How to Expose & Color Grade SLOG 3 - Sony A6700 FX30 FX3 A7IV A7SIII A1 A7RV

A tutorial on how to get proper exposure and color grade Sony Log Footage (S-Log 3) from a Sony A6700 FX30 FX3 A74 A7S3 A1 A7R5. I go over exposing using the histogram outside and zebras/gray card inside with controlled lighting.
Sony A7IV - geni.us/5XRgFkA or geni.us/UgAo
Variable ND Filter - geni.us/hvFBj or geni.us/hcLMQN
Gray Card - geni.us/7M2nA
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Sony FX30 Settings - • Sony FX30 Video Settin...
How to Expose & Grade Clog 3 - • How to Expose & Color ...
CAMERA GEAR:
Camera 1 - geni.us/kV6qgk or geni.us/qWv4pdN
Camera 2 - geni.us/DKX8TO2 or geni.us/rwqRAmf
Camera 3 - geni.us/IQc3fWH or geni.us/t0LOdf
Camera 4 - geni.us/5XRgFkA or geni.us/UgAo
Camera 5 - geni.us/oAP9yK or geni.us/IUA5X4y
Wide Angle Zoom Lens 1 - geni.us/IO46It or geni.us/PCnns
Wide Angle Zoom Lens 2 - geni.us/OOMwPu or geni.us/QGk65
Standard Zoom Lens 1 - geni.us/TtRw or geni.us/mIvw
Standard Zoom Lens 2 - geni.us/Gm3jwR or geni.us/HdbA
Telephoto Zoom Lens - geni.us/XRyA7Tl or geni.us/9E6u
AUDIO GEAR:
Microphone - geni.us/ukZjif or geni.us/dbJMuNa
Audio Recorder - geni.us/T7oN or geni.us/kxdkI7
Wireless Mic Kit - geni.us/KtpofQK or geni.us/gCTBUl
On Camera Microphone - geni.us/K8If or geni.us/Kdhj
XLR Unit For Canon - geni.us/IdIKtkB or geni.us/3DBiC5
OTHER GEAR:
7" Camera Monitor - geni.us/qzTVLk or geni.us/L7g5
5" Camera Monitor - geni.us/NqD11Gj or geni.us/mA7V1
Monitor/Recorder - geni.us/N6Acvt or geni.us/ITBS8
Variable ND Filter - geni.us/hvFBj or geni.us/hcLMQN
512GB CFExpress Type B Card - geni.us/TDSMH or geni.us/F3AK
CFExpress Type A Card - geni.us/lSlStBF or geni.us/Z6kqF
SD Card - geni.us/2n7XYa or geni.us/SrO7Ku
Drone - geni.us/mA34w or geni.us/3tVm2
Gimbal - geni.us/oPiX
Video Light (Daylight) - geni.us/bmtKv8G or geni.us/WEHZvOE
Video Light (Bicolor) - geni.us/lTSP or geni.us/qIt5IA1
LED Smart Bulb - geni.us/E1hA or geni.us/bOTaA1
Softbox (Large) - geni.us/CjHV or geni.us/WzFJh
Softbox (Small) - geni.us/70sFQBq or geni.us/uURKNJZ
Fresnel - geni.us/WHZAhC or geni.us/LGrg5o
Gray Card - geni.us/7M2nA
Color Checker - geni.us/NQP8Aj or geni.us/PdpNhm
Livestream Switcher - geni.us/RTyOR3 or geni.us/gw3fg
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Instagram @josh.sattin - / josh.sattin
Twitter @jsattin - / jsattin
TABLE OF CONTENTS:
0:00 - Intro
0:42 - Camera Settings
5:41 - Proper Exposure - Outside
10:35 - Proper Exposure - Controlled Lighting
12:23 - Color Correction/Grading
16:13 - Grading Outdoor Example
19:05 - Grading Indoor Example
22:52 - Wrapping It Up
This description includes Amazon, B&H Photo & Adorama affiliate links, which earn a commission to help support my channel at no additional cost to you. Using these links allows me to make more videos like this one. I only share products and services that I actually use and believe in.
#sonyalpha #videography

[@YongCyrus]

Finally someone on KZbin who has a great tutorial

[@Josh_Sattin]

Thank you for the kind words. Glad you found this useful.

