Really enjoying all the Flemish stuff you've been posting lately.
@martijnkeisers59005 ай бұрын
Wow, that's a reason to visit Antwerp again!
@julayanna5 ай бұрын
saw this in person two years ago!! makes me want to move to antwerp so i can go visit it every day
@patriciamuller795124 күн бұрын
Meraviglioso! Grazie mille
@meisterslx5 ай бұрын
I am currently translating a book where this painting is also described. Great video, thank you!
@rsuman5 ай бұрын
👌I'm intrigued, if it's not indiscreet, could you please share the reference of the book? Thank you
@meisterslx5 ай бұрын
Of course, the name is Art, Annotated, penguin Random House, London 2024. I am currently translating it into German.
@TheZestyTea5 ай бұрын
Thanks for the great video!
@rsuman5 ай бұрын
This is fascinating. I didn't know Fouquet stayed in Italy. Drawing some visual parallels between this painting and the work of Fra Angelico and Piero della Francesca is an excellent idea. The influences of the Italian and Northern artists become apparent, it's absolutely stunning. Thank you very much for the great videos. 🥰
@colbystearns52384 ай бұрын
I remember seeing this piece on display at the Getty for a while. Very cool painting!
@massimosquecco89565 ай бұрын
I m so happy you are BACK! Great work as usual, of course. congratulations!
@massimosquecco89565 ай бұрын
PS: Piero della Francesca: I can see that clearly, now that you have mentioned.
@melizen25 ай бұрын
Thank you very much ~
@ginacrusco2345 ай бұрын
The Virgin and Child before a Firescreen is surely related to the Merode Altarpiece in the Cloisters, NYC, attributed to Campin with an assistant. I have frequently visited the Merode and it came to mind immediately when your video showed the National Gallery triptych. The shallow space, drapery style, cityscape through the window, and such details as the two lions on the corners of the bench and the treatment of the wood and hobnail shutters, are all shared by both works.
@magicknight134 ай бұрын
I was always hoping you guys would cover this diptych!!!
@molecularlife31935 ай бұрын
Excellent
@stuartwray61755 ай бұрын
"This is one of my favourite paintings in the world" - the late, great Alexander McQueen. British fashion designer and couturier.
@nanemoon99685 ай бұрын
Again, a very good video, as always. I am wondering if there is a certain meaning to the placements of the breasts so high and far apart. Was this fashion of tthat time like the high hairline? Thank you very much ❤
@Cara-39Ай бұрын
Yes, during the late middle ages, a high forehead was considered beautiful and a sign of intelligence, refinement and status so women, particularly upper class but maybe others, plucked the hairline back. The Virgin (in Nursing Madonna style) is most likely Charles VII's chief mistress Agnes Sorel, who died 2 yrs before this done and this is thought to be an idealized, not realistic, portrait of her. Known during her life as the most beautiful woman in the world, modeling the Virgin after her was seen as an obvious choice by many, however, some thought her an inappropriate choice given the 4 illegitimate children she had with the king and the scandal she caused by wearing very low cut gowns in court, which then became fashionable.
@Sasha09275 ай бұрын
I'm siding with the historians who believe Sorel was the model for this Madonna. Go figure she was a mistress. I'm glad this was addressed later in the video. I definitely didn't see the Song of Songs reference here, though... Virgo Lactans is a new phrase for me. I have seen one other piece where Mary was attempting to nurse Jesus, but didn't realize his aloofness was a recurring theme. This is a very unique version of the Madonna painting. I wonder what more modern approaches have borrowed and left behind from their predecessors.
@Oblivitana5 ай бұрын
❤
@hansspiegl86845 ай бұрын
From a king's mistress to the Queen of Heaven - that's what I call a career!