Bálint Karosi's playing is breathtaking in technical and musical terms. In my opinion he belongs to the top five of the best and most musical organists of our time. Because anyone who can play Bach's trio sonatas flawlessly on a pedal clavichord is a true genius. And all this without being conceited combined with a bright smile on his face. I can't stop revelling, but mentioning all his specialist skills would go beyond the scope.
@peterwatchorn4114 жыл бұрын
Exemplary technique, musicianship and stylistic insight, not to mention video quality - but you do not need me - or anyone - to state the obvious! This performance is a perfect illustration of the truth that "less is more", with endless layers of subtle nuance amongst the necessary panache and bravura. Like Bach himself (so the reports go), the feet are as subtle and expert as the fingers - Many thanks for all the great videos you continually post. They are a great tonic for me whenever I emerge from my own daily Bach practice and a generous contribution. Thanks, Balint!
@pieterluijk94034 жыл бұрын
I have utmost respect for this organist.
@williammitchell18644 жыл бұрын
I tell you, It's fun being an organist☺️
@andrewmarvell46044 жыл бұрын
He's my favorite organist. This is, however, the first time I have heard him butcher Bach.🤪
@gregfolland84524 жыл бұрын
@William Mitchell - Would you care to elaborate on that ...? 😃
@jgdmlw10 ай бұрын
This is one of my favorite pieces of music of any instrument or genre. It blows me away every time I hear it.
@Mr052419484 жыл бұрын
I would suspect Mr Bach himself would have smiled at you in approval ,with the way you executed this. Beautiful
@dawidspangenberg46993 жыл бұрын
This is one of my most favourite of The Great Masters compositions. Bach was the absolute organ genius. There were other fantastic organ composers, but JS Bach towers head and shoulders above them, and you do his music absolute justice. Thank you Balint for bringing this wonderfull music to us.
@chrisrose62004 жыл бұрын
I have heard this musical master piece by numerous organists in my 90 years but I have never heard an organist race through the toccata with such speed yet precision and pipe clarity. Superb!
@Scaw4 жыл бұрын
I guess no one who happens to pass by this church in CT would realize just what lovely music can be heard in it. Thanks for doing this.
@voxpopulivoxdei11554 жыл бұрын
What a nice modern church and a nice Organ! And the fugue ...precisely intonated like a sewing machine. Respectful greetings from Hamburg/Germany!
@bkarosi4 жыл бұрын
Would love to do a demo at the St Jacobi and Katherinenkirche!
@Quintade84 жыл бұрын
@@bkarosi please do that!!
@ryanfrederick33764 жыл бұрын
Probably the best reading of this I've ever heard. Definitely the best reading of the fugue.
@jofido3 жыл бұрын
As a student, I never had the opportunity to study u tube. It did not exist. This is a real revolution for all of us. Absolutely amazing. We are all able to learn from the very bes; easily available and at will. What a wonderful gift. Thank you so very much, Balint.
@charlessiegler63034 жыл бұрын
You sure know how to bring Bach’s music to life. Well played 👏
@farahmohammed19634 жыл бұрын
What a wonderful rendition!! Your footwork is so light and precise. Second movt Adagio was so beautiful and moving. Also, your video production is so clear. Thank you for an excellent performance and presentation on all fronts!!🌺😊
@WINCHANDLE4 жыл бұрын
Superb performance. Read carefully: The structureless, almost random beginning of the piece is Bach showing us how he warms up to play the organ, and then runs through some random thoughts and sketches, while the piece is taking shape in his head. Comments? This is the only piece where a composer includes, and lets us hear his preparatory mental machinations by including them in the beginning of the piece. Then when everything is crystalized, he follows through with the finished and polished music. Does this make sense to you ? or did he fool me? C'est une Grand Mystere To be able to go back in time and hear Back warm up at the console!!! Amazing how after 300 years, Bach can have me scratching my head. It's like an artist painter including his preparatory sketches in the final painting. Maybe I'll do that next time I compose some music. Dont worry, will pass out some ear plugs! Just retired, and have time to go to organ concerts...but there aren't any to attend! (Covid)
@marioalgandona91324 жыл бұрын
Excellent Dr. Balint Karosi.
