ilayaraja Royalty Issue Explained in Tamil

[@happinessishere6590]

People(some) won't realise that Royalty and copyright are not same.... As per law.... Ilayaraja has all rights to ask his Royalty....

[@vishnuprasath014]

The issue was well explained.

[@iamramu111992]

Ji i think you missed one point. There is one more sub clause in ownership called "work by hire". For example the person who is salaried in TCS cannot claim the royalty for the software he created because it's comes under "work by hire" law. Same case with Illayaraja sir, he did not create a tune and kept ready for sale and director came and bought it. He was hired by producer to compose a songs for the film. Rest you decide who has the rights.

[@AskRaghulan]

Yes correct, he should have it in agreement before releasing. Royalties can be enforced only through legal terms. Still he is the creator of the tunes even if he was hired to do. Claiming royalties for that is legal matter.

[@பிரசன்னா_மைவிழியன்]

😂naanum...game development apdi ipdi dha ungala pathu pidichi pazhaga aramitchi.... Ipo 5 years achi...oru psychology background.... Economics.... Financial Analysis....nu mmm idhuvum naa enjoy pani nalla dha pandra....adhu naanave dha...👥 Mmm Nandri anna 🤭🤸🤍

[@தமிழ்பையன்-வ3வ]

⁠இளையராஜா தேடி சென்று எந்த இயகுனரிடமும் வாய்ப்பு கேட்கவில்லை முதல் வாய்ப்பை தவிர.. பெரும்பாலும் அவர் இசைத்து வைத்திருந்த ராகத்திற்கு தவமாய் தவமிருந்தவர்கள் ஏராளம். அவர் பாடல்களுக்காகவே படத்திரைகதைகள் வடிவமைக்கப்பட்டன. சிறந்த பாடலாசிரியராக இருந்தும் பல கவிஞர்களுக்கு அந்த வாய்ப்பை குடுத்து அவர்களின் வாழ்வில் விளக்கேற்றியவர் நயவஞ்சகம் காமப்பேரரசு வைரமுத்து உட்பட.

[@pksindias]

Without ilayaraja song . Manjumel boys movie itself low

[@RajKumar-he9eq]

🤣🤣🤣🤣

[@Benetic_360]

No

[@Vijay0_0_0]

Discord group venum bro

[@vivekr463]

Same track but different language lyrics also can happend which means soundtrack needs more royalty weightage. No music director claims royalty for lyrics they claim royalty for their sound track.

[@sheikmohamad834]

Suppose i am hiring a civil eng to design a house , he is doing so with my inputs (in ilayaraja case it is director who explains the story & scene) accordingly the creator creates design, music etc... When am trying to sell the house (designed by an engineer) for more profit to another person, do i need to get the permission from the engineer to whom i already paid?

[@AskRaghulan]

A floor plan is result of following a engineering methodology its not creative. Any engineer can endup with the same design. Where as a building elevation created by an architect is a unique creation. If the architect decides that no one should copy his design he can protect his design. If you and him have an agreement to pay him a royalties when ever the design is used or house is used as a tourist attraction and charge a fee then he may get a portion of earning. There are many such places around the world where money collected from tourists are paid as royalties.

[@AskRaghulan]

Director creates the story, scene and situation but the tune is creation of the music director. Same director if goes to another music director he cannot create the same tune.

[@sheikmohamad834]

we cannot use the same plan to build more houses or give it to our friends or sell, for each house we have to pay , am i right?

[@AskRaghulan]

Some builders who sell premium apartments, cannot copy them and build your own with the same exact design. It depends if the builder is protecting the design or not

[@meesund]

You can sell the house which the original architect/engineer created which you paid for the design. What the owner cannot do is sell the floor plan to another person to build the same house somewhere else without architect/engineer’s consent. The plan and design is the intellectual property of the creator which they sold for one time use. In the west the architectural work is not automatically protected, you have to register the design by paying a fee to the copyright office.

[@aruman_ori]

Disney vs creators of comics characters. Disney said claiming the royalty does not apply, because characters were created under work for hire contract. I think the above case similar to Ilayaraja royalty and I accept that laws are different from other countries. My opinion.. Disney was right, event though the characters could only created by a specific creator, he worked for salary in a company , then how the CREATORS can claim music/character.🤑🤑🤑🤑

[@AskRaghulan]

Yes correct royalties should be agreed before starting the works.

