I was fortunate enough to play for Kleiber in the LSO and to play Freichutz overture with him in the 1980s . He made everything he conducted feel like the greatest music ever written. I will never forget how fortunate I was Martin Gatt
@swimmad4568 ай бұрын
I was at that concert. Despite the naysayers in the critical community it was a great evening. Thank you.
I have no clue about music, don’t play a Instrument, can’t read notes,… I’m just a simple waitress. But I do love and respect passion and the will for perfection when I see it. Fascinating!
@anonymusum Жыл бұрын
But you are sensible for great music and for passion. So you are in fact not "simple".
This visual document is priceless for true music lovers the world over. Incomparable Kleiber, and behaving as a gentleman to the players, as always. What a sound he gets from the strings at the sombre outset of the piece.
Carlos Kleiber - rehearsal Der Freischütz Overture in 1970 South German Radio Symphony Orchestra (the present: Stuttgart Radio Symphony Orchestra) Sinfonieorchester des Süddeutschen Rundfunks (Radio-Sinfonieorchester Stuttgart des SWR)
@santiagodeloscaballeros37434 жыл бұрын
Merci beaucoup pour le partage de ce document! C'est toujours un énorme plaisir que de voir le grand Carlos Kleiber et son art incomparable de la direction d'orchestre. Magnifique!
@jorgechacin59242 жыл бұрын
Es un verdadero lujo poder disfrutar de este documento histórico.
@user-mg7cg6yr1v3 жыл бұрын
カラヤンが「クライバーは天才の中の天才指揮者ッ!」って言ってたのが納得ッ!?(笑)
@Markus238752 жыл бұрын
Hier ist ein Genie am Werk, herrlich!!!
@henkerfastwalker9 ай бұрын
The BEST ! Da kracht es ! Tolle Musik !
@Cherubini474 жыл бұрын
This genius & unique maestro had set such a very high standard for music interpretation & conducting that it's unfortunately impossible to have anyone who can match this level, neither now nor in future. Amazing person.
@telephilia4 жыл бұрын
I don't speak German or Japanese but I do know that CK's finished products in performance are among the finest ever, indeed sometimes the gold standard.
Incredible genius. One of a kind whose like will never be matched. I am a symphonic conductor and I bow down to this great genius. PS The principal clarinet in the white turtle neck was a substitute and not quite up to snuff. Maestro didn't know this and spent so much time trying to improve his performance.
@amnostempest47824 ай бұрын
That‘s a fun fact!
@user-cc4jy7vt9n3 жыл бұрын
名門オケだけど平均年齢60歳なのか?しかし紡ぎ出す音楽は力強く素晴らしい
@johnmitchell48387 жыл бұрын
Many people say he's the greatest conductor that ever lived. I would not dispute that for one moment.
@fgb31264 жыл бұрын
"And yet modest.
@beebeequail4 жыл бұрын
It’s amazing how he continued to mature over the years.
@gioiafrancesco4 жыл бұрын
It doesn't exist such a thing as "The greatest". There are no "top-ten" when you talk about real art. Please. Kleiber, Karajan, Celibidache, Bernstein, Klemperer, Walter, De Sabata, Scherchen, Furthwängler.... comeon.
@emilianohernandez24564 жыл бұрын
Every artist is different and has different ideas.
@keybawd40234 жыл бұрын
This idea of "The greatest" is so puerile - so schoolboy. "Kleiber is better than Celibidache", "No he's not", "Yes he is". Art is not about The Greatest - that's the Olympic games. Some performers are unsurpassed. They are wonderful, marvelous, special. But "the greatest"? ABSURD
@user-bs2zg4ww2x3 жыл бұрын
このシリーズ、素晴らしいなぁ。 毎回、後ろのが襖にしか見えんw
@user-su5ic4yw6g2 жыл бұрын
自分もずっと思ってた。🤣🤣 二枚あるし、襖にしか見えない。 何なんだろう。
@antwerpsmerle14043 жыл бұрын
I treasure this video, captured long before Kleiber had achieved his “legendary” status. Simon Rattle tells the story of how he and Haitink were sitting in a Covent Garden box at a closed Kleiber rehearsal of Otello. When it ended, Haitink turned to Rattle and said: “Well, I don’t know about you, but I think that my studies in this art have only just begun.”
