KV Narayanaswamy - shrI cAmuNDEshvari pAlayamAm - bilahari - mysore vAsudevAcAr

[@r.vishwanath4492]

🙏🙏🙏

[@bhargavr23060]

Beuatiful Raga prayogas, and flowing nicely from one swara to another!

[@haimytube]

Nice to include accompanying artist names

[@brindamohanamurali7901]

This is one of my favorite songs from KVN.i can listen to it daily. Another master piece from KVN is NarayanA Ninna NAmara smaranaya --

[@kumaraswamybv6174]

K.v. Narayana swamy is like Honey with ghee after pooja prasad in empty stomach at pleasant morning. After listening KVN in 1977, to me he is ultimate in Carnatic music. He was introduced by master musicologist and my guru prof. S.K.Ramachandra rao who was a great admirer

[@ramkij]

Listening to Sri KVN is being in Heaven. Such unparalleled singing! So pleasing and satisfying!

[@ananthd1131]

ಶ್ರೀ ದೇವಿಯ ಭಾವ ದರ್ಶನವಾಯಿತು...

[@sudharson93]

Awesome Bilahari..❤️❤️

[@mysuruvasudevacharya]

Superb ! Shri cAmubdeshvari Ragam Bilahari 29th Mela janya Adi Talam Mysore Vasudevacharyar Krithi This krithi is on Sri Chamundeswari The Chamundi Temple on top of the Chamundi hills is the most famous temple in Mysore, since Goddess Chamundi or Chamundeshwari is the presiding deity of Mysore. She is the tutelary deity held in great regard for hundreds of years by the royal family of Mysore. Initially the temple was small, but over the past few centuries, as a result of the aids and development made by the Mysore Maharajas it has become a big temple. In the ancient times, human and animal sacrifices were often made at this temple, but were stopped in the 18th century. The temple of goddess Chamundeshwari is a Shakti Peetha or powerful energy centres, and one of the eighteen Maha Shakti Peethas of the world. It is also called Krouncha Peetham because the area where it is located was known by the name of Krouncha Puri in the Vedic Era. Skanda Purana, the holy ancient texts, talks of a pious place known as Trimuta Kshetra which is believed to be enclosed by eight hills and Chamundi Hills is believed to be one of those eight sacred hills P: shrI cAmuNDEshvari pAlayamAm krpAkari shankari shrtajana pAlini mahAbalAri vAsini mahiSAsuramardini Oh Goddess Chamundeswari, please protect me. You are very merciful consort of Sankara. You are protector of those who seek refuge. You are the most powerful. You dwell on Himalaya mountain. You destroyed demon Mahisha. A: vAcAma gOcara mahima virAjitE varaguNa bharitE vAkpati mukha sura vanditE vAsudEva sahajAtE (ciTTasvara) s,,snd rsnd pdnpmg | dp,mgr srgpmg rs nd || s,,r,gp,dmgr,gpd | srgp mgrs rgpd sndp|| dSRG pdSR gpdSnd RS | R,,, Sndp mgrs r,,, || gppd dSnd R,, S, ndp d, p, mr s,, r, gpd || Your powers are indescribable by words. Your virtues are excellent. Brahma and other Devatas bow to you. You are Maha Vishnu's sister. C: rAkA nishAkara sannibha vadanE rAjIva lOcanE ramaNiya kundaradanE rakSita bhuvana maNirasaNE mUka vAkpradAna vikhyAtE muni varanuta su-prItE shrIkara tAraka mantra tOSita cittE sadA namastE You face is beautiful like full moon. Your eyes are like lotus petals. Your teeth are like jasmine buds. You are the protector of the world. Your abode is gem studded. You bestowed voice to dumb. All sages worship you. You are auspicious and pleasant. You are delighted with blissful "Taraka Mantra" which bestows salvation. I always bow to you Raga Bilahari Janyam of 29th mela Shankarabaranam. Aro: S R2 G3 P D2 S Av: S N3 D2 P M1 G3 R2 S A raga that is suitable for the mornings, exuding positivity and happiness, is Bilahari. Bilahari has beauty in asymmetry, and is an audava-sampoorna raga. It contains the notes sadja, chatusruti rishabha, antara gandhara, pancama, and chatusruti dhaivata in ascent, and the kakali nishada and the suddha madhyama in descent. The arohana and avarohana is SRGPDS/SNDPMGRS. The kaisiki nishada sometimes occurs as a bhashanga swara (foreign note), lending pep and freshness to the raga. Bilahari is known for the bhakti rasa that it pours forth, and in addition to classical kritis, several verses steeped in devotion are often sung as viruttams in Bilahari. The classical compositions in Bilahari include ‘Na jeevadhara’ , ‘Kanukontini ’, ‘Dorakuna ’ , ‘Tolijanma’ and ‘Intha kannananda’ of Thyagaraja; ‘Sri Balasubramanya’, ‘Kamakshi’ and ‘Ekadantam ’ of Muthuswamy Dikshitar; and ‘Paridhanaminchithe’ of Patnam Subramanya Iyer. ‘Sri Chamundeeswari’ of Mysore Vasudevachar is a favourite of many artistes. Ragas such as Bilahari are very unique and their signature prayogas are hard to miss. They stand out and, hence, it is quite easy to identify a Bilahari when one hears a good rendition that keeps within the rules of the scale. Due to the same reason, it is also difficult for film composers to compose a kriti that entirely conforms to the grammar of the raga.

[@bobbybringi]

Thank you for sharing this wonderful background

[@mysuruvasudevacharya]

@@bobbybringi ji My Pleasure

[@jyothikamusic2005]

Tq, 🥰

[@brindamohanamurali7901]

Accompaniments is also equally superb

[@shashankanand6139]

Even for KVN's high standards, this is absolutely remarkable! Thank you for sharing!

[@raveindran]

silken soft voice adds to the mastery...the complete master of the complete everything..wonder how good would this be if recording systems were as good as today.

[@Raama48]

👌👌🙏🙏

[@veenakakade2833]

Thankyou... a great rendition !!!

[@viknendranmahalingam3177]

Beautiful kutchery - i think the violin in played by Chandrashekaran and Mrindagam by U.K.Sivaraman.

[@vsridharan1429]

Vow what a Bilahari

[@ganeshgeetha]

More like T K Murthy

[@ponnsiva]

​@@ganeshgeetha Kappi mridangam...not UKS sir for sure :)

[@ytdharashashi]

It is palghat raghu

[@rajeswaryiyer4869]

@@ytdharashashi Wonderful, and remarkable description🙏🙏