How to Sing a cover of I'll Get You Beatles Vocal Harmony - Galeazzo Frudua

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=-PLEASE_SHARE_-Learn how to sing a cover of I'll Get You vocal harmony breakdown by The Beatles. Video harmonies tutorial lesson by Galeazzo Frudua on I'll Get You Beatles harmonies breakdown. I'll Get You Isolated Vocals only track deconstruction. Armonías vocales I'll Get You, arreglos vocales, Enseña las armonías vocales de I'll Get You. Enjoy!
CORRECTIONS: John: on the last part of the lyrics "So you might as well resign yourself to me" the notes are same as George on octave B D D B B G# G# G# E E.
George in the bridge: all the beginnigs are A D D
Then:
Go D - na A#- be D - / Go D - na G# - Change A
"to me" is A - A.
There are other harmonies here and there sang by Paul most probably during the hamonica overdubbing. They're hearable but lower in the mix of he unison part. I'll list them in another video or will remake this one. In the meantime sing this in Pauls part: It's not lie me
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[@TheBeatlesVocalHarmony]

THESE BEATLES LESSONS MAY END! PLEASE DONATE TO KEEP THEM ALIVE!: ➡ goo.gl/ldPTmk WATCH HOW I RECORD MY VOCALS! ➡ bit.ly/2B7kgZU

[@geoffjones6869]

I alway thought that Paul sings, there's gonna be a time when I'm gonna "make you mine" and John sings, there's gonna be a time when I'm gonna "change your mind" at the same time, and this was deliberate.

[@ktcarl]

I listened to that part several times and it sounds like Paul sings "change" and one of the lower harmonies says "make". It almost sounds like George is the one that messes up.

[@GlennOchs]

and it came out There's gonna be a time when I'm gonna mange your mind. Mange is a contagious skin disease caused by mites.

[@jeffcarney2375]

There are almost no "throwaway" songs by the Beatles. Even as a kid 40 years ago, I was transported by the harmony on "I--m" in "I'm in love with you." I'm not sure why that chord in particular, but you manage to nail it. Also: I had no idea John sang the his parts quite as low as this. As always, an eye-opener. Thanks again.

[@kennethgerber8363]

The hidden gem of all things Beatles. The octave vocals on the bridge just show how innately they hear the right intervals for their harmonies this early on 1963 ,fifty five years ago.

[@kennethgerber8363]

Ill Get You ,one of the all sleepers people are not aware of. Always loved this song. Paul’s singing an octave above John on the bridge . They had it all.

[@TangoEliott]

I'll Get You is one of my all time favorites. It is just so uplifting and positive. The harmonies are wonderful. Now once again you have allowed me to put the three voices together and see the end result. I absolutely love it. Those 3 voices. I remember when I was a kid one of my neighbors was about 35 years old when I was about 13, She would listen to their records with me and I remember her fawning over their harmonies. Their harmonies, their voices, fit each other like a glove. Thanks for showing me this one.

[@TheBeatlesVocalHarmony]

Tango Eliott It's so moiving to think of all the memories linked to these songs and the sixties mood....

[@leokimvideo]

I always feel John's vocals are the most difficult

[@mystique0417]

Holy crap! Over 59 years and I never realized George's part was even there!

[@ezcashflo]

its really georges harmonies that bring everything together during the bridge, ..as John and Paul are doing ovctave melody lines

[@ARIZJOE]

This is very instructive, and very well done. It shows that making a good recording is a lot more difficult than it sounds as a finished product.

[@loisatkins-hawk7673]

Great harmonies! Enjoyed this not so often played Beatle song. 👍

[@rouge10]

Hello dude, congratulations for another excellent job with the harmonies of The Beatles. I recognize that your work is brilliant and professional. I am a Beatles fan for over 40 years and I will carry this feeling to the grave. I'm not a musician neither nor a member of a music band, but surely I'm a fan of this extraordinary group that incredibly continues adding followers worldwide. I am Venezuelan but I live in Peru, and from my humble home I send you a big hug and best wishes, pal.

