How to Change Color in Your Painting

In this video demonstrate how to alter or change the color in your painting.
For online classes with Mark Carder visit www.carderarta...
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[@loislane5001]

Thank you so much for taking the time to give us these videos. Very helpful.

[@abhijeetsantra4237]

Sir, today is teacher's day in my country. Happy teachers day sir 🙏. Thank you for sharing your knowledge with us 🙏🙏. Your videos really helped me a lot in understanding every aspect of Painting.Thank you sir. 🙏

[@kaladia5499]

wow! I had no idea this was a technique, that explains a lot of what I've noticed in painting. very clever technique, will be utilizing this!

[@adelacreative]

I thought you will talk about glazing, but I like this way of changing the colour, would make a painting more vibrant and less boring!

[@J-Obaltyboy]

Exactly! Draw mix paint

[@DrunkenWizardBattle]

what a treat it is to watch your videos, and just be able to apply your insights to my own projects... like obviously that is the whole point of these little tutorials but that doesnt make the joy of taking part in it any less.

[@strawberryinthesky607]

short and to the point. great video.

[@TaosSpinner]

Thank you so very much for all your videos. As a beginner without access to a teacher near me, these are invaluable.

[@artgeometrix6346]

This is so useful. It makes total sense. Also adds depth. The colour change really brought that jar to the forefront.

[@deborahtishman586]

Your techniques, information, knowledge, inspiration and your teaching skills are invaluable. I appreciate all of it, thank you very much.

[@thomasbroderick6388]

Thanx Marc. This is a great little tip to get more color into your work. You've been a huge help to me in my painting endeavors. Mahalo nui loa.

[@octopusfly]

Wow! This is a metaphor for how to live life. Thanks for your sharing.

[@davidmcfaul7595]

Rob you Know how it goes

[@timcoote1403]

Great to see the Streeton landscape used as an example. Well done.

[@g.ioanaeliza7886]

My fav painting channel!😍 top quality content as usual!aaah i can't wait to finish my exams and get back at it❤

[@tonylovett2357]

Great stuff - really appreciate these useful tips - thank you!

[@lisengel2498]

Thats truly a great way of changing a colour - just what I needed right now. -

[@hanap1709]

Your videos are extremely helpful, thank you!

[@trentriver]

Tom Thomson, one of Canada's iconic painters, was an absolute master at this.

[@ARTYCOATY]

You very talented‼︎ Thanks for sharing‼︎

[@sookart]

It was nice to be kind and tell the colors well~🌸

[@aywancfc]

Hi! I was wondering if you don't mind me asking, how long did it take for you to reach this level of realism? You are very good at what you do. Thank you for your content, I find your videos to be very informative :)

[@joaovitormr471]

Your videos are amazing, thank you so much 🙏🏼

[@reesesminiatures9332]

Your video make me want to give canvas painting a try!

[@thart7726]

I would love to see you do a video analyzing artist Mark Tennant's paintings. He has a very particular and interesting style that I think you would love. Please consider doing so!

[@Tooradj]

Sargent’s landscape (Simplon pass) in National Gallery in D.C. is a great example of how a mix of colors you would never imagine to put next to each other can work when you step back.

[@t0raneko]

I wish I had those windows in my house.

[@DrWhom]

very Vermeer...

[@mdc734]

@@DrWhom you are right.

[@redangrybird7564]

It is a green background screen ✌😀

[@margaretlents1829]

A wonderful tip. I tend to do areas in monochrome. Thanks!

[@ah1684]

Glad to have you back 😁

[@Philtomato]

This was really useful. Thank you. :)

[@tommybell1786]

These videos are just fantastic!

[@souvicknaskar4538]

Sir, you are just great . I like your limited palette theory and your alla prima process. Sir please make a video about your portrait painting techniques .I hope really it's will be a best lesson for us . Thank you!

[@tb8865]

I've been trying gouache where it's harder to do wet on wet but I think this will still help, thanks!

[@ChristinaTodd1970]

TB 88 If you notice in the Sargent painting, it looks like glazes to me. Try the bits of color (same value though) in gouache but don’t blend. See how that works.