@TGarzarel4 жыл бұрын
Same experience here. KZbin started making fake copyright claims against my own videos of myself playing classical piano...and I am just a novice. They used to drop the claim after I appeal, but now they deny my appeals. I'm not happy with YT anymore, and wish there were other options. BTW, great playing. I love 564
@Frederico211019844 жыл бұрын
Thank you, Balint Karosi, for this wonderful recording! Played with such care and clear, without rushing :) greetings from Brazil
@jofido4 жыл бұрын
Balint, this is a magnificent performance. The organ, registration and your interpretation has made this old friend come brilliantly alive. Throughly enjoyed getting reacquainted.
@hardmuscl4life4 жыл бұрын
Balint, Thank you for bringing BWV564 to life for us in this marvelous performance. This was one of the very first Bach compositions I was exposed to in my youth. Each time I hear it it’s as though an old friend has come to call. I particularly enjoy the way you treat the various cadence points as you give each note it’s due. This is my new favorite recording of this piece.
Interpretazione magnifica, rigore Bachiano, mi piace molto, registrazione impeccabile, grazie
@FraserGartshore4 жыл бұрын
Brilliant performance as always! Beautiful “old” organ in a new church. I wish we saw more of this instead of organs being replaced by other forms of music... greetings from rainy Germany! F
@MegaMobass3 жыл бұрын
This definitely moves into the second slot of my favorite versions of toccata, adagio, fugue in C. I love listening to Balint play. However, my top favorite of this is the Robert Elmore 1955 recording on the Midmer Losh organ. I’d love to hear Balint play some ferocious Bach on the M-L.
@Richard-vq7ud4 жыл бұрын
So glad to hear that church has acoustics
@williammitchell18644 жыл бұрын
On Adagio, it sounds like the 8' Principal and the 8' Flute Celeste II was selected. My Rodgers Essex 645 has those two stops. The principal is on the Great and the flute Celeste II is on the Swell.
@karlrovey4 жыл бұрын
I have had issues with youtube incorrectly tagging Bach recordings, the Widor Toccata, the Lemmens Fanfare, etc. I've disputed it each time simply saying that it a recording of myself playing a public domain work. So far youtube hasn't rejected those disputes, but I haven't recorded anywhere near as much as you have.
@gravicembalo744 жыл бұрын
Krass gespielt. Schnell und musikalisch. Super und vielen Dank!👌👌👌
@paqman674 жыл бұрын
ThankYou. Horrible day, made better by my hero JS BAch and Mr. Karosi. Thank You!
@chriscarson25473 жыл бұрын
Thank you for listing the registrations. That is always interesting information. Absolutely beautiful footwork--super crisp dotted rhythms, in tempo runs and trills--it is just superb. A fantastik performance, all around. The fugue tempo is just right, ebullient, but not rushed. It is a blessing to be able access this and your other uploads.
@thunderhands32742 жыл бұрын
Nice performance. Feeling like melt my ice Gradually. Although it will be winter soon.
@laurentlouisducourretgravereau4 жыл бұрын
Bravo monsieur Balint Karosi. Les oeuvres du Maestro sont parfaitement bien interprétées. Les jeux employés sont bien utilisés. Pour l'interprétation de l adagio personnellement je l interpretais plutôt lento amabile avec flute 8 /et cornet. Mais à part cela, tout est parfait. Merci de nous faire rêver.
@jaimevarelarodriguez64442 жыл бұрын
La interpretación más limpia y perfecta, que vi en todo KZbin, genial felicidades..
@ElieElKhoury194 жыл бұрын
Such a beautiful performance, thank you!
@james.flores4 жыл бұрын
Inspirational playing and the registration was 👌
@g.k.failla93892 жыл бұрын
So clear and detailed. (From the clavichord playing)? Surprised to see that type organ in what looks like a 1960's style church. From Chicago, U.S.A.
@jandevries91234 жыл бұрын
Prachtig, prachtig! Fantastische uitvoering!
@KravchenkoAudioPerth4 жыл бұрын
Nice tempos. Enjoyed the pacing. THe registration was solid. Nothing to different. I enjoyed your performance a lot. Thanks for sharing Balint!
@tleekauai4 жыл бұрын
Thanks for another superb performance! So sorry to hear about your KZbin struggles. Please keep sharing your wonderful talents and skills!
@superpipes1004 жыл бұрын
Glorious - as always! Thank you Balint.
@edwardkarev67344 жыл бұрын
Огонь. Я такого исполнения ещё не слышал. Отлично, Балинт!