[@TheBeatlesVocalHarmony]

Daniel Andara My best wishes to Venezuale Daniel and thanks for the appreciation! Glad this makes the day of listeners too!

[@gdholmfirth]

Daniel Andara you, sir, are a true Beatles fan. You and I come from very different backgrounds (I live in Nashville, TN USA) but we have the same appreciation and admiration of The Beatles, and now of Frudua.

[@mclennstarrison3884]

Hey, can you please do She Said She Said and Lovely Rita? The harmonies are excellent!

[@robertoabelchavezjavier9198]

alv, incredibly well done and produced. Nowadays, there are not so many videos about The Beatles and the few that are on yt are not as awesome as yours. Could you make a video about how to sing Baby it's you? Keep up with the good work :D

[@terryhill6935]

Lots of great harmonies, especially on Abbey Road..Happiness is a warm gun, is a fantastic harmony from the white album. ..The Beatles certainly developed a great deal from the early days till the end with harmonies. Maybe that’s one reason we love them as much even today, for we grew with them as well.

[@TonyLovell]

The bridge is this song is so amazing. Almost as good as "This Boy"

[@albeatle17]

I have thought many times how the spoken voices between brothers and even between close friends tend to mimic. When together, the pitches align and an external observer (in case of an indistinguishable differentiation from the perspective of the close friends) may point out that the spoken voices sound alike. With this simple song, I realize how thrilling is to perceive identical two singing voice frequencies that outside this song, have each their own potenze, range and peculiarities, but inside this song, melt into a unity. A straight line through the verse but, eventually, splitting to complement each other, but in a different way. And after that, camouflage again. This is just the counterpart of the spoken voice similarity: between brothers and even between close friends, the singing voices tend to mimic. This mimicry has not to be shown necessarily every time or at every song: due that, in singing, one is compelled to look for their own style, probably one may want to avoid mimicry (losing identity as a separate one) with another voice. But in the case this option (as in I'll Get You) is taken as a wish-to-mimic, the sonority's domain will give us (as a gift) an indistinguishable unit. After all they were friends, and they were playing with their voices and instruments. They preserved and persist the disposition to play. Every man who's been so fortunate to become the friend of a friend knows the joviality and camaraderie of mimicry.

[@LeChaunce]

One of my favorites! Great job, Galeazzo (as always)! I'd always assumed it was John on the middle harmony and George on the low (like they usually did it), but now that I listen more carefully to the original, I can distinctly hear George in the middle. And nicely spotted on the lyrical flubs (Paul singing "mange you mine", John singing "make", George singing "change")!

[@TheBeatlesVocalHarmony]

The Applesauce Project It's a special song. It's sounds like a lesser one but at the same time is so amazing and the harmonies are so intriguing to me!

[@MrCascarria]

fantastic, lo había pedido hace unos años...excelente, Master, you make Beatles shine more and more and more to me, I love this song, I play Beatles music I've heard millions and millions of this masterpiece of rock and roll, galleazo ever, Beatles forever, millions and millions of thanks

[@joewoodley1069]

It's the little imperfections, like the small lyric mistakes, that give the recordings so much character (along with fantastic songwriting!).

[@mimibetinis]

One of my favorites from their old catalog. As usual you've done an excellent job.

[@TheBeatlesVocalHarmony]

Mimi Betinis Thanks Mimi!

[@williamsteed5764]

GREAT JOB!! So cool to watch and listen to you break down the vocals and their relationship to each other. Thank You!

[@tommyl.dayandtherunaways820]

This is a surprisingly difficult one to sing. John and Paul are singing in unison for most of the song, which makes it easier for me since my range isn’t good really enough to hit Paul’s notes. What’s really challenging is the buildup at the end of the verse “...but I’ll get you, I’ll get you in the end...” which is meant to be the high point of the song, yet I flub it every time haha. Even so, I like singing this one, imagining myself channeling John’s raspy voice.

