iPhone 16 Pro - Unlock the Film Look

[@ArthurR]

You did it! This looks awesome!

[@thefilmalliance]

Thanks to you man

[@arthurfleck42]

I think with the new update, the FCC can now record HEVC in Log. Tried and tested.

[@SanjuSingh-kc9dy]

​@@thefilmalliancecan I do all this settings in iphone 13

[@davidmaxfield8931]

I don't think anyone else on KZbin goes into as much depth of detail in their videos as you do mate. Amazing work

[@thefilmalliance]

I really appreciate those kind words David. We put a lot of work into this one and I'm happy you pick up on that

[@angelestupinan7302]

This video felt like a complete lesson. It is outstanding how you explain so many things yet the video it’s under 20 minutes. Thank you for sharing your knowledge.

[@thefilmalliance]

Thanks Angeles, its my pleasure. Thanks for the comment

[@fjmorales6823]

The production quality and the clarity of the justifications behind each decission had me hooked. This is great.

[@thefilmalliance]

Wow appreciate that. Thanks

[@SweetTorment-007]

As someone with not much experience with color grading, I was looking for a video that explains all the fuss about Pro Res Log. Thanks mate !!!

[@thefilmalliance]

Great, happy this helped you out. Did you pick up the iPhone 16 Pro ?

[@fjmorales6823]

@@thefilmalliance I will pick it up as soon as the financing app works (oops, their servers are down). I have been thinking about getting back into editing now that I have finished my uni and masters (not related to filming), since I left it when I was like 16/17. I am 24 now, a couple of days ago I had to get back in touch with DaVinci resolve for some work related stuff and damn I miss editing things a lot.

[@robbykidman]

You are so detailed. I couldn't be this technical to my vids but i just love hearing your passion for fuji and apple. Oh fuji apple 😅

[@jun-chungzheng6525]

I'm just someone who likes to take decent photos, and mostly I don't think I'll need to access that much technique on my iPhone 16 pro but thanks for sharing all these info. hope I'll get a chance to use it one day!!!!

[@tierradenadye]

Every example and description in this video it's just amazing. Thanks for sharing, nice work!

[@calvinjones9306]

24fps is the most beautiful, mysterious, cinematic, and provocative speed and format to anyone who has an understanding of cinema and its role in touching human beings, historically. It’s true it contains less information. It is more remote. We are not so overpowered by the exactness of our subjects and we are empowered to focus more on what is occurring in the hearts mind and mysteries of our subjects. This video was very useful. Thanks

[@thefilmalliance]

I agree

[@jannapravnik1017]

Hi! But if you upload to youtube or instagram, isn't the video automatically being upscaled to 30 fps? Just asking.

[@plammenn888]

Your content is beyond amazing, and offering so much resources: Luts, Project files... Thanks man!

[@thefilmalliance]

Thank you, I appreciate it

[@Lu-G7]

I hope that Apple at some point, implements a few luts preinstalled within the photo editor.

[@thefilmalliance]

I can't agree more

[@valentinoesparza2399]

Photo editor ?

[@Lu-G7]

@@valentinoesparza2399 yes, the stock editing within the photos app. How wonderful if we had a few luts baked in to choose from.

[@demon6937]

@@valentinoesparza2399I think he meant photos builtin app and use to edit it

[@MINDSPARK-u6e]

*_High efficiency_*_ is more than just storage, in terms of _*_Quality:_*_ HEIF/HEIC can store higher-quality images at smaller file sizes compared to JPEG. This format uses more advanced compression techniques, allowing for better image retention, especially when dealing with higher resolutions or images with a lot of detail._ *_Compatibility:_*_ This format might not be supported by all devices or software, although its adoption is growing._ _However, because I had taken digital media art classes along with photography it is a trained habit for me to take RAW photos for post production And coming from a digital-file-head and a professional photographer Apples ProRaw technology is amazing_

[@thefilmalliance]

Thanks for the clarification and your expertise in this subject matter.

[@sauzefilms]

upgraded from the 13Pro to the 15Pro today for that Type C and bigger storage. im used to the Blackmagic Camera app, but not Apple Log so this video pops up just in time.

