How to Play Ornaments on the Piano - Music Performance

[@MusicMattersGB]

Learn Music Online - Check out our courses here! www.mmcourses.co.uk/courses

[@harrietschack4873]

Hi Gareth, great video. The translation is done.

[@MusicMattersGB]

Thank you kindly for doing these!

[@Kuromifan-c5b]

Who is gareth

[@MusicMattersGB]

Hi I’m the guy hosting the videos, Gareth

[@miwir1248]

I just started a piece with a ton of ornaments....and this video arrived like a godsend!

[@MusicMattersGB]

A pleasure. Many more resources at www.mmcourses.co.uk including details of our 25 online courses and of our exciting Maestros programme.

[@nice2care]

This is the best explanation I have seen on Baroque ornaments. Thank you so much!

[@MusicMattersGB]

A pleasure. Many more resources at www.mmcourses.co.uk including details of our 25 online courses and of our exciting Maestros programme.

[@johnhills6262]

I totally agree!

[@annahcreates]

Honestly one of the best channels on KZbin. Whenever I have a question I can always come here and you always have the answer.

[@MusicMattersGB]

Glad it’s helpful. Much more at www.mmcourses.co.uk

[@josephk2414]

Amazing teaching. Here is where the wheat distinctly separate from the chaff . You listen one time, all you need to know is given to you. Respect.

[@MusicMattersGB]

That’s most kind. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@evavillarreal5705]

Thank you very much, clearly explained, very helpful. Greetings from Mexico.

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@tezaoveineavi5092]

Thank you so much.. Its very helpful.. Learning from you more then from my teacher..

[@MusicMattersGB]

Glad it’s helpful. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@Ilovetosingem]

Brilliant lesson. Ornament on the mantlepiece & Pink elephant, hits home! Thanks again and keep safe you and yours.

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@Ilovetosingem]

@@MusicMattersGB Hi Gareth. I've been researching appoggiatura and some people teach it as a leap or skip up and step down. The opposite from the escape note! I'm a bit confused. Thanks in advance and keep safe.

[@jessicapsalmist8205]

Beautifully explained thank you

[@MusicMattersGB]

A pleasure

[@daniandres3211]

Excellent lesson!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@thiransoris7478]

Thank you very much , sir

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@g.devarajg.gopinath2354]

Many thanks for your masterclass on this topic, Sir!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk

[@hemabeeharry7833]

A big thanks to you Sir. You are great, I really need this lesson ornaments and you explain very well Sir, I'm appreciate your lesson . Thank you so much Sir From Mauritius

[@MusicMattersGB]

Glad it’s helpful. Much more at www.mmcourses.co.uk

[@jichunlee]

Great video! Particularly liked the end where you said to play them subtly.

[@MusicMattersGB]

Thank you. Much much more available at www.mmcourses.co.uk

[@rohanchung2185]

Excellent tutorial on this topic. Thank you and God bless you.

[@MusicMattersGB]

Thank you. Much more at www.mmcourses.co.uk

[@francinecronin2924]

You are the best, the most thorough, the clearest!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@michaeltaylor7407]

A wonderful lecture! Helps me with my irish fiddle ornaments.

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including our exciting Maestros programme and our 25 online courses.

[@christopherrobinkarlsson7099]

Great video! Thank you for explaining all of the main ornaments in one condensed video, in a very clear way and with demonstrations. I finally understand all of these weird symbols I've kind of been avoiding for years ^^

[@MusicMattersGB]

Glad it’s helpful

[@DanBohaneGuitarandPiano]

Thanks so much. I'm a Rock player undertaking my first Bach pieces. So helpful. That will take my fear of ornaments away. Thankyou

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@richard1342]

One of the best music theory videos I have viewed. Top work Gareth.

[@MusicMattersGB]

That’s most kind.

[@maciejfratczak4136]

You´ve influenced a lot of people around the world! Congrats.

[@MusicMattersGB]

Thank you

[@denizatalay]

You are my "music school". Thanks a lot!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@captlynhall]

Thanks so much. That is the best an easiest to understand description of ornaments I have ever seen. I will refer to this often.