[@williamarmandsosa5036]

Well done! I remember this tune was on the B side of the "She Loves You" 45 RPM. It was my favorite tune on the record and I played it over and over. I also remember playing it on the bowling alley juke box as well. Cheers...

[@TheDSGuy]

Thank you so much! I really wanted to know how to sing this song. I recently recorded myself attempting to sing harmony with this song, but apparently I was wrong. I'm very impressed with how you can figure these harmonies out.

[@Junker1995]

Really well done Galeazzo, love your work!!

[@NeurozapPaul]

I love these latest videos Galeazzo, they are top drawer and always right on- like all your videos. However, speaking as an immense Beatles fan, I have to admit I very much miss the little commentaries you used to do-whether describing a particular quality that Paul and John had when they facing sang close harmony with each other (as we one discussed in I Saw Her Standing There, and also Baby's in Black). Given your experience listening to the Beatles and your knowledge of how certain recordings were done, were parts of your videos I looked forward to as much as the vocal breakdown. For example, in your recent Free as a Bird video, I had hoped you might have made a comment on the way the harmonies were structured...to me, and because Paul is obviously doing the arranging here, it sounds uncannily like where the Beatles last ended, i.e., the second side of Abbey Road. It feels like those 6 part harmonies in FAAB were closely related (and maybe even slightly progressed) from the harmonies in Because, and the backing vocals in Sun King, and She Came In Through The Bathroom Window. Anyway, as a Beatles fan who loves to take apart their songs and figure out what makes them so special, I really miss your verbal analysis or anecdotal info you might happen to know. I realize you are probably getting busier as your talents become more in demand, but for any other videos (and I realize there aren't too many left), please share with us a little about what you think is special about the song! But, as always, thank you for your work and these videos...I have been subscribed for at least 3 years and have always looked forward to anything you upload.

[@TheBeatlesVocalHarmony]

Paul Lukitsch Hi Paul, you're not the only one who miss them, so more commentaries coming promised!

[@kevinmoore4237]

My God! I discovered this channel a week ago - these harmony analyses are so fantastic in every way - your talent, patience, attention to detail and overall presence are all simply too good to be true - the world thanks you! Questions: 1) Do you use any type of notation in your own learning process or do you memorize them all by ear? (and if so, do you have a system for the subtle pitch bends?) 2) When memorizing, do you completely learn one singer's part before going on or learn the 2 or 3 parts as a block? 3) Do you have absolute pitch? 4) Do you have any evidence as to whether Paul and/or John had absolute pitch? The consensus seems to be that George Martin did, but the others didn't, but there's enough disagreement that the question seems not to be resolved. 5) It's amazing that you sing English so well as a native speaker of Italian. Since Italian is historically considered the most musical language (lush vowels, smoother than Spanish but punchier than French), have you ever tried singing these songs in Italian? 6) Have you ever thought about doing a Crosby Stills and Nash song this way? (for example, Carry On from Déjà Vu has a tremendous little a cappella-ish passage).

[@TheBeatlesVocalHarmony]

Kevin Moore Hi 1) I don't use any notation as I can't read music also :) 2) Yes! 3) I can tune a guitar by using no tuner 4) No I dont but I am pretty sure Paul has :) 5) Thank you, no never tried but there used to be a band called Shampo who tried it :) 6) The problem with covering other artists is that the effort of making these videos is so huge that does not justify the low numer of views covering other artists provide. :)

[@kevinmoore4237]

The Beatles Vocal Harmony Thanks for the quick reply. 1) How many hours approximately does a video like this one take you? 2) Based on what you've learned from mastering so many harmony vocals, who, in your opinion, were the other greatest harmony groups? 3) What's the highest note you can sing without falsetto?

[@MrSahansdal]

Kevin Moore Queen, Beach Boys, CSN&Y

[@pwk22]

Nice. I love videos that deconstruct the vocal parts.

[@jean-francoislouvrier1441]

bravo monsieur , cette chanson pratiquement inconnue en France est une de mes préférees

[@marcotukoff]

Maravilhoso... até cantei junto, kkk!!! Thanks from Brazil...