@xavieramaya83883 жыл бұрын
Suprema Obra de JSBach
@johnnowacki69034 жыл бұрын
BRAVO!! Beautifully done. I believe Bach himself would be pleased...
@tony1961chl3 жыл бұрын
Bellísimo porque los sonidos bajos no se saturan con la acústica, preciosos sonidos ,muchas gracias.
@davidbaranowski4963 Жыл бұрын
Very beautiful. The principal you used as the solo stop in the adagio is very warm and expressive; the organ is gorgeous. Great ornamentation throughout- inspirational.
@gyorgyagh43784 жыл бұрын
Gyönyörű zene kitűnő előadásban! Köszönöm a föltöltést!
@rafikbaladi6555 Жыл бұрын
Just brilliant and full of character
@jlee291704 жыл бұрын
I had the CBS vinyl recording of E. Power Biggs performing this on the Flentrop organ. One of the first organ pieces i studied. Sublime.
@hopelessnerd66774 жыл бұрын
An excellent performance. I think Biggs might have a little bit of an edge on it, though.
@jofido3 жыл бұрын
@@hopelessnerd6677 I prefer this performance. Tha Biggs performance, may to some degree, be accentuated by arthropathy at the time of the recording. Nothing taking away from Biggs wonderful and classic interpretation. My personal preference only. I too have studied Biggs early in my learning.He is the benchmark.
@g.k.failla93892 жыл бұрын
The "arthropagy" mentioned is rheumatoid arthritis. (I was a medical school secretary to a PhD. that had this. She showed me a photo of Biggs' hands and pointed out the similarity to hers. We both collected his recordings). From Chicago, U.S.A.
@luuktorn4 жыл бұрын
Very nice performance! The organist is very good, his technique is splendid!
@jfp28164 жыл бұрын
A famous baroque organist told me to use the heel in the pedal solo.
@class87srule4 жыл бұрын
Traditionally, most Baroque pedal passages avoid the heel as it wasn't common in the Bach era, although many passages can be made easier by heel use. I was always taught to use toes only for works of this era.
@Erik_Pasveer3 жыл бұрын
@@class87srule Correct. The use of the heel was uncommon during the baroque, classic and even early romantic period: Even Mendelsohn's organ sonate's are to be played using the toes. One major reason we know this is the fact that Mendelsohn used to play on Stumm organs. Baroque organs with a pedal that does not even allow the heel to be used because of the sort keys and relatively high bench.
@aussiemale0599 ай бұрын
Its JS Bach as he wrote it with this mans hands reading JS Bach's mind
@luigipardi92813 жыл бұрын
Un buon organista.
@jofido3 жыл бұрын
Thanks for this excellent performance, Balint. I have studied this many times and have kept this as a study reference. A master class. Thank you.
@JustChristian024 жыл бұрын
This was fantastic, I can't wait to hear you in Stuttgart
@louisestergaard10943 жыл бұрын
Impeccable - elegant. As it should be!
@joantarradellas65304 жыл бұрын
Ausgezeichnet!!!!!
@jonb64174 жыл бұрын
Awesome performance! Many thanks.
@organist19824 жыл бұрын
Wonderful!! I especially like all the extra ornamentation in the Adagio!
@jcb3user Жыл бұрын
Amazing performance!
@SternDrive Жыл бұрын
I love your special organ shoes. Not for going on long strolls in the woods. I'll like to see you integrate more heel and toe on the pedals. It sometimes makes it faster to get to the next note, as I'm sure you know. I enjoyed this very much.
@paulblake89034 жыл бұрын
Beautifully played.
@orgue34614 жыл бұрын
Exceptional - thank you 😀
@alma24913 жыл бұрын
Hugs from Brazil. I really admire your talent
@zpasjidomuzyki93903 жыл бұрын
Amazing performance :))
@timurthe15232 жыл бұрын
take my breath away Johann and Balint
@jozsefmakai91944 жыл бұрын
Nagyon Szép!Köszönöm Szépen!
@samshearman52514 жыл бұрын
Very well played!
@bikinibabes6663 жыл бұрын
Absolutely marvellous.....
@stefanhempel37684 жыл бұрын
Danke für das schöne Spiel ,ja dass Pedal-spiel ist am schwersten bei diesem Stück ,man muß sich genau überlegen Fingersätze u Pedalsätze tempo usw aber alles gut sehr Sauber .......