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@CharlesAustin]

Thanks!

[@MusicMattersGB]

A pleasure! Thank you very much for your generosity and support for the channel!

[@sandnerdaniel]

Thank you, Mr. Green, for the hard work in creating and maintaining the great channel. Good luck with your other lectures!

[@MusicMattersGB]

A great pleasure. See www.mmcourses.co.uk for details of our 25 online courses and our exciting Maestros programme.

[@zekiyezeynepsahin9449]

Thank you vere much. Your explanation helped me a lot..

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including our exciting Maestros programme and our 25 online courses.

[@davidwhite2949]

Another fantastic lesson! Thank you!

[@MusicMattersGB]

Thank you. Much much more available at www.mmcourses.co.uk

[@thebones]

I've come back to the piano after a twenty year absence, I can't use the pedals so I chose to start with Bach, whose music I love and know very well. I'd forgotten the exact details of some ornaments and you explained them way better than some of the misinformed 'teachers' on KZbin, thank you.

[@MusicMattersGB]

A pleasure. Enjoy.

[@PIANOSTYLE100]

Explained so clearly. Will share this.

[@MusicMattersGB]

Thank you.

[@noeljayakumar1002]

Thank you so much Master

[@MusicMattersGB]

A pleasure. Many more resources at www.mmcourses.co.uk including details of our 25 online courses and of our exciting Maestros programme.

[@SoulfulSpinning]

Brilliant lesson! Thank you.

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@fjeinca]

Very informative video, I needed a refresher. Thanks 🙏🏻

[@MusicMattersGB]

That’s great

[@johnhills6262]

Well done,star man cleared up 63years of ignorance! Many thanks ,John hills

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@tinkerchel]

Thank you!! You made ornaments so simply and fun😍

[@MusicMattersGB]

Glad it’s helpful. Much more at www.mmcourses.co.uk

[@alanbirchenough]

This was a nice clear explanation. Thanks. By the way, I believe the correct pronunciation of "acciaccatura" is something like "a-chak-a-tura". (Generally, the "ch" sound in Italian is written as "ci".)

[@MusicMattersGB]

A pleasure. Yes, the pronunciation varies

[@ott0ne]

Hi Gareth, thanks for your precious work. As an Italian, I can confirm that the pronunciation is "at-chak-ka-tu-ra" as suggested, at least here in Italy. But I guess it may be accepted the way you say it among English speakers.

[@HongKong1842]

excellent explanation. thank you.

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including our exciting Maestros programme and our 25 online courses.

[@Rbigraff]

One of the best explanations I have seen.

[@MusicMattersGB]

That’s most kind. Much more at www.mmcourses.co.uk

[@yelnats85]

Great explanation and run through

[@MusicMattersGB]

Thank you. Much much more available at www.mmcourses.co.uk

[@epanije6086]

This explanation was fantastic, thank you so much!

[@MusicMattersGB]

It’s a pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@armansrsa]

I never understood why they just didnt write out the quavers of the appoggiatura and as you even said it would be "perfectly possible" but your video made it clear that this way the composer shows which are the main melody notes and that the appogg is subordinate to the main melody notes. Thank you!

[@MusicMattersGB]

A pleasure

[@RandyBakkelund]

Love it! I first came across ornaments with my guitar pro software because it had all these symbols I've never seen! Now I know what all of them are! Great video!

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk

[@elizabethjohnsen6240]

Great video, thank you for posting! I have not played piano in many years and am beginning to dust off my skills while in quarantine. This was very helpful. Hello from Chicago, USA!

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@ugur.nurcan]

Fantastic explanation, thanks

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk

[@kinankaghosh5196]

Beautiful Explanation! Crystal clear..

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@kinankaghosh5196]

@@MusicMattersGB Do you have a bundle of all the courses that you offer and do you offer discounts anytime of the year?

[@MusicMattersGB]

Hi. We don’t offer discounts during the year but if you would like to buy all of our courses we will offer you a discount. If you contact us at [e-mail] we will get back to you.

