Julian Bream | La Canción del Emperador | Luis de Narváez

Julian Bream - La Canción del Emperador - Luis de Narváez (by a tune of Josquin Desprez)

[@georgewilkins4231]

Julian Bream. The only musician I could listen to all day.. That's not changed since I 1st heard him in the 60's ...... Marvelous......

[@madgato]

Para la gente que no lo sepa, esto se grabó en el Alcázar de Segovia.

[@bmoraga01]

One of my all time favorite songs for classical guitar. Very moody piece and much more difficult to play than one would expect. I first heard Segovia play this for the Carter White House in the 70's. I've never forgotten the magic he brought to it during that performance. And I've never been able to find a recording of him on this song.

[@blobel126]

Easy to find it...

[@blobel126]

kzbin.info/www/bejne/jpTJm2aPlp6Zobssi=zMFhzQ_CfzbVti5e

[@leesantana42]

So moving! Bream is eternal

[@tubbers20]

One of my faves from the film.

[@ThisCreepingLife]

Wich film?

[@tubbers20]

@@ThisCreepingLife Bream in Spain.

[@ThisCreepingLife]

@@tubbers20 thank you so much

[@tubbers20]

@@ThisCreepingLife You're Welcome. ...................................'Guitarra! - The Guitar in Spain' is the full title.

[@RobertoMartinez-kv5tp]

El Grandioso Maestro Julian Bream.

[@EmanuelJaime]

Julian Bream , is always the answer.

[@serkanyalcin2268]

I want to find these 9 people (who disliked this masterpiece and marvelous rendition) and take them to an ENT doctor. How can such a calm piece have such power? It should be Bream's mystic :)

[@komsomoletz7238]

These 9 people: Most often are unsuccessful musicians

[@RTD553]

The downvotes are because this ancient instrument is being played in and with exactly the same style and technique as a modern guitar. Next question ...

[@davepowell7168]

Dislikes are a thoughtcrime. There are none and never were any. Big Brother

[@davepowell7168]

Atmospheric genius

[@erickricardoflores8472]

Farewell, Maestro.

[@BalzeMusic]

Very consinstent sound flow from the hands of Bream

[@thetransmogrifer2522]

Bream ALWAYS gets it right!

[@davepowell7168]

Except jazz

[@johnmckenna6203]

The emperor would be proud.

[@nhm1069]

He could tie some strings on a broom handle and it would sound better than anything I'll ever play.

[@windsorwoman]

It's been four years. How are things now?

[@blocknboom9353]

Windsor Woman lol

[@Hurdigurdi]

this one brought manly tears, surprisingly. im gettin more and more attached to renaissance. only 15th century kids would understand xDD

[@michaeltroke7239]

Normal it brought tears: it's a series of variations on Josquin Desprez's song "Mille Regretz" (A thousand regrets), the first verse of which (translated into English) is: "A thousand regrets at deserting you/ and leaving behind your loving face/I feel so much sadness and such painful distress, that it seems to me my days will soon dwindle away." :-(

[@henrynoel4223]

@@michaeltroke7239 A thousand regrets for abandoning you, And leaving behind your loving face. I feel such sadness and such painful woe, I think my days will dwindle soon away. This is a loose translation of my own which I used in my novel "A Fantasia for Two Lutes." A forlorn man plays it for a ghost on Christmas eve in the nave of a dark and deserted church.

[@Girasole0812]

Magic Bream

[@joserivero602]

Gracias

[@17attewell]

Thank you for up loading

[@frenchiecocorico1]

La guitare que joue Julian Bream est une reconstitution fantaisiste qui tâche de ne pas trop s'éloigner de la guitare classique traditionelle à laquelle est habitué l'artiste. Ainsi, la largeur du manche est plus proche de celle d'une guitare classique que de celle d'une guitare renaissance. Il en va de même des dimensions de la caisse presque deux fois plus grande que celle d'une véritable guitare renaissance..

[@andrenieuwlaat9097]

+frenchiecocorico1 This piece was not written for renaissance guitar (which has four courses), but for vihuela, which has 6 courses and is tuned like a lute. Bream is playing a vihuela.

[@frenchiecocorico1]

+Andre Nieuwlaat You could download for free the original digitalized version of ""Seys Libros del Delphin , para tañer la Vihuela" (The Six books of the dauphin for the hand play of the Viol by hand" on he website of the Natioal Library of Spain ( Biblioteca Nacional de España) bdh-rd.bne.es/viewer.vm?id=0000134585&page=1

[@nhm1069]

He could play some strings on a broom handle and he'll sound better than I ever will.

[@georgewilkins7877]

Marvelous

[@TheFerdinand81]

This music is a transcription from Milles Reretsz from Josquin Desprez, a Franco-Flemish composer of the very early Renaissance.

[@fructingfantastic]

you mean a variation of?

[@frenchiecocorico1]

TheFerdinand81 Probably you would mean "Milles Regretz" by Jpsquin Lebloitle so called Desprez, a french composer born (Beaurevoir) and dead (Condé sur Escaut) in Picardy a monopoly territory of the Duke of Burgundy under the king of France sovereignty at this time (before 1529).

[@ricardolemus5937]

Luis de Narváez made such a transcription, giving him the credit of the piece, whose author is Josquin Du Prez

[@italoolivatamburello3149]

La musica

[@teddywang69]

Luys de Narváez

[@anatolyFedotov]

Большое спасибо ! Это замечательно!

[@juancarloscoche984]

alguien sabe si la interpreta con uñas o solo con yemas?

[@ricardolemus5937]

Bream, Williams y Segovia usan uña y carne, generando variedad de color en sus ejecuciones (un poco menos Williams, quien maneja más la dinámica para crear variedad de una frase a otra)

[@joseescalantezabala315]

Yo no soy guitarrista pero ese sonido tan metálico no puede ser con las llemas de los dedos, tiene que ser con las uñas. Precisamente, yo echo en falta la expresión de la interpretación. La música es bellísima pero suena plana a pesar de que él se mece tocándola. Me gusta mucho él, pero la vihuela se podrá tocar piano y pianisimo, no? O no?

[@josedejesustapia4722]

Son cuerdas de nilón o de alambre😬