How To Differentiate Yourself As A Filmmaker | Featuring the DZOFilm Pavo Anamorphics

[@Blohme_official]

Once upon a time, each of your points in this video were part of a nation wide training for a sales staff. I like seeing that this all applies to many areas of work and development. Incase nobody else says it, I'm proud of you.

[@CurrenSheldon]

Thanks for watching1

[@HeathClark]

Love the Take Risks approach. We all get so caught up with what everyone else is doing, what gear the best cinematographers are using. Pave your own way. Thanks Curren!

[@CurrenSheldon]

Even here on KZbin, it's hard to not just see what else has done well and do more of that - but man, that is the death knell of creativity. Standing out is all about being better than everyone else OR doing something different - and the latter is actually much easier (though, not easy).

[@owenjenkinsofficial]

I'm glad to see more Pavo content online. The Pavos are such a unique look and I would love to purchase a set later down the road!

[@CurrenSheldon]

They are pretty incredible lenses - I'll have more footage of them out soon!

[@SPM2206]

Hey Curren - with that C70 rig with cage, mattebox, onboard monitor, shotgun set up with manual lenses (Anamorphic or Cine primes) how do you go handheld? you dont get micro shakes hand holding it? or you use an easy rig? because ive tried with A7S Mk3 / Sony A1 with sigma cine primes and im worried about lens shake shooting handheld. Whereas I dont really get this issue with larger cameras as its normally on ur shoulder

[@asiadmajeed]

Thank for the great and inspirational video. I really appreciate your concrete point by point advice. I’m slowly starting my journey (with family movies) and your advice really helps me develop and save time. No need to invent the wheel. Sorry if my English is a bit off. 🤘

[@CrossCory]

4:30 onward with the trees, bokeh looks excellent. I have been eyeing these lenses up for a while but I am wondering which to get for my OG sensor (Mavo Edge 8k)