Karl Bartos Speaking About Kraftwerk's Music

Karl Bartos on importance of melody in Kraftwerk's music.
From the documentary film "Kraftwerk and the Electronic Revolution". Buy the DVD at
www.amazon.com/Kraftwerk-Elect...
www.amazon.co.uk/Kraftwerk-Ele...
www.chromedreams.co.uk/kraftwe...

[@rdubb77]

Ralf and Florian were lucky to get him. He added a lot. He's the Alan Wilder of Kraftwerk.

[@edsonsantiago9135]

Perfect.

[@andilauscher]

@@edsonsantiago9135 i just read his biography and i think the absolute same thing. with one little difference : Alan Wilder is The Karl Bartos of Depeche Mode;-)

[@blutuf]

Something like that yeah

[@marstarmiller]

I completely agree!!!

[@mobius273]

@@andilauscher broke: karl was the alan of kw WOKE: alan was the karl of dm

[@hallamhal]

Bartos has such a relaxing voice, it's obvious why he was chosen to sing rhe Telephone Call

[@leonreborn1308]

It's crazy that Electric Cafe was a flop, the album is really great.

[@RaptureMusicOfficial]

Indeed, great album! One of the best from Kraftwerk! By no means a flop (maybe in sales numbers but I doubt that as well)

[@jeshkam]

It's been my favorite Kraftwerk album since 1991 or 92, right after The Man Machine.

[@costomame3895]

<a href="#" class="seekto" data-time="240">4:00</a> "Creativity sometimes starts with the deadline" - Karl Bartos

[@bernardjharmsen304]

The Brill Building songwriters joke: Q: What comes first; the words or the music? A: The phone call.

[@costomame3895]

@@bernardjharmsen304 That's a great one!

[@laszlodomonkos3941]

I really love listening to Karl's voice. It is so smooth and soft.

[@pr-0759]

László Domonkos yeah me too

[@2112jonr]

He's such an interesting fella to listen to, too.

[@nickd7225]

I think he speaks the best English out of all kraftwerk. Also Rip Florian 😢

[@ericdanielski4802]

100

[@anklamer]

"creativity starts with a deadline." That´s so true...

[@pyrtwistPyrtwistWorldInMotion]

Bernard Sumner used that quote at Mute Records and Miller said "good, have the LP done by September." Music Complete by New Order

[@sabicsepregi6521]

He says "sometimes".

[@davidtracey4335]

i like listening to him and Wolfgang

[@molli_gothitelle]

WOLFGANG!!!

[@Teeb2023]

@Rising star Better?

[@blutuf]

@@Teeb2023 yes

[@Teeb2023]

@@blutuf Explain "better".

[@hi_immkaylee]

wolfgang and karl need more appreciation 😭

[@wumpel2059]

It's so sad that he left but i can understand him. He's right.. Kraftwerk missed the 80ies :(

[@RaptureMusicOfficial]

Well, Computerworld was released 1981 ... but Electric Café should've been released years earlier, I agree!

[@wididididididi8693]

I love this man. I'm going to meet him someday ❤🖤

[@niallmcdonagh1093]

Radioactivity is to Kraftwerk what Black Celebration is to Depeche Mode. Their finest yet not so commercially successful album.

[@ericlopez9549]

I can hear and listen to this man forever!. God Bless. And RIP Sir Florian S. You guys were and are amazing!! E.L. Cleveland, Ohio

[@werkinwoman83]

mr bartos has a very soothing voice and his singing voice is outstanding!!! yep, one of my handsome men from Germany. :)

[@Fcutdlady]

Karl Bartos speaking voice sounds really nice. Very easy to listen to.

[@rockrollinnolan8521]

I love Electric Cafe! The Telephone Call is one of most emotional songs I know.

[@Retroalicemichael]

Karl and Wolfgang seem like the sweetest two of the originals. I feel so much love from both.