@keithcitizen48553 жыл бұрын
I liked the hw stop in the Adagio
@h.t.schellingerhout18654 жыл бұрын
Great work, thank you! I guess the link to you Patreon is to a totally different person :)
@PASD20083 жыл бұрын
Belíssimo 💕💕💕💕💕💕🤗🤗🤗🤗🤗🤗
@organist19824 жыл бұрын
By the way, I read an article in _The American Organist_ sometime in the last year that suggests that the whole reason for the single unaccompanied melodic line at the end of the Adagio before the Grave section is for the organist to pull pedal stops with the left hand while the right hand plays, then for the right hand to pull Great stops when the left hand takes over the descending line, so that the Grave is then on Organo Pleno. Obviously, this strategy would necessitate playing the solo line throughout on the secondary manual and the accompaniment on the Great. What are your thoughts?
@bkarosi4 жыл бұрын
I don’t think the writing of the grave section warrants organo pleno. It is more in the Italian “Durezze e legature” tradition, which is usually played on the Principale
@organist19824 жыл бұрын
@@bkarosi Interesting. Do you think it would be stylistic to also pull on a Voce Umana/Piffaro (celeste to the Principale) in that section when available, in the style of an Elevation?
@bkarosi4 жыл бұрын
@@organist1982 Yes, I would do that on an organ with a Principale Voce Umana/Piffaro but not with a Celeste in a swell box
@AntoniusTertius3 жыл бұрын
Beautifully performed! Bravo!
@cloudandangel4 жыл бұрын
Hatalmas BRAVÓ!
@mariolucchiari59873 жыл бұрын
Grandissimo Balint!
@ongardenbythebay3 жыл бұрын
Splendid! And by the way, who puts “thumbs down” on this?
@dwightlundeby58544 жыл бұрын
Good Sir, is it possible to provide a 0ne-time donation in support of your generously shared Artistry? Thank you for your inspiration, Dwight
@pedroberetche31803 жыл бұрын
👏👏👏
@jrzzrj4 жыл бұрын
👍......❤️.......
@matthijsvdw4 жыл бұрын
Tremendous rendition! Please keep posting, Balint! But one of the pedal reeds seems - however very slightly - out of tune. (Or am I being too picky? In the Fugue it is less noticeable than in the Toccata.)
@bkarosi4 жыл бұрын
Yes you are correct! All of them were slightly out
@mudgebauer4 жыл бұрын
What organ is this? Who made it and when?. The church looks new, but the organ looks old. Is it German? Nice playing. Couldnt have done better myself. Thanks
@carlosazambujayt4 жыл бұрын
It´s at the beginning of the video: Richards & Fowkes Op. 1 (the organ), at St. Barnabas Church, Greenwich, Connecticut. I think the organ is about 30 years old. That company seem to build fine instruments. Bálint Karosi's performance, so unpretentious and yet so carefull, is also very fine!
@timurthe15232 жыл бұрын
mijn God!!!!!
@danielmcintosh71773 жыл бұрын
13:10
@CORRADOCAMERONI2 ай бұрын
🏳️🌈🏳️🌈🏳️🌈♂️👍🙏🐉🦅🦋🙏 Amazing Music and Amazing organist 😏😉✨🌞✌️
@johnswimcat2 жыл бұрын
Good organist but this magnificent piece really needs a larger instrument and building.
@onceltom4 жыл бұрын
WHAT IS YOUR WORK?
@AlexDeBronhe4 жыл бұрын
Для Адажио темп торопливый и чересчур много неуместных укрошений. Крайние части, хороший темп.
@pepperco1004 жыл бұрын
This organ work is almost certainly not by Bach. If interested, there are available many arguments why by musicologists and Bach scholars. That said, I enjoyed this performance!
@bkarosi4 жыл бұрын
Who else could have written such an extraordinary work?
@pepperco1004 жыл бұрын
@@bkarosi One candidate is Johannes Ringk. If you are interested there exists many articles and books about Bach's organ music. It doesn't sound like Bach to my ears. The music can be enjoyed without believing it was written by Bach. I would suggest you familiarize yourself with organ works undoubtedly by Bach, then listen to this work again. You might then agree with me?
@valsyoutube33313 жыл бұрын
Can we please not have those damn Joe Biden ads in between your performances? Please!
