I've loved this music since my teens and never tire of it.
@GrimskyKorsakov Жыл бұрын
I'm currently quite drunk and listening to this whilst I draw from a photo of Martha Argerich. Man this is the gosh darn vibe.
@SCRIABINIST Жыл бұрын
One of the best piano entries
@EM-ue4nm2 жыл бұрын
The second movement is one of the most beautiful pieces ever written. Wish I could’ve met Stravinsky!
@docbailey3265 Жыл бұрын
I think not. It’s not nearly as lovely as the 2nd Movement of Ravel’s Piano Concerto.
@maxgregorycompositions6216 Жыл бұрын
@@docbailey3265 Yeah, Stravinsky doesn't get even close to Ravel in terms in sheer beauty.
@nathanturczan Жыл бұрын
@@docbailey3265 they're definitely cousins. Stravinsky's largo is always going to be spikier
@adamjnotthecongressmanschi7026 Жыл бұрын
@@maxgregorycompositions6216 the berceuse from firebird is pretty friggin' gorgeous
@tiosav6251 Жыл бұрын
@@docbailey3265if you said so it must be true
@crazyorganist16096 жыл бұрын
The 2nd movement is so beautiful
@martinba62954 жыл бұрын
6:45 a ship sinking. A total eargasm
@claudiorodriguez83443 жыл бұрын
Así es. It's like this.
@jasontiller6 жыл бұрын
Thank you for posting this. I had almost forgotten this work. It's SO distinctively Stravinsky and so squarely in his neo-classical period. I love all the sounds that conjure the Symphony is 3 Movements, Symphonies of Winds, Symphony of Psalms, etc. Love love love it!!
@davidrehak35396 жыл бұрын
Igor Sztravinszkij:Versenymű zongorára és fúvós hangszerekre 1.Largo - Allegro - Più mosso - Maestoso 00:00 2.Largo - Più mosso - Tempo primo 07:46 3.Allegro - Agitato - Lento - Stringendo 16:13 Alexander Toradze-zongora Rotterdami Filharmonikus Zenekar Vezényel:Valerij Gergijev
@UtsyoChakraborty7 жыл бұрын
This earns you my subscription! Congrats
@MegaCirse Жыл бұрын
La virtuosité incontestable de Stravinsky me touche particulièrement et jongle délicieusement avec la sensibilité des émotions de l'âme. Merci infiniment pour ce pur bonheur !
@jorgebeleza35405 жыл бұрын
This is a superb version. Thank you so much for posting. I love this music, it is just so alive.
@michaelwosslert95247 жыл бұрын
Seeing this , Concerto in D and Petrushka soon in Stockholm. I can't wait !😀
@pondwithducks30926 жыл бұрын
Yippee, the one with the score happens to be paired with (IMO) the best recording on KZbin :)
@rubytuesday88882 жыл бұрын
Thanks for posting!
@roryreviewer65984 жыл бұрын
Does anyone else feel that the balance between the piano and the orchestra is a bit off? Piano Sounds super quiet to me.
@qrstw4 жыл бұрын
You mean in the composition or the recording?
@wirag46803 жыл бұрын
Yep, piano is way too quiet
@cleomedeiros77034 жыл бұрын
wonderful
@averysax64293 жыл бұрын
The new music Tonal Scale is as thus: 12 7 5 2 3 : 1 4 5 9 14 Not 12 with 7 & 5 BUT 14 with 9 & 5 [2^(1/14)] These are the Tonal Scales growing from f (by cycles of fifths): All Scales build from the first mode: equivalent to Lydian f White keys are = & Black keys are | 12 with 7 & 5 [2^(1/12)] =|=|=|==|=|= {1,8,3,10,5,12,7,2,9,4,11,6} 1thru7are= 8thru12are| 7 with 5 & 2 [2^(1/7)] ===|==| {1,3,5,7,2,4,6} 1thru5are= 6&7are| 5 with 2 & 3 [2^(1/5)] =||=| {1,3,5,2,4} 1&2are= 3thru5are| Now evolving up the other end 5 with 4 & 1 [2^(1/5)] ==|== {1,3,5,2,4} 1thru4are= 5is| 9 with 5 & 4 [2^(1/9)] =|=|=|==| {1,8,3,7,5,9,2,4,6} 1thru5are= 6thru9are| 14 with 9 & 5 [2^(1/14)] =|=|===|=|===| {1,12,3,14,5,7,9,11,2,13,4,6,8,10} 1thru9are= 10thru14are| Joseph Yasser is the actual originator of the realization, that scales develop by cycles of fifths. www.seraph.it/blog_files/623ba37cafa0d91db51fa87296693fff-175.html www.academia.edu/4163545/A_Theory_of_Evolving_Tonality_by_Joseph_Yasser www.musanim.com/Yasser/ The chromatic scale we use today is divided by 2^(1/12) twelfth root of two Instead of moving to the next higher: the 19 tone scale 2^(1/19) nineteenth root of two I decided to go all the way down and back up the other end: So 12 - 7 = 5 & 7 - 5 = 2 & 5 - 2 = 3 Now we enter to the other side: 2 - 3 = -1 & 3 - -1 = 4 & -1 - 4 = -5 & 4 - -5 = 9 & -5 - 9 = -14 ignoring the negatives we have 1 4 5 9 14 Just follow the cycles how each scale is weaved together, as shown above. Each scale has its own division within the frequency doubling, therefore the 14 tones scale is 2^(1/14) fourteenth root of two
@almasmusic6832 жыл бұрын
Ну это гениально просто.