[@BlueNSour]

I was binging through a lot of these vids and at one point, they brought up an artist that I really liked though I cant find that reference anymore. There were two pieces by the artist shown. 1. oil painting of an American school bus in an intersection at sunset. Had really great vibrant colours from the afternoon sun. 2. oil painting of a cafe with the sun pouring onto a old fashioned, green, coffee machine. Again, wonderful vibrant colours. If anyone could tell me the video or the artist, I would be suppremly thankful!

[@ninanotturna]

That would be Raymond Bonilla. Yeah, great golden hour stuff! Brought up in the video titled "Do Not Handicap Yourself When Painting in Oil - Artist Advice".

[@BlueNSour]

@@ninanotturna omg! Thank you so much! You are incredible and deserve many puppies.

[@MYArt-tx9ls]

Thanks for sharing the video！! Great！! I love it!!!!!

[@dantydong4138]

Expecting for new videos from Mark! :)

[@heidigudrunweber]

Excellent 🎉

[@arjitmalviya3618]

thanks for this amazing amazing trick

[@AirArtStudiosOfficial]

Awesome! Value leads again!

[@KathyBrooksArt]

Great information, very useful, thanks!

[@claireonlinex]

this length of hair is nice! Great tips

[@figurativeartistbenjaminel8395]

Another great video buddy. I did a video recently about shifting color using vails. Do you glaze at all in your work?

[@mariemae8001]

i love you so much, great teacher

[@alisannsmookler139]

Great tip! Thank you for sharing it.

[@agathaknive3321]

This is amazing. Woah.

[@arielceleda4897]

Mark! Thank you a lot for such knowledge you are giving for free. I listen very carefully and experiment this with acrylics. Even that i know some things are not posible in this medium, but makes compositions more beautyful. Sorry for my english! My best regards! A freshman from Argentina.

[@Floatingaxe]

Thank you---that helps! What about a glaze? I love your work, and the way you advise.

[@JiveDadson]

Be aware that glaze darkens the value.

[@acceptingWhatIS]

i love the rembrandt windows

[@coolvartika22]

Thanks Mark :)

[@MrSilva960]

If my background on canvas is dry,and I want to change the color, what kind of technique do you advise ?

[@bobbytirlea]

Drag the brush with thin paint. Scumbling gives a wonderful effect on dry surfaces.

[@icandothis1238]

Very good ideas.

[@alexandre.montagnac]

Hi Mark, I love your work, you're the best teacher ever. I have a question for you. I know you don't make these Q&A videos anymore but I have watched every single one of them and I have been searching through your website but I did not find my issue adressed. Therefore, I hope you could answer that. How do you manage to clean your glass palette with dry paint on it ? In my case, either I have to use a lot of paper towel or I have to put the whole palette in my bath and rinse it with hot water while rubing with a sponge. I find both solutions a bit messy and wasteful in material. If you could help me with this I would be thrilled. Thanks ! (Pleade pardon my english as it is not my first language :). If you happen to have the same problem, please like my post so he can see it.)

[@alexandre.montagnac]

@The Alley Cat Thanks !

[@Crap873]

Thank you great tip !👍

[@abstractduk]

i have a question! ive just sold a small tonalist style landscape on a well known online auction site. upon receipt the buyer has requested a return on the basis that the painting was muted and had little contrast compared to the photo i provided which in my opinion was truly representative of the painting. im guessing that the buyer has the brightness on her monitor turned up 100% in case will bear little resemblance to the muted tones in my painting. the question i have is, at what level of brightness should any reasonable person use to look at paintings online? personally, on my imac, i have the brightness all the way down to zero which i find perfectly natural. thanks

[@Wilderness_summit]

Thank you

[@satchelyork]

What I find harder is to match the color I put down before. I try to take notes what tubes I used but it's still tough. Really annoying because I can have a good first session, cover the canvas come back to refine some shapes and be unable to, for example, mix the same green that is in the grass around the dog I'm trying to fix the shape of. I basically dont finish half my paintings because my first session goes great but every subsequent one has to get wiped off as it does more harm than good

[@kissthewitchesc.8520]

Hi Mark, I wonder if Geneva make shippings to México?

