Post Production Masterclass: Audio Repair in the Film Paper Spiders, featuring David Barber

[@KaltaraTVOfficial]

More content like this, please... And if possible, please include the before edit sound sample, so we can practice with the real sample and using all the RX feature to edit it. Thanks before

[@fsharpau4925]

Great to have a "real (post production) world" example - a tough one at that. Barber analyses and breaks down the elements to simplify what initially seems a complex mess of audio.

[@adjutantreflex9406]

Just wanted to echo how helpful this is for a new user.

[@deividasgnedinas7592]

back to class!

[@N1h1L3]

These kind of video's are essential imho for new users, like me. Giving some pointers on how to use each module with suggestions for different settings, like this video did. I learned a lot.

[@AnandaGarden]

Supremely interesting. This bears lots of study...

[@VinceVintage]

More videos like this! I loved the way he broke down his though process on which plugins to start from personally i feel a bit lost when it comes to what chain of plugins i should start with

[@lloydbrothers3315]

Omg, thank you. I've been looking for the straightforward explanation of rx connect forever. Izotope should have an entire video on just the connect feature. Smh.

[@iZotopeOfficial]

Like this one? :) kzbin.info/www/bejne/bpvWgoZ9qsR0i9k

[@LoversinPH]

Truly shows that Izotope doesn't just cater music producers and audio engineers but with Film and Television industry too.

[@fiercesound2138]

WOW! That’s incredible. I gotta stop sweating so much on set 😂

[@robertniessner554]

RX9 Adv is my go-to tool for audio post production. Last year I was able to create M&E stems for a movie from a 5.1 mix where no stems had been available. I was able to completely remove the voice acting from all tracks for later foreign language synchronization. Took around 3 weeks to finish but the distributor was very happy.

[@MedusaJellyFish300]

Thank you for this Master Class, planning to buy a yearly membership soon from you guys 👦

[@korohmnel]

that was amazing, really inspired me to use some of those technics in my work, thank you!

[@nashhall694]

I’m new to videography & editing. I edit in Resolve Studio & Rx9 Advance literally save my ass on my recent Wedding Video. Fairlight couldn’t cut it. I used the grooms lav mic to cover the bride but all the background noise made it unusable, until rx9 advance dialogue isolate stepped in. Saved my whole film! It was worth every penny & is a game changer! Thanks for the review! 🙏🥰👍

[@ashcome]

perfect 😍🔥🔥

[@kylegushue]

Very cool thanks!!

[@LDdrums20]

That's miraculous to say the least.

[@kevinoberhausen]

Thanks for this. Would love to see a lot more content for film audio post. There's so much information if you want to use Izotope tools (or any audio tools really) for music production, but when it comes to film post education it seems sparse.

[@patknup4058]

Is there an RX masterclass course we can purchase. This was amazing

[@LoversinPH]

Wow

[@effectsworks2106]

Wow!

[@begalooloo]

please even mixing and mastering for dialouge, Music and soundeffect ..please make my wish come true ...would love to see how did you guys do it for this feature....

[@stevemaher268]

It's amazing what can be done but sometimes you have ask what are we rescuing when we process so much around the dialogue? For example everything that has been cleared out of Daniel's mic could probably be completely chopped as it's going to be filled with ambience and foley. Even the fade used after the processing was completed suggests the audio that's been cleaned around the dialogue is being unused anyway. I would probably just cut it and focus on his dialogue unless I'm trying to rescue his breaths too. I don't get enough time to do this sort of clean up maybe I'm just jealous lol

[@cameronallen2174]

Epic

[@Naglstudio]

Why did you choose SpectralRepair instead of De-Bleed to reduce her dialogue bleed? 11:55 Great video, thank you!

[@iZotopeOfficial]

For De-Bleed to work effectively, both microphones have to be stationary. Microphones on set were not.

[@Naglstudio]

@@iZotopeOfficial ah! good to know, that makes sense! thanks for you reply!

[@dougparsons3868]

Do colleges offer classes to learn how to do this type of work?

[@bboymac84]

Slow Clap....

[@mega-xaoc-zero]

👍🏻

[@behzadmehdizadeh]

What is the need to clean the sound when we record adr?

