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(chapters available) This week we continue with covering all the Oscars' nominees for best VFX. Ian from @beforesmag and I discuss Gareth Edwards' The Creator. We break down the production of the film, the creative vision, the unique shooting style, and the unconventional approach to VFX. Enjoy,
Chapters:
00:00:00 - intro
00:02:35 - first impressions
00:09:39 - not a huge hit but potentially will become a cult movie
00:11:02 - great performances
00:13:33 - different perspectives regarding AI
00:15:27 - americans are the villains here
00:16:47 - Gareth Edwards appreciation moment
00:22:41 - the collaboration with DOP Greg Frasier
00:26:35 - the Sony Alpha FX3 camera
00:32:40 - are productions bloated by equipment?
00:36:43 - limitations drive creativity
00:37:54 - a different approach to making VFX
00:38:20 - the camera as the viewfinder and the lens used
00:39:47 - a super economic way of filming
00:40:58 - the many locations of the shoot
00:42:52 - the VFX where openly discussed and pushed in the marketing
00:44:01 - so many companies on the credit
00:44:39 - a more 'old school' approach to the VFX
00:46:12 - VFX is so much more advanced these days. Off-the-shelf software
00:49:22 - making clean plates from scratch
00:50:20 - not telling actors which ones would be robots
00:55:16 - village attack
00:56:56 - the shot design is excellent
00:57:31 - the nomad
00:58:25 - virtual camera scouting
00:59:07 - stagecraft volume work
01:03:24 - not using mocap suits onset
01:05:51 - the ILM CG test renders
01:10:35 - the film almost had an AI soundtrack
01:11:26 - asking ILM if they used AI on the film
01:13:32 - Podcast supporters’ credits
beforesandafters.com/2024/02/...
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#thecreator #cgi #vfx