[@dwrex100]

Josh, as a new content creator, new FX 30 owner, interested in S-LOG 3, but equally intimidated shooter, AND a final cut user - I can't possibly thank you enough! This might very well be the most valuable piece of educational content specific to my needs I've EVER seen. Trust me, I've watched countless hours in the pursuit! Greater still, you provide such in-depth information for both in door/controlled and outdoor variances in shooting. As I'm sure you're aware, a lack of confidence in using gear can stifle creativity. Your video has given me the knowledge and confidence to start creating, rather than the perpetual state of consuming. Keep up the great work! 🤘🏻

[@Josh_Sattin]

Thank you for such a great comment. I am so glad to hear that this video was helpful for you. Slog 3 shouldn't be scary, it is actually pretty simple and can get you such great images. Good luck with the shooting/grading and thanks for watching!

[@Macho_Beats]

I agree ☝🏽.

[@egnogra]

I agree

[@robknopperstudio]

Wow, this is seriously an education. I have already watched this video twice, taken notes, and worked through each step to get the best footage I've ever created. Thank you so much for putting time into this. I FINALLY feel like I trust myself to produce videos with S-Log.

[@robknopperstudio]

By the way, I would love to see your version of this for dealing with audio.

[@Josh_Sattin]

That is awesome! So glad to hear this was helpful for you. Unfortunately I don't have the skills with audio to make something like this for audio.

[@VideoJTS]

My feelings of gratitude clearly aren't occupying this comment section alone. You are an awesome teacher. As someone who recently graduated with a digital media degree and instantly became the sole videographer for a company, I'm pretty overwhelmed at the ridiculous amount of minute detail that goes into the craft. I'm super meticulous and don't like leaving stones unturned. Thanks so much for your content. It's incredibly useful. I just got an FX30 and have bee super stressed about learning all of the functions. This content is Golden :)

[@Josh_Sattin]

Thank you so much for the kind words. If you haven't seen this video yet, this is a full user guide for the FX3 (very similar to the FX30): kzbin.info/www/bejne/nHOxgKqLlrR4bpY

[@stephanserfontein1214]

Thank you, Josh. You're a great teacher and to the point. Finally, I overcame my hesitation to use Slog3 on my Sony Camera!

[@AJMac1]

My guy, you killed this video. Thank you. If you want to know how to nail exposure, watch this whole video.

[@Josh_Sattin]

You are very welcome. Thanks for watching!

[@GS0CK6]

What an amazing video! Thank you so much. Doesn’t get simpler and more detailed than this.

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@JackSather]

Thanks Josh! Just got my FX30 and this was ridiculously helpful! Can’t wait to see what this baby can do!

[@Josh_Sattin]

You are very welcome. Glad the video was helpful and thanks for watching!

[@ginol5975]

I’ve watched hundreds of hours of videos and I love your style. The demonstration and everything is put together so well you’re a great teacher thanks so much

[@Josh_Sattin]

You're welcome. Thank you for the kind words!

[@Tonikelocators]

I have been looking for videos on youtube that provide quality content, this is the best one I have come across! Thank you!

[@Josh_Sattin]

Thank you for the kind words!

[@gillesemmenegger7731]

Thanks for this simple explanation!!! I was searching for a video like this

[@stevenerixon33]

It's just so much easier to get the proper exposure with the histogram. I just did some test shooting with it and I nailed all of my shots 100%. Can't believe I've been using the exposure meter for this many years. Thanks!

[@Josh_Sattin]

You're welcome. I'm glad to to hear that this was helpful for you. Thanks for watching!

[@mervynmccracken]

XLNT: Never knew why to use zebras for indoor vs histogram for natural outdoor before. Very specific. Thank you 🙂

[@Josh_Sattin]

You'e welcome. Thanks for watching!

[@RandumbTech]

Super helpful! I find shooting with the LUT on (loaded by me) in the FX3 allows me to nail my exposure every time. Then in post, I just apply the LUT and I’m essentially done. Like you said, there are a million different ways to do it, just have to find the right one for your workflow.

[@mikefeatherston4078]

Thank you for keeping this simple. I've been a professional photographer for a very long time but am new to video. I've watched quite a bit of color grading training and it has been pretty overwhelming. This is the first time I've seen it applied in a quick and simple manner. Thanks again.

[@Josh_Sattin]

You are very welcome. Glad the video was helpful for you and thanks for watching!