[@murderballad1154]

..is there a video in existence where mark doesn't mention Sargent haha he really is a super fan ! :)

[@pranav.n888]

😂

[@RobertF-]

Inspirational

[@terrinelson1700]

Nice

[@carolfarah2345]

Can you do a video about painting wood? I've been trying to paint a wooden bridge and I can't get the colours right

[@lindyadam5053]

Great!

[@daniahamweih5929]

Would you recommend to oilpaint on a masonite board as a cheaper alternative to the canvas? Just for practice. And just because I'm still a beginner to oilpainting so I wouldn't waste much canvases. And if you do recommend that, when's the right time to start using a canvas?

[@satchelyork]

Not Mark but just to tell you, you can certainly paint on masonite or any type of wood, but it isn't really that much cheaper than canvas. You should try both to see which you like, as they have much different feel, so practicing on just the masonite is going to still leave you without the experience of canvas. I paint on plywood (1/4 or 3/8 inch) as it's better to paint on something with a bit of 'tooth' so the paint adheres. Masonite is very smooth and lacks tooth. Artists have used it, I personally don't like it, find it soulless and unsatisfying. You still need to saw it, sand it, seal it, gesso it etc. So why do all that work on a bad surface? Try a few things and find out what you like and then go from there. I love canvas but I prefer wood for smaller work I can store it without worrying about it getting dented or moldy and I prefer the way it doesn't drink the paint as much

[@shuvoarts.3314]

Great. 😊

[@le_Bizarre]

I have difficulties with getting opaque dark colors. Aren't dark colors supposed to be transparent? How Alla Prima artists cope with this fact?

[@matthewcondon1985]

Mark!

[@J-Obaltyboy]

Tnx a lot! I hope this will work at hyperrealism, too. This subject is my biggest struggle, full corrections are big time consumers.

[@aeropajita]

i supose that glazing is better for hyperrealism than this method wich favors to keep certain degree of abstraction (while hyperrealism strives for accurate detail)

[@tuffstuff9809]

how difficult was it to paint 43?

[@soovy2903]

Can you teach us how to draw breads pastry foods fruits?

[@nadie0595]

i need his background for my zoom greenscreen

[@atlantic_love]

I think that abstract color-shifting is where so many supposedly great works of modern artists fail. It becomes contrived. It's become a fad of late to try and look as "spontaneous" as possible in creating an underpainting, rather than telling a story with the composition.

[@pasqualegapito7868]

Perché non ci sono i sottotitoli in italiano? Grazie.

[@sunnyboy4553]

Would this work with acrylics too?

[@garayworkshop]

Yes it does... With enough of an open mind and courage to risk a fail any technique can work with something as malleable as acrylic

[@sunnyboy4553]

@@garayworkshop Thank you, can't wait to try it, reminds me of Van Gogh's brushwork!

[@garayworkshop]

@@sunnyboy4553 Yep, I get that too... I think it works best if the layers are not fully dried, but it will depend on what you are looking for... try do do some testing before the real thing.

[@aeropajita]

if the first layer is already dry, i would try mixing the second layer with a bit of medium to give some transparency. but, as always, you should experiment

[@sunnyboy4553]

@@aeropajita I didn't think of that. thank you.

[@DavidSteadStudio]

Quite right - no blending!