[@mobius273]

Idk i kinda get weird vibes from wolf. Karl and flo are definitely my favs of the classic lineup though :)

[@Retroalicemichael]

@@mobius273 Wolf is a character. I’ve had the opportunity to speak to him once he was very nice.

[@mobius273]

@@Retroalicemichael oh sweet

[@Retroalicemichael]

@@mobius273 perhaps I’m partial for that reason 😂🙂

[@Rottengodcorpse]

@@Retroalicemichael Im sure Wolf is a pretty sweet guy like Karl, but yeah some things are weird ahaha😭 ur so lucky!!

[@unadomandaperte]

Electric Cafe was never a flop to me. I got them ALL!

[@Lachlant1984]

I love the songs on the Electric Cafe album, I've listened to that album on Spotify a lot. I particularly like The Telephone Call, Techno Pop and Sex Object.

[@RaptureMusicOfficial]

Yes, It's no flop it's a great album!

[@marstarmiller]

Electric Café is so underrated don't even get me started!!! It wasn't exactly what the people at the time considered revolutionary but it is a solid great album that I listen to all the time.

[@markaprill6501]

I purchased electric cafe when it originally came out! I thought it was fantastic......I guess it took 30 years but the world finally caught on.

[@robn7777777]

Fascinating, lovely listening to Karl. I'd never understood their loss of momentum in the 80s until now.

[@martineriksson726]

Karl Bartos is an extremely talented musician and also a nice person to interview as we can see right here.👍☺️

[@crashdemon]

his voice is so soft and cute what

[@sinwithsebastian]

He was to Kraftwerk what Alan Wilder was to Depeche mode, they are less without them .. I love his solo stuff too

[@2112jonr]

Thank you for the tip, I'm going to check out his solo work now. :)

[@mantra3000]

Creativity starts with a deadline. I like that.

[@PhilAndersonOutside]

Brilliant interview. He is such a thoughtful musician. Many young people today have no idea how much influence he and Kraftwerk had, and the limitations they were faced and overcame, and the ground they broke. They literally changed music, changed the world. There's no one like them today. Not even close, even though music is considerably easier to produce for the common musician.

[@flywithseaguls]

Does everybody know that Karl has a classical education? He played in symphony orchestras as well....

[@165Dash]

I love these guys. So intelligent, down to earth and unpretentious for “odd-ball / avant-garde / new wave” music legends. Perhaps it’s the English as a second language thing.

[@martineriksson726]

It takes pure geniuses to create the music that Kraftwerk did in the 1970's and Karl Bartos was one of these pioneers.A true legend!

[@WarRogers]

I like Electric Cafe.

[@mlalbaitero]

I like it as well, but in the 80s it sadly wasn't commercially successful.

[@Bonpu]

I hated it. Being a huge fan since Autobahn I hungered for a new album. But I loved Kraftwerk for their catchy nursery-rhyme-like melodies, their distinctly romantic imagery and their consistent bold album concepts, all of which Electric Cafe lacked completely. The best about it was the cover graphics.

[@davidviner4932]

Bought it in the 80s, a poor album

[@YorHighness]

80s were some of their best ever music Boom tsak techno pop

[@btoum__roumada]

Same.

[@CommunityGuidelines]

"Kraftwerk missed the 80's"... mein gott, he's right! After the Computer World tour in 1981, they only managed to release one single and one album for the rest of the decade. If only they had released the original analog "Technopop" in 1983 like they were supposed to, they could have moved on to a new project. I hope the full 1983/84 version gets leaked someday; the demos are superior to "Electric Cafe".

[@TheOptimod]

Bull. They had more singles than that; Tour De France, Showroom Dummies (reissue), Computervelt, and Telephone Call.

[@fvazquez64]

And Computer Welt was and it still is one my favorite albums, I believe it revolutionized the way music was produced and played... and don't forget that Tour de France also helped hiphop pseudo musicians to give them a base for their so called music... Thanks for sharing!

