Iyesa from Cuba Free lesson by Michael de Miranda

[@zarapico]

Excelent as always Michael, keep posting videos please

[@KwandoRay]

Maestro, It's great you are teaching this traditional playing. It reminds me of my visit to, Cuba, several years ago. Thank you for the great lesson and your wonderful teachings.

[@MichaeldeMiranda]

Your welcome!! And it is nice to see the differences between the Cuban and Brasilian version!

[@KwandoRay]

Michael de Miranda Yes, Maestro, indeed it is. The, Brazilian, version is very nice, I enjoyed it very much. Thank you, once again!

[@TheLadsonsouza]

Muito obrigado,material muito bom,um abrço do Brasil...

[@herwigstieger5587]

great Michael ! Thanks so much!

[@richarddickson4834]

Thank you for another wonderful post!

[@MichaeldeMiranda]

Your welcome, Richard!!

[@KeyHedera]

Thanks a lot! Good material! Nice to meet youm Michael!

[@MichaeldeMiranda]

@zarapico Thanks, and thank you for your comment on the Conga!

[@MichaeldeMiranda]

Nice to meet you here!!

[@carlostorrez834]

Buenisimo Michael..toda un banda!!!!

[@MichaeldeMiranda]

Muchas gracias, Carlos!

[@bluesubhash]

Wow, excelente!! Disfruto mucho tus videos y aprendo. Gracias!!!

[@MichaeldeMiranda]

De nada y muchas gracias!

[@RomancesyBoleros]

Thank for this great video about Iyesa, can you put a tutorial on the Sucu-Sucu rthym.... thank you again

[@dleddy14]

Very good thanks!

[@alejotimba]

WELL DONE MY FRIEND

[@MichaeldeMiranda]

Thank you!!

[@MARASALVATRUCHA199]

its good that they are cloning percussionist like you 11:53

[@Gustavocongas7]

Great Video pana!!! Saludos from Caracas!!!!

[@cristianmiarandainiestra345]

Muchas gracias bro no entiendo lo que hablas pero me sirvio muchi gracias

[@MichaeldeMiranda]

Muchas gracias, Cristian!!

[@MichaeldeMiranda]

@RomancesyBoleros I don't know Sucu-sucu yet. So I will have to find out how it works. When I know it I'll post a video!

[@latin-style]

i like the new intro style ;)

[@MichaeldeMiranda]

I don't know omolote for Yemaya, but I do know that this rhythm is used a lot for the orishas, but in a different way then the bata rhythms.....

[@sylacaarlon8589]

Hello Michael, thnk you so much for this amazing lesson and your generosity of sharing! Would you know the title of the song in this video. I'm seraching for the lyrics of it. Thank you

[@derbeno]

Theoretically speaking, if you had to put the Clave reference, then looking at 11:43 where would it be 2-3 or 3-2?? Thanks

[@dominicd2063]

I want to know why are they different, I know that's getting technical but ijesa is a region in Nigeria maybe they developed creatively in different countries.

[@MichaeldeMiranda]

I have the same interest as you. Was the difference already made in Nigeria or in Brasil and Cuba? I don't know. I've red some books about Yoruba's in Nigeria, but they didn't give me the answers...

[@salsa4water]

Would this be the same as omolote for Yemaya?

[@MichaeldeMiranda]

Well you know, there is now clave in this rhythm, but theoretically if I had to put a clave in it, it would be 3/2.

[@greninja01]

qualcuno sa dirmi dove si possono trovare le parole, un sito?? Grazie.

[@MichaeldeMiranda]

Hahaha!! Thanks!!

[@bobbyricelatinjazzbigband]

¡Gracias! Mi grupo grande (jazz Latina): kzbin.info/www/bejne/iaCnkKaupaybZrM

[@MichaeldeMiranda]

Well done! It sounds great!!

[@bobbyricelatinjazzbigband]

@@MichaeldeMiranda Thanks!