[@theo1001]

I loved it all the way Gale, spot on details. The Beatles is a supernatural band.

[@TheBeatlesVocalHarmony]

Theodoro Evangelos Grazie mille I agree!

[@JeffAllenNJ]

My request is that you do the rest of The Beatles catalogue ;) This song was never even on my radar until now ... can't wait to try it!

[@mackyano7948]

Great! Just great. This reminds me of the days I covered all the boy's songs.

[@REOBrothers]

That was awesome !!! 😊😊

[@monikapiotrkowska8895]

You have great voice so watching your job is really satisfying. Can't wait to see your I'm amazed tutorial :)

[@7775Kevin]

Very good. Never thought that John sang so low but it sounds right all together with the other voices

[@maureenscott6012]

Absolutely brilliant!!!!

[@javiermgtaoism5702]

My respects. You are always entertaining to watch and see. Thank you

[@TheBeatlesVocalHarmony]

Javier Gonzalez Thanks a lot Javier :)

[@javiermgtaoism5702]

How You dissect the harmonies...your sense of hearing to distinguish settle differences in pitch, and all those details pertaining to singing. I just realized that all this time I was not subscribed to you. Darn. Thank you again.

[@catwalk8041]

HELLO! Thank you for upload . always so GREAT ✨✨✨✨✨✨✨✨✨✨✨✨✨

[@dianasacremontes5639]

fantastic! you have done a fairly good job there!

[@jamesabhilash8006]

Hello Frudua, Love your videos sir. Please keep the great work coming. Could you suggest the best way, a good tip if you will, to sing harmonies and not get tripped by the other voices in the harmony? Although I have gotten better with time at doing this, I still find that I am greatly influenced by the melody and the other parts of the harmony while singing my part. What would be your best recommendation to get over this (apart from practice, of course :) ) Cheers, James.

[@robyngolden-hann3407]

Brilliant! How enlightening, thank you 😁

[@stuffilike6997]

Please do She Said She Said!

[@Pedro6804]

Yees!!

[@toxicraven13]

OMG YES!!!

[@jeyakumarsundralingam232]

Nice lesson. Not to sure if George's vocals covered that range but hey who's checking. We might as well resign ourselves to the awesomeness of the Fab Four!

[@kevinmoore4237]

In addition to giving us the right notes, you're adding many great insights on the vocal execution. I'd also be curious in your insights on the actual composition of these parts - and this would be a way you could do new videos without any new preparation or filming. In other words, use the same audio/video but give us an analysis of the harmonization from the arranger's point of view - when to double, when to use contrary motion, when and why it works to use that open 4th & 5th thing the Beatles use so well, etc. The thing that got me thinking about this is the middle 8 of this one - "well there's gonna be a time" - on "well" John & Paul sing octave Bs while George sings an A - so by itself it sounds wrong - it sounds like George should hit a G - but with the chords it sounds brilliant because it's still a D at that moment, making it a D6 (and they were really into 6th chords at that point - like the end of She Loves You). So I'd like to hear your thoughts on the trade-off between making an arrangement that sounds perfect a cappella and making it sound perfect against the overall harmony of the backing track. Also that middle 8 sounds like it had a tremendous influence on The Eagles several years later. Or ... "to pretend" in 4ths! It's sounds so odd by itself and yet so great with the guitar but it does the same 6th thing against the D chord.

[@TheBeatlesVocalHarmony]

Kevin Moore Indeed it's something I have thought doing now and then... trying to explain hwo the build up the arrangement starting from the lead vocal melody line :)

[@mickavellian]