[@unadomandaperte]

kzbin.info/www/bejne/o3ScZINqhMljqbs kzbin.info/www/bejne/oZnMkI1pisqMjaM

[@davidelhispanico]

(Jean-Michel Jarre)

[@dugferd2266]

I was just thinking about why they stand out to me, and I came to the conclusion that it's their use of melody foremost. Their pieces often revolve around one or two melodies which give the listener a grasp for the duration of each work.They reinforce that idea of familiarity (recurrence, perhaps) in other forms such percussion, voice, lyrics, etc. which they've integrated with their melodies. The compositions are therefore quite satisfying

[@aschemusicreations]

He makes a very good point about there being too many options. After about a year of fucking around with VSTs I said "Fuck it, im buying all analogue shit, and learning how to use real instruments." Because I think that is more fun/challenging, to limit yourself.

[@sixstanger00]

+Urine Denial Most definitely. When programs become a substitute for true talent, true talent is no longer a requisite. Using real instruments means you have to be good at it.

[@dbmusicproductions9181]

Disagree. We are limited by those things we build around us. Limitations can be an advantage. It can be easier to have fewer choices, but it is not inherently better. Programs can never be a substitute for talent. Neither can they be a deterrent to talent. VSTs can be as freeing as they can be overwhelming. There are tons of people displaying their talent using VSTs. A "real instrument" is a choice. Take two spoons. A real instrument. Take audio samples. A real instrument. Many things are real instruments. What will you do with the instrument to make it real? What you do with the instrument is what makes it an instrument. It is an instrument, a vehicle for the talent you write about.

[@PhilAndersonOutside]

I am probably a couple decades older than you, and got started in the analog days when very young, before moving to digital when it came along in the 80's then to the VST trap you mention. I firmly believe in the old saying it's the carpenter, not the tools. But it's hard to explain to people the organic interaction one has with a real hardware synthesizer once you are good at it, and understand it. Especially one with many knobs, sliders. Such an instrument, or set-up compels you to create your own sound. That freedom, from whatever that limitations is, overcomes any VST, no matter how powerful, and the painstaking task of clicking and dragging a mouse while squinting at a monitor for hours on end, which often turns into just sifting through pre-programmed library patches that are someone else's sound. As Dave Smith has stated, hardware has a sense of eternal timelessness, while computers, apps and VST plugins are almost continually changing and updating.

[@marktangney89]

My daughter Just Loves Karl bartos! and is so obsessed With Kraftwerk!! she is 13 now and has been listening to Kraftwerk since she was 1 and a half😊😊

[@Rolybot]

Perfect explanation of everything that happened in the 80s with the band, a long time ago I already read about the intransigent Ralf, I think he was overshadowed by Karl, from there the problem, they never let him contribute his great talent and with respect to " failure" of Electric Cafe, it refers to the fact that at the time it no longer had an impact like the previous ones, red and green, in the mid-80s everyone was already using synthesizers so in terms of sales and novelty it was indeed a failure, obviously with el tiempo becomes another cult album and more so because it is the last of the original line-up, because of the affection that this represents, it is a pity that Ralf's "egoism" wins against the talent of Karl and Wolfgang.

[@RaptureMusicOfficial]

Electric Café and Computerworld are my two favorite albums from Kraftwerk! Greetings from Germany!

[@jasonlefler3456]

great to hear him speak! such a shame that NME were such bastards to them back then. can you imagine someone painting you as a Nazi?! awful. on a sidenote, this business of having ads interrupting content is garbage. would marketers place adverts at the beginning if necessary or remove them entirely? in the meantime, please kindly wait your turn.

[@TheNorma]

He's a genius

[@harrisonaard1]

He was right. As a person who was buying their music, the distance between Computerworld and Electric Cafe was a dark chasm that they could never have got back. As with hindsight, we can see where they could have gone, but they didn't touch the sides. Hey...

[@hoggy4022]

Love his new album

[@JaZaarMercury]

Too many options kills productivity . Quite true.

