How To Create a DANIEL SCHIFFER Effect in DAVINCI RESOLVE 16 | DaVinci Resolve 16 Tutorial

[@JoshHanes]

What did you think of the final shot?

[@holycow6935]

I challenge you to do something like this for DR16😎 kzbin.info/www/bejne/bnO0inStebxpf6c

[@CinemaPastor]

Would definitely like to see more of this!

[@badGamr]

Very nice!

[@DRAWKCABLLA]

its better than the official bullshit, good job m8. ill try to use these techniques when creating my videos

[@tamerkhayat2862]

Yes pls make more of these videos with detailed editing , thanks man

[@Golfadventureswithchris]

This was fun to watch, Daniel’s style is so impressive

[@JoshHanes]

Chris Massie agree! Daniel schiffer is a beast!

[@thefilmbrothers20]

That's dope, exactly what I was looking for:). Thanks

[@illius85]

love this series! please more!

[@lastlightmedia]

Great video ! Very helpful

[@JoshHanes]

Appreciate it!

[@calebout]

Great job... Learned alot watching.

[@JoshHanes]

Pascal CALEBOUT awesome!

[@dorinlungu6578]

Awesome, thanks !

[@flixdigital]

Great info. Thank you for posting this!

[@JoshHanes]

Appreciate ya watching!

[@TheKidsDaaaaad]

I would love to learn Resolve.. I have been a premiere Junkie for years. I am just "afraid" of the change and the learning curve ugh. Great Video, can't wait to do some "product shots" myself

[@JoshHanes]

Rich Evicks resolve isn’t terribly hard at all. Also, practice product shots at home!

[@dedrendr]

Top man. Great to see this done in DVR.

[@jsglad]

Great video buddy!

[@JonE5FPV]

Excellent, thank you for pumping these out. This is exactly what i have been needing to level up some of the product /review shots for my intros when reviewing gear. Great notes on using the card stock. My green screen works well for me, but can never get it to key out smaller objects perfectly.

[@JoshHanes]

Thanks so much. I should do a full video on keying out objects on green/blue screen. Definitely rushed mine for this review.

[@Officialflymedia]

Yes more, keep showing the editing process!

[@lapockanapalocke]

Thank you very much! I have been looking for such a lesson for a long time in Russian KZbin, there is no such thing in Russia. I am mastering editing in davinchi resolv, finally I will reach a new level thanks to your lesson!

[@andiartana603]

I❤️ ur channel, nice man 🎉

[@globaltv2984]

Great video

[@JoshHanes]

Sameer Noor appreciate it!

[@melissafestinese_fotografie]

Thank you searching a whole time for the Kind of video. Greetings from Germany

[@bebeth9833]

You're the best thank you for your expertise. I have learnt a lot. New subsciber :)

[@dereklindo4074]

Thanks for this tutorial, very informative!

[@tamerkhayat2862]

Great how u explain that in such detail , i watched it so far 3 times amazing

[@mazart612]

Great vid! I was wondering what focal length and f stop you shot this at?

[@JoshHanes]

I believe it was around 35mm 1.8 - 2.8ish

[@nitablackwood6301]

Great video man. It's gonna help me when I start editing my video

[@saeeds3337]

You are a cool man. Tnx 🥰

[@si_onthefly]

Brilliant. Just what I needed to see at the right time! Awesome work dude. Thank you.

[@TK-rx5dp]

Thank you Josh. Excellent how-to presentation. I will try this out on a green pepper for a project. A little tricky but why not.

[@chelo1116]

dope vid my boy......sickkkkkkkkkkkkkkkkkkkkkkkkkkkk

[@bungliejin]

Totally convinced by you to make the shift to Resolve hahah great tutorial!

[@jasonnowwhat5041]

Great job man, love this stuff!

[@JaysonBates-ElectrumFinancial]

Great work!

[@purwantodecaprio9158]

Amazing 👍👍👍

[@InstinctDefenseAcademy]

keep these coming

[@PeakHumanLife]

Yes, please make more videos like these "[Creator's] style". Here's an idea, Danie Shiffer made a video with Pizza commercial where he let other people downlaod the footage and recreate what he did. So maybe you can take it and also create something. Could even do two, one, recreating what he created, two, creating something completely new :). That'd be fun to watch :).

[@joserangelve]

Awesome bro. Just something: Daniel in fact he used the blue background because his can had some green in it. But normally green (since it generates more information in most digital sensors) is the most used. So maybe you would have had more freedom to key with a green background. Awesome video, really.

[@jasonnowwhat5041]

Would blue painters tape on your espresso cup make the masking process easier in the edit?

