J.S. Bach - Cantata BWV 46 "Schauet doch und sehet" (J.S. Bach Foundation)

[@rjwusher]

The opening choir is a work of pure genius. Astonishing.

[@IvanGreindl]

Impressing, M. Helm! What a breath, ... what a *breadth* !

[@jean-francoisdewilde1541]

Merveilleux Rudolf Lutz tout dans la dentelle, dans la précision et dans le dynamisme..! Comme à son habitude il nous livre des moments merveilleux, sachant réunir autour de lui des instrumentistes et des choristes irréprochables. Encore merci M. Lutz ! Jean-François

[@Michàel-k2o2n]

Very Good!!! My dad was born 1946 on today. Bach was his favorite!!! Please forgive me dad!!! Miss you dad!!! Love you dad!!! May God Bless y'all Richly and Jesus Peace!!! ❤😂🎉😮

[@liampitcher]

“Music is an agreeable harmony for the honor of God and the permissible delights of the soul.” ― Johann Sebastian Bach

[@klausfleck6855]

Einfach ein berührender Genuss so wunderbar

[@enriquesalvador1190]

Bach es mucho más que música, gracias y bravo, sin palabras... Magníficos!

[@izanagi21ify]

Absolutely love the bass aria-so intense and extremely technical for the singer!

[@tvanbast]

And, uh, the trumpet player. Amazing work by both.

[@angryjalapeno]

@@tvanbast yes also the trumpet player but he gets to take several breaths.

[@kennethprimack6467]

Fantastic…! Vocalists, instrumentalists, conductor…. ALL…! And last, but not least… COMPOSER…!!! Although the entire work, especially, in this performance, is a gem, special mention must, I feel, be made, of Bach’s typically highly inventive intertwining of those delicately passionate recorders - like a pair of golden threads - throughout the length of the final choral movement.

[@navrozelalkaka8457]

Perfect commitment, unbelievable discipline & coordination. We listeners only marvel at the brilliance of t the finished product. Think of the work behind it! Astounding.

[@simoes1958]

Beautiful piece. A pure christian worship!!! Thanks Bach! Thanks my Lord.

[@mauriceelie4108]

Réalisation magnifique! Bravo à tous. J'ai adoré le solo de basse et l'accompagnement de la trompette. Quel souffle et qu'elle belle technique! Quel art!

[@mariod7473]

gorgeous cantata, gorgeous performance...mille mercis du Canada.

[@xenabellebeest]

The recorder players: their role is SO essential in this cantata.

[@janaldoson1542]

Yes in all Cantatas of Bach they are in this Cantatas the pillar of the composition.

[@flippert0]

Amazing harmonic complications in opening chorale

[@lejayarielle3877]

"Schauet doch und sehet".. Zugesehen, gesehen und .. auch gehört zu haben. Wunderbare und harmonische Musikseite. Wunderbare und leidenschaftliche Darsteller. Vielen Dank dafür To have watched, to have seen and .. also to have heard. Wonderful and harmonious musical page. Wonderful and passionate performers. Thank you really for this Regardé, vu et .. avoir aussi entendu. Site de musique merveilleux et harmonieux. Des interprètes merveilleux et passionnés. Merci beaucoup pour cela

[@williamsabatier6898]

Very beautifully done! Thank you all. Great.

[@simoes1958]

Amazing, very beautiful.

[@steveistheman84]

BRAVO! THANK YOU!

[@moritzm.5421]

How sad that Bach hadn`t the chance to write operas. It´s hard to imagine more pure emotional and genuine dramatic composing in the 1st half of the 18th century than his. The trumpet aria is the peak of "baroque avantgarde" and neither Handel nor Hasse, both experienced masters, were able to express human feelings in such a unique, direct and highly sophisticated way. Thanks again, dear Mr. Lutz for the fabulous, vivid interpretation of this timeless masterpiece.

[@robertmuller5807]

I wrote a novel where Bach - in a fictitious setting - composes an opera: Thomas Josef Wehlim: Sebastian. I can send you a copy of it for free.

[@ifyouloveChristyouwillobeyhim]

Church music is what he wanted to write the most. And thank God; it's some of the best music ever written. If he has tried to focus on opera like Handel did at first, this world would be a darker place.

[@adriepram]

Wow the instrumentation on this cantata 🤯

[@joz.swinnen6038]

Einmalige herrliche Kammermusik diese Alto Arie wie hier interpretiert . Gratuliere!

[@GGibert]

Amazing baroque trumpet player...