[@HAL9000nd]

His solo albums are so good!

[@chibiqueenie]

I love this wonderful man, he's a genuis!!!! Thanks for sharing, greetings from Mexico.

[@stevewiskowski495]

I'd love to hear the original Techno Pop recordings before Ralf completely remade it from scratch

[@jamesconn4226]

A very original and 'intriguing band. I need to listen to more of their stuff

[@fvazquez64]

To me Electric Cafe was one great record!! too bad it was considered a flop.... thank you for sharing

[@Blubatt]

I think it suffered from a lot of problems, but reading up on the original vision for the album, with side one being one song, like the version of Music Non Stop they play today, with Telephone line, Sex Object, and Tour De France, then it would have been better.

[@cubdukat]

I really liked it, but it did seem as if they were trying to push too hard for commercial success. I can't help but think that some of the choices made weren't entirely their own, but rather Warner Bros.' input. Maybe Ralf and the original three guys could do a reunion tour...

[@davidviner4932]

It was crap

[@johnhenningfield4360]

With Electric Cafe it gave the feeling that time had finally caught up to them, everybody had copied them and they didn't know where to turn next as Karl explains the story.

[@dariuszmarekmorawski3571]

Nikt nie wypowiada się tak sympatycznie tak świetnie na temat Muzyki INTELIGENTNIE z zespołu Kraftwerk jak Karl BARTOS.

[@b_markovic]

Interestingly Wolfgang Flur said that Karl told him that Kraftwerk acquired a Synclavier in the early 80s and basically wasted tons of time trying to learn the thing inside out which was a big contributor to the unproductive 80s for the band.

[@olleko5034]

His insights at around <a href="#" class="seekto" data-time="257">4:17</a> explain a lot about the sad state of music today.

[@worldwildwest]

After his mention of how someone from the Anglo audience posted a swastika during their performance i can't blame him a bit for speaking in an American Accent.

[@dariuszmarekmorawski3571]

Nie znam angielskiego. Ale Karl Bartos mówi bardzo ciepłym głosem. Bardzo Inteligentnie. Jest bardzo przekonywujący. SYMPATYCZNY !!!!!

[@naticol33]

kraftwerk forever

[@werkinwoman83]

i agree with him at <a href="#" class="seekto" data-time="240">4:00</a> also. as an artist myself (i draw but don't sing so everyone job is safe...lol) some of the points i feel i can apply to being artist also. I still use the standard mediums (pencils, ink, colored pencils). with technology i will persue computer drawing and other things to enhance my art work. :)

[@sf1r3]

Great Musician Genius living

[@interruptuscontranatura1219]

Happy birthday Karl! 🎉

[@derekholland3328]

this man is such an insightful thinker..awesome.

[@permaveg]

Kraftwerk led where others followed.

[@matsfrommusic]

Electric cafe is a fenomenal album, maybe even their best one.

[@symmetry08]

Wow, I have same philosophy that melody should prevail over rhythm comes and go, with trend of the day.

[@rolfisdreamworld489]

It is a pity, Kraftwerk could have plaid in the 80th still so much good music

[@halfrutter2226]

They did what they thought was necessary at that time. Hutter and Schneider were well ahead of their time. I have no doubt that they had a good rationale for their choices.

[@edisonoside]

All 4 were perfect together ..like the Beatles...quite talented as individual solos too...should reunite and release a new album! Wouldn't THAT be something.

[@S3rrgiio]

+Eduardo Rivera Ralf will never allow that to happen

[@claudioluiz6673]

<a href="#" class="seekto" data-time="424">07:04</a>, This robot became human. 🤣🤣🤣😂😂

[@inkling1788]

Obviously, Karl WAS Kraftwerk. It's all here, in stark relief. Pure genius...

[@rdubb77]

Nope, Ralf is. But Karl is highly underrated, and was present for their best work.

