How to Identify Key Changes in Music - Music Theory

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Music Matters

Music Matters

Күн бұрын

Пікірлер: 56
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
Learn Music Online - Check out our courses here! www.mmcourses.co.uk/courses
@lawrencetaylor4101
@lawrencetaylor4101 4 ай бұрын
You are showing why you are on a very small pedestal of the best music theory teachers on the Tubes. Someone that is a beginner (like I was two years ago) can enjoy this video, and have a clear path of what to study in case the material is new. You add just the right amount of humour, and in fact some of your videos are real gems. And overall anyone can only improve their musical knowledge, which is the goal of a music theory video. You and Alex are very special people and have earned the respect of hundreds of thousands of people. Merci beaucoup.
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
You’re very kind. Thanks for your support
@YangLi-g8f
@YangLi-g8f 3 ай бұрын
Wow! Finally, someone explains this in a clear and precise way! This was an excellent lesson!
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
Glad it’s helpful. Much more at www.mmcourses.co.uk
@jayducharme
@jayducharme 4 ай бұрын
Once again, you've created a lesson that's perfect for where I'm at. This is a big help. Thank you.
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
A pleasure
@colenbacher
@colenbacher 4 ай бұрын
Yippee!
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
😀
@daveking-sandbox9263
@daveking-sandbox9263 2 ай бұрын
Concerning voice leading, have you done a video on converting a three voice triadic piece into four voices? Which voices can be doubled and which should be avoided. That would be interesting to see.
@MusicMattersGB
@MusicMattersGB 2 ай бұрын
Good idea
@salemsokiredor9225
@salemsokiredor9225 3 ай бұрын
A lovely little piece, thank you!
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
A pleasure
@holacrayola9209
@holacrayola9209 3 ай бұрын
You are the best music teacher! Love your videos, always great explanation and super helpful. Thank you so much Gareth ❤
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
Most kind. Much more at www.mmcourses.co.uk
@davidwhite2949
@davidwhite2949 3 ай бұрын
Love these analyses. Thank you, Gareth!
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
😀
@AdeleSmith
@AdeleSmith 3 ай бұрын
Well explained, Gareth. I love being in Maestros, so useful.
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
So glad you’re enjoying being part of Maestros. Great to have you with us.
@danielo174
@danielo174 4 ай бұрын
Mind blowing lesson again. Thank you. Any chance you'd deep dive on commonly used pivot chord sequences /tricks / cliches? The key change stuff is fascinating and mind boggling still for me but your videos clear the fog in a mighty fashion!
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
That’s great. Will do.
@superblondeDotOrg
@superblondeDotOrg 4 ай бұрын
Amazingly concise lesson. You have merch now yet what I am really looking for in merch is a "musician's slide rule" which shows keys, modes (not just major and minor), pivot chords, etc, by sliding the apparatus, looking at the notes in the 'sliding window', etc. Various types of these exist throughout history, sometimes circular using rotating discs, sometimes as a sliding ruler, and some music vendors today try to sell a cheap type which are not popular because they aren't as useful as they could be. There should be a solid "slide rule" type tool somewhere on the market but there isn't one.
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
That’s an idea!
@BazColne
@BazColne 3 ай бұрын
Very enjoyable. Many thanks.
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
😀
@Dave-nm8uk
@Dave-nm8uk 4 ай бұрын
Very good. One additional thing [or actually a couple] is to note that the G sharp is the leading note in A major, while the A sharp is the leading tone in B [major or minor]. The chord in bar 8 is a G major chord - and in bar 7 there appears to be a D7 chord - so V7-I in G major - circle of 5ths progression through the cadence. The G major chord is V in D, so as explained that also functions as a pivot chord so that no further changes are needed to return to I in D at the end. Thanks for this one.
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
😀
@alitajvidi5610
@alitajvidi5610 2 ай бұрын
I found this extremely helpful. Thank you so much for sharing it with us. I look forward to purchasing some of MMCourse's courses in the near future.
@MusicMattersGB
@MusicMattersGB 2 ай бұрын
I’m glad it’s helpful. Enjoy our courses.
@lotharlamurtra7924
@lotharlamurtra7924 4 ай бұрын
Thank you! You opened my mind.
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
That’s great. Much more at www.mmcourses.co.uk
@ajadrew
@ajadrew 4 ай бұрын
Insightful for myself so thankyou! I heard & identified the changes & once again reminded myself that I have the perfect tools on either side of my head - aka Ears!
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
Absolutely
@ajadrew
@ajadrew 4 ай бұрын
@@MusicMattersGB 👍😊
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
😀
@colleen.bestlesson.veryhel4923
@colleen.bestlesson.veryhel4923 4 ай бұрын
Thank you so much, excellent lesson
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
😀
@MartinUKable
@MartinUKable 3 ай бұрын
Brilliant video. Thank you, I've learnt so much from your teaching. A question - what would you call the chord at 12:36 (the one with the A sharp in it)? Thank you again, Martin
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
That chord is VIIb in B minor. (It precedes a tonic chord in B minor.)
@sergiybolotny
@sergiybolotny 4 ай бұрын
Bedankt
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
A pleasure! Thank you very much for your generosity and support for the channel!
@pathaks1
@pathaks1 4 ай бұрын
Quite interesting
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
😀
@pabloantonio5003
@pabloantonio5003 Ай бұрын
so for little changes no need to specify the key signature change on the stave?... when would you specify they key signature change explicitly on the stave indicating sharps or flats? let's say the change last for many measures, not only a few... any convention on that matter? Thanks
@MusicMattersGB
@MusicMattersGB Ай бұрын
Yes. If there is a longer section it’s worth changing the key signature but if it’s a handful of measures don’t bother.
@johnmac8084
@johnmac8084 4 ай бұрын
Hi Gareth, I find it easier to analyse functional harmony in chords. In bar 5, would I be right in saying it goes from D to A# dim to Bm, and would that dim chord function as a dominant, resolving to the Bm?
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
Absolutely correct. The A#dim functions as a dominant 7th replacement.
@patrickomalley1513
@patrickomalley1513 2 ай бұрын
Could the 3rd beat of bar 3 and bar 4 not be a secondary dominant rather than key change
@MusicMattersGB
@MusicMattersGB 2 ай бұрын
It could be. The counter argument is that it’s formed a cadence in the dominant key because it’s positioned at the end of the phrase.
@YasmeenKauserZiaudeen
@YasmeenKauserZiaudeen 4 ай бұрын
I have came across a F major piece where the First chord is F major with a melody note A, The second chord is Bb minor chord with a melody Note Db followed by F major chord. What kind of modulation is this?
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
It’s probably a borrowed IV from the tonic minor key.
@YasmeenKauserZiaudeen
@YasmeenKauserZiaudeen 4 ай бұрын
@@MusicMattersGB Thank you sir!
@MusicMattersGB
@MusicMattersGB 4 ай бұрын
@user-bx8xd5pz9c A pleasure
@HeavenEternal
@HeavenEternal 4 ай бұрын
I’m Christian. I don’t know if you are Christian too Music Matters but if not I hope that the Godhead whom created everyone and everything works powerfully in your life to change you into a believer in Christ the way only they know how. However if you are Christian I praise the Lord of Lords And King of Kings! Amen and Amen. 🙏 ❤
@MusicMattersGB
@MusicMattersGB 3 ай бұрын
Blessings to you as well
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