3 Ways To Play Over A Dominant 5 Chord

[@outinacornfield]

Mister Ruch is one of the few to keep it calm, aurally and visually, but soul moving the whole way through, every time, every lesson. And Jack, that is THE hat.

[@tombarrett7419]

Jack is THE best instructor on youtube. Period. And his longer classes for sale on True fire and Brett Papa are GOLD!! Thanks Jack

[@thelion27]

I'm a Patreon of Jack and he gives amazing content. Check it out!

[@gbarge4]

Hey, Jack. We just got home after our first visit to Nashville, where we happened to see you at the Underdog. Thank you for being as friendly and generous as anyone could possibly be. Also, the GT Trio was astounding. We brought along our local friend and his fantastic wife and met Jimmy Hall, a friend of our friend. What a night. Any music lover should try to get to the Underdog, especially on a Monday night. We can't wait to return. Thanks again, Jack.

[@Deinorama]

As a novice guitar teacher, I hope I'll be as good as you some day. Thanks for another great video!

[@asansone57]

so beautiful, even just playing the scales and arpeggios...Thanks Jack!!

[@bijanguitar]

Wow…! Three beautiful lessons in one amazing tutorial. Great sound and presentation. How generous. Thank you…❤🙏

[@janekrapid]

Great lesson👍Thank You

[@MitchellFrew]

Oh man, so tasty! Thanks brother. Your voice is quite tasty too - has such a lovely character and tone. Soothing. Epic sound quality and production. Cheers, Mitch over in New Zealand.

[@jasonkesser]

Jack, serious breakthrough with the diminished arpeggio in context with a minor one dom five vamp. Trying to decode Cuban soloing, I was playing all the right notes, but just not the right way. Thanks so much. Also creating anchors, like knowing I can start the diminished arpeggio off of the third of the five chord, or off of the 2nd of the one chord, allows me to always know where i am. Excellent stuff.

[@ramseyomery]

one of my favorite lessons thus far. thank you for sharing

[@terrycaster4976]

Excellent Jack. Thank you.

[@stratdad8218]

Can’t wait to try applying these! Thanks again Jack.

[@martynspooner5822]

Just brilliant, stuff that I didnt have a clue about. Thanks a lot I love the sounds and so different.

[@archstanton3763]

Great lesson and your es-335 gets more beautiful with every viewing !

[@aminahmed2220]

Absolutely fantastic have a wonderful day Jack also happy father's day ❤😊

[@stevenhorton7457]

Great lesson Jack , explained so wel👍

[@owenladner6496]

Thanks Jack

[@stephenowen5229]

Brilliant! Love it!

[@cliffrapisarda7443]

Wow! Thank you !!!

[@franfranvy6028]

We love this ❤☺️

[@BenjaminUbayyed-po9tc]

good stuff

[@crashdaddy261]

Well, that was terrific. First I was all like, "Oh great, another minor pentatonic tutorial. Who can't use 10,000 more of those" Then I was all like, "Wait a second..." Now I'm all like: 🎸🤘

[@stratocumulusnimbostratus328]

Hi Jack where do,you get your drums grooves from?

[@lolobuggah2670]

Great lesson. I've always wondered if it's ok to use the altered scale over a V7 chord when it's not altered since it contains the perfect 5th. Does playing the b5 and #5 not clash in these cases?

[@teleplayer7081]

Ohhhhh love this slow stuff. This ole turtle can follow along :)

[@jcaryali]

Hello Jack from Spain. I want ask you about universal audio ox. Do you use It in live?. Can i use It with combo amp and PA in live? Thanks

[@李小-w5d]

when the I chord is major7，the 5 V options is same?

[@greenvelvet]

Yes you can change scales from chord to chord.

[@jeromeellis4665]

I think they're asking whether these same approaches over the V7 work when the I is major rather than minor.

[@LJC68]

This is the soundtrack to my life

[@chillidogkev]

What does that even mean?

[@LJC68]

@@chillidogkev Perhaps being depressed, or maybe just mellow. Isn't that what the blues are all about?

[@kencutter1094]

Well I don't usually play the blues but I will try this out because I'm supposed to maybe jam with a very good blues guy who's also a former guitar teacher who's pretty good and laid-back Peace ☮️ n serenity

[@13thAMG]

Damn it, Jack, you went and made me understand something here that I struggled with for decades! You made the penny finally drop in my head, brother. That Phrygian Dominant example, but more importantly the clear simple human way you explained it finally made it make sense to me. Feel free to call me thick. 🙄 🤪 🤣 Thanks pal. Honestly, if I could afford it, I would fly you out here to Australia and tour you, as well as introduce you to some huge names out here who are friends of mine. Alas, Covid destroyed our industry. Thanks, brother. 🤩🙏

[@zbo1]

If Jack doesn't jump on this, I'll take one for the team. Also, while I'm there maybe you can explain the Phrygian dominant for me, as I'm still not getting it 😂

[@VirtualModular]

​@@zbo1 it's just a mode of the harmonic minor scale, in the same way you have modes of the regular major scale. So you play harmonic minor but start and finish on the 5th note of the scale. In this case the parent scale is A harmonic minor, it's the same notes. So if it's easier you can just play A harmonic minor but starting on E, and that gives you E phrygian dominant. Does that make sense?

[@VirtualModular]

​@@zbo1 it's just a mode of the harmonic minor scale, in the same way you have modes of the regular major scale. So you play harmonic minor but start and finish on the 5th note of the scale. In this case the parent scale is A harmonic minor, it's the same notes. So if it's easier you can just play A harmonic minor but starting on E, and that gives you E phrygian dominant. Does that make sense?

[@jeromeellis4665]

I gotta get harmonic minor solid first.

[@VirtualModular]

@@jeromeellis4665 yeah it's kind of muscle memory, just learn the shape then shift it up and down. Some of the other modes are beautiful too like dorian #4 and lydian #2. Makes sense after a while if you keep practicing them.