[@loombaron]

autobahn blew my mind

[@TNJX]

Karl Bartos' music gives me more euphoria than Kraftwerk's, if I'm honest, and that's coming from life-long kraftwerk fan.

[@minomsncam]

Kraftwerk has importance in melody in music, pioneering legends of Tecnho Pop, mixing music with robotized effects.Sie werden immer mit Ihrer elektronischen Musik verehrt und verehrt, wenn Sie Fragen beantworten, die sie wie Roboter sprachen, ihren eigenen Stil, den ichen wirklich mag und schätze, werden Sie und Ralf Hutter als die Eltern des Pop-Techno angesehen, leider ist he heute, 6-5-2020, immer physisch gegangen es wird wichtig für die Musik sein, vielen Dank Florian Scheider für alles, was Sie zur Verfügung gestellt haben, außergewöhnlich professionell und persönlich, Sie werden weiterhin bei den Werken anwesend sein, die Sie zurückgelassen haben! Ruhe in Frieden mit Gott, Jesus! Herzliche Umarmungen!

[@NOWtheband]

That's a great DVD. :-)

[@igorjorin538]

Waiting for new album :-)

[@skymobster]

+Igor Jorin Me too ;)

[@jimmyj6800]

What is the track playing at the beginning of the video?

[@ourbrightnewworld]

Intelligent wise guy

[@SvenCurly]

I like the Album "EC / Technopop".

[@mikemeengs4124]

Check out the full video if you can get it...good stuff!

[@InfiniteRhombus]

i like kraftwerk as much as anyone but actually being a member of kraftwerk has got to be frustrating and boring as fuck. And here we are! almost 25 years later, still no new album, still no information about it at all. Doing the exact same live show they've been doing for almost 30 years with absolutely no changes besides it being "3D". There will never be a new kraftwerk album and honestly at this point I dont even give a shit anymore.

[@museonfilm8919]

Fanboys say - "Ooohh I got to see Kraftwerk at Tate Modern, they're the kings of electronic music, they're so retro." Yeah, like upcycled furniture. Kraftwerk have done NOTHING for years, apart from put on a high end karaoke performance.

[@jessemacias2]

I love the album “electric cafe”, the only difference on the rereleased “techno pop” is the song house phone which is only good the first half, the rest of the song is not that good.

[@bronsondeliac2625]

What's the song at the beginning?

[@user-ol3wz9if3u]

Старый добрый Карл😘

[@LisaTer]

Господи, неужели я нашла русского человека? Карл лучший! ❤️

[@Eduardo-tq5sk]

Has it been 20 years no ? For me it has been seconds! I will listen in my death bed! Alles achtung!

[@xwsftassell]

You can really tell what Electric Cafe could have been by the Technopop demo. What a shame they pulled out that beautiful little melody in it. Still, it was hip-hop time. Maybe they didn't want to feel out of step.

[@richardjohnson5867]

the 4 originals or nothing

[@2112jonr]

Two of them would probably sue you for that.

[@Gyrbae]

@@2112jonr Well, just one of them now.

[@happyears21694]

Klaus Röder was before Karl Bartos, that "Autobahn" was Ralf, Florian, Wolfgang and Klaus before Karl replaced him.

[@aramchavezvelazquez4384]

í like computerlove

[@ajs41]

I'd like to know more about exactly why the band decided that the original version of Technopop, which was ready in 1984, wasn't good enough to release at that time. There must be a reason, even if it "sounded great". It's always been a big mystery.

[@thewavehunters9953]

Andy JS here on youtube you can find the early versions of Technopop and Sex Object, which sound like a step backwards after the refined minimalism of Computer World. In Ralf's point of view, the album wasn't groundbreaking as previous works: other bands had appeared and were exploring other paths of electronic music surpassing Kraftwerk's mannerism at the time. I think It is the reason why Karl could find a greater role in making Electric Café the before: he still had fresh ideas, and in fact "Telephone Call" was their only n°1 in dance charts and it's Karl's. If you listen to the 3D Catalog version of Telephone Call, Ralf gas cut away all lyrics because ne simply hates the song non being his. Further works by Karl, like "TV" in Elektrik Music, demonstrate what Technopop could have been. Electric café suffers from this dicotomy between Ralf's growing self-mannerism and Karl's joyful offspring.