[@turyboy]

Thank you so much, I wish we had more people like you explaining

[@Josh_Sattin]

You are very welcome. Thanks for watching!

[@egnogra]

Straight to the point bro! Found your tutorial best one for slog 3 understanding. Photographer here shifting to cinema so there is a lot to catch up

[@Josh_Sattin]

Glad the video was helpful for you. Thanks for watching!

[@kenloyd]

Nice job Josh, great pace, no fluffy excess info - you do a great job of staying on point and I'm looking forward to more.

[@Josh_Sattin]

Thank you for the kind words and for watching!

[@Opinion-Matters]

Thank you for this super helpful and super clear explanation on slog3, actually im also starting to switch from PP11 to slog3 and this is a huge help for me, please dont stop sending knowledge to others i hope your channel grows more coz it deserves it, thank

[@Josh_Sattin]

You are very welcome. Thanks for watching!

[@gregorykportraits]

Very helpful for photographers like me who are slowly moving into adding video into their arsenal, thanks!

[@Josh_Sattin]

You're welcome. Glad to hear it was helpful for you. Thanks for watching!

[@yoursureshotphotographypra8961]

Very true

[@WatermelonSaurus]

quick delivery with detailed explanation. Really enjoyed your tutorial video!

[@Josh_Sattin]

Glad you enjoyed the video. Thanks for watching!

[@brianhenderson456]

Zebras are your friends! I've been shooting video for over 20 years. Most of the time, I don't have time to use a grey card or a white card. I use the zebras based on skin tones. If I'm shooting log with the 709 LUT, I'll set them for 70, or actually 68 or 65 (use the custom settings). If I'm using dynamic range assist or just looking at LOG, I'll set them for 50 because the zebras correlate to the LOG, not the DRA LUT. If I'm shooting S-Cinetone, on my FX9, I've been setting then for ~62. This lets you meeter off of skin, or concrete, or light colored tree trunks, or all kinds of things that are in that approximate luminance range. Caucasian or asian faces I let the zebras cover about 30% of a face. For darker skin tones I might do ~15 % or just the highlights. Darker skin tones can be 10+ IRE less than lighter ones. If you expose them at 70, you can actually over expose them. Kofi Yeboah did an excellent video called 4 Easy Exposure Tips to Perfect Dark Skin Tones with S-Log 3 which I highly recommend.

[@redsoulmedia]

please Brian explaine me. I set 41 Zebra and did everything like Josh did but with all these settings Zebra is everywhere in my screen(( I think that 41 of Zebra is too much for S-Gamut3.Cine/S-Log3

[@StefanZivkovicMedia]

Thank you for taking the time to explain these important topics in such a concise and useful manner. After upgrading to the zv-e1, I wanted to take advantage of SLOG and you really made things clear. I appreciate it, I’ll be keeping an eye on your future videos!

[@Josh_Sattin]

You are very welcome. Glad the video was helpful for you. Thanks for watching!

[@hellopsp180]

Wow the way you showed how to correct LOG to be useable was really cool

[@LaurnDakat]

I’m a content creator who uses Final Cut Pro. I just got a FX30 and have found your videos super helpful through this learning curve. Thank you. Rachel, LDK

[@Josh_Sattin]

You're welcome. I'm glad to hear that my videos have been helpful. Thanks for watching!

[@MERTCEYLAN]

Most understandable video about S Log , I've ever watched...Thanks m8 ...

[@Josh_Sattin]

You are very welcome. I'm glad it was helpful for you . Thanks for watching!

[@arfmf]

What a great video! You've show concepts in practice in a very intuitive way. Indeed you're correcting/grading. I prefer to use a CST to a wide gamut intermediate color space and gama curve that will take care of the color correction in a mathematically sound way. Then I'll take care of the grading if needed.

[@Josh_Sattin]

Thanks! I wish FCPX had CST.

[@rcgoooo]

like the way you talk, basically, detail, easy to understand. thank you!

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@dhananjaysapkal2081]

After watching 100s of videos I think my confusion was gone... Thanks I will apply your techniques tomorrow and I face any problem I will ask you 😊

[@skoocha]

One of the best tutorial if not The Best on the matter for Sony shooter, thank you so much for this, super useful !

[@Josh_Sattin]

You're welcome! Thank you for the kind words and for watching!

