Juan Diego Flórez - Rossini - Guillaume Tell - Baden Baden - 2008 (3/4)

"Asile héréditaire.. Amis, amis !", Rossini, Guillaume Tell, Concert, Baden Baden, 27 Nov. 2008
Deutsche Staatsphilharmonie Rheinland-Pfalz / Christopher Franklin
Arte TV
La Favorite, Donizetti:
• Juan Diego Flórez - Do...
Roméo et Juliette, Gounod :
• Juan Diego Flórez - Go...
La Fille du Régiment :
• Juan Diego Flórez - Do...
Salvatore Fisichella Même air en italien/ same aria in Italian:
• Salvatore Fisichella -...
----------------------
Ne m'abandonne point, espoir de la vengeance!
Guillaume est dans les fers, et mon impatience
Presse le moment des combats.
Dans cette enceinte quel silence!
J'écoute: je n'entends que le bruit de mes pas.
Entrons... Quelle terreur secrète!
Devant le seuil, malgré moi je m'arrête;
Mon père est mort!
Je n'y rentrerai pas.
Asile héréditaire,
Où mes yeux s'ouvrirent au jour,
Hier encore, ton abri tutélaire
Offrait un père à mon amour.
J'appelle en vain, douleur amère!...
J'appelle, il n'entend plus ma voix!
Murs chéris qu'habitait mon père,
Je viens vous voir pour la dernière fois!
..
Non, plus de larmes inutiles,
Plus de plaintes stériles.
Gessler tu périras!
Pour toi, qui prives ma tendresse
De mon père et de ma maîtresse,
Est-ce assez que le trépas?
Amis, amis, secondez ma vengeance:
Si notre chef est dans les fers,
Brisons-les avec notre lance;
D'Altorf les chemins sont ouverts.
Suivez-moi: d'un monstre perfide,
Trompons l'espérance homicide;
Arrachons Guillaume à ses coups!
D'un tyran cruel et perfide
Trompons l'espérance homicide:
Cette tâche est digne de vous.
Sur mes/tes pas,
Aux combats!
Ou la victoire ou le trépas etc.
Aux armes! Aux armes!

[@al-bg8lk]

This is absolutely perfection! Perfect diction, ringing high notes, great phrasing, and all the emotions that he is able to convey!

[@carlacenti1649]

Un Canto generoso con una voce luminosa e piena di calore ! Superbo !!!

[@guidobernardi95]

Semplicemente perfetto! Sinceramente non si può cantare meglio di così. Non esiste nessun Arnold che possa confrontarsi con lui. E vorrei anche sapere quanti si azzardano a cantare quest'aria dal vivo dati i notevoli rischi che essa comporta

[@incredulousG3]

It's simply amazing how effortless those C's sound.

[@annaklimczyk209]

Bravissimo Maestro encantadora voz

[@acitipo]

Tremenda voz para un aria sumamente difícil. Cualquier tenor no puede cantarla. Es la ópera más difícil para un lírico ligero. No existe ningún Arnold como JDF.

[@tamarasergeevna9096]

yes!!! the best tenor and very artistic also fine and precise and The Duke -above perfection!!!

[@TurandotFanatic]

Wonderful. Perfect. And... live recorded. Bravo Florez!!!

[@italianoperafan]

:) Yes. Unbelievable look at the end A look that says "Ive done it", a look showing relief after a lot of tension, a look I just love since it shows Florez as a human being not only a "singing machine"

[@gioacchinodinolfo372]

BRAVISSIMO BELLA VOCE

[@encantevole]

Juan Diego, maravillosa aria y la cantas como nadie, tu voz brillante y colorida, tu vibrato perfecto. Dios te conserve en esta forma por muchos años.

[@dieterflorian865]

Awesome and wonderful aria, amazing brillant singing, bravissimo jdf

[@dieterflorian865]

Great Performance Bravo florez

[@hermanneckert6966]

Bravo - it's wonderful!

[@Operaphile]

BRAVO BRAVO BRAVO BRAVO BRAVO!!!!!!!!!!!! Thank you thank you for posting this!!!! Absolutely wonderful!!!! Would have been better with the chorus filling in the gaps, but still a phenomenal performance of what must be THE TOUGHEST tenor aria EVER!!!! BRAVO FLOREZ!!!!!!

[@eurydike]

great aria sung by one of the greatest tenors:)))

[@leggerotenor]

Talk about a work out... this is an amazing effort ... I am in awe

[@dieterflorian865]

Herrlich und wunderbar seine Performance, our Best steht this time

[@DerVomFreitag]

Un très grand merci pour cet enregistrement - Moi aussi j'étais dans ce concert du grand Juan Diego Flòrez dans le Festspielhaus Baden-Baden ~ Et je l'avais vu avant plusieurs fois "live" - spécialement à PESARO - ;-))

[@grandirensemble]

bon performance merci jdf

[@user-xr4tq6sl3f]

Bravo

[@martadarday1557]