[@arnonuhm7193]

I think the main problem was that by 1978-1981 Kraftwerk were like the forerunners in electronic music, but by 82-83-84 many many and more and more competitors appeared on the surface, like all the british new Wave Bands, or in Pop music people like Harold Faltermeyer, Giorgio Moroder, Yello, Herbie Hancock or especially also in the upcoming Breakdance music from USA, check Grandmaster Flash "the Message". Kraftwerk with their self-image of being the Avantgarde Masterminds, were under immense pressure to deliver a very very strong album which they didnt seem to cope with. Had no #1 single material , and with their Pocket Computer sounds of Computerwelt were always in danger to sound outdated. Add perfectionism.

[@klingklangwerk3319]

Dear Andy According to a source within Kraftwerk in 1983... Ralf and Florian is where ready to release Technopop. It had its own release number. According to this source...the main reason was that Ralf heard the beat to Billie Jean by Michael Jackson. He immediately realised that Technopop album and it's drum sounds were outclassed and out dated. This was the start of the doubts that hey had.

[@ajs41]

@@klingklangwerk3319 Thanks, that's interesting. I also seem to remember reading somewhere that they heard Blue Monday by New Order in early 1983 and were amazed at the sounds on the song, especially the synth-bass sound, and wanted to know how New Order had created it.

[@ajs41]

@@arnonuhm7193 There was a big change in music around early 1983 with tracks like Blue Monday by New Order and Everything Counts by Depeche Mode. Songs like those suddenly made everything from even a couple of years earlier seem outdated.

[@halfrutter2226]

He said "final solution" while talking about how NME treated them like Nazis...buwahhaha! It was terrible that they did that, but Karl was funny there.

[@electrokinesis]

Kerrygrl 54 The NME article literally used the phrase, "Final Solution", with a giant swastika in the background. Many people were still angry about World War 2, and decided to take it out on Kraftwerk. Kraftwerk's members were born after the war, and formed out of the student uprisings and art collective protests in Europe. The band wanted to make it okay to be German again, and unite the world and its people through Electronic music.

[@halfrutter2226]

I know, Josh. It is awful that they treated these guys like that. Kraftwerk are great and did a lot to bring techno to the world. I'm glad they were never treated so badly here in the U.S. It just sounded weird to hear him say those words, even though I know the context.

[@carly9339]

Josh English pretty sure it was a joke, not out of anger. Half Rutter In another interview karl bartos said that everybody greeted them with nazi salutes in the US.

[@2112jonr]

NME were collectively scum at that time. For your information, they accused Rush of having similar political beliefs and slurred them too. Their lead singer, Geddy Lee, is alive today by a slim chance. Both of his parents were imprisoned in, and eventually met, in a Nazi human extermination camp. NME and anyone associated with them should beg for forgiveness for that piece of scummy journalism alone. Unforgiveable and deeply nasty.

[@2112jonr]

@@electrokinesis NME. Where budding "Sun" journalists trained. Shitbags and vile people.

[@johnk6312]

Tbh electric cafe is my least favourite kraftwerk album. I think they made a mistake pulling techno pop in 83 if the two demo songs are anything to go by, it sounds like it was gonna be another winner.e c is just too digital and the samples from real instruments just sounded boring compared to the lush synths.also, ironically given the reasoning at the time its the only album that hasn't really stood the test of time.it would be great to hear the full original mix of the techno pop album which it seems did exist from this interview .

[@donnarawlinsfrench220]

Agreed! I have a hunch that the original "Techno Pop" album would have actually dated a lot less..."Electric Cafe" is not my favourite Kraftwerk album...I would love to think that the original concept might be released at some point. Come on Ralf!!