[@thefilmalliance]

Bang, perfect

[@Bothtapes]

📽📽📽📽📽16 pro delivery tomorrow..... Thank you.. Excellent, I have saved this and will use lots you have very sensibly suggested !📽📽📽📽📽

[@thefilmalliance]

Awesome, happy to hear that

[@TechOutAdam]

The only con of this video is now I need to get one of those external SD cards 😭other than that thanks so much for such an easy, thorough video on how to do this and for supplying the Lut package!

[@thefilmalliance]

Hey Adam, sorry about that. It’s my pleasure. It was a fun project

[@outpostcheerfuloyster]

You don't get the cinematic motion blur of 24 fps unless you snap on a neutral density filter so the exposure time can knock down to the double-digits, even in daylight. (And you need to knock the ISO down as well. I don't know how you do that in native iOS mode.) I notice The Modern Rogue is a channel that shoots in 24 fps. But the motion is conspicuously choppy, because they use short exposure times to capture stunt action.

[@thefilmalliance]

That's a great point about the motion blur and neutral density filter. It's definitely a technique that can enhance the cinematic look. I'll be sure to include that in future videos. As for the ISO, you're right, it's not as adjustable in native iOS mode. However, there are third-party apps that offer more manual control, allowing you to adjust ISO and exposure time like the BMCA and the Final Cut Camera app. You're also right about The Modern Rogue and their short exposure times. While they do achieve a certain level of sharpness and detail, it can sacrifice some of the cinematic feel. It's a trade-off that depends on the specific look you're aiming for.

[@BeatKarbuReal]

This is gold... Thanks to bring it up.

[@thefilmalliance]

Thank you, Do you own the iPhone 16 Pro ?

[@purnomopurnomo9491]

Kalau kata orang indonesia ini daging semua bang! Keep up the good work!

[@thefilmalliance]

Thanks for the insights. Please tell this community your camera of choice?

[@WillCaban]

Appreciate the depth of the color grading, the level of detail reaffirms why I use Davinci resolve because it takes away so many steps in the process vs Final Cut

[@thefilmalliance]

Hey Will, its my pleasure. Yes I need to get into Davinci and learn it

[@WillCaban]

@@thefilmalliance thanks for the response, it’s cool and awesome that you have your workflow, I could only imagine trying to relearn a new workflow would be tedious

[@thefilmalliance]

Hey Will, yes it would. Im sticking to fcpx for now

[@alieazzy1631]

@The Film Alliance They look pretty good but I guess blues and oranges needs a little more work i guess by comparing it to XT4 and Apple log. Also Classic Negative is way over dialed, makes everything looks very dark.

[@spicymustard3251]

Thank you so much. This was really helpful!!

[@stephensedon]

This video deserves a new subscriber 📸 I’m subscribed.

[@thefilmalliance]

Thanks for the sub. Welcome

[@Timmy-d8c]

Ghost flares arent unwanted, they are cool in my opinion

[@thefilmalliance]

Good point

[@afeher]

GREAT TUTORIAL. Especially that you discussed capture, settings, and editing as well, as multiple apps to use. Great job!

[@thefilmalliance]

Thanks, I appreciate it

[@truthseeker6804]

been awhile, nice video, you've improved. the editing should've been on phone so it's easier for them. keep up the good work

[@thefilmalliance]

Thanks, appreciate the kind words

[@barcolife]

it was quite literally APPLES to APPLES comparison for that color reference video you recorded!

[@thefilmalliance]

Ha good one!

[@juanjosearasatrullenque3770]

Great work and explanations, you are a reference.

[@bonedyone]

High Efficiency is the better quality of the two. For photos.

[@thefilmalliance]

I can't get high efficiency to expose properly when editing on certain monitors that are older

[@michaelmartinez280]

wow what a great and detailed tutorial

[@thefilmalliance]

Hey Michael, thank you. It was a challenging one but fun for sure

[@TopshelfJunior]

A little willy nilly and risky, filming and moving around without a case... I like it, lol. SUBSCRIBED !

[@thefilmalliance]

Ha, I know right?

