Inside Glenn Fuhrman’s 'Top 200' Art Collection | Masterworks

Collecting art has been a part of Glenn Fuhrman's life for decades, a journey that ignited during his early years at Goldman Sachs. Since then, his fervent interest has evolved into something truly remarkable. Today, his art collection stands as a testament to his unwavering commitment to collecting and discerning taste, now occupying a prominent place in his net worth. Now, you can watch Masterworks review his journey of collecting art and learn how one builds a top 200 art collection.
Mr. Fuhrman's collection contains a vast roster of contemporary art luminaries, featuring names such as Nicolas Party and Gerhard Richter. These masterpieces find their home inside his Upper East Side residence. In our engaging conversation with him, we delve into the intricate world of an art collector, philanthropic foundation founder, and visionary entrepreneur. His captivating journey unveils a profound and inspirational narrative that bridges the realms of art and finance.
At Masterworks, our mission is to democratize the art market, making it possible for anyone to invest in multimillion-dollar masterpieces.
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Chapters:
0:00 Introduction
0:34 First Experiences with Art
1:08 Becoming Involved in the Art World
1:40 Career Path
2:10 Art World Community
2:27 Appreciating Nicolas Party
3:24 Becoming a Collector
3:46 The Early Years
4:17 Developing a Strategy
4:51 Appreciating Cy Twombly
5:30 Appreciating Gerhard Richter
6:38 Becoming a Serious Collector
7:05 Understanding Art as an Investment
8:17 How Masterworks Acquires Art
8:41 Impacts of Globalization
9:12 Difficulties of Art Investing
9:50 The FLAG Art Foundation
10:30 Curators at FLAG
10:54 Advice for Young Collectors
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Many thanks to Mr. Fuhrman and his family for inviting us into their home for this exclusive look into the world of a top art collector. To learn more about the art market and invest in blue chip art, visit Masterworks.com. See important disclosures at masterworks.com/cd.

[@user-ju3rz1id6f]

Interesting to hear that he has met the artists whose work he hangs in his home.

[@franknorman5949]

Love the discussion of the data driven approach.

[@HelainaFerraioli]

So fascinating 😯

[@wallaceburgess5570]

Good stuff!

[@TomHendricksMusea]

Most modern art substitutes weird for quality, narrow isms for scope, and trendy for depth. It also refuses to change or even talk about progressive ideas in art like those that follow Too many treat art as a marketing scheme. Modern art has become a trendy clique and the art now is mostly over promoted footnotes to greater art that was done 100 years ago. But art is too important to be reduced to a trendy clique. Post-ism, is art for a new century, not a continuation of last century trends. 1 Mass Market Paintings like Prints. When any art form is mass marketed it enters a golden age. This has happened with books, records, and film. Let's add paintings. Most art is in storage in museum basements. Mass Marketing allows art to tour in copies and allows artists to make royalties on copies. Why do you think the world gets so excited about a new great book, record, or film; but no one cares about a new great painting? All are mass produced except the painting. 2. End a Century of Isms. Dump the genres and formulas and let all kinds of art be a part of the art world. 3. Shift Emphasis From Trendy to Quality. Shift emphasis from the latest trendy art, to quality art in any style. Just because art is weird does not mean it is great art. 4. Free the Art From Museums and Galleries. Get the art out of the ivory elitist museum and gallery towers and back into the world. Have city art centers open to all artists. Make art that is relevant and communicates with people. Start with the first generation of artists online. 5. Postism is Part of a Bigger Revolution. Postism is part of the bigger art and media revolution out of Dallas, that includes art, music, lit, film, media, and a lot more. 6. Postism online: Online artists are the new wave of art. We had all the isms of last century. Now we have a free for all, of all kinds of artists, that are not sanctioned by any museum or gallery, displaying their work. Out of that comes the next wave and revolution of artists. Last century the goal was to fit the ism. This century the goal is to do great art - no ism, no boundaries. Fractionalized art then, synchronized art now. Even calling something modern art is a type of ism that separates that art from the art of the past. The 20th century was a century of experimentation in art. Now in the 21st we can choose from all those styles and / or start one of our own. Then too if someone devises a way to charge and collect a penny per view on a webpage, that would allow any great artist to get money for their art and have a career without any middlemen. Duchamp broke ground 100 years ago - but now his clones are just shoveling dirt. Weird art is easy, you put a strip of raw bacon across an expensive violin, but it's not good art. Join the art revolution and pull the art world out of last century. Musea since 1992.

[@waltercolazo358]

Pero no fue solo hay mas gente que saben que yo se quienes son hay uno que se hace bien el boludo pero walter sabe todo la erencia ⭐

[@waltercolazo358]

La erencia de emperador es mia lo que pasa que yo estaba internado y la agarro libra como lo material ahora es hombre ya no biste de mujer ⭐

[@waltercolazo358]

Y hoy quiere benir a las 24 horas con unaultitu de jente y yo vivo solo y a libra personal mente no lo conosco ni pienso conoserlo hasta que mede lo robado ⭐

[@waltercolazo358]

Como yo walter voy a confiar en este ladron que cultura esto nolo puedo creer youtube que estraños que son y yo que boludo no jehova ve todo no yo bendiciones ⭐