[@kinankaghosh5196]

@@MusicMattersGB What roadmap would you suggest for your course work for an adult learner? Where should one start?

[@MusicMattersGB]

I would be happy to help you plan your route through the courses based on your starting point

[@anacristinamiguel5113]

Thank you! Very enlightening!

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including our exciting Maestros programme and our 25 online courses.

[@NomeDeArte]

Thank you! Best wishes from Argentina

[@MusicMattersGB]

Great. Yours is a lovely country. I came there about 30 years ago.

[@iLeftism]

dear Sir, I can't even express how I'm glad that I found this channel! :) pure gold

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme

[@SwapneelGhosh95]

OMG thank you so much! So clear and to the point. Loved the video and it helped me a lot.

[@MusicMattersGB]

That’s great. Much more to assist you at www.mmcourses.co.uk

[@ericmirza9133]

Amazing accurate teaching

[@MusicMattersGB]

That’s most kind.

[@patriciaparcell7009]

Thank you for the very clear instruction! Very helpful!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@user-pq2zc9lv4d]

Amazing video, so helpful and so easily explained. Thank you for these amazing tutorials, keep up the good work!

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including details of our 25 online courses and of our exciting Maestros programme.

[@frankfeng4728]

Nice lesson. Very helpful. Thank you so much.

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk

[@marcellotenarta5233]

Hello, I would like to ask 2 questions. 1. The grace notes in appogiaturas you wrote it with a crochet. But what if the grace notes there are written with quavers or semiquavers, is there a difference? Does that affect the note values? 2. And how about double appogiaturas, I see they are usually written in semiquavers, so how to divide the note values? Thanks.

[@MusicMattersGB]

Hi. There’s no difference in treatment between single double or triple appoggiaturas. Quaver or semiquaver appoggiaturas might imply a quicker appoggiatura.

[@anojameethalawa5138]

Thank you so much. Your lesson is very helpful

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@nicolarosiello2011]

Thank you very much! Your lessons are clear and effective!

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including our exciting Maestros programme and our 25 online courses.

[@Scorpionthepianist]

Brilliant, Sir !

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

[@ramavtarbaghel5149]

Best Expalination i must say... Thanku

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@lakshmanrajagopal6408]

Great Tutorial!! Thank You Sir!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk

[@patherbert6684]

You explain things so well! All the things you wonder about but end up ignoring. I may yet become an accomplished musician, Thanks

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk

[@Ashtree81]

Thank you! Great tutorial!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@politereminder6284]

This was so useful. Thanks. 😌

[@MusicMattersGB]

A pleasure

[@juliuskalule3447]

Nice presentation

[@MusicMattersGB]

That’s most kind. Much more at www.mmcourses.co.uk

[@phileosophia2289]

We love you, dear master

[@MusicMattersGB]

That’s most kind. Much more at www.mmcourses.co.uk

[@Janiesindall1981]

This is a fabulous lesson, Gavin! So infirnative! Thank you! 🙏

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@Electrotranqui]

Excelente gracias!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@michaelpwalsh2372]

Really useful. Many thanks

[@MusicMattersGB]

A pleasure

[@indus7841]

would these be similar to Slides and hammer-ons, and pull offs in blues music?

[@MusicMattersGB]

They’re both ways of ornamenting a line.

[@MrBryanw85]

This was so informative

[@MusicMattersGB]

Glad it’s useful. Much more at www.mmcourses.co.uk

[@the_eternal_student]

The dictionary shows that an appoggiatura can be played short like an acciaccatura if it has the slash through the stem. I have also seen two textbooks that say the grace note at the beginning in Mozart's piano sonata K. 333 was meant to be played as a 16th note.

[@MusicMattersGB]

The little line indicates that it is an acciaccatura.

[@man0sticks]

Which dictionary? The line through the note makes it an Acciaccatura-quite different from an Appoggiatura.

[@upaniedirisuriya634]

Thank you!