[@Lucky.Striker]

Great video and results, but frame rate has nothing to do with motion blur. Shutter speed (or angle) is what makes a blurrier or sharper motion.

[@DevilesEye1088]

Great video !!! Thank you !!! I actually learned a lot from this video ! Appreciate you !

[@thefilmalliance]

Thank you

[@sipulisaekki6260]

Just got the 16 pro and on my way to learn videography and editing, found this video super useful! One thing I noticed right from the start which you did not mention in the end (might be just me having some wrong settings in use or smth), is at least when editing with semi beefy PC, H.265 4K absolutely killed pc performance, tried all the possible fixes I found online but the performance did not get any better. Meanwhile apple prores worked really well, not janky at all in Resolve. H.265 shot processor or GPU straight to 100% use depending which was configured to do the work, with prores they stayed somewhere in the 20% range, just something to consider. Might be different story on MacOS devices or with Final Cut Pro. Could you give me your take on this? Again, really useful video thank you!

[@thefilmalliance]

I appreciate you stepping in here

[@thefilmalliance]

That's a great observation about H.265 performance. It's a common issue, especially on older or less powerful machines. While it offers excellent compression, it can be more demanding to process. Apple ProRes, on the other hand, is designed with post-production in mind. It's often more CPU-friendly and offers better performance, especially for demanding tasks like grading and effects. It's worth noting that performance can vary depending on your specific hardware and software setup. If you're working with a beefy PC and a modern video editor, you might be able to handle H.265 more efficiently. However, for optimal performance, especially when working with large projects, Apple ProRes might be the better choice, especially while on a mac.

[@nowayyousaidthat]

Every video tells me to "not shoot in the bright sun and always in the evening or morning" but I havent seen the sun since october where I live (Berlin) and I wont until may lmao. Sun also sets at 3-4pm

[@AdawgSuperhighway]

Great video. 1 more week till mine arrives.... but great video man

[@thefilmalliance]

Thank you, it was a fun one to make for sure

[@leebeeskee]

Nice. Enjoy it when it arrives. I'm loving mine. Very slick device. I came from a 13 Pro.

[@Abmos.]

BRO JUST GOT A NEW FOLLOW WITH ME BEING ONLY ONE MINUTE IN THE VIDEO MY LOG FOOTAGE IS ALSO DARK WHEN I CHANGE INPUT GAMMA TO APPLE LOG IM A BEGINNER BY THE WAY

[@thefilmalliance]

Nice man, welcome glad to have you here. Have you tried using exposure compensation?

[@Abmos.]

@@thefilmalliance will check it out

[@MikeTaffet]

If you’re going to shoot in ProRes, the high efficiency/most compatible setting doesn’t matter. ProRes bypasses that setting.

[@thefilmalliance]

Yes but I mentioned in the video switching between log and standard to get a reference when color grading

[@paulm4530]

Great work noticed you were shooting at Trilith that’s down the road for me.

[@zriley7995]

hdr looks way better than sdr

[@stephenrochester6309]

Would have been nice to hear his thoughts on why to turn HDR off.

[@zriley7995]

@ nah i mean use log to shoot and edit in HDR pipeline

[@stephenrochester6309]

@@zriley7995 oh, I didn’t make it that far

[@iPhone-Cinematograhy]

Excellent content, thank you for sharing!

[@thefilmalliance]

Thanks and your welcome

[@henriquecaffe]

Amazing content! How does these settings affects the battery life of the iPhone?

[@thefilmalliance]

Thanks, I haven’t seen a huge loss in battery life while filming with these settings

[@jacksmith-kw9ex]

just got my 16max today, thanks for the video🎉🎉

[@thefilmalliance]

That's great, you will have some fun with it

[@ChopsticksGarden-QuangNgo]

Thank you for the video. I bookmarked it for future reference.

[@thefilmalliance]

Good idea. Theres a lot of info in this one

[@davidpicknell7470]

How do I download the Lut pack, I’ve purchased and the site tells me I’ve purchased, but if I click download it just sends me back to purchase again, round and round in circles 😡

[@JoshuaScotchCanlas]

YESSIR!!