[@VedunianCraft]

Perfectly explained! I've watched heaps of other videos regarding proper exposure in SLOG3. Most explanations circulated around the exposure multimeter and zebras around 94. My highlights were blown out most of the times...this was driving me crazy! Your explanations for in and outside made the most sense for me. I don't own an nd filter (yet), but my results were consistent. Had to change the ISO though. Thanks a lot 💪!

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@426Studios]

Thankfully, a proper guide on how to expose properly Slog3. Many youtubers are giving advise to overexpose your footage 1 stop higher by raising the ISO, without realizing that its actually not advisable to raise ISO (unless the camera has dual native ISO and you are using the 2nd native ISO) to overexpose as the higher you raise the ISO, the lower the dynamic range will become and will also raise up the noise floor. As for the grading part, if you are not using Davinci Resolve for its color management (the most accurate way to transform your footage), its better to use Sony's official Slog3 to REC 709 LUT because it will accurately transform your footage to how you really shot it. The problem with manually transforming it is that you really are just guessing on how the scene really looked like when you shot it vs using the official LUT wherein it has the right equation on properly transforming your footage to Rec 709 with the proper middle grey as the basis. Put it at the end of your workflow , basically as an Output Device Transform or ODT then color correct or grade upstream. Saves so much time vs manually mapping out Slog3 to Rec709

[@McSweeneyDan]

Josh, this was great. Thank you. You managed to demystify the whole SLOG shooting and color correction/grading process in a short and engaging piece. I've watched a lot of videos on this topic and am slowly beginning to get it, but you brought it home. I hope. Haha. Again, thanks.

[@Josh_Sattin]

You are very welcome. I'm glad this video was helpful for you. Thanks for watching!

[@uptown3636]

Thank you for taking the time to make and share such a useful tutorial. I especially appreciate your guidance not to make every shot look the same in terms of exposure. I learned this the hard way with photo editing. The world is beautiful because of its variability--embracing that imperfection is part of the joy of post-production.

[@Josh_Sattin]

You are very welcome. Thanks for watching!

[@GarryPatricio]

Thanks so much! It finally made sense to me!

[@Josh_Sattin]

You're welcome. That's awesome! Thanks for watching!

[@AJCoReTV]

Very helpful. I’m finally going to give this a shot. Base iSO on A7S3 for slog3 is 640. That was the only thing diff from the video. I’ll check my A74 next, which per this video showed 800. Thanks for this info! Subbed

[@DancedZikrNZ]

Thanks Josh, that was really simple, easy to follow and helpful.

[@Josh_Sattin]

You're welcome. Glad it was helpful for you. Thanks for watching!

[@JamesBellLandscapePhotography]

Thank you for sharing your knowledge and skills. Very helpful. I'm grateful for you making this. Thanks.

[@Josh_Sattin]

You are very welcome. Thanks for watching!

[@reaganpieter]

Very..very good info here and exactly what I need for a job today, interview inside and b-roll outside. Thanks!

[@Josh_Sattin]

Awesome! Thanks for watching!

[@gabhoule]

I appreciate the Star Wars scene transition.

[@KristianPage]

Josh, another outstanding edit. Thank you for your time and effort. It's appreciated!

[@Josh_Sattin]

You are very welcome. Thanks for watching!

[@kouleeofficial]

I just watched this and you explained everything very well! I watched many videos and they didnt explain as good as you. Thank you so much!

[@Josh_Sattin]

You are very welcome. Glad this was helpful for you. Thanks for watching!

[@bikelifewithalex120]

Very useful info and great content. I like how simple and clear you explain things not boring experience users and new ones as well.

[@Josh_Sattin]

I'm glad to hear the video was helpful for you. Thanks for watching!

[@markus_knoedel]

Thank you. So many helpful tips. Even after this long time I have the camera now.

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@glenblaven]

Best video I’ve seen on this topic. Thanks Josh! Subscribed!

[@Josh_Sattin]

You're welcome. Thanks for watching and for the support!

[@AvenueImaging]

A lot of gems in this video 🔥📸🔥

[@Josh_Sattin]

Glad you found it helpful. Thanks for watching!

[@justalittledaf]

Really like your teaching style

[@Josh_Sattin]

Thank you so much!