[@பிரசன்னா_மைவிழியன்]

Neenga enaku 2 years munadi onu sonninga..... Self help books irukatu....technical books neraya padika soli... Ipo vara enaku ungata irundhu kedaicha oru nalla arivuraigal la na adha solluva na......❤

[@பிரசன்னா_மைவிழியன்]

Enaku adhu apo nejamave purila....neeinga sonna apo...en edhukunu Ana adhuku apro Naa neraya finance, economics related a padicha Neraya sources paka aramitcha....mmm ipo en portfolio positive a iruku 😂one year a Ana Vedha (seed) neeinga potadhu Anna 🤝

[@AskRaghulan]

@purpleprince4055 haha super all the best

[@suryaaselvaraj]

Bro..What are the credits to a lyricist?

[@BabuBakthavachalam]

Sir, I liked all your videos I watched so far except this 😊

[@vigneshkumarganesan1529]

You haven’t talked about royalty clearly in this video. Please share more insights about that.

[@sabart8269]

Yes bro neenga soltrathu correct but creativity இசைஞானி ஒருவரால் மட்டும் இல்லை ....orchestra சேர்ந்தால்தான் ....முழுமை அடையும்....

[@AskRaghulan]

Orchestra only playing what ask to play. Same orchestra cannot create the song without the composer. Composer can create the same song with any orchestra.

[@sabart8269]

@@AskRaghulan creativity of music = soul Orchestra =body

[@AskRaghulan]

Creation only matters, music directors can even humm the tune and tune is created..now everything else happens after the creation.

[@sabart8269]

இங்கு யாரும் எதையும் ஆக்கவோ அழிக்கவோ முடியாது....ஒரு ஆற்றலை இன்னொரு ஆற்றலாக மாற்ற முடியும் -----ஆல்பர்ட் ஐன்ஸ்டீன்.

[@Santhosh-1800]

Rahul I think your point of view is wrong in this one

[@epic642]

He is 💯 correct.. I'm a music producer and composer

[@nd7908]

Same this i said my friend. But he is dump 😅😅.

[@rsarunprakaash]

