is the bridge of JAMES impossible to play over?

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Tina Jäckel

Tina Jäckel

Жыл бұрын

#patmetheny #james
let´s make the impossible POSSIBLE!
get the PDF that goes with this video:
allthethingsguitar.com/produc...
-----this PDF contains all the chords that i show in the corresponding video. i have a look at V I progressions in major and minor. a i explain how you can use open triads in inversions
f you like to support me :)
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Пікірлер: 21
@yousukeesu1
@yousukeesu1 Жыл бұрын
Tina thank you for this lesson, i am non-schooled jazz guitarist from Turkey, this is a priceless content for me. Love your work !
@tinajackel
@tinajackel Жыл бұрын
i m glad to be of help 😊
@clydebermingham121
@clydebermingham121 10 күн бұрын
JAMES is one of pat Metheny’s loveliest tunes … (just about all this tunes are lovely already 🤗)
@TheMetalslayer100
@TheMetalslayer100 Жыл бұрын
Hallo Tina! Ich studiere Jazzgitarre in Kärnten (AT) und hab diesen Tune nun auch im Repertoire. 😃 Find ich toll, wie einfach du für uns deine Vorangehensweisen für die Improvisation über die Bridge erklärt hast. Hilft wirklich weiter, so über diese Bridge zu denken. 😁 LG nach DE 🙏🏾
@tinajackel
@tinajackel Жыл бұрын
hi! das freut mich! es gibt bestimmt auch andere herangehensweisen aber diese hat für mich ganz gut funktioniert! liebe grüße aus berlin tina
@gtrplyrgrl512
@gtrplyrgrl512 Жыл бұрын
Your breakdown of the triad inversions related to the V I is ❤️🔥🧠 Thank you!!
@tinajackel
@tinajackel Жыл бұрын
thank you Linda!
@JazzGuitarScrapbook
@JazzGuitarScrapbook Жыл бұрын
I think it’s quite funny that Rick identified this as being difficult, because functionally it’s just the same as II V I, but at the same time it really isn’t. While most bop stuff is in root position, the semitone bass movement that’s been common in western music for hundreds of years. I would also say it’s actually not the same thing as a V I because if you double the third - the usual sensitive note you would use in a V I, you actually end up with poor counterpoint. The solutions you identify (b9, b7 resolving to I chord tones) are how Bach and Mozart would have done it too. I think Pats music is all about this type of stuff.
@johnc.mitchelljr.2716
@johnc.mitchelljr.2716 Жыл бұрын
👍excellent !
@clydebermingham121
@clydebermingham121 10 күн бұрын
By the way , Tina , which model Ibanez are you playing here in this posting , please ? 🙏🏽 🤗
@pauloluisdemoraespereirape9484
@pauloluisdemoraespereirape9484 Жыл бұрын
Voce e show!!!
@PTguitars
@PTguitars 5 ай бұрын
Thanks Tina - you are an excellent teacher.
@tinajackel
@tinajackel 5 ай бұрын
thank you!
@frankrausch6149
@frankrausch6149 6 ай бұрын
❤ ✌ 🙏
@WhiteBoar1483
@WhiteBoar1483 Жыл бұрын
Great lesson Tina, can I ask what is the pedal your using? Is it a loop pedal?
@tinajackel
@tinajackel Жыл бұрын
i think i am using an old boomerang! ( or maybe the ditto pedal)
@WhiteBoar1483
@WhiteBoar1483 Жыл бұрын
@@tinajackel thank you, I need to invest in one.
@dannyhood8857
@dannyhood8857 Жыл бұрын
Recently i read that Pat Metheny listens to Buckethead.
@guitarsofold100
@guitarsofold100 Жыл бұрын
Your front pick up is too high resulting on wolf tones on the bass notes after the 10th fret
@tinajackel
@tinajackel Жыл бұрын
0h that’s interesting- i will need to hear that … the guitar is still kind of „new“ too me
@christopherbandini9756
@christopherbandini9756 10 ай бұрын
This lesson rules. 🔥 Especially starting @13:35 thank you!
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