Kevin Moore It is a great idea , with ONE slight catch .. They (The Beatles) did NOT know why or how ..... I keep hearing John's voice totally confused about aeolic cadences , admitting he thought it had to do with "flowers" . ALL the magic was so spontaneous and organic, (this was brought up on the very first review they had on a "serious" musical study" ) that the master professor's were astounded . I recall a review (forget the reviewer's name) who mention . The vocals are SO intricate that you can not tell what came first the melody of the harmony. To this day we have the unexplainable ability of Paul to morph into John either on an attack a sustain or a decay.. In an interview Martin disclosed that at the beginning there were a LOT less double track voices 'cause the presence was just Paul and John singing exactly the same phrase, gain, key, sustain. To Martin it was unexplainable BUT he did called it MIRACULOUS . It would be a GREAT exercise for a group of global fans to tackle this and of course led by Gale , how can anyone go wrong. But I *STILL* get chills if I haven't heard a song for a while and I tackle some deconstruction . "There's a place" has had me weeping like a 4 year old for a week.

[@TheBeatlesVocalHarmony]

mickavellian Thanks Mick. Which is the source for that GM statement?

[@mickavellian]

The Beatles Vocal Harmony Oh George Martin ! Woah - just went over my head . There's no source it is a feeling based on Martin's signing the Beatles after the first (Pete Best) audition. He HAD to be able to hear the complicated (and totally natural) intricacies of the melodies & harmonies which came so naturally to them. The brain CAN analyze harmonious or dissonant sounds (it is actually a survival thing) . This instinct is "standard equipment" in humans just better developed on some people who can also automatically separate the elements of sound. To me it is easier to explain from the visual perspective of ART . I have NO idea why I see "Guernica" by Picasso and break up in tears or anything by Van Gogh and become a weeping 4 year old (I actually had a crying fit at Van Gogh's house in Amsterdam) so my hearing may not be as precise as my visual sense but I still can separate (and remember ) individual sounds concentrate on a harmony and isolate it . This is a true story. When I was in Cuba I went for an audition to be admitted to the most prestigious music school in the country (Alejandro García Caturla conservatory). I already had some Drumming chops but VERY rudimentary (there were no instruments unless you had been accepted in a government school) The first "step" was a JOLT .... A teacher played a series of notes and I had to hum them back . That was easy .. THEN she played chords and I had to hum back the individual notes I heard. Not as easy but I made the grade as far as "musicality/tonality" was concerned. Then the percussion part was to reproduce a full rhythm played by the teacher on a practice pad . Including ATTACK, SILENCES, duration etc. The maximum was 24 notes. I nailed 90% with a 85% accuracy and got my entrance approved . Later I was told that only 25% of applicants get even near to a pass grade. "Oh shit REALLY?" (I asked ) and was told that most people on earth qualify as TONE DEAF. Quoting YOU, "They SAW Saturn and described it as a BIG BALL WITH RINGS.." :)

[@harvey1954]

I'll Get You has the distinction of being the only Beatles tune that was released as both an B-side then an A-side.

[@herdiman8741]

Nice.. u have Paul's eyes 😁👍

[@janettepearl-snyder4828]

WOW! I'm amazed❤

[@arcam0789]

Gran lavoro come sempre, Gale non hai rivali !!! ( As a Beatles singer you're second to none! )

[@TheBeatlesVocalHarmony]

Guido lavespa Grazie Guido!

[@sgmatute]

Are you going to release a video of Maybe I'm Amazed? You sound totally awesome singing that one!

[@TheBeatlesVocalHarmony]

sgmatute Thank you! Yes.

[@ericlipes5533]

Galeazzo, would you consider presenting Crosby, Stills and Nash's "Carry On/Questions"? Their harmonies are so intricate, I know you'd be able to present the parts clearly and correctly. Thanks

[@luiskurt206]

Awesome video !! Do you do any Muse voice covers???

[@piaccigaspi]

Melhor música dos Beatles ( portuguese)

[@lSil3ntZer0l]

absolutely phenomenal

[@TheBeatlesVocalHarmony]

lSil3ntZer0l Wow grazie!

[@gdholmfirth]

Excellent, excellent as always. Thank you for the time you take to do this. I hope others do as I and make a donation to support the continued videos. First time I have noticed the Hofner standing in the corner. Looks nice!

[@TheBeatlesVocalHarmony]

gdholmfirth Thank you I hope so as well ;) Yes it's a chinese versionI bought it's soooo lovely to see on the sofa!!!