@amigodaverdade44483 жыл бұрын
i FLATLY DISLIKE YOUR EXTRA NOTES & TREMOLOS & other adornments, disrespecting Bach's composition. Also, you have serious problems keeping the correct tempos. This is the work of a novice, not a serious performer.
@EthanPearson3 жыл бұрын
And who asked you?
@geiryvindeskeland72083 жыл бұрын
Amigo da Verdade, I am sorry for my inadequate English. Improvisations, adorments don't disrespect Bach's compositions. Novices don't dare or are able to do it, but Karosi is a serious musican, he dare do improvise because he is not a novice. Quote: "Also, you have serious problems keeping the correct tempos." Please tell us - what do you mean by "correct tempos?" Does he play too fast or too slow?
@geiryvindeskeland72083 жыл бұрын
Ethan Pearson. Since Mr. Karosi let the listeners write comments, it is also allowed for Amigo da Verdade to do so despite that we disagree with him.
@EthanPearson3 жыл бұрын
@@geiryvindeskeland7208 I don't disagree with you, but there is a difference between being a jackass and criticising someone's work so that the artist can benefit.
@silvanmeschke3 жыл бұрын
That's absolutely not true. Whoever plays Bach metronomically and dislikes flourishes Bach did not write has no clue of baroque performance practice. People back then were expected to add ornaments themselves, some composers wrote out a lot of ornaments (Böhm, Walther), but Bach or French composers did not. Especially in aria-like pieces as the Adagio it was common to add ornamentation. There are even places where the music is written only in chords in half/quarter notes- the musician is expected to improvise with these chords in the style of the piece. There is even a Fantasia and Fugue by Bach (cant remember Bwv number) where the whole Fantasia is only written in Chords, this is obviously meant to be improvised on. Moreover playing metronomically is a modern invention, even in Bach rubato is an important part of the music (of course another type of rubato as in Chopin or Franck). In baroque music, we give the music time on 1 and 3, also with lots of playing experience in Bach's music one will notice, that this music has climaxes too, and we should give them time to speak. Additionally big churches tend to have large acoustics. If one would play strictly and metronomically, you wouldn't hear anything of the music. Bach is no unexpressive music, like organists thought in the 60s and 70s.....
@bobh50874 жыл бұрын
Even though I "liked" this video for its general effect, I still cringe when I see organists (who should have been taught better) playing the Pedals with the outside of their feet. This is not only inelegant and unrefined, it's also a treacherously dangerous habit to form. I beg young organists not to fall into this lazy technical fault. Also, why wasn't the Swell/Positiv division used to "echo," contrast, and complement (say, with Flutes 8' 2' or 8' 4' 1') certain passages away from the unrelenting Organo Pleno of the Great division? This would have helped define the "architecture" of the various fast movements. As it is it's quite tedious and straining on the ears. Another point: Bach's Organo Pleno registration scheme included the Pedal division, i.e., Principals 16', 8', 4' and Mixture, with Reeds 16' and 8' added for color at the organist's discretion. But we don't see/hear this plenum in Karosi's unusual registration. A shame, really.
@christopherglenn32404 жыл бұрын
Perhaps if you don't like the way he plays, you should post your own video of this amazing work using all of your perfected techniques. Otherwise, you just appear to be another organ snob the likes of which do nothing to turn anybody into a fan of this most wonderful of instruments.
@pieterluijk94034 жыл бұрын
The pedal work was perfect and accurate. Come show us Bob H...
@louisefox64344 жыл бұрын
Bob, you sound jealous.
@fiskfan19994 жыл бұрын
As for pedal technique, it is the end goal(sound) which is important, and playing with all toes helps us appreciate what the articulation is (and playing certain pedal passages with no heels allowed can lead an organist crazy) I would say that Balint Karosi’s pedal technique and playing is perfect in this performance...and as far as registrations are concerned, I liked the registration choices very much except that I might not use the mixture in the pedal. If you or I played this piece it may have slightly different registration choices but we are all in this together and there is plenty of space in God’s great earth for all the variations of registration imaginable, and we don’t need to call other people’s registrations tedious and boring. After all, if I were feeling less generous I might call a performance that relies on frequent manual changes obstructive or distracting...but it may be considered more appropriate for some pieces and not others.
@geckofeet4 жыл бұрын
I would have been about average height in the 18th century, and I have to play with the outside of my feet sometimes or else I can't physically reach the pedals on flat boards. It doesn't seem tenable to indict all Baroque players as "inelegant and unrefined."