How to Create a Cinematic Fujifilm 3513 Look with Dehancer Pro

Get Dehancer Pro www.dehancer.com/
Use Code “GEORGE” for a 10% Discount
△ My LUTs & PowerGrades: bit.ly/3XUPfSf
△ Subscribe: bit.ly/3I5yxcL
△ My Socials: linktr.ee/geor...
△ 1-on-1 Color Grading Training: cal.com/george...
△ Hire Me To Color Grade Your Projects & Content
Message me on IG / george.colorist
△ Best Plugin For Film Emulations: www.dehancer.com/
Use Code “GEORGE” for a 10% Discount
△ Best Music For Creators: bit.ly/3pIgsel (get 2 extra months free)
△ Best Creative Library For Creators: bit.ly/3XUflVq
△ Envato Elements (Free 30 Days): 1.envato.marke...
△ Become A Professional Drone Pilot: bit.ly/42ppBq6
△ Best E-Commerce Platform: get.sellfy.com/ng
Starter Plan 50% Discount Code: George50
Business Plan 35% Discount Code: George35
Some of the links provided in the description above are affiliate links, which means I earn a commission at no extra cost to you if you use them to make a purchase. Your support helps me continue to create valuable content for this channel, and I truly appreciate it. Thank you.
#dehancer #colorgrading #davinciresolve #fujifilm

[@jhonesreece4946]

Very good tutorial on DaVinci résolve 🎉🎉🎉🎉

[@undersoundfactory4240]

Hola!!! Una duda: para preparar tu timeline con Dehancer, es necesario configurar todo el color management tab como dice el vendor, o es suficiente con meter el perfil de camara en el nodo del plugin de Dehancer? Gracias

[@george.colorist]

Si estás utilizando DaVinci YRGB, gestiona todo el manejo del color dentro del árbol de nodos. Ingresa la configuración de tu cámara en la sección de entrada (Input) de Dehancer. Para una línea de tiempo gestionada por Resolve Color, ajusta la configuración de entrada de Dehancer con el Espacio de Color de la Línea de Tiempo de Trabajo en Resolve Color Management, comúnmente DaVinci Wide Gamut o Rec.709. Esto asegura una sincronización entre el espacio de color seleccionado en Resolve y Dehancer.

[@OkieEkoWardoyo]

Hi George, i see your grading. It is really amazing. But when i try to grading, the result always SUCH. My color become worse and worse. Do you have any tips of how to grade? -- Information : I always record to .MP4, 8bit, not RAW, not LOG.

[@george.colorist]

Shooting in 8-bit 709 is very limiting and doesnt allow for much adjusting when color grading. I would suggest learning how to shoot in RAW or Log, depending on your camera's color space capabilities. Working with RAW or Log footage allows for much more flexibility when color grading.

[@francesremo]

i’m curious how to use Cineon on the Film print… any chance you can do a tutorial on that?

[@_CDDVD_]

HellO! can u help with advice where to learn basics about this film LUTs why this is classics? What kind for what mood ect...

[@COLOREBEATS]

Great 🎉

[@stamatisspinos]

Great tutorial !!!