[@hectorosuna9056]

It's funny, i was actually searching this video. because i thought it was actually here, so it was in my history, i search, it appears. i had 1 notification "The Beatles Vocal Harmony uploaded "How To sing I'll Get You"" Great work on this too, one of my favorites

[@TheBeatlesVocalHarmony]

Hector Osuna This is serendipity... ;)

[@MrSahansdal]

The Beatles Vocal Harmony I had to check the original recording for "menge". I guess it's there, but the others obviously are singing differing words. Wouldn't the engineers think to do it over, or is this meant to be part of the Beatles mystique? Always one of my very favorites. Quintessential Beatles. Grazie!

[@MrSahansdal]

The Beatles Vocal Harmony And isn't this one of John's lowest vocal parts (1:42 to 1:54)? Sure is low, as low as Paul is high with his "menge" line. Does Paul really slide up like that at 2:16 and 2:22? Fascinating. And George from 3:00 on shows how he got the most interesting and least intuitive parts, yet once again... :) I would never have appreciated their vocals so completely without your expert harmony deconstruction. They blend way to well for my ear.

[@cncarter3]

Brilliant. When did the Beatles actually practice the intricate vocals for each of these songs? Was it a separate practice before tours? Before the studio? In the studio? I imagine they worked out the basic music for each song, then came back and did a cappella vocal practice? Also, did each Beatle have a say in creating their own back up vocal parts, or did Paul write the song and teach John and George their parts that HE created? I've always wondered

[@johnr8095]

I think JOhn wrote this one. Paul might have written the Middle 8 part (well there's going to be a time portion)

[@tommyl.dayandtherunaways820]

John wrote it most likely (his voice is the more prominent of the two), Paul probably helped on the middle eight. The harmonies were probably worked out roughly ahead of time, but if anyone taught them their parts, it was probably still George Martin, as he was the arranger in their early career.

[@CarlosKroll]

Amazing Galeazzo, thank.

[@victornunes1556]

Frudua, plz make a harmony breakdown of taxman, im really your fan peace

[@pcsbeat]

Great! Well worth the wait. Thank you!!!

[@TheBeatlesVocalHarmony]

pcsbeat Good!

[@SORAUchiha9]

It sound like the Beatles, you did a nice job this and what all the videos that you made.

[@TheBeatlesVocalHarmony]

SORAUchiha9 Thank you!

[@imblaze730]

Love how you caught Paul’s mistake (menge)

[@dreamlover4128]

This is awesome!!! This is my all time favorite Beatles song. I've listened to it a million times, but everytime I sing along, I'm out of tune/range..

[@lorenzomatteucci]

Another beautiful underrated song, cheers!

[@TheBeatlesVocalHarmony]

Lorenzo Dicembre Official Agreed Lorenzo :)

[@francescaemc2]

Bravo!!!!! Amo questa canzone!!!!

[@dougrigel1997]

So the middle eight is actually 2 part harmony with John singing an octave lower than Paul.

[@adriancervanteslomeli3266]

Excellent, what's hap with the intro of With a little help from my friends, and Money (that's what I want)

[@matheuslamha]

please do dear boy!!!

[@celsodalmeida7822]

Very good my friend...

[@coolestguy300]

When are u going to post the how to sing like Paul McCartney tutorial?

[@Sancasul]

Fantastic!

[@michaelplesch]

Well done...again!

[@TheBeatlesVocalHarmony]

Michael Plesch Thanks Michael!

[@DrummerDaviD007]

Superb!! as always :)

[@TheBeatlesVocalHarmony]

David Drechsel Thanks a lot!

[@hakankarakurt1100]

Could you please make a video for California Dreamin' by MAMAS and PAPAS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[@bigmiroslav]

A VERY BIG THANK YOU!!!

[@TheBeatlesVocalHarmony]

Miroslav Sevcik You're very welcome!

