Ivo Pogorelich ..Shades of Budapest, 2017 ..

[@loisfernwinter1150]

Mr. Pogorelich is a superbly beautiful example of terrestrial humankind with pianistic musicianship of celestially everlasting quality.

[@deniseferreri8978]

This is magical...anyone who thinks not...needs their head examined or a hearing test...Brilliant Maestro....BRAVO....!!!!!!!

[@brigittequerre8319]

Merci pour ces extraits très récents....Ivo Pogorelich, toujours aussi fougueux et "habité" par ses émotions...

[@roberthanff4354]

I don't care what some people say, Pogorelich always brings something new on everything he plays. There's a a breath in his his approach that at times reminds me of Horowitz - he probably wouldn't like this ;-)

[@MOVINGCLASSICS]

He is amazing...

[@ValseMelancolique]

Thank you for all these wonderful videos with excellent non-edited views. When I sit and listen at a real concert I don't see constantly changing scenery, the music is what is changing like here.

[@JaredRedmondPianist]

7:25 Schumann (Finale) 22:29 Mozart 24:10 Rachmaninoff 29:45 Sibelius

[@querrebrigitte5376]

Merci pour ces précisions...il n'est pas toujours évident de reconnaître des extraits....

[@jagareco]

starts with Liszt "Apres une Lecture du Dante"

[@Hyde2997]

Ty :)

[@MiwaTamamoto]

Hello thank you for writing the name of the composer of the piece he played. I wonder what is the first? I don't know this piece.🙏

[@alvarojosetasconospina3583]

BRAVÍSSIMO MAESTRO..GRACIAS ETERNAS..Y AL SR.JARED..

[@samueltiradovillaescusa2325]

As alllways, thank you so much for these videos. This is amazing...thanks!

[@JavierSerraltaSanMartin]

29:45 vals triste, Jean Sibelius. Out of this world. most perfect silence. eternity.

[@fredericmoresmau4303]

Javier Serralta, chopin4321 what is the second piece ? has nice drive

[@JavierSerraltaSanMartin]

Schumann - Carnival Scenes from Vienna (Faschingsschwank aus Wien), Op 26

[@alessiofagioli9235]

al di là della pensabilità. un genio assoluto..........sibelius

[@surkova_a]

It's always great....🌹

[@Qwerty-hj1ml]

Always magic..

[@philippeyared2050]

I went straight to the Valse Triste and it's mesmerizing

[@ИринаСтародубцева-ц4о]

Браво!❤️

[@hansulrichbehner1017]

If he really wants he can play quite excitingly!

[@francescofrudua]

ho amato tantissimo Pogorelich e certe sue incisioni rimangono a mio parere insuperate. Questo però non è più lui, è l'ombra di un grande pianista. La Dante nettamente oltre le sue attuali possibilità, ma anche il resto è quasi inaccostabile se paragonato a quello che è stato, una gran tristezza... speriamo si riprenda

[@alessiofagioli9235]

bisogna saper uscire dalla Vita per suonare come un dio. irripetibile pogorelich

[@devonvaldez1936]

I truly believe that Pogorelich took what Rachmaninoff wrote and blew it way out of proportions. There isn't any subtlety with the various weird accents that aren't accounted for in the score. I think it really disrupts the beautiful phrasing that was intended and plus the dynamic is at a constant fortississimo.

[@martinmysteres1384]

I totally agree. I think he was sedated or under medication. No emotions, no change of dynamics, no thing. Five minutes later, his Sibelius is better though

[@TheSoteriologist]

There is a highly recommended and interesting 55-minute-long japanese "documentary" titled _"Ivo Pogorelich in Nara"_ on this platform where he plays the same Sibelius Waltz which makes it even more obvious than the "bootlegged" version here, that he is playing it at the utmost level of artistic perfection. Given that fact and given the further fact that it is not the technical difficulties, practically nonexistent for IP to this day, of this Rachmaninoff interpretation which make you scorn, it seems reasonable to assume that this is simply his artistic take on it, that he _wanted_ to "explode" on it. One may certainly agree with your different view of the piece, but I think it would be adventurous in face of the Sibelius to assume that it is due to some fundamental overall deterioration on IP's part. Generally it is tempting to assess his play unconsciously influenced by the magnitude of the bad sound quality of such bootlegs. I have repeatedly heard voices from people who were in the audience that whatever to myself sounded awful on YT was in fact magical when sitting only a few yards away from him live. The above mentioned documentary should clarify the import of recording quality when you compare the two versions of the Sibelius Waltz.

[@MiwaTamamoto]

Thank you for this comments. I agree as to rhr fff in the concert hall spinds definitely different thaj in a video wven it would have taken professionally on CD quality. It never better that touch and be touched by the real performing! I was in Antwerp 10 nov just week ago still in the dream of his performance, although you can't "produce" totally the sound you heared so even more eager to go to an another concert🤣 my recording ia to hear if you look Ivo Pogorelich in Antwerp 10 nov 2024.

[@MiwaTamamoto]

And dynamic range is sooo difficult to record properly, almost impossible to capture full range you "experience" , esp Ivo has a sooo wide range!!! it rendered somehow more "volume" than dynamic with all subtle expressions ans emotion.

[@claudioparrella183]

ascoltiamo un Listz sperimentatore

[@tatjanakaliste7506]

nigde onog koncerta s Kolarca

[@adamrischel3810]

What is the name of the first piece? Amazing?

[@gazdamitkeii432]

Liszt - Dante Sonata ..

[@adamrischel3810]

Thank you!

[@stevehaufe489]

Sad.

[@TheSoteriologist]

See my reply to Devon Valdez.

[@chowkammoonckm82]

Terriibly bad performance!!

[@TheSoteriologist]

See my reply to Devon Valdez.