HellO! can u help with advice where to learn basics about this film LUTs why this is classics? What kind for what mood ect...
@francesremo11 ай бұрын
i’m curious how to use Cineon on the Film print… any chance you can do a tutorial on that?
@undersoundfactory424011 ай бұрын
Hola!!! Una duda: para preparar tu timeline con Dehancer, es necesario configurar todo el color management tab como dice el vendor, o es suficiente con meter el perfil de camara en el nodo del plugin de Dehancer? Gracias
@george.colorist11 ай бұрын
Si estás utilizando DaVinci YRGB, gestiona todo el manejo del color dentro del árbol de nodos. Ingresa la configuración de tu cámara en la sección de entrada (Input) de Dehancer. Para una línea de tiempo gestionada por Resolve Color, ajusta la configuración de entrada de Dehancer con el Espacio de Color de la Línea de Tiempo de Trabajo en Resolve Color Management, comúnmente DaVinci Wide Gamut o Rec.709. Esto asegura una sincronización entre el espacio de color seleccionado en Resolve y Dehancer.
@nerrisnassiriАй бұрын
Thanks for this! I know it's an older video, but I'm curious if you have an answer - I find that whenever I apply either the 2383 or 3513 print, it seems to be very unfriendly to shadows, pushing a lot of them into black and making the image unusable. Any tips on this?
@editorismail2025Ай бұрын
Lovely!
@stamatisspinos Жыл бұрын
Great tutorial !!!
@OkieEkoWardoyo Жыл бұрын
Hi George, i see your grading. It is really amazing. But when i try to grading, the result always SUCH. My color become worse and worse. Do you have any tips of how to grade? -- Information : I always record to .MP4, 8bit, not RAW, not LOG.
@george.colorist Жыл бұрын
Shooting in 8-bit 709 is very limiting and doesnt allow for much adjusting when color grading. I would suggest learning how to shoot in RAW or Log, depending on your camera's color space capabilities. Working with RAW or Log footage allows for much more flexibility when color grading.