[@MusicMattersGB]

A pleasure

[@kpmaynard]

Thank you. Very helpful!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our 25 online courses and of our Maestros programme.

[@uhoh007]

Great presentation. thank you. Just what I need right now. I hope someday you bone up on Partimento and the Rule of the Octave, as there are few videos like this...yet, focused on the revival of Neapolitan improvisation.

[@MusicMattersGB]

We have a video on Partimento.

[@sheddyguitar]

Great video thanks

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk

[@ziyingziyee7535]

Your video always so helpful to me, great and clear explaination. Thank you so much

[@MusicMattersGB]

That’s great. Thank you. Much more at www.mmcourses.co.uk

[@carlosazambujayt]

I enjoyed your video so much! So well explained! Just two comments: I'm not italian, but I think the first double cc in "acciaccatura" are pronounced with a "ch" sound (like in "check"); and the "mordent" in baroque style should (generally) begin with the upper note, like the trill.

[@MusicMattersGB]

You’re probably right about the Italian. It’s pronounced both ways in many countries. I agree re the mordent generally starting on the upper note although there is variation of approach to that depending on the musical circumstances.

[@carlosazambujayt]

​@@MusicMattersGB Yes, there are rules and principles, but context (historical, stylistical, purely musical, and even personal) really matters. Well, if there is such a thing as a "natural teacher", you are a very good example. Thank you for all these didactic videos!

[@MusicMattersGB]

That’s very kind of you.

[@africamusicschool9918]

Good, thank you for sharing

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk

[@aagevaksdal]

Good one! Thanks!

[@MusicMattersGB]

Thank you. Much much more available at www.mmcourses.co.uk

[@iggykarpov]

01:53 Appoggiatura 04:05 Acciaccatura 05:19 Turn / gruppetto 06:25 Trill 09:06 Mordent 09:56 Inverted turn / gruppetto 12:21 Lower mordent 13:29 Realization

[@MusicMattersGB]

😀

[@iggykarpov]

@@MusicMattersGB 😎👍

[@leeerica3966]

I am confused when should I play grace note before the beat or on the beat?

[@MusicMattersGB]

It rather depends on the situation but usually they come on the beat.

[@juniorjabouin582]

Very Nice!

[@MusicMattersGB]

😀

[@anojameethalawa5138]

Thank you so much

[@MusicMattersGB]

That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@lawrencetaylor4101]

A 16 minute lesson that saves us hours of research in a music theory book. Merci. Is there a difference in ornamentation on the different keyboard instruments? Would a harpsichord or an organ player have the same ornaments?

[@MusicMattersGB]

Basically they have the same ornaments. Slight differences can occur between periods eg Baroque and Classical trills tend to begin on the note above; Romantic trills tend to start on the printed note.

[@rajgopinoth4241]

Bless you sir

[@MusicMattersGB]

That’s kind. Much more at www.mmcourses.co.uk

[@julieemmerson6862]

How do you play like an appoggiatura with a tie note... so the appggiatura falls on to like two notes ..,does that make sense

[@MusicMattersGB]

The appoggiatura generally takes half the value of whatever follows.

[@balmoraltowers]

Demystified Ornaments for me thank you very much🎼🎹

[@MusicMattersGB]

A pleasure

[@renelvital]

Thank you

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin

[@christophertanViolin]

Hello! amazing channel and explanation!! I wonder if you could make a video of an in depth explanation on this, like use a love song with overuse, overshadowing of notes vs the approriate way on putting them. THANK YOU!!!

[@MusicMattersGB]

We could do that

[@christophertanViolin]

@@MusicMattersGB thank you so much!!!

[@MusicMattersGB]

@christophertanViolin A pleasure. Much more at www.mmcourses.co.uk

[@armansrsa]

I read somewhere that the accacciatura is played just slightly before the beat with the main note landing on the beat, is this correct? You never mentioned the placement in the video. Thank you

[@MusicMattersGB]

There are different schools of thought on that topic.