[@JoshHanes]

Jason Now What great idea! I’ll have to give it a go!

[@naveenbasnet9581]

Yes do Daniel kind of shots more please

[@valdemarcaballero5298]

fantastic video!!! thanks for sharing!!!!!!!!!! do you know if u can do all this work with the new MAC MINI M1 computer fairly well????? THANK YOU!!!!

[@krulmi]

thanks your help for me :)

[@TubeThings]

Can you please do a video on speed ramping and speed curves? There are very few tutorials on it in Resolve. 🙂

[@JoshHanes]

Definitely!

[@ShijoCT650]

So stunning, do more please

[@ermankahraman]

Excellent, not too many resources on DaVinci Resolve in my language i'm lucky to find you

[@badGamr]

Love to see more schiffer style vids especially without using an IBIS cam handheld like he does. Removing the base - you could have done that with a power window and let the tracker do all that hard work of rotoing it for you...

[@JoshHanes]

Thanks so much! Definitely more video along that style coming! 🤙🏻 A lot of time I will show different ways to do things in other videos. I just chose this way for this video. Appreciate it!

[@badGamr]

@@JoshHanes Another keying trick is if your object does not have any black in it you can use a black BG and luma key it out and avoid a color spill.

[@cardiivision]

how did you extend the blue screen to fill the whole video clip without having to crop in so close so the sides of the clip where there was no blue screen weren't scene?

[@TechLetter]

Nice

[@JoshHanes]

😎👊🏻

[@giorgiorossi73]

hello Josh, create more videos like this one, they are very interesting! i also wanted to know how to remove the blue reflection that remained on the edges of the can. thanks!

[@Officialflymedia]

How would I get rid of the blue spill if I have that?

[@itsmerazin9750]

Do more like this

[@ramsrock85]

Where did you learn how to do this?

[@iComplainer]

Kicking fill? Kick? Or fill? Which is it?

[@JoshHanes]

Fill kicking fill... yea 😂

[@underdogproduction7388]

I'm asking for advice. after applying polygon, do not show me beckground or show me line polygon

[@detreval9685]

Yes

[@fuzywazacolin2392]

Where it says "Not a ad" a youtube ad started playing..lol

[@JoshHanes]

Colin Pendley haha that’s funny!

[@moazelgabry9784]

It seems like you need to understand the image signal flow in Resolve. first, the can clip's blue background, which you keyed out in the Color tab turns black because of the alpha output you created there. since Fusion processes the image before it goes to the Color tab, it will give you the image before you key it unless you make it into a compound clip which will allow resolve to treat it as a source regardless of its content or what's going on within the compound clip. However, the Edit tab will process the adjustments made in the Color tab, which is why you see a black (actually alpha) background in the Edit tab. for your reference here is a brief of the image signal flow: "Source > Debayer > Clip Attributes > Optimized Media > Media Viewer > Edit Sizing > Fusion > Edit Effects > Fusion Cache > Color > Node Cache > Transitions > Sequence Cache > Delivery" * The Edit page Timeline Viewer: Shows clips with all Edit page effects, Color page grades, and Fusion page effects applied, so editors see the program within the context of all effects and grading. * The Fusion page Viewer: Shows clips at the timeline color space and gamma, with no Edit page effects and no Color page grades. * The Color page Viewer: Shows clips with all Edit page effects, Color page grades, and Fusion page effects applied. I'm wondering why you keyed out the splash stock video in Fusion but didn't key the can clip in Fusion as well? (you would have achieved a much better key) In fact, why did you have to key out the stock splash video in the first place, wouldn't a blend mode have worked much better since it already has a black background? am I missing something here?

[@moazelgabry9784]

If anybody is interested to know more about the image processing flow, check chapter 55 (p.1001) of the Davinci Resolve manual.

[@mattthedirector4670]

Yeah clients don't pay people like us enough. They don't understand how much effort goes into ONE CLIP 😂

[@JoshLuciano]

haha nooo way!! haha

[@JoshHanes]

Josh Luciano 😂 dude I literally saw your video as I was exporting mine

[@JoshLuciano]

@Josh Hanes lol love it bro. OMG...wait a minute...i might have an idea 😎

[@enzo8724]

Great work, please if you could try and be more beginner friendly. When using certain terminology, please explain what u mean. Totally optional tho, the video was nice and informative. Can't wait to make my commercials too

[@valentynabramyuk4854]

👍

[@shayma95]

you said “a little bit” a little too much😂

[@CptnChkn]

just like daniel always stealing from his girlfriend