs. I'd love to design a setup where i could just start small then build it up over time.. I'm a 'well gigged' keys player but have only been experimenting with in ears for a few months now, have always used stage wedges. My first thought was "why do i need a wireless system at all?" i'm always sat down and don't move too much. So I purchased a pair of Shure in ears to test them out and then quickly realised that there's not a whole load of decent wired body packs out there that are practical for gigging. Each one I've tried has either been plastic and not durable enough, or only plays out one ear, relies on 9 volt square batteries or has stupidly impractical proprietary cables you would never use for anything else. I haven't been able to find what I need anywhere online but surely they must exist? What i think i need: A physically wired, rechargeable body pack with dual mono/stereo and maybe a input 1/2 mix control Alternatively: if there's a (budget of £1000) wireless system you can suggest which would be more practical i'd be willing to consider it. It seems the wireless systems may be far further in terms of design quality and practicality than the wired ones, I just don't want to wast money making it wireless when maybe i dont need that.. Any help is much appreciated thanks, Scott PS: I 100% agree with "not setting everybody up individually via the sound guy", it's a disaster waiting to happen and i'm a control freak lol. The main distinction for us though is that we are all responsible for our own sound, (our mixer is on stage with us) meaning we can tweak until our hearts content then save our mixes, nobody else ever touches them, so its' not too much of an issue at the minute.

[@joshuamathermusic]

I love your IEM videos. I just finished this one after watching your 2.0 build. Can I ask you how the Galaxy systems held up? Obviously the Sennheisers are preferred, but how did the Galaxies do for the price?

[@giantsarise9503]

holy shit man. we just built literally the same rig. in canada this rig cost us 8-9k. the most money your going to spend is on the wireless units and earbuds. even the cheap Shure 215s cost 140$ here, and the shure wireless unit costs about 1300$. we did it with an analog mixer we found that had 6 auxs so it worked for us but i literally just picked up our x32 today. stoked!

[@robertjohnson3239]

Great vid!

[@orlandomorales5423]

So do you also use the x32 for your FOH console or do you feed everything from there to the venue's soundboard?

[@Javii.Sardin]

I know you didn’t cover in ear headphones but is there any specific in ear brand you would recommend? Specifically ones that don’t fall off while performing. I have the sure s10 I think and they always fly off when I perform

[@jancarsonweatherby1579]

Huge info share. Thanks!

[@t3tra_UK]

Hey Fluff, I’m currently building my bands iem system and found this video super helpful. Am I right in thinking, for monitoring purposes you just use a single mic which is part of the IEM mix? If so, what mic are you using, and have you found this solution satisfactory? Thanks

[@yunglildick42069]

Thanks,this came in just the right moment

[@pandaKeepfit]

the beauty of the x32, you can connect the computer with the usb and use 16 digital chanels for whatever you need, separate the backing tracks individualy and mix them, and the other thing, connect to another x32 or m32 (very common on clubs) and use that solely to control FOH, with my band we have the x32 rack and it is amazing, everyone does his own mix, before as the audio nerd, i had to be the monitor engineer

[@gunars5588]

Thanks Fluff!

[@JBucki10]

Hey Fluff, I have built a similar system myself, but mine was designed to be a complete back line rig where we travel with our own mics, looms etc and give FOH a complete system split. Do you travel with your own mics, if so what do you use?

[@Guitardude81597]

Hey Ryan, I've been looking into IEMs, how have the AS-1400's? I've also been looking at the shure pam-300 as well

[@everclear1567]

Hey Fluff! Are you micing up the guitars then to get the signal through to the Behringer and direct for the bass?

[@joewebrocks]

Cool video Ryan! we run a similar setup as you, but for quick change over times, it is to complicated with the complete drumset split-up. what do you mic from the drum-set? or do you just hope, that the drums are loud enough and come through without micing them up? thanks for your reply!!!

[@DavidDJGuitarist]

Thank you for such a highly informative video. I have a question, though. On the X32 Rack you have colored XLR cables for your inputs. Where did those come from? I would like to color code my inputs the same way you have, but don't see those colored cables on the HOSA website. Thanks in advance.

[@justindrumz2556]

Would you be able to achieve the same thing using a behringer xr18 air

[@vshpyrka]

This is amazing! 😍 Thanks a lot from 🇺🇦 for such amazing and detailed explanation! Watching more and more of your cool content!

[@jakehardie1573]

Fluff could I use the 4 set of Stereo XLRs for IEM and send the monitor out stereo to house and have a working Stereo front of house mix that doesn't have metronome in it?

[@fonzybrookestone727]

I go with "Type 1" at the moment. I'm not super picky, so sound checks are pretty quick. Plus I'm the only one that uses IEM in the band. Yous guys got a helluv a deal for all that gear!

[@Paincakes]

Great vid. I'd love to hear sound samples of what kind of mix you hear in your monitors.

[@PsyckadeliTV]

Very nice video. As I see it you are not running anything in stereo but you are running the Aux out in stereo when they are going to the in ear systems. How can that be?