[@whatdarylldid]

Air came out of my nose listening to "someone else' LUT" . Thanks for this great video tho

[@thefilmalliance]

I’m not sure what you mean. Please explain

[@whatdarylldid]

@ sorry, it sounds like “someone else’s slut” lol, it’s just me not my first language haha but again your video helps me a lot since this is my first time owning an iPhone and it’s the 16 Pro Max

[@thefilmalliance]

Ah, thanks for the explanation. Also it’s my pleasure

[@rohati1958]

Pretty insightful. Thanks

[@thefilmalliance]

Thanks for that. I appreciate those kind words. Do you own the iPhone 16 Pro

[@GarrEFeLix]

are your lutz compatible with Lumafusion? I'm not a pro, but more of a hobbiest. I love that you're using Fuji-like colors and appreciate it.

[@thefilmalliance]

Thank you, Great question, does it accept .cube files?

[@thevinceedward]

@@thefilmallianceYes it does. You can use any .cube file with LumaFusion if you put it in cloud based folder from your computer.

[@thefilmalliance]

Perfect thanks!

[@exshenanigan2333]

10:02 NGL I thought that was a segue to one of those stock music sponsors.

[@Jade-cv5lc]

Please can you help ,e and grove me a transparant answer…. I have a iPhone 7 and ofcourse no updates anymore…So time to change… my eyes are foccusing at the Oppo Find x8 pro OR pro 16 max. Yes al my devices are from apple, but is that really the reason don’t go to android? Photo and video, sounds and battery are the most important for me…. It cost a Lot of money so what is your advise? Thanks

[@spaul89]

Can these luts be used on clog3

[@thefilmalliance]

I don’t know sorry

[@troywhitfield5481]

Great job

[@craighustadt8460]

Nice video you give a lot of information. My question is how to download your LUT from this video? Thank you.

[@thefilmalliance]

I included the link at the very top of the description. The link will bring you to my luts.

[@thefullsetup]

Great job on the luts what Color space should I set the lut view to on the black magic app, apple log or rec709

[@thefilmalliance]

Thanks - Apple log

[@jaymills1720]

Goat 🐐 ❤

[@thefilmalliance]

Thanks Jay

[@ComfyChroma]

If feels a little odd to use the shot comparing 4k 24fps to the other frame rates, yet they are slowed down. Wouldn’t a more accurate comparison be to have them all playing at the same speed?

[@thefilmalliance]

Yes but I opted to slow them down to show their ability to have slow motion if needed

[@ComfyChroma]

@@thefilmalliance Makes sense. I’ve been trying to get better at filming on my 15 pro, and this video gave me a couple tips I’ll be using. I use resolve on my iPad Pro, and it has been crazy finding accurate info for the iPad specific version of resolve, but after you learn it, it’s hard to use any other video editing programs, since none are as fully featured for the iPad. Final Cut on the iPad is more like Final Cut light, and lumafusion is pretty close, but not as fully featured imo, although it’s easier to use. Tough to justify spending a thousand or (much) more on a dslr when the iPhone can get 80-90% of the way there, especially for smaller channels like my own. Thanks for the video, and great info 👍

[@thefilmalliance]

That's great to hear that you've found the video helpful, I know how challenging it can be to find accurate information for iPad-specific versions of software. Resolve on the iPad is a powerful tool, and it's impressive how much it can do on a mobile device. While mirrorless cameras offer more flexibility and control, it's clear that iPhones have come a long way. For many creators, especially those starting out or with smaller channels, the iPhone is a fantastic option. It's a great way to experiment, learn, and produce high-quality content without breaking the bank. I would however download the Black Magic Camera App to get more control over exposure

[@ComfyChroma]

