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As Lindy Hoppers, our goal is to look like the music sounds. However, there's no one right way to do this, and it can be very difficult to find your individual voice as a dancer. In this video, I go over ideas for musicality in choreography, improvisation, solo, and partner dancing as well as a bit of my own musical evolution, and some great advice I've gotten to help get me where I am. Hope it's helpful!
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00:00 - Thanks for Joining Me!
01:19 - Being Literal
05:49 - Being General: Structural Musicality
07:35 - Tailored to a Song
09:01 - Countermelody / Collective Improv / Negative Space
10:52 - Putting It All Together
12:26 - Partner Dancing
VOCALESE EXAMPLES:
Original Solo: • Coleman Hawkins-Body a...
Eddie Jefferson's vocalese: • Eddie Jefferson - Body...
COLLECTIVE IMPROV:
• Collective Improvisati...
COUNTER MELODY:
Charlie Barnett, Cherokee: • 1939 HITS ARCHIVE: Che...
Charlie Barnett, Skyliner: • Video
STAN GETZ version of Jumpin' with Symphony Sid:
• Jumpin' with Symphony ...
MUSIC:
Intro / Outro: Six Cats and a Prince, by the Brooks Prumo Orchestra
Jumpin' with Symphony Sid, by the Brooks Prumo Orchestra
brooksprumoorch...
MERCH:
Prints: www.etsy.com/s...
Other: lauraglaess.th...
50% of the money made from this channel is donated to organizations that support African Diasporic art forms, because Lindy Hop is a Black dance, and preserving and cultivating Blackness is very important to its identity. My current charities are:
Black Lindy Hopper's Fund: blacklindyhopp...
National Jazz Museum in Harlem: jazzmuseuminha...