INDIAN LAW ON MUSICAL COPYRIGHT ----------------------------------------- Indian law on musical copyright is governed by the Copyright Act, 1957, which has been amended several times to adapt to changes in technology and international standards. Here are the key aspects of Indian law on musical copyright: 1. Types of Works Protected: - Musical works: This refers to the melody or harmony, written in the form of musical notation. - Sound recordings: This includes recordings of songs or instrumental music. 2. Rights Granted: - Economic Rights: These include the right to reproduce, distribute, perform publicly, broadcast, and adapt the work. The owner can also authorize others to exercise these rights. - Moral Rights: These include the right to claim authorship of the work and the right to object to any derogatory treatment of the work that would harm the author's reputation. 3. Duration of Protection: - For musical works, the copyright lasts for the lifetime of the author plus 60 years after their death. - For sound recordings, the copyright lasts for 60 years from the year in which the recording was published. 4. Ownership and Transfer: - Typically, the creator of the work is the initial owner of the copyright. - Rights can be transferred through assignments, licenses, or inheritance. Assignments must be in writing and signed by the owner. 5. Infringement and Remedies: - Infringement occurs when someone exercises the exclusive rights of the copyright owner without permission. - Remedies for infringement include injunctions, damages, and accounts of profits. Criminal penalties may also apply, including fines and imprisonment for severe cases. 6. Collective Management Organizations (CMOs): - Organizations like the Indian Performing Right Society (IPRS) manage rights on behalf of authors and composers, ensuring they receive royalties from the use of their works. 7. Fair Use and Exceptions: - Certain uses of copyrighted works are allowed without permission, such as for private use, criticism, review, and reporting of current events. Specific exceptions also exist for educational purposes and public libraries. 8. Recent Developments and Digital Context: - Amendments have been made to address digital rights management and online infringement. The 2012 amendment, for example, introduced provisions to protect against the circumvention of technological measures used to protect copyrighted works. Indian copyright law aims to balance the rights of creators with public interest, fostering both creativity and access to cultural works. FOR FILM MUSIC ---------------------- Indian film music falls under the broader scope of musical copyright in India but has specific nuances due to its unique nature in the film industry. Here are the key points regarding the copyright of Indian film music: 1. Nature of Film Music Rights - Musical Work: This refers to the composition, which includes the melody and harmony. - Lyrics: The words written to accompany the musical work. - Sound Recording: The actual recording of the song as performed by artists. 2. Rights Holders - Composer and Lyricist: Initially hold the copyright to the musical composition and lyrics. - Film Producers: Usually, film producers acquire the rights to the music as part of the contract with composers and lyricists. 3. Assignments and Licensing - In most cases, composers and lyricists assign their rights to the producer through contracts. This assignment is often comprehensive, covering all forms of usage including synchronization in the film, public performance, broadcasting, and digital distribution. - The assignment must be in writing, specifying the rights being transferred and the duration of the assignment. 4. Economic Rights and Royalty Sharing - Recent amendments to the Indian Copyright Act, particularly the 2012 Amendment, have strengthened the rights of composers and lyricists, ensuring they receive royalties for the exploitation of their works beyond the film's use. This includes broadcasting, live performances, and digital streaming. - Producers must now share royalties with composers and lyricists, even after the rights have been assigned. 5. Performing Rights - Organizations like the Indian Performing Right Society (IPRS) manage performing rights for composers, lyricists, and publishers. They ensure that royalties are collected and distributed when music is played publicly or broadcasted. 6. Infringement and Enforcement - Unauthorized use of film music, such as reproducing songs without permission, remixing without rights, or using music in commercials without a license, constitutes infringement. - Remedies include injunctions, damages, and criminal penalties. Enforcement can be pursued through legal action. 7. Fair Use and Exceptions - Fair use provisions apply to film music as well. For instance, using short clips for criticism, review, or reporting is generally permissible. - Educational and non-commercial use may also fall under exceptions, though the specifics can be complex and often require legal interpretation. 8. Digital and Online Rights - With the rise of digital platforms, the exploitation of film music has expanded significantly. Digital rights management (DRM) and anti-piracy measures are crucial in protecting film music in the digital age. - Streaming services, online radio, and digital downloads all require proper licensing and adherence to copyright laws. Summary Indian film music copyright involves multiple stakeholders, including composers, lyricists, and producers, with rights typically assigned to producers. Recent legal amendments have bolstered royalty rights for original creators, ensuring they benefit from all forms of music exploitation. The legal framework aims to protect the interests of creators while allowing producers to effectively commercialize film music. #IndianCopyrightLaw #MusicalCopyright #FilmMusicRights #IPRS #CopyrightAct1957 #MusicRoyalties #DigitalRightsManagement #FairUse #MusicIndustry #CreatorsRights #இளையராஜா #ilaiyaraaja #respectIntellectualProperty #respectTheCreator #RespectCreativeRights #HonorIntellectualProperty #SupportCreators #ProtectArtisticWorks #ValueCreators #DefendIP #UpholdCopyright #RespectArtistry #SafeguardInnovation #ChampionCreatorsRights #honorIntellectualProperty #HIP

[@hemar8847]

👍👍💐👏

[@kaminiravishankar5209]

Yes, he is the creator But, he did sell his creation to the film Once it has been sold the creator can’t claim IP rights If his music was only for him by him, then it’s his IP, like you mentioned the Western Countries Here, I think Mr. Raja wants those who use his songs to attribute it to his name. Royalties is a murky area since everything he created is for movies, no?

[@Benetic_360]

You are wrong, no one can sell music to movies

[@CutiekuttyAamirah]

Lyricst yenna thakkalithokka

[@AskRaghulan]

Haha he can copy right his lyrics and charge people to use the same wordings.

[@E-reason]

Bro it's not the director. We are telling about the producer.

[@AskRaghulan]

Producer can pay the same money to another music director but cannot make the same tune. He is not creator, only the person who creates the tune is its creator. He owns the creativity rights.

[@manojmuthiahpounraj2883]

You are soo wrong about the lyricist

[@gurushankar8553]

ஞானிக்கு ஏன் இந்த ஞானம்...

[@swagart6989]

Read about lawsuit made by family of Stanley to marvel claiming copyrights to all the characters of marvel nd u guys will understand how bad is ilayaraja's claim is pointless thing

[@AskRaghulan]

Yes if royalties are agreed before starting the works then yes it can be enforced

[@victoriawilliam7066]

Ivanunggalukku entha language le sonnaalum puriyathu la

[@thisisnew7694]

Respect for sharing your views!🫡 well conveyed