@@thefilmalliance I have been using the black magic camera app, and the Final Cut camera. I usually record at 1080, ProRes, sdr, and have gotten pretty decent results editing my videos like that in resolve. I think the Final Cut camera app is a bit more easy to use, so if I’m recording a quick video, I will use that, but black magic camera gets the best results, and has the most flexibility by far. The only video I’ve made so far that looks identical in resolve, exported and uploaded to KZbin is the Apple worm video, shot in 4K, where I filmed it in black magics camera. All the other videos I can still get good results, but there is always a slight color shift when uploading to KZbin. I love the look of the Apple worm video, but I still need to get comfortable narrating a video, because I sound like a shy zombie in that video. I’ve spent over a year editing a sketchbook tour video that’s has been a real challenge because I’m using photos, videos, from years ago, shot on my old iPhone SE, and I’m trying to add a bunch of transitions, and just have more fun with the overall edit. The worst part so far has been a bug in resolve where any HEIC photos just weren’t working, and turned neon green. I think this was also an issue on Mac’s, not just the iPad version, and I spent forever going back through the video and converting the heic photos to jpeg, and having to redo all the transitions and coloring, and then week after I did all that, resolve has an update that fixed the heic photos bug 🤦‍♂️😂. The last thing I need to do is the narration, and it’s been taking me forever to get right and be comfortable, but hopefully soonish I’ll finally finish it. Thanks again for the video, and the best conversation I’ve had with a creator on KZbin, much appreciated. I hope your channel keeps doing well, I subbed.

[@Archaic_Aj]

I have a problem where my iphone 16 Pro is saying 4k "framerate are not suppored on ProRes witrhout and external device". Does anyone have a fix for this?

[@8372190]

JPEG VS HEIC is not just a question of a “smart way to store your stuff”, a question of compressibility, There i is an important difference in quality.JPEGS are 8 bit but HEIC is 16 bit. Now most good apps can read HEIC and treat it.

[@GlenSorochuk]

You guys rock! this tutorial was an amazing intro to LUTs and i am purchasing in a moment. One question about the Blackmagic app and shooting HEVC. What do you set the bitrate to? High or Max? Does it make a huge difference for the HEVC quality? Obviously more is better but just how much better? Thanks.

[@Cheryy-e9g]

Thank you bro

[@thefilmalliance]

My pleasure. Do you own the iPhone 16 Pro ?

[@pdcorlis]

At last some reasonably priced LUTs! 👏🏻

[@thefilmalliance]

Enjoy!

[@emmans05]

What does he mean by Blue hour? What time of day is it?

[@Treborray]

You are Beast man !

[@thefilmalliance]

Thanks bro, glad to have you here

[@twn2rbo]

All I will say is you better get the Apple Studio Display or you will go crazy trying to edit these types clips. Or just edit on your MacBook Pro.

[@nostra2005]

Hi. Great video. I use an iPhone 16 pro and want to use 4K 24fps. Camera app says only possible with external storage. Is there any workaround?

[@joelbechtolt]

4K 24fps is a standard setting on my 16 Pro. No external device needed. 5th option down in Settings>Camera>Record Video.

[@terrencebibbphoto]

You are the GOAT! I know you suggest 24fps but I normally shoot at 30fps will these still work or do I need to shoot at 24fps?

[@FotomaniaYT]

Works in iphone 15 pro?

[@IAMLXGEND]

He said that in the video. Yes

[@MR-AK]

Nice video. Ignore the haters

[@thefilmalliance]

Haven't been any

[@JonniArmani]

great video.)

[@5upergeniu5]

What would be the settings on 14 pro max? Im assuming theyre not similar cant find white balance...

[@thefilmalliance]

Can you download the a lack magic camera app?

[@5upergeniu5]

@@thefilmalliance Yes I have that and I now realize my wrong turn...thank you.

[@thefilmalliance]

Sounds good. I meant the Black Magic Camera App

[@5upergeniu5]

@@thefilmalliance I understood what you meant. 😃

[@AlexBones]

Great video. Thank you. Do you have/offer Fuji film sims (for iPhone) stills/RAW DNG’s to match your Fuji video LUTs? 🙏

[@sarojinishetty1536]

Perfect

[@thefilmalliance]

Thanks for all of the support.

[@portman8909]

Why not disable enhanced stabilization? It'd make the video crop in less.

[@thefilmalliance]

Yes, but image quality would be compromised

[@JabbaTheFart]

first video i watched from you. what is a lut?