[@sam78882]

Josh I am learning a lot of new things wished you lived in Henderson ,NV I’ve would pay you to take private lessons . Really I am loving all your videos thx

[@Josh_Sattin]

Glad the videos have been helpful for you. I do offer coaching calls if you are interested: superpeer.com/joshsattin

[@mitchellliam]

This was amazing! Perfectly explained for a rookie like me, thank you! Subscribed for sure!

[@Josh_Sattin]

You are welcome. Glad the video was helpful for you. Thanks for watching and for the support!

[@WTE28]

Best information on KZbin

[@Josh_Sattin]

I appreciate that! Thanks for checking out the video!

[@agenericaccount3935]

Pretty dang useful. I hope this one gets some traction.

[@Josh_Sattin]

Thanks! I'm glad to hear this was useful for you!

[@KristianRoald]

You are a GREAT teacher!!! :) Thank you.

[@Josh_Sattin]

Thank you for the kind words and for watching the video!

[@workandworkandmore]

Great video! Thank you!

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@eyemaxmax7419]

You make this look so easy bro dammmmm good 👍🏾 job

[@Josh_Sattin]

Thanks! Glad you enjoyed the video!

[@ClarissaRankin]

Thank you so much for this. I’m still learns log3 and s cinetone i was told for a log 3 set my zebras to 94 plus. On my Sony a7iv. I also don’t have any luts.

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@steveloudon7491]

Excellent. New subscriber. Thanks very much.

[@Josh_Sattin]

You're welcome. Thanks for the support!

[@MIMCKMedia]

41% on middle grey is the rec709 value but I think for slog3 it's better to over expose it one or two stops (without clipping highlights) and bring it down to 41ire after grading

[@JM-xl3ij]

Thank you - very thorough Josh

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@nine96six]

굉장히 맘에드는 강의 입니다 고마워요

[@TheOneMonk]

Fab tutorial, well explained. Liked and subbed!

[@Josh_Sattin]

Glad you enjoyed the video. Thanks for the support and for watching!

[@CharlesAndrulis]

thank you ! great video

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@CharlesAndrulis]

@@Josh_Sattin I do have one question if you mind. If you are shooting outdoors and there are changes in light, say a cloud and the scene gets dark. Do you recommend just keeping it manual and locked, and just fix it in post? Or is it better to use flexible ISO?

[@muncham]

Massively helpful, thanks so much!

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@EMILIO-zh8dp]

Very well explained with killer examples.One of the best on this topic on KZbin.

[@camilolatorre7622]

Just what I needed! Thank you

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@positiveproductions-3smile224]

This was awesome! Thank you Josh!

[@Josh_Sattin]

You’re welcome. Thanks for watching!

[@TLOverlander]

Just bought a A6700! What a beast of a hybrid! THIS is the best crop sensor Sony exposure video on the WWW 👍 I just gotta know... What ND filter setup are you using? Is it built into the FX?

[@Josh_Sattin]

geni.us/hvFBj

[@crawl207]

Great video! Finally was able to purchase an FX3, after dealing with Canon R6 and R5 overheating........

[@iammourad]

Great video, it is very useful. Thx Josh… Can you try with lut ? Thx

[@Josh_Sattin]

You're welcome. I generally don't use LUTs. I'm just sharing my process.

[@kurokid2441]

refreshed what I used to do...great job, thx

[@munishkumar82]

Fantastic video bro…I’ve just subscribed

[@Josh_Sattin]

Thank you so much!

[@dragonizumi_bsl]

super educational. Thanks again for this video!

[@Josh_Sattin]

You're welcome!

[@TommyIdaho]

Fantastic!

[@Josh_Sattin]

Thanks!

[@londja2009]

more than Udemy lessons... Thankyou!

[@WarangalDiaries]

thankyou so much!

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@user-mw4zr3re9o]

This is the most informative channel that I’ve come across in a very long time! Thanks dude!

[@Josh_Sattin]

You're welcome and thank you for the kind words!

[@KaoAsoni]

OMG!!!! You make it look sooooo easy!

[@jamesprecious1035]

Very helpful as usual Josh. I'm really enjoying all of these last episodes. Thanks.

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@OnMyTrek]

I’ve avoided slog due to the grading etc. What you’ve shown above is that basically what the conversion lut does? Will try what you said exposing with the histogram rather than the exposure reading ☺️

[@Tarantee]

Thank you for this informative video! Perfect!

[@TheMe1960]

Hey Josh. Just coming across your video. Great job! Thanks. Question - I'm shooting outdoor with the A7IV. When setting my exposure, why wouldn't I use the zebras?