@user-tp6hh2dz2f Жыл бұрын
I felt as if I were the member of this orchestra listening the instruction of the conductor. Nice experience!
einfach genial wie der Dirigent de Stoff durchdringt und vermittelt was für ein ergebnis
@valerypolyansky31687 жыл бұрын
ירח צוקר
@gerardcohen7780Ай бұрын
Dommage qu'il ne dirigeait que lorsque le frigo était vide !
@user-yl2lv1ds5g3 жыл бұрын
詩篇150:1と賛美歌151(主をたたえよ)を賛美
@wilsonpereira1307 Жыл бұрын
Subtitles in English, PLEASE! THANK YOU!
@bora1123bora10 жыл бұрын
!
@Schleiermacher10003 жыл бұрын
Vergessen Sie die Welt, sie ist nichts wert"
@Fritz_Maisenbacher3 жыл бұрын
36:04 ;;; I cannot believe it .... 36:37
@kenhunt278 Жыл бұрын
One does sincerely hope they're not going to work through the whole opera this way. Must be only the overture. Otherwise, they'll need the same number of rehearsals Boehm had at the Met for "Wozzeck" in 1959. Which I think was 32 or something....
Das, was er erklärt, ist die Probe zur Fledermaus, was er spielt ist "Der Freischutz" - Ouvertüre. Wie kann das sein?
@thomaskunze81967 жыл бұрын
Nein
@johannschneider63727 жыл бұрын
Was Nein?
@thomaskunze81967 жыл бұрын
Ich höre schlicht keine Anweisungen zur Fledermaus. Aber ich bin lernfähig...
@johannschneider63727 жыл бұрын
Es stimmt, er gibt sehr ähnliche Anweisungen zur Fledermaus, teilweise die gleichen Bilder, ich hatte mich geirrt.
@pablobrowne37745 жыл бұрын
+Johann Schneider Das klingt sehr interessant. Wo könnte ich diese Probe von Der Fledermaus finden?
@otohikoirie5947Ай бұрын
ファーストヴァイオリンの2プルトの表の人、かなり勝手に弾いてますね?
@zergheureux4 жыл бұрын
19:11 dédicace au crou
@fabriziomariagarzi55345 жыл бұрын
Non si muoveva da tre brani di tre autori...mah...viva Stokowsky.
@hiobaname3 жыл бұрын
Dobbiamo sempre distinguerci con fesserie come questa,fra giapponesi,inglesi,tedeschi e francesi che fanno commenti sensati ed appropriati.Sta parlando del direttore d'orchestra più grande di tutti i tempi.Le sue esecuzioni di Brahms,Beethoven,la prima e la quarta di Brahms,la settima di Beethoven sono vertici insuperabili.Ma,dal suo commento,temo che non le abbia mai ascoltate.Senza offesa,ma è veramente insopporabile un simile commento su Carlos Kleiber.
@fabriziogarzi98923 жыл бұрын
@@hiobaname, insuperabili per lei. Affermare che Kleiber sia " il più grande" significa solo che non ha ascoltato gli altri dal vivo.Io dal vivo ho ascoltato tanti e tante volte, Bernstein, Solti, Bohm, Pretre, Karajan...e ho ascoltato Kleiber almeno in una decina di concerti...non e'il solo. Forse lei non ha ascoltato dal vivo "quegli altri....
@hiobaname3 жыл бұрын
@@fabriziogarzi9892 Di fronte a una simile esperienza,mi arrendo e mi ritiro umilmente.Resto comunque della mia opinione,anche se non poggia certo sulla sua invidiabile esperienza,che pochissime persone credo possano vantare.Buona serata e buona musica.
@fabriziogarzi98923 жыл бұрын
@@hiobaname , io ho molti anni più di te e per forza sono riuscito ad ascoltare questi direttori. Comunque Kleiber era un ottimo direttore ma non mi faceva impazzire. Mi piace tanto Bernstein e Pretre. Buon ascolti anche a te.
@claudiochiavazza40682 жыл бұрын
Bisogna sempre fare classifiche? La musica come il calcio. Pelé più grande di Maradona, Bernstein più grande di Kleiber... per favore ! stiamo parlando di grandissimi direttori, fare classifiche è riduttivo . Comunque quella concertazione dell'Ouverture del Freuschutz è assolutamente magistrale .
Merci beaucoup pour le partage de ce document! C'est toujours un énorme plaisir que de voir le grand Carlos Kleiber et son art incomparable de la direction d'orchestre. Magnifique!