[@jockospillink7318]

From bonobo Bourgeoisie-Bohemian bay: Connection between true painting, and it’s Proper function in society. What is art for? For the public, for society, for culture, what’s its purpose? What good is it? What are the effects on individuals, and how is this played out in society, in terms of meme culture and the spread of ideas. Regarding shArt: Picasso Pollack poison, pessimism, pariahs, passivity, plague? How can we protect our souls? vaccinate ourselves, inoculations Against contagion, demonic possession, Infestation? “Resistance is futile. You will be assimilated” by the banksy bobo-Borg? Hope versus despair, ambition versus lethargy, construction versus destruction, the seven virtues versus the seven vices. Say we manage to get this whole true painting thing down, balancing the illustrative and the decorative , Accounting for designo vs colore, The main problem I see with classical academic realism ( I only recently realized it was postmodern) today with their aping of the techniques employed, This monkey see, monkey do business has not resulted in great works of art, as evidence by the art renewal center, and their salon. Sorely lacking of anything even remotely as interesting The modern illustrators, Wyeth, Frazetta, Jeffrey Jones, etc. How can we avoid the temptations of deconstructive postmodernists’ diarrheal diaries Pollack poopy pity-party paint temper-tantrums just throw around some paint in haphazard unconscious spasmodic trancelike stupor and what’s at stake with this “if you can’t beat ‘em, join ‘em” mantra, where many of us are being corrupted, seduced or we just surrender to the Darkside and end up just going along to get along, because it’s easier to do schlock. Churning out over rendered trite kitsch or worse, scribble doodle garbage. Why suffer poor schmo schlep when you can just sneeze some snot on satin silk sleeve and scheme and schmooze the Self indulgent, self congratulatory, self aggrandizing scam scene. Mr. brainwash exit through the gift shop? I’ve seen used sanitary napkins glued to Canvas, on sale for $6 thousand. In Asheville, North Carolina- it’s not just in New York or Los Angeles. But, on the other hand, Classical academic realists are guilty of shining a brass doorknob on a burning house, polishing a turd. they have beautiful rendering techniques, but they’re not saying/depicting, showing, illustrating anything. Zero composition, no focal point, no depth of field, no foreground middleground background, no specific people and places doing Recognizable activities. no underlining scaffolding, no Philosophical principles, just “look what I can do” eye candy. I know a guy who Pencils and paints pictures of pretty college-aged young women, as a way of petting the unattainable pin-up girls. Is it mastery, or masturbatory? What are the cathedrals and chapels of today? How do these public places serve the people and reflect the values, where do people go for visual lucidity? Notre Dame burning down, but they can rebuild. If the Sistine Chapel is destroyed by anti-Christians, how could we ever reconstruct? Besides the secrets of dynamic symmetry and sacred geometry in composition, what Foundational technical and philosophical knowledge do we need in order to communicate and express ideas and ideals? And furthermore, what should we be painting? And why? What should we show and say? What should we depict, and how should we confess it best? If Literature is the enemy of painting, then what do we show? Literature analysis has Vladimir Propp 31 functions of folk tales, folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irreducible structural units. We have Georges Polti’s 36 dramatic situations based on Carlo Gozzi/ the ancients. Like some obvious examples from movies, it’s pretty clear that there are paintings that are depicting these situations using mythological, Historical, biblical figures and scenes. Cain vs Abel, the Sabine women, Perseus vs Medusa. The ancient I-Ching Catalogues 64 predicaments and the probability pathways of possible prescriptions. I have Dore’s illustrated Bible verses, but not an illustrated I-Ching. Or an illuminated Kabbalahistic tarot deck. What about Alphonse Mucha, pure decorative, Cataloging the seasons, days of the week, months of the year and the Constellations and flowers and beautiful ladies and precious stones, Designing costumes and clothes and silverware and furniture and stained glass and architecture and chandeliers and cigarette papers and soap boxes. And all his commercial work he did in order to fund his life’s work, the saga of the Slav epic. What’s wrong with Bouguereau? Besides the slick surface? Dante in hell, the flagellation of Christ, and the nymphs and satyr. I’m looking at Poussin’s sacraments, and bacchals, for clues? With great power, comes great responsibility. How do we save our fathers from the belly of the beast, how do we rescue princesses from the dragons. Star Wars and game of thrones are confused, mishandled by fanboys. “Misread the prophecy, we might have.” m.kzbin.info/www/bejne/bXjFl6V4armabJo

[@krustn]

does anybody know the painting at 2:41

[@aeropajita]

arthur streeton. "fire's on"

[@krustn]

@@aeropajita ty