Finally someone who tells the basics, but effective techniques in a very simple way and not even loosing the detail of the things. Good job keep it up.
@lukastemberger3 жыл бұрын
I'm about to shoot/direct my first feature and binging on your content really helps me boost my confidence, even if it's just repeating the things I know. Thanks!
@edgarrodriguez23322 жыл бұрын
I’m learning film directional tone changes with depth of field.
@bergalves71605 ай бұрын
Perfect lesson and tutorial. The best of the youtube. Congratulations! I'm brazilian, my englosh is so basic, but help me to understand with automatic subtitles. Thank you!
@metakingspodcast Жыл бұрын
Wow this was an amazing tutorial I Loved the display of everything so it looked really in focus and cinematic
@rebeccasherburn9512 жыл бұрын
Brilliant explanation of depth of field and beautifully shot examples! Thank you🙏🏻
@robertocarrillo1145 Жыл бұрын
This is excellent information for anyone pursuing Film......
@rafibabu5353 Жыл бұрын
Nice
@DialloMoore5038 ай бұрын
Awesome! Thank you!
@comradecadre47282 жыл бұрын
Really appreciate your explanations.
@GeeQueeeTv11 ай бұрын
Great video
@azzouzhassan87212 жыл бұрын
good job i understand now thanks for th upload
@Smileyb87113 жыл бұрын
Outstanding video, thanks! Clear educational explanations with examples makes it easy to understand and learn.
@engagementSquared3 жыл бұрын
Wow. Thanks for taking the time to design the lesson to be so effective. Compresses a lot in a short time!
@Sunil778-l4c Жыл бұрын
*_This mas is truly master of his craft, I wanna become a Cinematographer like you buddy, but I don't even know mathematics 😢❤*
@elecoestudioficial3 жыл бұрын
This is just great. Simple, clear and straight forward. Amazing.
@Adventureruler Жыл бұрын
Cool beans!
@jessicacarvalho543 жыл бұрын
Amazing! I'm in love with all videos! You guys are doing an incredible job!
@FilmSkills3 жыл бұрын
Thank you so much!
@aerozg3 жыл бұрын
How did this channel elude me for so long?! Curse you youtube recommender algorithm!
@nastyninjata3 жыл бұрын
This is awesome. Perfect real-lifetime examples. Thank you so much for this and I hope that more people will find this channel!
@thejointedits2 жыл бұрын
Very well explained 👏😇❤🙏 Thanks alot ❤
@DanielTuriman3 жыл бұрын
Thank you man, the explanation very detail and clear.
@bonaventureBarry3 жыл бұрын
Amazing 🤩. This is the best explanation I have come across. It is a beautiful art👌
@blainemarcano4 жыл бұрын
Nice work. Really helpful. I'll sign up.
@AndyUrtu23 жыл бұрын
Great explanation, but even better real-life examples. Thank youi.
@davieskalubaphotographyand40822 жыл бұрын
How can I become a member
@FilmSkills2 жыл бұрын
You can join through www.FilmSkills.com
@DenisFortier3 жыл бұрын
Great video, thanks!
@ifilm67463 жыл бұрын
I see your content are all focused on one subject. can you do a lighting session on complete scene covering master shots, mid, close up with multiple subjects/people. that will be a real world scenario and very helpful. thanks a lot for sharing your valuable knowledge..
@FilmSkills3 жыл бұрын
Actually, we do - we cover all of that in the paid courses at FilmSkills.com
@hans63043 жыл бұрын
Thank you for the valuable lessons, you've got yourself a subscriber. Keep making great contents and best wishes 🙏
@ajaysbee3 жыл бұрын
U are an amazing teacher😍
@GAGANSINGH-td1kb3 жыл бұрын
very nice
@brucemarshall14393 жыл бұрын
Hi Jason, firstly thank you very much for these tutorials. In this one I get the depth of field and what you're doing with the focal lengths etc. I just wondered to create the 'over-the-shoulder' conversation are you using two cameras or do you film it twice, once from each side?
@FilmSkills3 жыл бұрын
Only one camera. That’s why rehearsals are so important to ensure a consistent performance when you flip the camera.
@brucemarshall14393 жыл бұрын
@@FilmSkills Thank you, once again. This is obviously very time consuming too!
@pradiproykengar_artist83242 жыл бұрын
Good job Jason sir, your understanding skill very soft, smooth and comfortable I will doe's subscribe your channel after see your super video's
@ricardopuentedalbesio97933 жыл бұрын
excellent!!
@arantesFilms3 жыл бұрын
Awesome content. Subscribed
@FilmSkills3 жыл бұрын
Welcome aboard!
@metakingspodcast Жыл бұрын
The audio was so clean i barely heard any reverb or ambience
@RaghavRakesh1083 жыл бұрын
Thank You
@FilmSkills3 жыл бұрын
You're welcome!
@user-sd9rd8wf9v4 жыл бұрын
Nice Really helpful...👍
@FilmSkills4 жыл бұрын
Yes you can -provided they are the same color temperature
@kristicifci53894 жыл бұрын
More like this i rreally enjoy it next video how to focus pull on ur own
@FilmSkills4 жыл бұрын
I talk about that in my free online filmmaking course. You can check it out at www.filmskills.com/free-training/
@TheTwick4 жыл бұрын
Is “focus puller” still a job in cinema production? A good one was worth their weight in gold?
@FilmSkills4 жыл бұрын
Absolutely it is - that thankless responsibility falls on the shoulders of the 1st Assistant Cameraperson on a larger set.
@salvadorruiz6843 жыл бұрын
What are the actors' names?
@syharold3 жыл бұрын
on your emotional (last scenes), why are you cutting their heads? is there a reason?
@FilmSkills3 жыл бұрын
You frame for the Rule of Thirds, meaning you place the actor's eyes a third from the top of the screen. When you frame close-ups and extreme close-ups, you will naturally give the actors a "haircut."
@syharold3 жыл бұрын
@@FilmSkills Thank you very much. I notice them do this alot in korean dramas.
@yukselp4 жыл бұрын
Please someone explain to me, why the heck the camera makers don't put DOF calculator in their cameras? You have every info: lens angle, focusing distance, f-stop value, sensor specs... Why the heck don't you tell me what is my nearest and farthest focusing distances and a focal point suggestion on screen???
@FilmSkills4 жыл бұрын
I agree! That would be amazing!
@yukselp4 жыл бұрын
@@FilmSkills Thank you for your comment. I was going crazy thinking about this and wondering what am I possibly missing.
@DGaryGrady4 жыл бұрын
Good question! One possible reason is that there's no sharp boundary between being (apparently) in focus and clearly out of focus. Depth of field is a little deeper for an image viewed on a cell phone versus on IMAX screen. Of course, manufacturers could use some arbitrary standard circle of confusion (the limiting disk that a point can blur into while still being seen by the viewer as a point) and this would at least serve as a rough guideline. That was the basis for the depth of field tables published in the ASC Handbook for example, and also printed on the barrels of some lenses.