[@nickpage9138]

you loose the performance with adr, and the ambiance would be different, which is why the ambiance is added back from the main scene. If thats what you mean? Izotope is by far leading the way in the field if u ask me. Great video, thanks

[@JonAnderhub]

I wish I could get RX 9 and dialogue isolate, but apparently, as a Production Suite subscriber, I am not very important to Izotope. I wonder how David Barber got his? #izotope

[@N1h1L3]

I got RX9 advanced with the sale on the upgrade from RX8 elements to RX8 advanced with free upgrade to RX9 advanced for 415 euro ex VAT last month.

[@FLAMENCO961]

in Daniel's mic clip, why didn't you just cut out the first useless part?

[@behzadmehdizadeh]

izotope rx 9 did very well in the field of Ambiance match and dialogue isolate. I think it still performs poorly in the field of eq match. And also in the dialogue match plugin. Well he can not do the simulation

[@Trackformers]

But why work and process the audio before and after the desired part of the take, when that audio is literally muted in the Daw afterwards?? Makes no sense at all.. Is this just cause of demonstrative purposes?

[@N1h1L3]

I think both, remove all unwanted stuff so the fade in is as clean as possible. You want perfection. Also showcasing the possibilities.

[@Trackformers]

@@N1h1L3 Yes, ur a 100% correct, i'd work all of it too, before tryina fade it. And yes, demonstrative purposes. Don't know why i even criticized the vid really. Guess i was on keyboard warrior settings that day. ✌🏾 And btw.. RX is freaking magic.. 🤤

[@4dbarber]

Great question! You'll notice in the dialogue edit that the noise is also on the tracks above, below and around. So the edit plays "smoothly" as in that noisy audio hands off to the next noisy audio without a jarring cut or burst. Then in the process of denoising the chances are better that the denoised audio will hand off smoothly to the next piece as well. Plus the noise does exist on the dialogue itself so it's important to try and remove it there and a lot of the times having the noise outside the dialogue will inform what you're trying to remove from over the dialogue. On the main track above his mic track I did not fade in and out of the denoised audio and since that was the primary sound of the noise at the end of the day, I faded in and out of his just to try and sneak his dialogue in. Hope that makes sense and thanks for checking it out!

[@Trackformers]

@@4dbarber Yes, I see!! The noise/anamolies are also present on the main track, which u did not fade in anyway, so the noises would sound natural and consistent. And then u faded in (sneaked in) the Mic track after processing the whole adudio file. I gotcha... Work flow makes total sense and sounds perfect!! As perfect as imperfections ever could ;) Just simply great!! Back when i got rx7 i was totally blown away by what it could do, and still am. It's truly fascinating to see how far they can push these things. Working on a podcast audio file today, super hyped to use RX again!! Real professional tools 🤤 And thanks for the reply David!

[@4dbarber]

@@Trackformers Yes! And the rest of the tracks weren't cleaned in/for this video demo (that wouldn't taken a little bit of time) The only representation of what the final cleaned audio sounded like is in the opening in the "turning this... into this.." section. It's quick but you can hear how the cleaned tracks worked together in the end.

[@nathancrowe4444]

but like.... why do all that repair if you are just going to fade out the rest of the ambience anyway?

[@andrewmason8691]

What's Pro Tools? I'm a videographer and you have lost me before we have started digging into any of the functionality. This interface is nothing like I have seen before. Do I need to edit in Pro Tools instead of editing with RX9 as a plug-in for DaVinci Resolve? If this video is for experienced audio editors, then fair enough. But if this is for noobs, like me, you can't assume we have this knowledge. Sorry Izotope, but I need to give you this feedback, as I am looking for videos that can help me, not confuse and frustrate me from the outset.

[@andrewmason8691]

Argh! So I persisted with the video. This video could have been good. But you might as well had no one talking during it. All it does is tell us "what" to do. I can see what is being done by simply watching the screen. What I need to know is why you are doing what you are doing. How did you know what sounds were what in the Spectral Graph. Why do you choose a certain tool over other tools. Why do you pick certain settings instead of default setting? You're killing me here. No wonder Donny Barnes is making so much money from his paid videos.