[@putomarcos]

My band uses 1 Behringer XR18 , 1 IEM (splited stereo for 2 mono's) for bass and guitar, I use a stereo feed directly from the XR18 to a Behringer P1 on drums. Tascam 16x08 audio interface to output Clicks, Backvocals, Synth and Subwaves individually to the mixer. And in case one of the Wireless bodypacks fail ,there's a Behringer Powerplay with two 10 meter cables running to the Guitar/Bass positions. everything runs silky smooth!

[@CJWallaceStudios]

@Ryan Bruce -So according to your diagram, you only used one mic to get an in ear signal of the drums? How does that work? I was thinking 1 for kick, 1 for snare, and a directional dynamic mic overhead for the rest. anyone have any input? Thanks

[@blinddivide4761]

Loads of excellent info, we're currently looking into building a (much) smaller system than yours, loads of good ideas from this, cheers!

[@pau1rose]

So do you plug in the antenna to the transmitter at the show? or do you not use the antenna?

[@mrdikasun]

Nice job man.

[@TEMPTBand]

One other question, I assume your gates are line level to the art s8. How does that work with the art inputs being mic?

[@Weston_Guidero]

Thanks for sharing your knowledge. Something that has been a grey area for me for a long time.

[@cltubby]

Curious why you chose an X32 over a less expensive XR18? My XR18 seems to have plenty of room for doing this type of setup. Just wondering if there are any limitations I should be considering.

[@staggguitars666]

Hey fluff! My xlr splitter has a transformator/isolated output. But that output gives strange noises on my audio signal. Do you know any way to fix this? I do not think it is a ground problem but i am not sure. Thanks!

[@christopherheadcase6886]

Hey fluff what is the 2nd rack unit below the splitter? Is it a different type of send splitter?

[@stewartdredd1602]

Hi, how about the drum's mics during live performance? Are they being sent to the iem from the PA system?

[@hodgesofficial]

How do you fly with this rig? Any tips for getting this rig across the country on fly dates?

[@damiansmith87]

Hey fluff my band is building one right now we however only use tube amps and cabs. Without using the two notes what would be a viable option. Just sm57 in pr something else?

[@TheChrisSummers325]

Quick Question for you on this. From the look of things you have guitars, bass and vocals going in to the system but what about drums, how do you work that into things? Also, can you show, or explain a little bit, how you are splitting the signal to go out to FOH.

[@RyanChansler]

How would this work with background vocals? Do you bring your own mics or ask to split off theirs?

[@PierjanVadeboin]

Hi dude ! Love what you do ! I built an IEM for my band two month ago, it's working great, but it does not include tom mics because of one problem! How do you do when there are 8 differents bands playing at a gig or a big fest ? Do you come in saying to the sound-guy that he had to rewire the cables that are already plugged into the stage patch just for your band in the 15 min given between shows? Just curious :)

[@Juan6Meses]

Nice tutorial, I wonder if is it any kind of setup for monitor system in the studio, like how to control the headphones, the speakers, and the player headphones.

[@MEGAL0DONG]

Hello Fluff, Could you please explain how you are getting the drums into the mix? Is the trash mic just a dynamic mic sitting by the kit picking up everything it can? This is the only thing I'm struggling with here.

[@danalysing2774]

Could you do a follow up video on sending everything to the desk from that system, sending samples out from the computer and exactly how you go about sending click tracks out from your DAW to the seperate mixes?

[@oscarsotolor]

Awesome, Ryan! just wondering, what mic are you using as the drum trash mic and how do you set it to get a decent sound from the drum kit (position, direction, etc.)? I'm currently setting up an IEM system as well and I'm trying to figure out how to get our drums monitored without having to ask the sound guy to send us a drum mix return. Trash drum mic sounds like a great idea. We're also using a Behringer rack mixer.

[@agentsmith868]

CABLE MANAGEMENT ! dope

[@jamesonwalls3066]

I noticed that you didn't put the antennae on the wireless receivers for the IEMs, so it makes me curious, do they have any effect on the signal transmission? Are they just for show (like old flip phone antennae)?

[@MarneusCalgar42]

Interesting video! Nice!

[@AndrewBanker1]

Great video. Are you just using the one ART splitter to go to FOH? If so what are you sending to FOH?

[@careerstreet]

Would a s16 spider do the same job as the splitter? Looking at purchasing....

[@thetognali4086]

cool equipment. we are also thinking of an IEM system for our band. we wonder, how did you take the drums? does your "thrash mic" just mean one room mic? or does you drummer have his one little mixer and you just go in to your system with one line? thx for your kind feedback cheers

[@djcanopr2060]

Hi, how have you worked with the AS-1400 audio galaxy? I have thought to buy 2 units for a band but I have not decided yet? Do they work well?

[@MexicoMan223]

OMG I've been searching for this for a long time. thank you very much! the only question I would ask is: when you split the signal from an amp and you put one signal into the mixer and the other one to FoH, do you connect the FoH signal to a cabinet (in case that a cabinet is mic'd up) or directly to the FoH? playing in smaller venues for example (I'm a drummer, just checking for my band)