[@Nethaniahu]

It's amazing kantaten

[@redbrian3655]

7:56 Helm is truly outstanding.

[@vilhelmhammershoi3871]

And yet the film editors chose to ignore his one page long coloratura passages sung, seemingly, in one intake of breath, to show violins, bassoons and trumpet in passive musical passages when Helm is the principal and more expressive instrument at that moment.

[@willemvantwillertorganist]

The play all with such a discipline & coordination and dedication. Thank you. 00:28 Chor Schauet doch und sehet TROMBA 7:56 Arie Bass DEIN WETTER ZIG SICH AUF STREICHER & TROMBA 12:00 Arie Doch Jesus will auch bei der Strafe OBOI DA CACCIA & Flauto dolce 15:36 Chor O großer Gott der Treu TROMBA TIRARSI = Zugtrompete

[@josenildo2189]

Wonderful 🎶🎵🎶🎹🎶🎵🎶🎹👏👏👏👏👏👏👏👏👏👏 🥰🥰🥰🥰🥰

[@patrickvanrhedenborg6784]

I was looking for BWV 46 on the ''Bachstiftung'' site but couldn't find it. Fortunately, I found it here.......

[@andersrhedin1877]

Helt underbar musik men så strålande naturtrumpeten låter!🎉

[@christianwouters6764]

Sad to think this is impossible for a long time now but mindless soccer and cycling contests are permitted notwhitstanding the corona craze.

[@ifyouloveChristyouwillobeyhim]

It is heartbreaking. God help us.

[@Hyacinthvs]

Eine famose Aufnahme von Bachs schönster Kantate. Nur die Altarie wirkt etwas zu gehetzt - ein bisschen geruhsamer - und es wäre perfekt.

[@jeffg5179]

Agree 100%. That is a fantastic aria. The singer did a fine job. But overall the tempo of that number was too fast. Instead of deeply introverted and heartfelt, it seemed nervous.

[@rarefilmsandmore7529]

Something to chew on from the tenor aria: Let whole rivers of tears flow, Because there has befallen you an irreparable loss Of the most-high’s favor. You were handled like Gommorah, Though not actually annihilated. Oh, better that you were utterly destroyed Than that one presently can hear Christ’s enemy blaspheming Him.

[@flippert0]

Lots of Vivaldi in the bass aria :-)

[@claracapozzoli7800]

Aufgezeignet!

[@lakkfatt2321]

die flöten im Schlusschoral.... (15:36)

Hilary Hahn chante en soprano ?

[@lmitt]

My thought exactly!

[@rolfclaus625]

bei dieser musik bleibt einem einfach die spucke weg.

[@albrechtkling4213]

00:28 Chor Schauet doch und sehet TROMBA 7:56 Arie Bass DEIN WETTER ZIG SICH AUF STREICHER & TROMBA 12:00 Arie Doch Jesus will auch bei der Strafe OBOI DA CACCIA & Flauto dolce 15:36 Chor O großer Gott der Treu TROMBA TIRARSI = Zugtrompete

[@thelilia54]

So ein Chor!!! Bravo! Und dann die Blockflöte....

[@vilhelmhammershoi3871]

Either... this film editor is an ignorant fool to cut away from the bass in the middle of the two longest coloratura phrases (one page long!!!) ever written for the human voice which he seems to sing beautifully with one single intake of breath, to show bassoons and violins or trumpet for no reason other than dotted notes, and passive trumpet passages, or he is masking an edited performance that is not live at all and the bass did not sing those long eternal phrases in one single intake of breath.

[@alaindubouetiez910]

c'était un concert en direct....

[@vilhelmhammershoi3871]

@@alaindubouetiez910 Agreed. Love Rudi Lutz and the Bach Stiftung. This was my subtle way of not call out the film editor the outright fool that he is for showing passive instruments instead of showing when the Bass is singing olympian phrases in one single breath.

[@franciscoespinozagamboa6490]

...encuentro sencillamente grotesco a un hombre cantando con falsete, imitando una voz femenina

[@enriqueianez1996]

Infórmese sobre técnicas de interpretación historicista y no diga tonterías

[@Newambientmusic]

Lo que uno se encuentra en internet

[@franciscoespinozagamboa6490]

@@enriqueianez1996 es una práctica ridícula seguir haciendo cantar a los hombres con falsete, porque en la edad media no podían entrar las mujeres a cantar como solistas o como miembros de los coros de las iglesias. De acuerdo con su concepto del "historicismo", sigamos castrando a los niños para poder disponer de voces femeninas