Un montaj al unei filmari brute cu compozitia finala din film, sincronizate pentru a arata o tehnica steadicam.
Пікірлер: 31
@priyeshpv Жыл бұрын
...and to top it off, this massive 90lbs 3D camera Steadicam rig was operated by Larry McConkey, at that time 61 years old. The camera system was so heavy, he had to rent a stronger Steadicam arm, a GPI PRO ARM, since his own, a Tiffen G70X, couldn't carry the weight. But even the PRO couldn't handle the weight completely, despite having the springs tensioned to their maximum mark.
@nicolasdimatteo335610 ай бұрын
That's pretty wild. I wonder what it was that made it all so heavy!
@priyeshpv8 ай бұрын
@@nicolasdimatteo3356As I said, it was a 3D camera system which consisted of two massive Arri Alexa cameras mounted on a Vince Pace 3D rig. Together with four batteries, two lenses, the Steadicam's sled, arm and Walter Klassen vest you end up with that insane weight. Nowadays it would be a bit different as the latest Arri Alexa 35 is just a fraction of those older camera's size and weight. You could therefore use a smaller and lighter 3D rig and Steadicam.
@TheWorld-of7dd3 жыл бұрын
A good director doesn't make great movies, a good director makes the movie great
@Mehmehx5 жыл бұрын
jesus, really cool. Also love the fact of how much light they use to then underexpose the scene, beautiful
@torretacosmica5 жыл бұрын
In part, it is necessary to achieve a small diaphragm and a large depth of field. Imagine adding to the complexity of the sequence shot the difficulty of focus precisely because the diaphragm is very open...
@Jaredc789 жыл бұрын
i gotta be a part of stuff like this someday even if its grabbing them water bottles
@TeddyEdy938 жыл бұрын
+Jared Cole Count me in! :))
@camilofarkas69654 жыл бұрын
I can be your assistant
@siencynlangham5449 жыл бұрын
Watch the boom, kids. That's how you swing.
@OldshoeFilmsProductions7 жыл бұрын
Best booming ever.
@scabZable7 жыл бұрын
I love the one single shot
@JamesOversteer10 жыл бұрын
This is amazing
@nicolasdimatteo335610 ай бұрын
Incredible.
@Snapshot310 жыл бұрын
amazing
@CharlieCanfield3 жыл бұрын
i'm curious about the very end, where the camera stops shooting and veers off, but the push in on the automaton continues, dimensionally, to a low angle, so it's not an optical zoom. CG blend? (don't recall what follows in the actual movie; that might reveal more.)
@TeddyEdy933 жыл бұрын
Most probably a CG Blend... I think half of the movie is CGI. Even the begining of this shot is a mix of real/CGI. After that push in, the movie fades to black and credits
@WuddupDok10 жыл бұрын
Super cool.
@sunlightfilms52226 жыл бұрын
great job....
@niemandschuldet5 жыл бұрын
Just WOW!!
@terryvideo7 жыл бұрын
that's sick
@marinadela13616 жыл бұрын
No! That's healthy.
@sauravdube27275 жыл бұрын
The track ends before the window opening but still there is no jerk in the go pro fixed on the head of the DP?
@MrScotty71005 жыл бұрын
In all reality yes to a degree. All cameras are on the 3d Steadicam operator, a great deal of work. Larry McConkey
@davidm.johnston89948 жыл бұрын
Interesant.
@cafefin90815 жыл бұрын
Oh god 10/10
@luciagilgsthmrvls3 жыл бұрын
👏👏🙌🤩
@KeaneAddict9 жыл бұрын
But how do they go thru a window when there's no window there at the start?
@TeddyEdy939 жыл бұрын
+Wayne Thomson The window doesn't exist, it's digitally added in postproduction just like the rest of the backround covered by the green screen