[@thefilmalliance]

Whats up Jabba, Imagine your camera captures colors like a painter collecting paints on their palette. A camera LUT is like a special set of instructions that tells the camera how to mix those paints differently, creating a whole new range of colors and tones. It's like having a filter that changes the overall look and feel of your video, similar to how Instagram filters work for photos. Instead of manually adjusting each color, a LUT instantly transforms the footage, saving time and offering creative possibilities. It can give your video a vintage film look, a warm summery vibe, or a dark and moody atmosphere. Essentially, it's a quick and easy way to give your videos a professional and stylistic touch. With the iPhone 16 Pro you can import the lut with the Black Magic Camera app to preview what it looks like in real time

[@JabbaTheFart]

@@thefilmalliance you explained that perfectly. Thank you. I got a lot to learn.

[@thefilmalliance]

Thanks, enjoy

[@leebeeskee]

I think it stands for Look Up Table

[@thefilmalliance]

Yes it does, how could I forget to mention that

[@gabrieldavidmonteiro7661]

nice video, do you know why I can't find apple log in my camera lut?

[@thefilmalliance]

You mean in settings?

[@dsmith5940]

Hi All - this could be good… let’s see

[@thefilmalliance]

Lets hope

[@angellomamaril80]

Whats a lut

[@agentluapgaming]

Thank you. But I cannot download the black magic camera app here in Singapore.

[@thefilmalliance]

Oh man, then you will not be able to monitor your luts using that method. Is there another app that allows you to upload luts?

[@agentluapgaming]

@@thefilmalliance by chance you can recommend some?thanks

[@judahtunes2245]

@@agentluapgaming Mavis pro camera (free) ... Protake $7.99..... Filmic Pro $7.99

[@thefilmalliance]

Thanks Judah

[@Kendalltimes7]

Do you use ND filters?

[@thefilmalliance]

Yes only when needed but mostly I shoot in the golden hour

[@iqbalhardito3020]

Is log profile only available in pro iphone even in the blackmagic app?

[@thefilmalliance]

Yes and pro max

[@freeasabird6799]

What you shout in? Native, black magic, or Final Cut app?

[@thefilmalliance]

All of the above but mostly native for tutorial purposes

[@takticus]

play on this phone, online, 120 fps, go on!!

[@thefilmalliance]

All true

[@mehdikhediri4767]

I bought the lut pack and received nothing in return. I did not receive a download link. please find a solution to this problem

[@thefilmalliance]

How'd that happen? Can you email me? [e-mail]

[@mehdikhediri4767]

@@thefilmalliancei send u email

[@thefilmalliance]

I just replied. Did you receive?

[@bszphoto]

I have a 15 pro. Should i upgrade?

[@thefilmalliance]

Nah, I think your good

[@detroitAR]

Bro when log mode turned on why are you getting only 18 minutes max to shoot? I’m getting 64 mins max here. Is it because of the storage?

[@thefilmalliance]

Yes, Im low on storage here

[@jayrecords9353]

works on 15 pro ?

[@thefilmalliance]

Yes

[@InesJonasSister]

🤯🤯🤯❤

[@thefilmalliance]

Thanks

[@Bestravelvideo]

Thanks for providing the free evaluation files! I own the Pocket 3 and I have already ordered the iPhone 16 Pro so these files you are providing are I would dare say essential for me to do my initial tests. I edit in HDR so I imported the BT.2020 Log files into Premiere and created a relevant sequence. I tried using the Apple LUT but I still see nits are closer to 100, not 1000. I tried pulling the whites (even over 100, to 150 max) before they burned (always using an HDR monitor) but they still did not go close to 1.000. Am I doing something wrong? Are the files in Dolby Vision or there is another way to do so? When editing my HDR Pocket 3 files, all is fine and the video level is proper. * update: It seems I managed to properly color correct with Premiere Pro Beta. To my eyes, only the green car video has visible video noise inside the driver's cabin. I think that the bigger sensor of the Osmo Pocket 3 would do a better job resulting in less noise in that scenario. Do you think that this would be the case? I suppose the iPhone would give better overall quality, but the Pocket 3 less noise and no bounce as the iPhone has some jitter in the file with the bump at the same green car clip.