@BenjiOrthopedic Жыл бұрын
Stravinsky's Concertos - other than the Violin Concerto - what few there were - were just kind of strange. He actually wrote a concerto for two pianos with no accompaniment...the first unaccompanied concerto in history, I think? Actually that one is pretty good, but I have never heard it performed because it is fiendishly difficult.
@simonlajcman4031 Жыл бұрын
Alkan composed piano concerto for solo piano
@kmancet18158 ай бұрын
Actually, he was a few hundred years late to the 'concerto without accompaniment' party. Bach wrote several concerti for unaccompanied harpsicord and Telemann wrote several concerti for four violins (also without accompaniment). Look up Italian concerto, Weimar concerto transcriptions and TWV 40:201-204 for more info.
@andreauribe64549 ай бұрын
Solo de la naturaleza proviene la verdadera musica.😮
@DeflatingAtheism3 жыл бұрын
Baroque sequences over chromatic pointillism- I'm not sure Stravinsky's Neo-Classicism isn't just proto-post-modernism!
@kaleidoscopio56 жыл бұрын
Damn. I know Stravinsky wasn't a piano virtuoso like Rachmaninoff, Scriabin or Prokofiev, but he certainly was a pretty good pianist.
@ruslan.denshaev5 жыл бұрын
He wasn't a virtuoso pianist, but, at least, he was a virtuoso composer.
@8kanku5 жыл бұрын
I think his was a piano virtuoso in his very own style
@SpaghettiToaster5 жыл бұрын
Some of his piano music, such as the petrouchka arrangements, is extremely hard. I'm not sure if he was able to play it himself though.
@journey34514 жыл бұрын
1楽章はバルトークの2番みたいな軽快な感じがいいですね。
@michaeltroke72394 жыл бұрын
I love it, Stravinsky, and this is really his style, thanks for posting this. But I don't understand why at the beginning the dotted quavers are played here by wind instruments as if they were in triplets. Maybe a reference to style galant?
@juanferestrada3 жыл бұрын
What? I hear dotted quavers
@belialah7 жыл бұрын
Thanks!
@lunchmind2 жыл бұрын
fine performance but who are the artists?
@Tizohip4 жыл бұрын
16:15 chopin polonaise opus 53
@MegaCirse Жыл бұрын
@emanuel_soundtrack3 жыл бұрын
written after the Rite in Paris in 1923-24.
@docbailey32653 жыл бұрын
Does Stravinsky use tonal arcs, or is his harmonic structure something more devious?
@lylecohen16382 жыл бұрын
5:23 BWV 1052 mvt 3?
@ethanblackburn58176 жыл бұрын
Anyone know where I can get this reduced score?
@elijahfry6 жыл бұрын
anthology of 20th century music - robert morgan, pp. 138-170
@camilorojas1744 Жыл бұрын
It’s a very nice concerto but you have to admit that it sounds like he already wrote this. Somewhat repetitive of other pieces
@user-hl1zj6fx6y3 жыл бұрын
6:23
@user-gy3hj5yy1d3 жыл бұрын
ㅎㅇ
@Jimyblues4 жыл бұрын
Great piece in it's own way- ty Uploader- I don't blame Stravinski for channelling Ravel , his p concerto in G is the real jazz/classical. Ah well didn't Stravinski say : A good composer does not imitate, he steals? Still like all Stravinski fun to listen to. In all his work even the most dissonant there is always an element of "Mozartiian" surprise that makes it - fun!
@FlorianBriegel3 жыл бұрын
Ravel's piano concertos were from 1929-1931, so a little later than this. It might have been the other way round though.
@ario4795 Жыл бұрын
sounds like Bartok
@elijahfry6 жыл бұрын
was the pianist sitting on the mic?
@truBador25 жыл бұрын
Yes. That is indicated in the score.
@totty25245 жыл бұрын
Is it just me or was this ending intended as a joke? It seemed very silly to me and to not make a lot of sense in the context of the rest of the song. I like it, I'm not judging, I'm just curious.
@PabloAguirreCompositor3 жыл бұрын
Tremendo
@truBador25 жыл бұрын
You are too kind. Thanks. Here is another, quite awesome, performance of the same piece: kzbin.info/www/bejne/nnPLknarr8R8pcU
@anthonyaveray13245 ай бұрын
Hold on 😅
@savemail69295 жыл бұрын
Mais pourquoi veut-on transformer ce concerto en un chef d'oeuvre du romantisme ? C'est une musique factice à tous les niveaux, où des marionnettes à l'effigie de Bach et Haendel miment un oratorio - complètement désacralisé - entre deux sauteries sur un ersatz de ragtime ! Réjouissant certes, mais il ne faut pas tomber dans le vrai !
@emanuel_soundtrack3 жыл бұрын
maybe you hit the right point to explain what ii did not like in this and did not know
@aldoringo4392 жыл бұрын
Never mind, I'll just got back to petrushka.
@GUILLOM Жыл бұрын
ok?
@MiScusi6925 күн бұрын
This recording is unlistenable because of that devilish ringing all throughout.
@nassersari27974 жыл бұрын
pourquoi Stravinsky a marqué un retour vers le néo classicisme en abandonnant l'avant-garde?