Рет қаралды 904,232
The “Prélude” by Le Sieur de Machy that opens this section is composed in an older style, which is still indebted to theorbo technique. This contrasts with Marais’s pieces, which are in a modern style. The elements characterizing these pieces include expressiveness and technical virtuosity, timbral exploration and the predominance of the melody, demonstrating that the viola da gamba is the instrument that best imitates the human voice.
00:00 Monsieur Demachy: Prélude en Re menor
02:15 Marin Marais: Les voix humaines
07:14 Marin Marais: Les Folies d’Espagne
17:15 Variations on a Breton Lullaby
Extract of fourth concert from the series "The origin & splendour of the viola da gamba": www.march.es/actos/15110/
May 28, 2014
Fundación Juan March, Madrid
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