[@Josh_Sattin]

You're welcome. There are a few ways to do all of this stuff. Some people prefer to use zebras and set them at a high level to show highlights peaking. I just use the histogram. Each camera and log profile has different values, so its easy for me to just use the histogram. Personal preference.

[@lunaboy1977]

Thank you Josh, I watch this video at least once a month! It’s absolutely priceless! One question: at 11.45 when you’re changing the light on the grey card, what would be the best way change exposure if I have no more light to work with indoors?

[@Josh_Sattin]

You're welcome! Open up the lens to the maximum aperture, get a faster lens or figure out a way to add more light. The last option is to raise the ISO.

[@lunaboy1977]

@@Josh_Sattin fantastic, thank you Josh :)

[@Josh_Sattin]

@@lunaboy1977 You're welcome!

[@1337plans]

Great Video Josh!

[@KarelZweefvlieger]

THNX. Leaning every time!

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@antonisdavis2288]

hallo from Greece! very helpful!!

[@Josh_Sattin]

Nice! Thanks for watching!

[@amstation]

ty josh. i am still confusing with zebra. you showed zebra on grey card. but i don't have it. so how to apply zebra on face?

[@Josh_Sattin]

I don't use zebras on skin because everyone has different color skin. Gray cards are consistent. They are currently $8.09 on Amazon: geni.us/7M2nA

[@MrMyers1489]

FANTASTIC!!!

[@Josh_Sattin]

Glad you enjoyed the video. Thanks for watching!

[@vikrambagga754]

Amazing tut mate. !! which ND filter you are using

[@Josh_Sattin]

Thanks! This is the filter: geni.us/hvFBj

[@dudewecanfixitshorts]

Great video brother!

[@Josh_Sattin]

Thanks!

[@dreamteamfilms3550]

Nice video. I like this histogram method and will definetly give it a try. I have been playing with skin tone zebras for run and gun stuff but it does make it harder to see what is on the screen so if one can get used to exposing well with the histogram that sounds ideal. For grading a simple color space transfrom in da vinci seems more accurate... im also quite new to da vinci but i 100% recommend switching. It does seem a little annoying that log seems to perhaps more effected by iso and ND filters seem more necessary, especially as they can effect quality and colour which is the purpose of using Log in the first place but I guess we can't have everything.

[@mrfairycake4333]

Fantastic

[@Josh_Sattin]

Thanks!

[@luciken1]

god bless you, man

[@deegram001]

Great video man!

[@Josh_Sattin]

Thanks! I'm glad you liked it!

[@takeshiasano7337]

Nice tutorial and easy to understand. Would like to ask why you did not set the white balance previously when you were in outdoor scenario?

[@Josh_Sattin]

I had it set to the sunny setting since it was sunny and I was outside.

[@takeshiasano7337]

@@Josh_Sattin Thank you for confirming that. I was kinda not sure if you do have that custom.

[@andypargh6965]

Well done. Can you give a bit more description on why you're recommending to keep Flexible ISO on?

[@Josh_Sattin]

Thanks! Flexible ISO is better most people getting started in using Slog3 because you can change the ISO. Here is a full video about Cine EI: kzbin.info/www/bejne/pXKwYoWImKyoqdU

[@LucaDePazzi]

Lovely video!

[@Josh_Sattin]

Thank you!

[@nine96six]

Thank you very much for watching the video. I have a question. Is there anything I should check if I assume that the color space is set to HDR or PQ and edit it instead of rec. 709? I think it comes out much brighter when editing it with the color space of rec. 709

[@robknopperstudio]

Hi Josh, after going over this extremely carefully and getting my indoor and daytime outdoor workflows up to speed, I have also been experimenting with outdoor night video. What is your exposure strategy for outdoor nighttime video in terms of zebras, ISOs, grey card, etc.? (I assume you'd still use S-log3?) And how do you then color the footage in Final Cut? Thank you so much!

[@nrnrnambi]

thank you

[@Josh_Sattin]

You're welcome. Thanks for watching!

[@NLMENTERTAINMENT]

O ok I was gonna ask if we can do most those settings all the camera. I live stream on the road so I gotta dail it in before it hits the computer.

[@wifiprenuers]

i understand! thank you !!

[@Josh_Sattin]

You're welcome. Thanks for watching!