Qesto CONCERTO A BADEN-BADEN NEL 2008 IL COCERTO DEL PIU BEL UOMO CON LA VOCE PIU DIVINAMENTE BELLE ESPRESSIVA TECHNICA UNICA IL CONCERTO PIU UNICA STUPENDA E DIFFICILISSIMA MAI FATTO FA QANDO COCERTO ESISTE . OVVIO E JUAN DIEGO FLOREZ.NON SONO IN NESSUNA LINGUA UMANA PAROLE PER DARE GIUTIZIA. JDF SI DIVERTE,QESTO CRESCE IL UNICO VALORE . (JDF SEMPRE FELICE ESIBIRSI E STIPENDO VOCE E LUI!)MA QI SOPPRA JDF ERA ,NON BESTEMIO ,PREGO:ERA IL SPIRITO SANTO.!!! 26 ANNI PIU STUPENDO CHE MAI DIO SO,SENTO VUOLE BENE MOLTO .HA MESO. TERRA PER QESTO MARTA BEATRICE DARDAY

[@guilhem32]

Pffffffffffff whatever people may say, this guy is an wonderful "opera alien" ! He knows what to do or not to sing with his voice. (He cancelled the next "Rigoletto" he signed for the year because he could feel that it didn't suite his voice for the moment. Don't say he's gonna gonna break his voice, he's smart and has such a talent !!! Bravissimo Juan Diego ! We'll talk about that in 15 years.

[@learntocrochet1]

More than half of fifteen years you spoke of has passed - JD still strong! I agree with you, he knows how to care for his voice!

[@bult15]

Fantastic, impressive. The Pavarotti version is still the best I will ever hear but Mr. Florez certainly has chops.

[@RichardTaylor1630]

Pavarotti delivered a great sound but the visuals are better with JDF. I couldn't suspend disbelief enough to find Pavarotti fully engaging in a romantic or military role (except maybe Nemorino where the hero's attraction is in his naivete and sudden wealth rather than his looks), whereas that's not a problem with Florez.

[@jotahuene]

Juan Diego is a great singer but to preserve his voice he should not sign these heavier roles. Leave them for lyrics, you are a leggero.

[@voltape]

Agree. Translations miss a lot of the original - Even for its beauty and sonority, Italian cannot replace French originals - "D'Aldorf les chemins sont ouverts" - this you don't find in the Italian. Magnificent Juan Diego but he should not venture in dramatic roles, Rossini really went dramatic in Guillaume, so rossinian tenors should stick to Barbiere, Cenerentola, etc.

[@anonimousa]

El Puritani le va bien, Rigoletto ya ha dicho que para el futuro, y el Tell ha dicho muchas veces que no lo cantará. Pero un aria suelta es una aria suelta, no tiene mayor problema para su voz el cantarla de tarde en tarde...

[@fredycastropinzon7342]

Pero ya la canto en 2013 y estamos 2020 y suvoz ya no tiene el brllo de la epoca de este concierto parece que le paso factura su cambio de repertorio lastima

[@anonimousa]

@@fredycastropinzon7342 .... han pasado 10 años de ese comentario, mucho ha cambiado desde entonces lol

[@OscarGraumusico]

Canta muy bien, muy pasional pero para ser tan joven fuerza demasiado la voz sin necesidad, se entiende que el papel requiere interpretarlo con ira, pero empuja un poco la voz y esto le pasa factura con los años.....

[@nugul101]

좋아요 +_+/

[@bodiloto]

@KILLERADVICE apprezzo molto il suo commento!Bravo!

[@incredulousG3]

Going to comment again, this guy beats every single light lyric tenor I've ever listened to. Brownlee and Pav crush the notes, not effortless, Kraus and Gedda have "covered" and disconnected voices, Mateuzzi's tone is too thin for my liking...seriously, Florez is the best bel canto tenor in all of history. Maybe Rubini was better. But I doubt it.

[@rossini9mozart10]

Don't compare Pavarotti to Florez, Luciano was Lyric/Spinto not light lyric.. this comparaison is dumb

[@Nangis123]

@@rossini9mozart10 To say JDF ,or anyone else for that matter ,is the best bel canto tenor "in all of history" is dumber by far .If stupidity could hurt he would be dead now . In all seriousness ,how can anyone write such a thing? Did he listen to all bel canto tenors since dawn of the opera more than 400 hundred years ago and did compare them in all roles they have ever sung and come to the conclusion JDF is the best? .Whatever he imagines bel canto to be - many historians don't include the 19th and late 18th century in the period ,according to them JDF doesn't sing bel canto rep at all.

[@jomoses07]

love juan, but i prefer the Italian verison of this aria...

[@operalover67]

W ROCKWELL BLAKE THE BEST ROSSINI TENOR EVER

[@MegaSiegmund]

Vive Tony Poncet !

[@beachfanatic2010]

Where did he left the squillo and the depth in his voice? There is NONE of it! Nothing!!!

[@downfromkentuckeh]

Your mom

[@rexeterna]

pero cuidado juan diego... this is not the role you should be singing. the aria is convincing, the cabaletta not so much. he shouldn't sing arnold.

[@milliet1227]

Bullshit, pardon my French.

[@flaze3]

Not my favourite Florez, admittedly.

[@gerardmignon700]

Oh la la, cette voix nasale et totalement sur-médiatisée et surévaluée , ne convient pas du tout à ce rôle. Ma grand mère disait "faute de grive, on mange du merle !" là, c'est nous les pigeons !