Sam Dillon Masterclass: This isn't anything "modern"... TRANE was playing this stuff in 1965! 🤷🏻‍♂️

🚀🔥✨ Sam Dillon Masterclass Excerpt: This isn't anything "modern"...TRANE was playing this stuff in 1965!🤷🏻‍♂️ Full Masterclass (3-Day FREE Trial!): JazzHeaven.com... (”Using Harmonic Templates”)
#samdillon #johncoltrane #jazzheaven
From:
🚀 Sam Dillon: Using Harmonic Templates LIVE Masterclass (3-Day FREE Trial!) DETAILS: JazzHeaven.com...
Ways to actually apply harmonic devices to tunes
✨Sam covered:
Demonstrations using a blues, a standard & another tune
Ways to apply that information to real situations - incl. using the materials from Sam's first masterclass ("Two Modern Approaches to the Diminished Scale")
😇 WRITES SAM:
"I’ll be talking about the steps I take to apply information to tunes and chord progressions using some of my favorite diminished concepts and more this Sunday.
This class is a follow-up to my first class purely dealing with diminished concepts. ("Two Modern Approaches to the Diminished Scale")
Hope you join us!!"
🚀 PREVIOUS ATTENDEES:
"Sam's mastery over this material is so enjoyable to see & hear.
He is absolutely a great emissary for this music!"
"Really expanded for me what's possible w/ diminished scales/chords & has given me lots of great material to shed."
Details: JazzHeaven.com...
✨ About SAM DILLON:
As a saxophonist, composer and educator, native New Yorker Sam Dillon has established himself as one of the most-in-demand musicians of his generation.
Currently, Sam maintains a very active performance schedule as both a bandleader and member of The Jimmy Heath Big Band, The Slide Hampton Octet, The Mingus Big Band, The Frank Basile Quintet, The 8-Bit Big Band, The Steven Feifke Big Band, and The New Alchemy Jazz Orchestra.
In addition to these groups, Sam has performed with the likes of Ron Carter, Roger Humphries, Joe Chambers, Randy Brecker, Vincent Herring, David Weiss, John Riley, Jimmy Greene, Dwayne Burno, and Orrin Evans to name a few.
Some of Sam’s most noteworthy performances have included The Detroit Jazz Festival, The Blue Note Tokyo, Lincoln Center’s Dizzy’s Club Coca-Cola, Yoshi’s Jazz Club, The 55 Bar, The Zinc Bar, The Kitano Hotel, Smoke Jazz Club, Smalls Jazz Club, Birdland Jazz Club, Iridium, The Jazz Standard, Symphony Space, Carnegie Hall, and Blue Note NYC.
In 2013, Sam was selected as one of 13 semi-finalists for the prestigious Thelonious Monk International Jazz Saxophone Competition where he performed at the Smithsonian Institute in Washington D.C.
In 2016, Sam received an Artist Diploma from The Juilliard School as the saxophonist in the Artist Diploma Jazz Program.
This ensemble performed and taught internationally at The Tokyo Jazz Festival, The Torino Jazz Festival, The Sao Paulo Jazz Festival, and Lincoln Center.
Details: JazzHeaven.com...

[@sorenfuhrer401]

Sam is the man! I got so much out of these webinars. Killer teacher (and player, obviously)

[@tyronebirkett1161]

I don't know maybe it's just me... Modern I thought could be and has been considered as post the bebop or swing until the present. 1959 given a few years backward and after roughly. Since these techniques were of that period I believe they can be called "modern".

[@SDsaxophone]

I agree with you completely!! Larger point is that it’s nothing new and these sounds have been around for a while. Thanks for checking this out!!

[@davidolahmusic]

Harmonicaly and melodicaly, everything comes from classical music