[@thefilmalliance]

That's great you figured it out and thanks for the update and kind words. As far as the pocket 3 goes I am versing it against the iPhone 16 Pro right now. Without giving any spoilers, you are spot on with your analysis!

[@Bestravelvideo]

@@thefilmalliance We'll wait for the next video then! Maybe you could plan a future video regarding the Blackmagic app and iPhone 16 in Log and/or HDR. We would like to see some tests of ProRes HQ vs ProRes, regarding dynamic range. I'm thinking that "plain" ProRes will save about 1/3 of the space, and it's still better than H.265. Also to see if the Blackmagic app results in the same stabilisation as the Apple camera. As a small channel, I see that about 20% of my viewers watch content (HDR or not) on TVs, so I invest in recording in HLG.

[@thefilmalliance]

Dually noted - All great advice on another video. I appreciate it.

[@Ankete_Gradjana]

what would you tell for a start content with only iphone 16 standard version, i do house painting as a business owner. should i go for lenses attachments, gimbals right away or should firstly just make simple photos of before and after , i have a wish to go into video content more then just photography in future. ps: nice white teeth bro, just like straight our of polish or filter :-)

[@mamangbeck]

no histogram on stock camera iphone app?

[@thefilmalliance]

nope, wish it did

[@greenlightstudios3469]

How does the video quality hold up in 28mm and 35mm mode?

[@thefilmalliance]

It’s good but there is a small quality fall off I’ve noticed

[@CrisConstantin]

Hey man, just purchased the LUT’s and can’t find them anywhere to download. Is there a trick or is me getting old? thank you for all you do:) LE: Got it, the email went to spam…heads-up to others with the same issue ;)

[@thefilmalliance]

Thanks Cris!

[@jusforwatchingstuff4758]

Im on a regular iphone 16, no way to film pro res log. Would cinematic shots grading be okay?

[@thefilmalliance]

Yes but not as easy. Can you download the Black Magic Camera App ?

[@jasonliew443]

does it work on the 15 pro?

[@thefilmalliance]

Yes

[@ElProfedeparque]

Works on iPhone 15 Pro.?

[@thefilmalliance]

Yes

[@BoredInIt]

need help - I just got iphone 16 pro, but have Dell xps 13 to use for post production edits. In the formats do I need to adjust them differently to be able to access the files (or SSD) on my laptop for editing in CapCut ?

[@thefilmalliance]

That's a community question because I don't know. Anyone?

[@KabaKunD]

Does samsung do this? just curious..

[@thefilmalliance]

I don't think so

[@KabaKunD]

​@@thefilmalliance Okie thanks. probably when samsung comes out with their logs.. it will be more competitive..

[@thefilmalliance]

Yes I would think so

[@DanielRomeros]

When I use the Blackmagic camera app and outside, the image is so overexposed even when having 120fps, 180 shutter angle, and lowest ISO 54..how are you achieving good exposure without using and ND filter when shooting outdoors??

[@thefilmalliance]

Hey Daniel, thanks for checking out the video. You're right, shooting in bright daylight with the iPhone 16 Pro can be tricky. I've found that even in manual, it's tough to avoid overexposure sometimes. I often end up either cranking the shutter speed really high or relying on auto exposure with negative compensation (-0.7 is a good starting point!). But as I mentioned in the video, the golden hour really is the sweet spot for capturing that filmic look with the iPhone. The softer light during those times makes a huge difference in managing exposure and avoiding that jittery high-shutter-speed look. If you're stuck shooting in harsh daylight, you might want to consider using an ND filter to help control the light. It's definitely a worthwhile investment for any serious iPhone filmmaker but for me I try just shooting when the light isn't so harsh. Does that make sense?

[@tengkiofficial7728]

Can I take iphone 15 pro for this? 🙏🏾

[@tengkiofficial7728]

I mean, can I use iphone 15 pro for this setting and get the result like this? 🙏🏾 thank you

[@thefilmalliance]

Yes

[@thefilmalliance]

Yes you can because it has Apple Log

[@KingConnACB]

I have the new iphone 16 plus and dont see pro res under formats or in camera setting anywhere, anyone know why?

[@thefilmalliance]

You need the iPhone 16 Pro not the plus. Sorry to hear that