How to practice difficult exposed high entrances on French horn.

Demonstrating my practice strategy for the muted high Ab's at the beginning of the second movement of Debussy's "Iberia."

[@sydneyhendrickson1140]

If you have the time I would greatly appreciate a video on flexibility between the extreme low -> low -> middle registers, specifically in a tongued context. thanks!

[@afcsport]

You are so fortunate to be able to make a living doing one of the things that you are extremely good at.

[@benjaminmedranda331]

If you can't play softly in the high ramge it means you're apeture isn't small enough or your tongue isnt close enough to the roof of your mouth to speed up the air. Without these two things you will likely have to use more air which should be used for dynamics

[@user-qw6kx6vd7c]

It is helpful! thank you so much. I would like to ask you how to make the high note more bright ?

[@catherinesanders1111]

This is helpful. Thank you!!!

[@emanuelsilva6269]

Hello, I hope all is well with you! I have a question for you, do you know how to solve the tension/blockage in the initial attacks, something that is to attack the notes naturally, I think it is a little talked about subject and that many horn players have. This type of problem increases stress and performance on stage. compliments!!

[@VT-ok5ni]

Great for the second page of Poulenc’s elegie

[@ScottLegerHorn]

And a lot of French music really

[@CDCorno]

Helps to have a triple horn

[@brandondoddy3643]

For fingering a flat, why 1 and not T23?

[@ScottLegerHorn]

The Eb side of the triple horn has different fingerings

[@user-po5uc8te7f]

"and that's how I met your mother..."

[@ivanbotaro4697]

I hear a F flat along with the Ab, is this a common thing??

[@somebody9033]

1. F flat is an E 2. something's wrong with your computer speakers if you're hearing two notes lol