[@bigmiroslav]

@@TheBeatlesVocalHarmony Dear Galeazzo, somehow I cannot find your lesson of You´ve really got a hold on me here on youtube and I am pretty sure you have done it. Am I wrong?

[@YrNameHr]

thanks again Frudua

[@harlanseago4876]

May you do a video on "wait"

[@zetmoon]

Your “I’m” in “ I’m in love with you” is one note higher than on the record…

[@ThomasZink67]

You really are the facemorph of John Lennon and Paul. Sound really close to the Originals. :-)

[@vicentevittola9567]

muito bom vittola

[@iulenny]

Love how you messed up the lyrics on 0.53 just like they did on the recording. At least it sounds like someone is starting to sing the wrong word and recovers. Oh you did it later. "Mange your mind".

[@dariomelconian9502]

GRAZIE!

[@TheBeatlesVocalHarmony]

Dario M Prego!

[@chrissbenitez]

does george actually sings in that song????

[@direwolf6234]

what key is this tune in ??

[@jailsonmendes8758]

Galeazzo you are awesome, please tell me what is your favorite pizza flavour ?

[@TheBeatlesVocalHarmony]

Jailson Mendes Lately fried potatoes and sausage but I only eat it in a specific pizzeria in a twon near me called Pit Stop.

[@tbeau6663]

💜💚🧡

[@peteralexander5185]

IMHO this song was better than the A-Side "She Loves You"

[@TheBeatlesVocalHarmony]

mmhhh

[@doodah111]

It's really great but She Loves You is possibly the greatest pop song ever made

[@mickavellian]

Paulie ---- The man actually invents contractions on the fly - what a talent . How in heaven's name did YOU pick that up Gale?

[@TheBeatlesVocalHarmony]

mickavellian What exactly Mick the whole song?

[@mickavellian]

No Paul's mixing of the two words..! The whole song is a miracle you can deconstruct but a WORD . ???? Gale , you have a BLESSED ear my friend.

[@TheBeatlesVocalHarmony]

mickavellian Oh I see now what you mean Mick. IMO whenever a song reminded them of their early days (Everly Brothers attitude) they automatically entered that typical Beatles "childish" modality. I simply hear Paul doing this. He imitates John's vocal colour to morph in it and create a unique single colour.

[@mickavellian]

The Beatles Vocal Harmony Kindda like sibling harmonies or twins speech uh? The connection is unexplainable,it is something else to see twins speaking their own language you THINK they just can NOT be making any sense but damn , when they argue you KNOW they are pissed. Since you brought it up I can notice if Paul is morphing the end of a phrase or an attack but the man TRULY is an alien.

[@TheBeatlesVocalHarmony]

mickavellian yes HE IS.... as I said before the REAL impact specifically McCartney had on modern music will problably never be understood. Let me tell you more... It's difficult to explain from Italian. After all this time working on the Beatles music and understanding the huge role Paul had on their evolment (historical) and evolution (musical) and the impact all this had on the whole World not only on the Music in general, when I sometimes stop and think about this and put myself in his shoes maybe it's just me but I wonder how he feels about it and feel a sense on loneliness... Like I was rocketed to Saturn without the chance to tell anyone what I am experiencing...

[@RigelKent100]

That's George Martin I'll bet. He picked out the harmonies and The Beatles were able to precisely do them perfectly.

[@stevetautog880]

I love you and your desire to share with the world the whole thing with singing,,,I just want to say,, not to offend at all , but when you say try to sing with with a 'Beetlesish accdent" I just want to say in case no one else , and also you probably know what I am about to say,,,, but as with all accents,, when they sing English ( american ) words,, they really miss the mark and from what I hear in your case your are from Italy and I can really hear the Italian flavor in your English ( american)< which makes me think that The Beatles did not sing with their English Accents,, they somehow managed to sing with an American ( english ) acccent interesting

[@dsjump]

Has it been definitely established that Galeazzo is NOT McCartney's son? I mean, look at him.

[@rambo8770]

Just watch stevie rikks

[@francia1279]

que feo

[@claudioh.9108]

Bad bad bad