How To White Balance Your Footage in DaVinci Resolve 18- 2 Different Techniques

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What is Color Grading?
Color grading is a post-production process common to filmmaking and video editing of improving the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white point may be enhanced whether for motion pictures, videos, or still images. Color grading and color correction are often used synonymously as terms for this process and can include the generation of artistic color effects through creative blending and compositing of different images. Color grading is generally now performed in a digital process either in a controlled environment such as a color suite, or in any location where a computer can be used in dim lighting.
The earlier photochemical film process, referred to as color timing, was performed at a film lab during printing by varying the intensity and color of light used to expose the rephotographed image. Since, with this process alone, the user was unable to immediately view the outcome of their changes, the use of a Hazeltine color analyzer was common for viewing these modifications in real time.
What is DaVinci Resolve?
DaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!

[@adamchraibi5277]

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[@koltonbarney]

Dude, literally the best most straight to the point video on this. Thank you

[@IAMJOELBURRIS]

When balancing with Temp/Tint its important to know that it adjusts the footage with the blackpoint locked - so unless you've already fixed your black point, anything you do afterwards is gonna have wonky black hues. Offset (printer lights) adjust the entire spectrum evenly at a 1.1 ratio - including the blacks. This keeps color retention in check so for extreme pushes (like the "mexico" warm look), use the offset and push in the warm direction so you don't loose the color contrast and blacks are maintained. Just learned this the other day and it blew my mind.

[@WonderMotion]

incredible, learned how to white balance in two seconds from this, phenomenal!!!

[@ParadiseBizz]

Great job, a nice, straight to the point tutorial

[@nailivore]

This video was super helpful, thank you so much!

[@pgtips4240]

Thanks for the video but I really need something that fixes a shot that is really really bad.

[@floydhalilintar2850]

thanks

[@IglesiaPentecostalElArca]

Good Day!! Im’ Jose, I have a situation, I have 2 camcorders a Sony and a Canon, I loaded them up on Davinci Resolve, create a Multicam Clip, and then create a Timeline, and then create a video switching between those 2 cameras, but this is my problem, both cameras have a different look in terms of brightness, color and sharpness (off course are different camcorders), but I can’t find the way to adjust the brightness, color, and sharpness of those 2 cameras individually in order to make them look as close as possible. All the Davinci video that I found on youtube teach this but using one video clip and one simple timeline, but not on a multicam environment. Do you have a video already on youtube that teach this technique, if not, you don’t mind to create one and upload it. Thanks. Have a great day!!!!

[@JunaidKureshi]

Awesome

[@abhi4life]

Your work is very good and we will like you to collaborate with us as an editor for our music label

[@adamchraibi5277]

Thank you I will send you my Freelance link!

[@stephanelarocque77]

The skin is horribly red

[@adamchraibi5277]

Do you think white balacing the shot had something to do with the red skin?

[@stephanelarocque77]

​@@adamchraibi5277 Not 100% but in part.

[@adamchraibi5277]

@@stephanelarocque77 We can always qualify the skin and adjust it after. The main goal in this tuts is to show how to white balance using the scopes every footage will yield different results and imperfections that we can color grade later.