Japanese photography critic Iizawa Kotaro on PROVOKE 日本攝影評論家飯澤耕太郎論《PROVOKE》

「最近對《PROVOKE》的興趣再有所提高的原因，可以歸根於這時代變得不得不再思考到底攝影的本質是甚麼。自從數碼化之後，攝影的形態的確有相當大的改變，我認為這種關心表現出一種回歸原點的情形。」── 飯澤耕太郎 攝影評論家及攝影史學者
"As for the recent surge of interest in PROVOKE, it has to do with the urgent need to rethink the nature of photography in our time. Digitalisation has brought drastic changes to the form of photography. Therefore, I think this interest reflects a return to the point zero," Iizawa Kotaro, photography critic and historian.
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▎挑釁時代：探索影像表達50年╱展
October 26 - December 2, 2018╱12nn - 8pm
2018年度香港國際攝影節主題展覽「挑釁時代：探索影像表達50年」，將聚焦《PROVOKE》誕生的城東京隨世界變革動蕩帶來的時代面貌，展示60-70年代間冒起及活躍的中平卓馬、森山大道、東松照明、細江英公等十多位不同風格的攝影巨匠，細數他們於不同時代對日本攝影界產生挑戰意義的影像作品。
▎ PROVOKE the Age, the Acts: 50 Years’ Quest for a Language to Come
October 26 - December 2, 2018╱12nn - 8pm
First published in 1968, the legendary photography magazine PROVOKE of post-World War II Japan shook the art world and subverted traditional aesthetics of photography with its "are, bure, boke" (“grainy, blurry, out of focus”) B/W images. The magazine encapsulated the social atmosphere of the late 1960s, challenged existing photographic forms and frameworks, and continues to have a profound influence on Japanese photographers today.
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