[@krollpeter]

The thing is that technology has to serve the music. They made music that served technology from the 80's.

[@eugeniopizzorni]

W the KRAFTWERK. N. 1.😉😉😉👍👍👍👍👍👋👋👋👋

[@bronsondeliac2625]

<a href="#" class="seekto" data-time="201">3:21</a> We had no FINAL SOLUTION haha 😄

[@user-vh3jd6qe7d]

Kraftwerk und Daft Punk und der Abend wird gut

[@victorhav]

iPhone, or how's it called, iTunes? hahaha.

[@femme-mirage]

😃💗

[@2112jonr]

Yet another example of the gutter music press in the form of the Non Musical Express having a crack at anything their sloppy, ultra left wing journalists didn't like. I'm disgusted that they treated Kraftwerk this way purely because they're German,especially as the whole point of their genre of music was to get away from the music of the generation that embraced the politics NME slurred them with. Karl, as an Englishman above that kind of cheap, nasty racism, I offer you my apologies, to you and every fan for what NME wrote (they did it to my favourite band, Rush, too). We're not all gutter journalists, nor do we share their scummy views. If you're reading this, "Thank you" for spending the time to conduct an interesting and informative interview, it's been sincerely appreciated.

[@museonfilm8919]

That's interesting, I'm a Rush fan also (but a bigger Kraftwerk fan...just!). How did NME slur Rush??

[@TheCybermonty]

"We had no final solution for the musical problems" Lol, brilliant!

[@cuerpoeperra]

This guy is a MUSICIAN, not like today's " electronic musicians" or dj´s egolatred people

[@stellastella8493]

I agree

[@digitalrobotics914]

jon jon goufema liames zenbin pinfen I agree with you, but why do you say?

[@PhilAndersonOutside]

I don't think I ever could have said something so strong, but I applaud someone, you, for doing so. The way these "producers" and "dj's" today that receive the praise they do, compared to a real musician like Karl and Kraftwerk is just nauseating.

[@fernandokosovel600]

exactly ,that's the difference,Kraftwerk is music for body ,mind and soul....,the other thing....

[@0cer0]

Stephan Bodzin, Dominik Eulberg, Christian Löffler, Nils Frahm, some of the Giegling artists and so on - what you see depends on where you look at.

[@followtheboat]

That NME story is just embarrassing.

[@markusdenger8824]

Hi Karl! Bitte komm zu nem Konzert nach nach Bergisch Gladbach: www.bergischerloewe.de oder www.pool-blues.com!!!:-)

[@stookeyslaughter]

I disagree with Karl. Electric Cafe/Techno Pop was a great album. I understand why he thinks it was a flop.

[@franfinesim]

<a href="#" class="seekto" data-time="190">3:10</a> assholes! they should be really ashamed for making that! they were born after www2 and didn't experience that time. if it were they case, so what? I really doubt they would harm anyone. Karl seems like a down-to-earth person

[@loveorama]

Electric Cafe is the one Kraftwerk album I'm just not into

[@basehead617]

What in the world is he talking about, all music in the 19th century was a 3/4 waltz? WTF?

[@jokijarvi2]

poor brits were always jealous of the german superiority in every aspect

[@museonfilm8919]

Ja

[@unadomandaperte]

You are never going to for your crap workout❤❤❤❤❤

[@sweiland75]

Oh no! Don't use that phrase "Final Solution" when after just mentioning anything about Nazis.

[@CertainlyCaro]

It was just a pun

[@-TimZambra]

Like most post modern art, three quarters of the art needs its over-intellectualisations explaining off to one side away from the piece, and so lacks the immediacy of true art. Kraftwerk were not the influence they pretend to be.

[@ratzundruebe]

daft Punk ist nicht weit weg #so wenig wie Pachhelbel, oder Mozart oder Bach They ahow us the Sun! show