[@martialpanyvino]

Hi ! Thank you so much for your videos Gareth ! I learn so much interesting stuff on your channel 😁 Yet, i have a question about the accidental sign (which means "natural" if i'm not wrong)... Is it possible to have a flat or sharp sign under or above an ornament symbol instead of this accidental sign ? Let's imagine i want to play a turn over the note E while the piece is in C major scale If it is a regular turn i should play F E D E But let's say i want to play F E Eb E (because i modulated to C minor scale or whatever) Could i put a "b" under the turn sign to indicate to play Eb instead of D while doing the turn ? Same question with a sharp sign above the turn sign... Thanks ! 😁

[@MusicMattersGB]

A pleasure. You’re absolutely correct that an accidental over or below an ornament affects the note above or below. Much more at www.mmcourses.co.uk

[@stefanodigarbo4735]

Always crystal clear and super helpful Maestro Gareth. I have two questions regarding the turn, if I may. First question: I have never seen inverted turns written with crossing lines, but rather like normal turn signs with the first hump going down, as if mirrored along a horizontal axis; is that exactly the same inverted turn or does it mean anything else? Second question is how to play a standing turn (like S) and its inverted homologous. Finally, I'd love if you considered posting a video on more ornamentation signs e.g. double mordents, embellished with parenthesis-like heads and tails, and so on. Thanks a lot for your great teaching! Stefano from Italy

[@MusicMattersGB]

Thanks for your kind words. Of course there’s a great deal of flexibility about ornament signs and what they mean in relation to different periods and styles. This video focuses on the mainstream. Can you give an example of a piece containing an S sign? Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@au66621]

Hi team. How do I teach out to you for advise on learning pathways? Thanks Attila

[@MusicMattersGB]

If you send an e mail via the contact form at www.mmcourses.co.uk we will do our best to respond to your questions.

[@Dominique632]

Thank you for this video, it is very helpful since I didn't have any theory lessons in lockdown!

[@MusicMattersGB]

Thank you. Much much more available at www.mmcourses.co.uk including our online Theory courses.

[@Rametetr]

So helpful, thanks! Is there a simple way to denote whether a trill speeds up or slows down? Writing them out note-by-note get very rhythmically confusing for the players, and I've been looking for a better way to notate this type of thing.

[@MusicMattersGB]

This is really the point of ornamentation. We don’t really want to play ornaments mathematically. The notion of speeding up into a trill for example helps to make the trill expressive and more integrated into the melodic line.

[@aronkay5274]

Hey Music Matters Great VIdeo!!! Just out of curiosity what program did you use to make the keyboard play with colors?

[@MusicMattersGB]

Thanks. It’s called synthesia.

[@DrLuke-ci8bo]

Very good. You could have mentioned non-chord tones, which is (usually) part of the definition of an ornament, but that might have obscured the clarity of this presentation . . . ♫

[@MusicMattersGB]

Fair point

[@RuthButlerMusic]

Thank you!!!!

[@MusicMattersGB]

A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.

[@martinh1277]

You can read a complete list of ornaments, as far as we know today, in Thierry Mathis, Le Clavecin en France (Latour) There is about 23. The real problem is to play the ornaments which are not written down. There are a few rules but mostly it is a matter of taste. But what is taste?

[@MusicMattersGB]

The guidance given in that source is valuable and one can inject taste from there. Thanks for drawing attention to it.

[@the_eternal_student]

I lost track of the rhythm and meter as you counted on the inverted turn in the 3rd bar, but it sounds like you played a 16th note triplet on the second half of beat 4 followed by 2 sixteenth notes so that the bar had 18 sixteenth notes.

[@MusicMattersGB]

In the ideal world ornamentation is not played mathematically although some calculation often helps to work out how to play the ornaments.

[@ashanesmusicdiary4972]

I watched all your videos and mlst of all this alot

[@ashanesmusicdiary4972]

Wuy did i spell mlst anyways most

[@ashanesmusicdiary4972]

Why

[@MusicMattersGB]

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[@SushiSmith-s3s]

Those first two ornaments, I just learnt it as "grace notes" when I was a kid.

[@MusicMattersGB]

😀